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Posts Tagged ‘Sony’

Sample gallery update: Sony FE 100-400mm F4.5-5.6 GM OSS

14 Oct

The Sony FE 100-400mm F4.5-5.6 GM OSS is a powerful piece of kit, despite its less-than-fast aperture. More importantly, it is sharp throughout its versatile zoom range.

We’ve beefed up of our initial sample gallery with some additional photos of bison, bears, prong horned antelope and drift cars. These join our original samples of models, beach scenes and horseback riders. Now how’s that for versatility?

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Articles: Digital Photography Review (dpreview.com)

 
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Samyang unveils 35mm F1.4 autofocus lens for Sony full-frame mirrorless

10 Oct

Samyang has officially unveiled its fourth autofocus lens for Sony FE mount cameras: the long-rumored Samyang AF 35mm F1.4 FE. The new 35mm joins Samyang’s three other AF lenses—the AF 14mm f/2.8 FE, AF 35mm f/2.8 FE and AF 50mm f/1.4 FE—and offers Sony full-frame mirrorless shooters yet another affordable (and fast) prime to shoot with.

As with all previous Samyang autofocus FE lenses, the company claims that they offer exceptional image quality across the whole image field.

This particular lens features 11 lens elements in 9 groups, including 2 aspherical lenses and 2 high-refractive lenses. At its core is a 9 (circular) blade aperture that opens up all the way to F1.4, and a Linear Super Sonic Motor promises “fast, precise and quiet autofocus performance.”

The lens is scheduled to ship in November at a suggested retail price of £600 and €650, which should put US pricing around $ 750. To learn more about the new lens, head over to the Samyang website.

Press Release

Samyang Announces the Fourth Autofocus Lens – AF 35mm F1.4 FE

October 10th, 2017, Seoul, South Korea – Global optics brand, Samyang Optics (http://www.samyanglensglobal.com) is pleased to announce the release of their fourth autofocus lens: AF 35mm F1.4 FE. The bright F1.4 aperture and absolute resolution turn every moment into artwork. This lens now expands Samyang’s autofocus lens line-up to four which includes three existing autofocus lenses, AF 14mm F2.8 FE, AF 35mm F2.8 FE and AF 50mm F1.4 FE.

Aim High, Create Artwork

This new AF 35mm F1.4 FE works in harmony with full frame mirrorless cameras in Sony E mount such as Sony ?7 or ?9 series. It is designed to appeal to enthusiasts and professionals who are ready to take the next step up in photography. It is the excellent companion to create artworks from everyday moments, while the tiny AF 35mm F2.8 FE released in June of this year is the perfect partner for everyday photographers.

High Performance beyond Expectation

Absolute resolution across the entire image field is the key feature of Samyang AF 35mm F1.4 FE. The lens includes 11 elements in 9 groups and features 2 aspherical lenses and 2 high-refractive lenses, plus Ultra Multi Coating. The optical design minimises various aberrations and unnecessary light dispersion to deliver outstanding resolution. Fast, precise and quiet autofocus performance meets Samyang’s exceptional optical technology to capture any moments clearly. The bright F1.4 secures fast shutter speed and creates shallow depth of focus images in wide-standard angle of view. The new 35mm F1.4 lens is ideal for professional photography including low-light events, landscapes and portraits with expressive characteristics.

Available from November 2017

Samyang AF 35mm F1.4 FE, a lens for photographers aiming high in photography, will be available globally from November and will carry a suggested retail price of EUR 649.

To celebrate launching, Samyang Optics will hold various consumer events on Facebook (http://www.facebook.com/samyanglensglobal) and Instagram (http://www.instagram.com/samyanglensglobal). For more information on product, visit Samyang Optics official website (http://www.samyanglensglobal.com/).

Articles: Digital Photography Review (dpreview.com)

 
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Sony Cyber-shot RX10 IV sample gallery updated

10 Oct

Where better to take a 24-600mm equivalent superzoom than on a trip to the mountains? With a zoom range ideal for travel, our Sony RX10 IV review unit headed north to Whistler, BC almost as soon as it arrived. Take a look at our expanded sample gallery.

See our updated Sony RX10 IV gallery

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Articles: Digital Photography Review (dpreview.com)

 
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Sharp and wide: Sony FE 12-24mm F4 G gallery updated

07 Oct

The Sony FE 12-24mm F4 G was released earlier this year alongside the pricier FE 16-35mm F2.8 GM. While it may not be as fast as it’s GM ‘big brother,’ the 12-24mm F4 is smaller, lighter, and wider, offering a rectilinear 12mm field of view. It’s also impressively sharp.

We’ve had some more time, collectively as a staff, to shoot with this ultra wide zoom since initially publishing our sample gallery in the summer. Take a look through and see how it holds up in the hands of several photographers and in a variety of shooting scenarios.

See our updated Sony FE 12-24mm F4 G sample gallery

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Articles: Digital Photography Review (dpreview.com)

 
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New product overview videos: Sony a9 and FE lenses

03 Oct

We’re always expanding our collection of product overview content, and we’ve just added videos for the Sony a9, as well as a brace of recent FE lenses – the 12-24mm F4 and 16-35mm F2.8 GM wideangles, and the 100-400mmF4.5-5.6 GM telezoom.

Take a look at some of the key features these products offer – demonstrated in the shooting scenarios they were built to handle. For more overviews and gear tests, be sure to subscribe to our YouTube channel.

Product overview: Sony FE 12-24mm F4 G

Product overview: Sony FE 16-35mm F2.8 GM

Product overview: Sony FE 100-400mm F4.5-5.6 GM


This is sponsored content, created with the support of Amazon and Sony. What does this mean?

Articles: Digital Photography Review (dpreview.com)

 
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Manfrotto is teaming up with Sony to make accessories for Alpha series cameras

29 Sep

Manfrotto has announced that it will make accessories for Sony Alpha series cameras as part of a new partnership between the accessory giant and the camera maker. The collaboration was revealed at the Gitzo 100-year anniversary event held in Tokyo today, where Manfrotto explained that it will kick things off next year with a line of premium products made specifically for professionals using Sony’s Alpha cameras.

The first product released under this partnership will be a Manfrotto Befree tripod designed specifically for Sony’s Alpha cameras, which the company plans to show off at PhotoPlus in New York City next month. Following that, Manfrotto will make special versions of both Manfrotto and Gitzo tripods, video and photo heads, and plates. Finally, there will also be a special version of Manfrotto’s Digital Director.

To learn more, check out the press release below

Press Release

VITEC PHOTOGRAPHIC AND SONY ANNOUNCE COLLABORATION IN THE IMAGING MARKET

Market leaders will work together to produce a range of premium products targeted at the professional market

Tokyo, 28th September 2017Vitec Photographic, world leader in the photography and videography, imaging equipment and accessories industry has announced its collaboration with Sony, a leading manufacturer of audio, video, imaging, game, communications, key device and information technology products for the consumer and professional markets. This agreement will consolidate both companies position as the innovation leaders in their respective sectors. The collaboration is announced on the occasion of Gitzo 100 years anniversary event in Tokyo, which represents the perfect moment for communicating the common values of innovation and premium quality.

“We are proud to announce the agreement with Sony”– states Marco Pezzana, CEO Vitec Group Photographic Division – “This collaboration sees our brands Manfrotto and Gitzo, leaders in the market of photo and video accessories, working side by side with the prestigious Sony brand, globally renowned for product excellence and superior technology, with the primary intent of collaborating to the development of even more innovative products for professional content creators, thus further increasing customer satisfaction and future business growth.”

The collaboration will begin with a brand new line of products developed for ?, Sony’s interchangeable lens camera, that will be launched in 2018. First to be released will be a special version of the Manfrotto Befree tripod, a world class best seller in the traveller segment and the premium lightweight companion solution for compact system camera, unveiled at PhotoPlus in New York on 26th October.

The full range will include new Manfrotto and Gitzo tripods, plates, photo and video heads that are targeted at professionals who demand outmost quality and high performance. A customized version of Digital Director will complement the new range of products that will be showcased at events and tradeshows worldwide throughout 2018.

Articles: Digital Photography Review (dpreview.com)

 
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Sony a9 firmware update 1.10 ‘improves image quality and overall stability’

28 Sep

Sony has released firmware version 1.10 for the Sony a9, bringing improved image quality to the camera alongside a bug fix that addresses a problem with Raw images disappearing when SDXC and microSDXC cards were transferred from the camera to ‘certain smartphones.’ The update also adds the Eye AF function for some A-mount lenses when they’re used with the LA-EA3 mount adapter.

Firmware Version 1.10 for the Sony a9 is available to download from Sony’s website.

The full firmware change log is below:

Benefits and improvements from the latest update

  • Supports “Eye AF” function for A-mount lenses via the LA-EA3 mount adapter *1
  • Fixes an issue where RAW files may disappear when SDXC or microSDXC memory cards are used in certain smartphones *2
  • Improves the image quality and overall stability of the camera

*1: This function is only for A-mount lenses which can adapt to 8 or 10 fps (maximum) tracking AF-C shooting. See here for details.

*2: Raw data recorded by the ILCE-9 with firmware Ver. 1.00 or 1.01 could disappear. Please backup your raw data files, even if you’re updating the system software to Ver. 1.10.

Articles: Digital Photography Review (dpreview.com)

 
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Why should you care about the Sony RX10 IV? Phase detection autofocus, that’s why

16 Sep

The Sony RX10 IV is a fixed lens camera with a 1″-type sensor and 24-600mm equivalent lens that can shoot 4K video or stills at 24 fps, but that’s not what we think is interesting about it. The addition of phase detection autofocus is pivotal to all of those features. If you have a little over a minute to spare, we’ll tell you why. And for bonus points, we shot this video entirely hand-held with an RX10 IV and continuous AF turned on.

Sony RX10 IV impressions, sample images and more

Articles: Digital Photography Review (dpreview.com)

 
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Sony packed serious phase detect AF into these new 4K palm-style camcorders

16 Sep

If you’ve used a palm-style camcorder to try and film action at any point over the past several years, you’ve probably noticed an issue: most of these camcorders are god awful at finding and holding focus, usually relying exclusively on contrast detect AF or simply the deep depth-of-field their small sensors made requisite. Well, not anymore.

Sony has just debuted three new 4K camcorders with advanced, relatively large sensors aimed at three different tiers of users. But all of them have one thing in common: blazing fast, 273-point phase detect autofocus systems similar to (and, in fact, a bit more advanced than) the system found in Sony’s new RX10 IV. More advanced because the camera allows you to further customize features like AF Drive Speed, Tracking Depth Range and Subject Switching Sensitivity to make sure you nail every shot. We’re also told the focus ramping is more sophisticated, if you ask the autofocus to rack between two subjects. The hi-res touchscreen LCD should make focus easy and intuitive as well.

All three palm-style camcorders feature this same autofocus system, a 1-inch type stacked Exmor RS CMOS image sensor, and support 4K ‘Instant HDR’ recording using Hybrid Log Gamma (HLG) technology. However, not all three are meant for the same user. The AX700 is for serious amateurs, the NX80 for semi-pro video shooters, and the Z90V packs in some interesting broadcast capabilities such as XAVC L format recording, 3G SDI connectivity, and other features the support news reporting.

Of course, at $ 1,900 for the ‘cheapest’ model, it was obvious from the get-go that Sony wan’t aiming for the entry-level crowd with this release.

The most beginner-friendly model, the FDR-AX700, arrives in October for the aforementioned price of $ 1,900. The two higher-end models, the HXR-NX80 and PXW-Z90V, both arrive in December for $ 2,300 and $ 2,800 respectively. To find out more about any of these camcorders, read the press release below or visit the Sony 4K Palm website.

Press Release

Sony Unveils First Camcorders with Phase-detection AF

Sony’s newest camcorders are its first to feature phase detection Auto Focus (AF), and expand its line of 4K and HDR-capable tools for shooting applications ranging from video enthusiasts to corporate and events to broadcast news and TV production.

The three new palm-style models are the XDCAM PXW-Z90, the NXCAM HXR-NX80 and the Handycam FDR-AX700. The camcorders’ Fast Hybrid AF system ensures highly accurate focusing and tracking — especially useful during 4K shooting — delivered by 273 phase-detection AF points that cover approximately 84% of the shooting area, high-density placement of autofocus points and a newly developed AF algorithm. In movie recording mode, the appearance of phase-detection AF frames indicates the focused area and easily allows users to monitor a subject that is in focus.

Each camcorder combines fast and reliable AF adapted for video shooting with a 1.0-type stacked Exmor RS CMOS image sensor. The new camcorders support 4K HDR recording with Hybrid Log-Gamma (HLG) offering an Instant HDR workflow to produce high-quality HDR content smoothly. The Instant HDR Workflow enables simple shooting, editing and viewing of HDR content in HLG, without the need for color grading during post production.

The new camcorders feature a high-resolution OLED viewfinder (0.39-type OLED, 2,359k dots) and advanced touch screen operation, on the 3.5-type large LCD screen (1,555k dots), to allow users to quickly switch focus from one subject to another, while the AF Drive Speed, Tracking Depth Range and Subject Switching Sensitivity can all be configured as required for different subjects and content styles.

Simple, multi-camera live production

The PXW-Z90, HXR-NX80 and FDR-AX700 camcorders all work seamlessly with Sony’s MCX-500 live producer, a compact, cost-effective switcher that makes it easy for one operator to run a multi-camera live event. With the switcher and Sony’s RM-30BP controller, a Tally icon appears on each camera’s LCD panel and viewfinder. A red icon indicates when the shot is live (PGM) while Green indicates preview mode (NEXT).

The MCX-500 supports mixing between eight video sources, four stereo embedded audio channels plus two XLR Inputs, and a dedicated Title Input, up to nine video inputs, and five stereo inputs including XLR. Internal recording and live streaming is also possible via Ustream, Facebook Live and YouTube Live.

Users can also synchronize timecode among multiple camcorders using Sony’s free Content Browser Mobile 3.0 app with optional CBKZ-WTCL upgrade and devices running iOS® (9.0 – 10.3) or Android® (4.4 – 7.1) operating systems.

Versatile Shooting Capabilities

The new camcorders enable the following key technology and features to support versatile shooting, including:

  • 4K full-pixel readout without pixel binning using an enhanced BIONZ X™ image processing engine
  • Super Slow Motion recording up to 960fps, which is industry leading among palm categories and Slow & Quick Motion Full HD recording up to 120fps.
  • S-Log3/S-Gamut3 capabilities for users to create and work with images as they desire.
  • 29mm wide-angle ZEISS® Vario-Sonnar T* 12x optical zoom lens and 18x Clear Image Zoom
  • Less image distortion (rolling shutter phenomenon), in comparison to conventional models, when shooting moving subjects in motion

Workflow efficiency benefits such as proxy recording, relay recording and simultaneous backup recording are also delivered thanks to the new camcorders’ dual memory card slots and multi-camera operation capabilities supported by TC (time code)/UB (user bit). The new camcorders also have REMOTE terminals, Multi-Interface Shoe™, and HDMI Type A for enhanced operability.

The new models also feature dual XLR audio input, a detachable handle, and access to Content Browser Mobile a supporting smartphone application to enable Wi-Fi® monitoring, Camcorder remote control and wireless timecode sync between multiple cameras.

The PXW-Z90 also includes several features to suit broadcast-specific production requirements: XAVC L format recording, which provides high-quality images at 4:2:2 10 bit (HD) and 4:2:0 8 bit (QFHD) in addition to conventional broadcasting MPEG2HD format recording; 3G SDI connectivity for compatibility with existing broadcasting equipment; and networking functions to support news reporting, such as compatibility with XDCAM® air, Sony’s cloud-based ENG subscription service. The HXR-NX80 and FDR-AX700 adopt XAVC S, an extended format of XAVC for consumer use.

The following is planned availability and suggested list pricing for the new models:

  • FDR-AX700 – October 2017, $ 1,899 USD
  • HXR-NX80 – December 2017, $ 2,299 USD
  • PXW-Z90V – December 2017, $ 2,799 USD

Articles: Digital Photography Review (dpreview.com)

 
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SLR Magic announces CINE 18mm F2.8 lens for Sony E-Mount

14 Sep

SLR Magic has released a new model in its series of manual-focus lenses for full-frame Sony E-Mount cameras: the SLR Magic CINE 18mm F2.8 wide angle. The optical design of the lens incorporates 10 elements in 8 groups and allows for a minimum focus distance of just 20cm (~7.9 inches).

The new lens features a black anodized body, a low weight of only 445 grams and compact dimensions, making it an interesting option for use on gimbals and other video-centric camera supports. It also comes with a 62mm filter thread. The aperture features a manually controlled diaphragm and 9 blades, and allows you to stop down from F2.8 to F16.

The SLR Magic line-up now covers a range from 18 to 75mm, with the latest addition looking like a good option for landscape and architectural photographers, in addition to video-shooters.

The SLR Magic CINE 18mm F2.8 will be available through authorized retailers starting in October, and will set you back $ 500.

Articles: Digital Photography Review (dpreview.com)

 
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