DPReview is in San Francisco checking out the new Cyber-shot RX10 III. The RX10 III maintains the ergonomics and key specifications of its predecessor, but incorporates a massive 24-600mm equivalent F2.4-4 lens. We’ve been doing some shooting with the camera in a range of different situations, and we’ve created a (JPEG only, for now) gallery.
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Click to view our gallery of samples from the Sony Cyber-shot RX10 III
Articles: Digital Photography Review (dpreview.com)
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Among all its releases at CP+ 2016, Sigma’s 30mm F1.4 DC DN Contemporary lens is the smallest in size, but its wide aperture should help it pack an image quality punch. Designed for Micro Four Thirds cameras and Sony E-Mount, the Sigma 30mm F1.4 uses a stepping motor for quiet autofocus, weighs in at a feathery 265g (9.3oz), and will retail for $ 339 when it’s released later this month.
During a visit to the Sigma factory in Aizu, Japan, we had a chance to test it out in a snowy winter wonderland. The lens is a pre-production sample, and the images were shot on a Sony a7R II in crop mode. We’ve included JPEGs processed from Raw using Adobe Camera Raw (some with and without manual distortion correction), and original Raw files as well, for your viewing pleasure. Check them out and see how the lens stacks up.
See our Sigma 30mm F1.4 DC DN Contemporary real-world sample gallery
Articles: Digital Photography Review (dpreview.com)
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The Panasonic Lumix ZS100 made its debut in early January, offering a sizable 25-250mm equivalent zoom range to complement its 1″-type sensor. With a built-in viewfinder it certainly looks to be travel-ready, so we’ve taken it across land and sea to gather some initial sample images. While Adobe Camera Raw support isn’t available yet, we’ve made a few in-camera Raw conversions and will update this gallery when support arrives.
See our Panasonic Lumix DMC-ZS100 / TZ100 real-world sample gallery
Articles: Digital Photography Review (dpreview.com)
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After being introduced to the long-awaited Pentax K-1, staff contributors Jordan Stead and Sam Spencer took a quick stroll with the K-1 and a handful of lenses: the recently announced 15-30mm, the 24-70mm and the 70-200mm. As an added bonus, and to our delight, we found the 70mm F2.4’s image circle covers full-frame, so we snapped some samples with it as well. Take a look to see what this pre-production 36MP contender is capable of.
Take a look at our Pentax K-1 pre-production real-world sample gallery
Articles: Digital Photography Review (dpreview.com)
After Sony showed off its a6300 and trio of new lenses, our staffers were able to grab an a7R II and start shooting. Above we’ve put together a small selection of images taken with Sony’s new 85mm F1.4 GM portrait lens.
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Articles: Digital Photography Review (dpreview.com)
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The Sigma 20mm F1.4 DG HSM | A is the newest member of Sigma’s family of ‘Art’ lenses. It’s also the widest member of the Art lens family, and with a maximum aperture of F1.4 Sigma claims that it’s the fastest 20mm lens in the world. We shot this lens on both 5DS R and 7D Mark II bodies, and since we had an EOS mount smart adaptor we even tried it on the Sony A7R II as well.
From what we’ve seen so far, this lens carries on the Art lineup’s tradition of stunning performance for the price, although this lens does have some characteristics that might not be ideal for all. For instance, it shows quite a bit of field curvature towards the brighter apertures when focused at nearer distances, and our rooftop shots show this particular copy performs better on the left side than the right side. As soon as an F-mount version of the Sigma is available, we plan on doing a shootout between this and the Nikon 20mm F1.8. In the meantime, enjoy a collection of images from the world’s widest F1.4 lens.
See our Sigma 20mm F1.4 DG HSM | A lens real-world samples gallery
Articles: Digital Photography Review (dpreview.com)
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In September 2015, Ricoh published a teaser website for a Pentax full-frame DSLR set to launch in spring 2016. Additional teasers have been released on occasion since the website went live, including a new one today. In this latest post, Ricoh has released a pair of sample photos alongside details about the HD PENTAX-D FA 24-70mm F2.8 ED SDM WR lens and how it functions with the upcoming full-frame camera.
We got a look at an early mockup of the elusive Pentax full-frame DSLR at CP+ in February 2015. The post below is Ricoh’s latest update on the camera; the new sample photos can be viewed on the Pentax teaser website.
The HD PENTAX-D FA 24-70mm F2.8ED SDM WR lens has a 17-element, 12-group optical construction featuring three ED (Extra-low Dispersion) glass elements, one anomalous-dispersion glass element, and three aspherical elements. It delivers high-contrast, high-resolution images with extra-fine details across the image field — from the center to the edges — while effectively compensating for a variety of aberrations.
When mounted on a PENTAX 35mm full-frame digital SLR camera body, this lens can be used as a standard zoom lens, with a zoom ratio of approximately 2.9-times, covering focal-length ranges from ultra-wide angle to standard. It captures unique, eye-catching images with an exaggerated perspective and a wide depth of field, making it ideal not only for sweeping landscapes, but also for confined indoor scenes with limited depth. Its weather-resistant structure prevents the intrusion of water into the interior. When coupled with a weather-resistant PENTAX 35mm full-frame digital SLR camera body, it creates a dependable, durable imaging system that performs superbly even in the rain or mist, or at locations prone to splashing water.
Articles: Digital Photography Review (dpreview.com)
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Our Fujifilm X-Pro2 First Impressions just got a significant update. With a production-ready camera in hand, we’ve been able to send it through our studio scene and dynamic range tests, make some judgements about image quality from its new 24MP X-Trans image sensor and put together a fresh sample gallery. Compare the X-Pro2 to its peers and take another look at what Fujifilm’s newest flagship can do.
Read our updated Fujifilm X-Pro2 First Impressions Review
Articles: Digital Photography Review (dpreview.com)
Nikon has released a 4K UHD sample video recorded with the newly unveiled D500 DSLR. The Nikon D500 and full-frame D5 are the first Nikons to offer support 4K UHD capture at 3840 x 2160 at 30p/25p/24p. Open the clip above in YouTube, select 2160p and throw it into full-screen mode for the full effect – though you might want to proceed with caution if heights make you queasy.
Learn more about the Nikon D5 and D500
Articles: Digital Photography Review (dpreview.com)
We’ve got our hands on preproduction versions of Fujifilm’s X-Pro2 and X70 and have put together a sample gallery for each. Keeping in mind that these are ‘beta’ cameras, have a look at some photos from both Seattle and Japan.
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View our Fujifilm X-Pro2 beta sample gallery
View our Fujifilm X70 beta sample gallery
Articles: Digital Photography Review (dpreview.com)