The holiday season is upon us once again and with all the sales and special deals around at the moment, this is a great time to start thinking about getting a new camera. Maybe for a loved one, maybe just as a treat to yourself. In this article, we’ll be looking at the current field of enthusiast zoom compact cameras, and examining their relative strengths and weaknesses to help you make your buying decision. Click through for a link to our 12-page article.
The holiday season is upon us once again and with all the sales and special deals around at the moment, this is a great time to start thinking about getting a new camera. Maybe for a loved one, maybe just as a treat to yourself. In this article, we’ll be looking at the current field of enthusiast zoom compact cameras, and examining their relative strengths and weaknesses to help you make your buying decision. Click through for a link to our 12-page article.
The 28-300 is the FX version of the wildly popular (and fabulous) 18-200 DX Lens. See it here: goo.gl Here I talk about the IQ, compare images and go through its features. Video shot on D5100: goo.gl (Amazon: goo.gl ) 85mm 1.4g: goo.gl (Amazon: goo.gl ) Join our Flickr forum: www.flickr.com www.facebook.com www.thatnikonguy.com Video Rating: 4 / 5
‘What camera should I buy?’ That’s a question we get asked a lot here at dpreview, and it’s a tough one to answer. We use a lot of cameras, from simple point-and-shoot models to professional workhorses, and everything in between. To help you make a buying decision this holiday season, we’ve put together a short article which covers five of what we think are the best zoom compact cameras on the market right now, and summarized their strengths and weaknesses. Click through to see what we think.
www.dslrfilmnoob.com Super Clamps are handy little devices. You don’t have to use them with a manfrotto magic arm for them to come in handy. One Great use for them is mounting your zoom h4n. Using the stud that comes with your super clamp you can mount a threaded cold show adapter rcm.amazon.com or threading it into the super clamp stud: rcm.amazon.com Either way provide you with a great way to mount your zoom h4n to your boom pole. The zoom h4n is light enough that you wont be over taxed by the extra weight, and with the multiple mounting options on a super clamp you could always mount a wireless transmitter/receiver to send audio out or bring it in from other sources. When i have to operate the boom mic from long distances I often attach a wireless transmitter to send my audio back to the camera. That way my 7d has a good solid sync track for dualeyes to work with. Equipment used in this video: Canon t2i canon 35mm f1.4 Zoom h4n Cowboy super clamp and manfrotto super clamp Sennheiser g2 wireless transmitter
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Subscribe to Diggnation! bit.ly And check out Revision3! – www.youtube.com Glenn is a multifaceted photographer. That means Glenn’s talents with a camera are versatile. In this episode of Toasted Donut, Glenn demonstrates a cool zoom shot technique, edited together from multiple still and video shots, where the camera’s location advances to enable a continuous moving “zoom” (or rather, a camera floating through space and time and air effect). Glenn’s Twitter: www.twitter.com Never Miss An Episode! Subscribe Here: www.youtube.com Check Out The YouTube Channel: www.youtube.com More Toasted Donut Episodes: www.revision3.com ABOUT GLENN: Glenn, the occasional host that has a cat that likes toast crumbs. Seems like there should be a term for ‘toast crumbs’ – so hopefully there will be one in the future. Video Rating: 4 / 5
International superstar and iconic tough guy Charles Bronson stars in this gritty, action-packed TV series. Bronson portrays Mike Kovac, a New York City freelance photographer who specializes in getting difficult shots other lensmen cannot. Assisting law enforcement and insurance agencies, he invariable winds up acting as a private eye and gets himself into plenty of trouble!
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Pull out, stop, wait, track in, stop, enhance reflection, zoom, pan right, find a water droplet, zoom 80, enhance reflection, stop, rotate 170, zoom 220. All credit goes to the TV channel Dave. Video Rating: 4 / 5
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This video will help you fix or repair your stiff zoom ring problems with the NIkon 24-70mm f2.8. Disclaimer: Doing this will void your Nikon Warranty! Only do this if your warranty is expired, Nikon refuses to fix your stiff zoom ring, you need your lens ASAP and dont want to wait to get it back, angry at the world, jumping ship to Pentax. lol. UPDATE*** 02/06/11 – SOLD my Nikkor 24-70 to my nikon buddy who will use this lens more than me, he is a wedding photographer, and the lens zoom ring is still smooth and doesn’t stick or get stuck at all.
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Pentax has announced the X-5, a 26x superzoom built around a 16MP backlit CMOS sensor. The X-5 is designed to closely resemble the company’s K-5 DSLR, despite being based around a 1/2.3″-type sensor. The lens offers a 22.3-580mm equivalent range, backed up with sensor-shift image stabilization. It can capture 1080p30 movies and features a selection of the multi-shot and image processing modes that have become common on CMOS-based cameras. It features a tilting 460k dot rear LCD and 230k dot electronic viewfinder. It is powered by AA batteries, giving around 500 shots per charge when used with NiMh rechargeable cells.
