The Tamron 14-150mm F/3.-5.8 Di III is a superzoom lens for Micro Four Thirds cameras. It offers a 28-300mm equivalent range and uses a stepper motor for silent autofocus (including during video recording). Because it does not include any form of image stabilization, we used it on an Olympus camera, specifically the OM-D E-M1, which has 5-axis sensor-based IS. See gallery
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The Fujifilm X100T is the third iteration of the company’s enthusiast-level fixed-lens compact, and we’ve followed up our initial real-world gallery from the camera with even more samples. The majority of the images that follow were shot as JPEGs in the Classic Chrome film mode, a new film simulation not included in previous iterations of the camera. See gallery
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A production-ready Sony Alpha 7 II just landed in our office and we wasted no time getting together some real-world samples. Sony’s follow-up to the a7 comes with a 24MP full-frame CMOS sensor with 5-axis sensor-shift image stabilization. Its Hybrid AF system claims to be 30% faster and 1.5x better at tracking compared to its predecessor, and boasts a number of design refinements. See gallery
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Samsung’s NX1 is the first serious attempt by the Korean manufacturer to target high-end enthusiast and semi-pro photographers. Featuring a 28MP sensor, 15fps shooting capability, 4K video mode and an advanced AF system, the NX1 has features to spare. We’ve been shooting with a pre-production camera for a few days, in combination with the NX 16-50mm F2.0-2.8 S ED OIS and new 50-150mm F2.8 S. Click through for some sample images
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We’ve been out taking advantage of Seattle’s sunny July days and have just published a gallery of real-world samples from Canon’s new 10-18mm F4.5-5.6 IS STM lens. Smaller, lighter and cheaper than the 10-22mm zoom that precedes it in Canon’s lineup, the 10-18mm gives a 16-29mm equivalent range on the APS-C bodies it’s designed for. See gallery
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As soon as it arrived we wasted no time getting out with the Sony Cyber-shot RX100 III, and in the past few days we’ve also added a lot to our first-impressions review, including a movie page, shooting experience and studio comparison images. This weekend presented an opportunity to update our gallery of real-world sample images too, bringing our gallery to 87 images, including a handful of raw conversions. See more.
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Nikon’s 1 V3 is the newest model in the company’s enthusiast mirrorless interchangeable lens camera system. The V3 is built around an 18.4 MP CX-format sensor, and uses a hybrid contrast (171 points) and phase detect (105 points) AF system. The V3 boasts a continuous shooting speed that outpaces DSLRs at 20 fps with full autofocus. The camera is also capable of 1080/60p Full HD video. Click through to see how it performs.
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As soon as it emerged from our studio we went straight out shooting with the RX100 III, to give an idea of the results it gives. We’ll be adding video and more samples over the coming days but this initial gallery aims to show a range of the camera’s capabilities. We set the camera’s ND filter to Auto, so we could shoot at wide aperture in good light, and include a real-world shot from the wide and long en of the lens, shot this way. Click through to see more.
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We couldn’t wait to see Nokia’s first phablet in action. The Lumia 1520 boasts a 20-megapixel PureView camera with optical image stabilization as well as the ability to save uncompressed Digital Negative (DNG) files. We’re working on our full review of the device now and sharing our first sample gallery today on connect.dpreview.com.
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We could hardly wait to get our hands on LG’s newest G2 smartphone to try shooting with its 13MP Optical Image Stabilization camera and huge 5.2-inch IPS LCD display. There’s plenty of exciting specs, but how does it translate to photographs? See our first sample gallery of images on connect.dpreview.com.
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