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  • How to Predict Dramatic Sunsets

    The post How to Predict Dramatic Sunsets appeared first on Digital Photography School. It was authored by Bruce Wunderlich.

    Summer sunset over Marietta Ohio just after a storm had past through earlier in the afternoon.
    “Red Sky”  Summer sunset over Marietta, Ohio

    One question every child asks is, “Why is the sky blue?” But let’s look at why is the sky red at Sunset. Light from the sun is made up of all the colors in the rainbow. As the sunlight enters the earth’s atmosphere, the short wavelength of blue light is scattered in all directions, more than any of the other colors, causing the sky to be blue during the day.

    At sunrise and sunset, the light has farther to travel due to the low angle of the sun in the sky. This causes the blue light to be blocked and scattered away, allowing the longer wavelengths of red and yellow colors to appear in the sky.

    I am sure you wish there was some magic formula that could tell you exactly the night for photographing a beautiful sunset? It’s not that easy, but hopefully, we can discover some ways to increase your odds.

    Let’s take a closer look at some other factors that will help you predict brilliantly-colored sunsets.

    You have no doubt heard the saying “Red sky in the morning, sailors take warning. Red sky at night, sailors’ delight”. This saying can also help you predict sunsets (and sunrises) if you know the weather forecast. Look for a red sky at sunrise ahead of a storm and at sunset after a storm. Knowing what to expect weather-wise is key to anticipating the right conditions for a shoot, so the first thing you need to do is find a good weather app or website.

    A website such as Intellicast.com will give you a detailed hourly report for key factors: cloud cover, air quality, humidity, and wind speed.

    Winter sunset after a snow storm.
    Winter sunset after a snow storm.

    Clouds and Cloud Cover

    Clouds are a crucial factor to predicting dramatic sunsets, for without clouds there is not much to see.

    One common misconception of brilliant sunsets is that clouds create the colors; in reality clouds only serve as the canvas to display the colors that the light is painting. High to mid-level clouds are the most effective canvases, as they will reflect the colors of the setting sun. Puffy clouds on the horizon at sunset will more than likely not allow the sun rays to pass through them, thus muting the colors. Lower clouds (such as dark rain-filled clouds) are not very helpful at reflecting much light.

    If the clouds on the horizon are low and thick, the sun will not be able to shine through them. It is also worth noting that too many or too few clouds can be detrimental for an optimal photo, so check out your detailed weather report for cloud cover percentages between 30 to 70 percent at sunset.

    You can observe cloud conditions in the afternoon and if the sky looks favorable, you can hope that these clouds will still be present at sunset. No guarantees, but if there is not much wind these clouds may stick around to create a beautiful sunset.

    A brief description of fair weather clouds that may produce dramatic sunsets:

    • Cirrocumulus Clouds – These look like ripples on water. Blue sky is the usual backdrop.
    • Altocumulus Clouds – Often occur in sheets or patches with wavy, rounded masses or rolls, like little cotton balls. They are generally white or grey and usually appear after a storm.
    • Cumulus Clouds – Easily recognizable, large, white, and fluffy, often with flat bases.
    • Cirrus Clouds – Generally characterized by thin, wispy strands. These clouds arrive in advance of frontal systems indicating that weather conditions may soon deteriorate. Nevertheless, these are one of the best kind for photographing dramatic sunsets!
    DSC_1917
    If you see this kind of sky in the afternoon with calm winds, chances are good you are in for something special at sunset.
    5939386215_2d2133ebcc_o

    Clean Air

    Clean air is very effective at scattering the blue light. For this reason, one of the best times for dramatic sunsets is right after a rain or wind storm. While lower clouds rarely reflect brilliant colors (as mentioned above), note that where the lower atmosphere is especially clean, as in over open oceans in tropical regions, more vivid colors are allowed pass through. This is the reason so many beautiful sunset images are captured in the tropics.

    Humidity

    The amount of humidity in the air will also have an effect on the colors of your sunset. Lower humidity will produce more vibrant colors. With higher humidity, the colors will be muted because of the water content in the atmosphere. The seasons of autumn and winter typically produce lower humidity than in the warmer seasons.

    Wind

    Wind is a factor that can either enhance or destroy a beautiful sunset. A change in wind direction can cause the clouds to develop ripples or billows, which can create a beautiful effect as the setting sun reflects a nice red glow onto the ripples.

    Also, as established earlier, clean air will produce more brilliant colors, and a nice breeze before sunset can help clear the air.

    Unfortunately, the wind can become a negative factor on those days when favorable clouds are present in the afternoon, but a weather front moves through with strong winds that remove those clouds and leave you with a clear sky at sunset.

    This is another instance when a good weather app or weather website can give you an indication on its radar as to when a front may move through your area.

    6022670360_25a65077ed_o

    To summarize your sunset prediction, look for:

    • Mid to high-level clouds
    • 30 to 70 percent cloud coverage
    • Clean air
    • Lower humidity
    • Calm winds

    A final thought to consider when photographing sunsets – sometimes the afterglow of the sunset, which can occur 15 to 20 minutes after the sun goes behind the horizon, can be much more spectacular than the actual sunset.

    Generally, all these weather-related rules also apply to photographing sunrise, but the visual signs are more difficult to spot since it is darkest before the dawn. A good time to photograph at sunrise is in the fall and winter when it occurs later in the day than in the summer months.

    Do you have any other tips for predicting dramatic sunsets? Please share some of your favorite sunset images. Who doesn’t love a good sunset? If you want some tips for shooting the great sunset you’ve found try: 8 Simple Guidelines for Capturing Spectacular Sunrise and Sunset Images

    The post How to Predict Dramatic Sunsets appeared first on Digital Photography School. It was authored by Bruce Wunderlich.


    Digital Photography School

  • Tokina’s new 400mm F8 mirror lens for full-frame, APS-C mounts will ship in August

    Tokina has announced the upcoming release of its new SZX Super Tele 400mm F8 Reflex MF, a mirror (or reflex) lens for select full-frame and APS-C camera systems.

    The 400mm F8 lens manages to pack an impressive focal length into a relatively compact frame thanks to its catadioptric design. Usually reserved for telescopes, this design choice makes the smaller design possible, but at the cost of having the signature ‘donut’ bokeh, the lack of autofocus and having a fixed aperture.

    The lens is constructed of six elements in five groups, offers a 1:2.5 magnification ratio and measures in at just 355g (11.82oz). It’s 74mm (2.91”) diameter and 77mm (3.03”) in length.

    To make the lens as versatile as possible, the SZX Super Tele 400mm F8 Reflex MF has a 0.75mm pitch and 42mm thread mount that can be used with adapters to work with nearly any camera system. In addition to offering the base lens without an adapter, Tokina is also selling versions with included adapters for Canon EF, Nikon F, Sony E, Fujifilm X and Micro Four Thirds camera systems.

    Below are a few sample photos taken with the lens, provided by Tokina:

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    Tokina says the lens is set to launch on August 7, but no pricing information has been given at this time. You can find out more about the lens and its design philosophy on Tokina’s product page.

    Articles: Digital Photography Review (dpreview.com)

  • Nikon Z 24-200mm F4-6.3 VR sample gallery

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    The Nikon Z 24-200mm F4-6.3 VR is a multipurpose zoom lens for Nikon’s full-frame Z-mount cameras. Intended to be a ‘do anything’ lens, the 24-200mm should be perfect for travel and everyday photography.

    As such, we’ve been shooting with the 24-200mm in as many different situations as we can find. Check out our gallery of samples to see how it performs.

    View samples from the Z 24-200mm F4-6.3

    Articles: Digital Photography Review (dpreview.com)

  • Photo competitions you can enter right now

    Got a competitive streak? Bookmark this page for a list of open photo competitions, updated throughout the year. While the competitions we’ve highlighted are largely well-established, we aren’t endorsing any particular contest and we strongly encourage you to read the rules and conditions before entering. Once you’re ready to submit your photos, we’ve got a few pointers to help you put your best foot forward.

    Let us know in the comments if we missed any that should be included, and best of luck!

    Open for submissions

    International Landscape Photographer of the Year

    Region: Worldwide
    Prizes: First prize $ 5000, Second prize $ 1000, Third prize $ 500
    Submissions close: September 30, 2020
    Entry fee: $ 25 per image

    Travel Photographer of the Year

    Region: Worldwide
    Prizes: TBD
    Submissions close: November 2nd, 2020
    Entry fee: 8£ – 30£

    Sony World Photography Awards 2021

    Region: Worldwide
    Prizes: $ 5000 – $ 25,000
    Submissions close:

    • January 7, 2021 (National Award, Open and Youth Competitions)
    • January 14, 2021 (Professional Competition)

    Entry fee: None

    International Garden Photographer of the Year

    Region: Worldwide
    Prizes: £250 – 5000
    Submissions close: October 31st, 2020 (Main Competition)
    Entry fee: £5-25
    Read the full contest rules

    Monochrome Awards

    Region: Worldwide
    Prizes: $ 1000 (Amateur) / $ 2000 (Professional)
    Submissions close: November 15th, 2020
    Entry fee: $ 20 (Amateur) / $ 25 (Professional)
    Read the full contest rules

    10th Annual Mobile Photography Awards

    Region: Worldwide
    Prizes: $ 3000 grand prize
    Submissions close: December 14th, 2020
    Entry fee: $ 15 – 100
    Read the full contest rules

    International Wedding Photographer of the Year

    Region: Worldwide
    Prizes: $ 150 – 3000
    Submissions close: September 1st, 2020
    Entry fee: $ 18 per image
    Read the full contest rules

    Opening soon

    2020-2021 Nikon Photo Contest

    Closed

    Insight Investment Astronomy Photographer of the Year

    2020 Audubon Photography Awards [see winners]

    Sony World Photography Awards 2020 [see winners]

    Red Bull Illume Special Image Quest 2020

    BigPicture: National World Photography Competition [see winners]

    International Photography Awards One-Shot Movement Competition [see winners]

    Natural History Museum Wildlife Photographer of the Year 2020

    2020 World Press Photo Contest [see winners]

    Apple’s Shot on iPhone Competition [see winners]

    Articles: Digital Photography Review (dpreview.com)

  • Posing Guide: 21 Sample Poses to Get You Started with Photographing Women – Part I

    The post Posing Guide: 21 Sample Poses to Get You Started with Photographing Women – Part I appeared first on Digital Photography School. It was authored by Guest Contributor.

    This is the first in a series of Posing Guides with suggested starting poses for photographing different subjects. We are starting with the female posing guide.

    Also in the series check out our posing guides for posing children, posing couples, posing groups and posing weddings.

    Sample Poses to Get You Started with Photographing Women

    If you ever run out of ideas, get stuck in creativity or simply need some guidance when shooting female subjects, you may use following posing samples as a “posing cheat sheet”. Many pro photographers use such a technique when preparing for and during the photo shoot.

    The poses in this article are selected as an initial reference. I would advise you to look at the poses together with your subject, especially if she’s inexperienced. During a photo shoot, don’t hesitate to discuss with the subject which pose is or isn’t working in any particular situation. It’s usually very productive and you both will feel more confident in what you are doing.

    OK, let’s start, one by one.

    posing-photographing-female-models01.png

    1. Very simple portrait pose to start with. Have the model look over her shoulder. Note how unusual and interesting a portrait might look, if shot simply from a different angle.

    posing-photographing-female-models02.png

    2. In portrait photography, hands are usually not visible or at least not dominant. However, you might get creative by asking the model to play around with her hands trying different positions around her head or face. Keep in mind, though: No flat palms, and the hands should only show their sides!

    posing-photographing-female-models03.png

    3. You might be familiar with composition rules like the rule of thirds. In a similar way, pleasing effects can be created by using diagonals. Also remember that you don’t need to always hold your camera on a perfectly even level. Don’t be afraid to tilt it, you might achieve some interesting and unusual perspectives.

    posing-photographing-female-models04.png

    4. A really nice and lovely pose with a model sitting. The knees have to touch each other. Shoot slightly from above.

    posing-photographing-female-models05.png

    5. Another open and inviting pose with the model lying on the ground. Get down and take your shot nearly from the ground level.

    posing-photographing-female-models06.png

    6. Just a variation for a pose with the model lying on the ground. Both hands might as well be resting on the ground. Works very well outdoors, on the grass or in a wild flower meadow, for example.

    posing-photographing-female-models07.png

    7. A basic easy pose, yet looks absolutely stunning. Get down and shoot nearly from a ground level. Then try to move gradually around the model while making shots. Also ask your model to change head and hand positions.

    posing-photographing-female-models08.png

    8. Another easy yet gorgeous pose for all body types. Try different hand and leg positioning. And remember to focus on the model’s eyes!

    posing-photographing-female-models09.png

    9. A really lovely pose. Works well in different surface settings: The model, for example, might lie on a bed, on the ground, in the grass, or on a sandy beach. Shoot from a very low angle and focus on the eyes.

    posing-photographing-female-models10.png

    10. Gorgeous and easy pose for a model sitting on the ground.

    posing-photographing-female-models11.png

    11. Another simple and friendly pose for a model sitting on the ground. Try different directions and angles.

    posing-photographing-female-models12.png

    12. A wonderful way to demonstrate the beauty of a model’s physique. Works very well as a silhouette when shooting against a bright background.

    posing-photographing-female-models13.png

    13. A simple and casual looking pose. Lots of variations are possible. Ask the model to twist her body, experiment with hand positioning and try different head turns.

    posing-photographing-female-models14.png

    14. Another very simple and elegant pose. The model is turned slightly to the side, hands in back pockets.
    posing-photographing-female-models15.png
    15. Leaning slightly forward can be a very attractive gesture. It is a subtle way to emphasize upper body shapes.

    posing-photographing-female-models16.png

    16. A sensual pose. By holding the hands above the head body curves are emphasized. Works with fit body types.

    posing-photographing-female-models17.png

    17. Endless variations are possible for posing in full height. This pose is just the starting point. Ask the model to slightly turn her body, change hand positioning, change head and eye directions etc.

    posing-photographing-female-models18.png
    18. A relaxed pose with the model standing upright and supporting her back against a wall. Remember that the model may use a wall not only to support her back, but also to put her hands on, or resting a leg against it.

    posing-photographing-female-models19.png

    19. Note that full height settings are very demanding and work well only with slim to athletic body types. Posing guidelines are simple: The body should be arched in an S shape, hands should be relaxed, while the weight finds support on just one leg.

    posing-photographing-female-models20.png

    20. An exquisite pose for slim to athletic models. Many variations are possible. In order to find the best posture, tell the model to slowly move her hands and twist her body constantly. When you see a good variant, ask your model to hold still and take some pictures. Repeat for a full set.

    posing-photographing-female-models21.png

    21. An absolutely romantic and delicate pose. Any kind of cloth (even a curtain) can be used. Note that the back doesn’t need to be completely bare. Sometimes as little as a bare shoulder could work pretty well.

    So, there’s something for you to start with. Hope you will find at least couple of poses to work with in different shooting scenarios! Keep in mind that each of the initial sample poses is meant to be only a starting point. Each pose has endless variations! Just be creative and adjust the pose as needed (for example, try different shooting angles and ask your subject to change hand, head and leg positioning etc.)

    Check out our other Posing Guides:

    • Posing Guide: Sample poses for photographing Women Part 1
    • Posing Guide: Sample posees for photographing Women Part 2
    • Posing Guide: Sample poses for photographing Men
    • Posing Guide: Sample Poses for photographing Children
    • Posing Guide: Sample Poses for Photographing Couples
    • Posing Guide: Sample Poses for Photographing Groups of People
    • Posing Guide: Sample Poses for Photographing Weddings

    Grab Our Guide to Portrait Posing

    Posing Guide: 21 Sample Poses to Get You Started with Photographing Women – Part I

    Kaspars Grinvalds is a photographer working and living in Riga, Latvia. He is the author of Posing App where more poses and tips about people photography are available.

    The post Posing Guide: 21 Sample Poses to Get You Started with Photographing Women – Part I appeared first on Digital Photography School. It was authored by Guest Contributor.


    Digital Photography School

  • Canon EOS R6 sample gallery (DPReview TV)

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    Check out this gallery of images from the new Canon EOS R6, captured by our team at DPReview TV while filming their review of the camera. Come for the Raw files, but stay for the beauty of Alberta, Canada, in the summer.

    Articles: Digital Photography Review (dpreview.com)

  • Leica’s 40 Megapixel M10-R is its highest resolution rangefinder yet

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    Leica has introduced the M10-R, the highest resolution member of its M10-series yet. The M10-R’s 40 Megapixel sensor is largely the same as the one in the M10 Monochrom, with the main difference being (naturally) that it has a Bayer color filter. Leica claims that the new sensor offers a wider dynamic range in Raw mode and less noise than previous M10 bodies.

    Like the Monochrom and the M10-P, the ‘R’ has the quietest shutter of any M-series camera (film bodies included).

    The M10-R features a 3″ fixed touchscreen with 1.04 million dots, which can be used for live view and reviewing images. It has a single SD card slot (UHS-I only) and Wi-Fi, but not Bluetooth. As with its siblings, the M10-R does not have a USB or HDMI port. As always with Leica cameras, it’s made in Germany and build quality is exceptional.

    The M10-R will go on sale later this month, in your choice of black or silver, for $ 8295.

    Go hands-on with the M10-R

    Press release

    LEICA CAMERA ELEVATES IMAGE QUALITY WITH NEW M10-R

    A new 40-megapixel color sensor brings broader capabilities into the creative landscape

    July 16, 2020 – Leica Camera introduces a new high-resolution version of the company’s legendary rangefinder camera, expanding vivid creative possibilities from the most human moments in street photography to the most epic landscapes. With its unique 40 megapixel color sensor, the new Leica M10-R delivers enhanced rendition of details to fully explore the optical excellence of the legendary Leica M lenses. This new flagship expands the M10 family, which includes the M10, M10-P, M10-D and M10 Monochrom, and achieves maximum image output without compromising the tenets of M photography.

    The M10-R’s newly developed 40 megapixel sensor represents a considerable increase from the 24 megapixels of the M10, and yet the M10-R offers significantly reduced image noise as well as a wider dynamic range. The sensitivity range of this new sensor, from ISO 100 to 50000, ensures it can be used in any situation a photographer may need. That base ISO of 100 helps allow bright light photos where the aperture can be kept wide-open for better background blur and bokeh, while on the other side of the spectrum the maximum exposure time has been increased to 16 minutes for more creative freedom with long exposures in the darkest light. Complementing the Leica M10-R’s imaging prowess and handling is its super quiet mechanical shutter, inherited from the M10-P. Its whisper-quiet operation helps the user be stealthy, when capturing that decisive moment requires the utmost discretion, and its minimal vibrations reduce the risk of camera shake to help yield sharper pictures.

    As with all of Leica’s rangefinder cameras, the construction of the M10-R involves a large amount of hand assembly utilizing the best quality materials by highly trained specialists, carried out at the company’s production plant in Wetzlar, Germany. This ensures that the large number of components – such as the complex rangefinder mechanism – not only perform with the utmost precision but are also particularly robust and long-lasting. A Leica M is synonymous with reliability and durability, making it a valuable long-term investment.

    The Leica M10-R reaches its full potential when paired with its native Leica M lenses. The camera has the capacity to fully utilize the outstanding imaging performance of this legendary, longstanding lens range. The M10-R truly sings when paired with the newest generation of Leica’s technical marvels of optics, such as the APO-Summicron-M 50 f/2 ASPH., capturing photographs of a truly exceptional quality. Concurrently, the M10-R’s newfound heights of image quality and resolution also emphasizes the distinct characteristics of older M lenses, many of which are still cherished by vintage photography enthusiasts to this day.

    The Leica M10-R will be available end of July at Leica Stores, Boutiques and Dealers for $ 8,295.00 in black chrome and silver chrome finishes.

    Leica M10-R specifications

    Price
    MSRP $ 8295
    Body type
    Body type Rangefinder-style mirrorless
    Body material Magnesium alloy
    Sensor
    Max resolution 7864 x 5200
    Image ratio w:h 3:2
    Effective pixels 41 megapixels
    Sensor size Full frame (36 x 24 mm)
    Sensor type CMOS
    Processor Maestro II
    Color filter array Primary color filter
    Image
    ISO Auto, 100-50000
    Custom white balance Yes
    Image stabilization No
    Uncompressed format RAW
    File format
    • JPEG
    • DNG (14-bit)
    Optics & Focus
    Manual focus Yes
    Lens mount Leica M
    Focal length multiplier 1×
    Screen / viewfinder
    Articulated LCD Fully articulated
    Screen size 3
    Screen dots 1,036,800
    Touch screen Yes
    Screen type TFT LCD
    Live view Yes
    Viewfinder type Optical (rangefinder)
    Viewfinder magnification 0.73×
    Photography features
    Minimum shutter speed 960 sec
    Maximum shutter speed 1/4000 sec
    Exposure modes
    • Aperture priority
    • Manual
    Built-in flash No
    External flash Yes (via hot shoe)
    Flash X sync speed 1/180 sec
    Self-timer Yes
    Videography features
    Microphone None
    Speaker None
    Storage
    Storage types SD/SDHC/SDXC card
    Connectivity
    Microphone port No
    Headphone port No
    Wireless Built-In
    Wireless notes 802.11b/g/n
    Remote control Yes (cable release)
    Physical
    Environmentally sealed Yes
    Battery Battery Pack
    Battery description BC-SCL5 lithium-ion battery & charger
    Weight (inc. batteries) 660 g (1.46 lb / 23.28 oz)
    Dimensions 139 x 39 x 80 mm (5.47 x 1.54 x 3.15)
    Other features
    Orientation sensor Yes
    GPS Optional

    Articles: Digital Photography Review (dpreview.com)

  • DPReview TV: Syrp Genie One motion control and pan head review

    The Syrp Genie One is a motion control system for creating automated time-lapse sequences or live-action video. In fact, it could even turn your existing slider into a programable motion control rig.

    Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

    • Can Chris pass as a Kiwi from New Zealand?
    • Introduction
    • User interface
    • Time-lapse examples
    • Design and functions
    • Time-lapse functions
    • Live action function
    • Compared to the competition
    • One last time-lapse!

    New to time-lapse? Watch our Introduction to time-lapse photography episode!

    Watch our introduction to time-lapse photography video

    Articles: Digital Photography Review (dpreview.com)

  • The Art of Freelensing for Creative Photography

    The post The Art of Freelensing for Creative Photography appeared first on Digital Photography School. It was authored by Karthika Gupta.

    freelensing for creative photography

    Photography has a great many rules and every once in a while, it is great to break all of them, don’t you think? For me, the art of freelensing for creative photography is the permission to play with both light and blur to archive a totally unexpected and magical image. 

    Freelensing tips
    Freelensing works for almost any type of photography, but portraits get extra special love with the soft blur of the out-of-focus elements.

    My first attempts at freelensing were just lucky shots among many more frustrated attempts. So, I gave up quickly. But as my photographer friends started posting beautiful dreamy images, I was tempted to pick up my camera and lens and try again.

    I gave freelensing another try and I have been addicted ever since. It is a perfect way to get those creative juices flowing and add a little diversity to your photography portfolio and client work. Plus, you don’t really need any extra equipment to purchase or invest in other than what you already have in your camera bag.

    What is freelensing?

    Freelensing is a technique where the photographer shoots with the lens DETACHED from the camera body, creating a unique shot. With freelensing, you can manipulate your plane of focus to draw the eye of the viewer to a specific area. Alternatively, you can have an entire shot out of focus, creating a very dreamy frame.

    It’s a great way to do creative photography play.

    Freelensing tips

    Here are some things to consider as you try freelensing for the first time:

    1. Camera settings for freelensing

    Before freelensing, you must get your camera settings right. With the lens still attached to the camera, set the aperture to the widest possible value, and adjust the shutter speed and ISO settings for the correct exposure.

    You can figure out the widest aperture on your lens by looking at the lens specifics. Once the lens is detached, you can make adjustments to the settings on the camera. For maximum control, use the camera in the manual mode setting where you, the photographer, are adjusting all variables like ISO, shutter speed, and aperture.

    Check your camera and lens settings. Some lens will automatically maintain aperture when detached while others won’t. With Canon, the aperture stays wide open, so you don’t need to do anything specific. With a manual lens, you might have to keep the aperture open manually.

    Freelensing tips
    Using live view can help you find the focus point in your image as you move the lens around. The dark edge on the lower left of the image is part of the lens (the final image is without the lens in the frame).

    2. Focal distance for freelensing

    Before detaching the lens, turn the focal distance dial of the lens all the way to the infinity symbol. This sets the focal distance to the farthest possible point. Then you can detach the lens and keep it as close as possible to the ring.

    Keeping your eye in the viewfinder, start tilting the lens slowly – up, down, left, or right until you see a composition that you like. Remember that by its nature, freelensing is not perfection. You will not find a tack-sharp image with freelensing, but that adds to the magic of creativity with this exercise.

    Freelensing for Creative Photography - how to hold the camera and lens

    3. Finding focus

    The beauty of freelensing for creative photography is that there are no rules. But one thing that can make or break a good creative image is the focus. While a completely out of focus image is still very beautiful, having a focal point in the image adds to the magic. Along with light, composition, and color, focus draws the eye into that element of perfection while the rest is imperfect.

    Freelensing for Creative Photography

    As you move the lens around, try and get one area of the frame in focus. Landing focus in freelensing is hard, so give yourself some time to get used to it and be patient.

    Try multiple frames to find the focus point. Play with the focal distance of the lens to help you determine that focal area. Also, try moving in and out of the scene until you’re happy with what you see.

    As you decide on composition and focus point, consider the message, mood, and story you want to convey to the viewer.

    Karthika Gupta Freelensing For Creative Photography

    4. Light and light leaks

    Freelensing for creative photography can lead to all kinds of interesting images, but it’s the element of light that makes them work. It can add flares and light leaks to the frame and infuse the image with an extra-magical effect.

    It’s better to work with good backlight when capturing light leaks and flares. I find the ideal time is during golden hour, when the sun is straight-on but slightly softer than other times of the day.

    As you tilt and separate the lens from the camera, bits of surrounding light can spill into the sensor, adding some cool light-leak effects to the frame.

    Play around with the light leaks and see how they affect the frame. You can control the direction and amount of light entering the frame by adjusting the size of the gap. Be aware that too much light can ruin the image too.

    Freelensing for Creative Photography. Pink Tulips
    Light leaks add an interesting element to freelensing images that sometimes resemble a filter.
    Freelensing tips
    When outdoors, freelensing can add beautiful sun flares without the use of extra filters and prisms.

    Things to note with freelensing for creative photography

    • If you have an expensive lens and camera, try freelensing inside the house on a bed or soft surface as you try to manually hold the camera and lens in your hand. Perhaps that heavy 70-200mm lens is not the one to try freelensing for the first time
    • I always shoot with the camera strap around my neck. That way, if for some reason I lose my grip on my lens and camera, I focus on saving the lens since I know the camera is secure.
    • You can do freelensing with the camera on a tripod but that can limit the range of motion and creativity of the frame. But if you are just starting out, then this is a safer option.
    • I hold the camera around the camera grip with my right hand and manipulate the lens with my left hand. I am right-handed, so this plays well with the strength of my hands.
    • If your camera has live view, use that as you move the lens around to find the perfect frame to your liking. 
    • The distance of the lens from the camera and the distance of the camera and lens from the subject will affect the plane of focus (just like it does in normal photography).
      • When you are closer to the subject, less of the subject will likely be in focus
      • When you are further away from the subject, more of the subject will likely be in focus
      • If you are far away from the subject, put the lens closer to the body of the camera
      • If you are close to the subject, you can get the lens further away from the body
    • As you move the lens away from the camera body, light leaks will enter the frame. Live view will help you find the light leaks that works best for the shot you have in mind.
    Freelensing for Creative Photography. Dog
    Once you get the hang of it, you will find yourself trying freelensing anywhere and everywhere. The results are so unique that you cannot help but get creative.

    The best advice for successful freelensing for creative photography is to leave all the rules behind and photograph with your heart. Find that creativity and let the magic unfold.

    We’d love to see your freelensing images! Please share them with us in the comments section.

    The post The Art of Freelensing for Creative Photography appeared first on Digital Photography School. It was authored by Karthika Gupta.


    Digital Photography School

  • Leica M10-R sample gallery

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    The Leica M10-R offers a familiar handling experience but ups the resolution from standard M10-series bodies to 40MP. We’ve been out shooting with a late preproduction M10-R, to give you a sense of what that extra resolution looks like.

    To reflect the manner in which the M10-R is likely to be shot by most owners, the majority of the images in this gallery are converted from Raw, with some out-of-camera JPEGs included for spice. Really mild spice.

    Please note that the images in this gallery were shot with a pre-production M10-R. As such, image quality may not exactly match results from shipping cameras (but is likely to be extremely close).

    Check out our gallery of samples from the Leica M10-R

    Articles: Digital Photography Review (dpreview.com)