Tamron has announced the 14-150mm F/3.5-5.8 Di III (model C001), a superzoom lens for Micro Four Thirds cameras which offers a 28-300mm equivalent range. It uses a stepper motor for silent autofocus (including during video recording), but doesn’t include image stabilisation. This means that it’s rather less suited to Panasonic cameras than it is to Olympus models. It will be available on June 26th for $ 589.
News: Digital Photography Review (dpreview.com)
Roller derby is a bit of an unconventional sport, so it’s fitting that James McDaniel uses a somewhat unconventional system to photograph the action. He’s been shooting roller derby with Micro Four Thirds cameras and lenses for the past couple of years. With no formal training in sports photography, he found himself with some exciting new equipment and an opportunity to photograph a fast-paced sport up close. He hasn’t looked back since – see his work and read our Q&A. Read more
News: Digital Photography Review (dpreview.com)
The rule of thirds has been around for so long that it’s tough to say who came up with it. Long before the camera was ever invented, artists used it as well as the golden ratio to make their masterpieces as far back as the Renaissance. The first time it was written, though, was by an artist and engraver by the Continue Reading
The post The Rule Of Thirds: When To Use It, When To Lose It appeared first on Photodoto.
Update: Consumer electronics maker JVC Kenwood has joined the Micro Four Thirds standard and said it will develop products for the system. The company is showing two prototype 4K-capable cameras, including a compact, handheld model at NAB in Las Vegas. We stopped by the JVC Kenwood booth and got a first glimpse of the cameras on display. Interestingly, the company says both cameras will have Super 35 sensors (around 21 x 12mm), which is wider than the original Four Thirds sensor format which the standard was designed around. Learn more
News: Digital Photography Review (dpreview.com)
Japanese optical company Kowa – best known for its spotting scopes and binoculars – has revealed that it plans to make three lenses for Micro Four Thirds cameras. The Kowa Prominar 8.5mm F2.8 MFT, 12mm F1.8 MFT and 25mm F1.8 MFT will all feature manual focus and aperture control, and use low-dispersion XD glass and aspheric elements to minimise distortion and aberrations. They’re due to be released in summer 2014.
News: Digital Photography Review (dpreview.com)
Hong Kong-based lens maker SLR Magic has announced an addition to its family of video-oriented manual focus fast primes for Micro Four Thirds. The 17mm T1.6 offers an angle of view equivalent to 34mm on full frame, and has geared focus and aperture rings. It will be available at the end of December 2013.
News: Digital Photography Review (dpreview.com)
Forget the Zeiss Otus 55mm F1.4, Sony Alpha 7R and RX10, Nikon 58mm F1.4 or the tiny Panasonic GM1 – last week’s real news was Lomography’s introduction of an ‘Experimental Lens Kit’ for Micro Four Thirds. Comprising a 24mm F8 standard lens, a 12mm F8 wideangle and a 160° F8 fisheye, the kit costs £79 / €89. Each of the lenses even has a built-in shutter with speeds of 1/100sec and Bulb, allowing in-camera multiple exposures, plus a T mode to hold the shutter open for normal live view. In addition all three have a slot for colour gel filters. Click through for full details.
News: Digital Photography Review (dpreview.com)
Panasonic quietly announced the development of a Leica DG SUMMILUX 15mm F1.7 lens, which the company says will be an ideal companion to the DMC-GM1 also released today. Details are scarce at this point, but the lens (equivalent to 30mm on a Micro Four Thirds body) will have a manual aperture ring and will ship sometime next year. Also coming in 2014 are a Leica DG NOCTICRON 42.5mm F1.2 lens, as well as a budget-friendly Lumix G 35-100mm.
News: Digital Photography Review (dpreview.com)
Olympus has unveiled a high-end standard zoom to match the E-M1: the M.Zuiko Digital ED 12-40mm F2.8 PRO. It offers a 24-80mm equivalent range and is dust, splash and, freezeproof, and uses a manual focus clutch design similar to the 12mm F2 and 17mm F2.8 primes. Olympus has also announced the development of a matching 40-150mm F2.8 telezoom, which is scheduled for release next year. Click through for more details.
News: Digital Photography Review (dpreview.com)
Rokinon has made available a video version of the Samyang 16mm f/2.0 prime. The 16mm T2.2 Cine lens is available for pre-order in Nikon F, Canon EF, Micro Four Thirds, Sony A, and Sony E mounts. Like other video primes, it offers focus and aperture racks for use with cinema rigs, stepless aperture control, and calibration in T-stops rather than F-stops. Rokinon’s website lists compatible mounts for Pentax, Samsung NX and Fujifilm X though they aren’t yet available for pre-order, and lists the lens at an MSRP of $ 499.
News: Digital Photography Review (dpreview.com)