Just published: Our in-depth review of the Panasonic Lumix DMC-GF3. With the touchscreen-equipped GF3, Panasonic goes further to embrace compact camera upgraders, but makes yet another break from the chunky, enthusiast-friendly ergonomics of the GF1. The smallest Micro Four Thirds camera yet introduces some new features, including all-area AF system and slightly improved JPEG image quality at high ISO settings. We have also taken the opportunity in this review to publish studio comparison shots from the Sony NEX-C3 and Olympus PEN E-PL3, both of which will be reviewed in the coming weeks.
News: Digital Photography Review (dpreview.com)
Posts Tagged ‘Panasonic’
Just Posted: Panasonic Lumix DMC-GF3 in-depth review
Just posted: Panasonic DMC-FZ47 preview samples gallery
Just Posted: Panasonic DMC-FZ47 preview real-world samples gallery. We’ve had Panasonic’s latest FZ-series superzoom for the past few days. The FZ47 (FZ48 in Europe) is based around a 12MP CCD sensor and offers a 24x zoom, covering a range equivalent to a 25-600mm lens. We shot in a variety of situations, including a floodlit football match, to show what that combination can and can’t do. We’ve also prepared a series of images at all the camera’s different ISO settings and taken test shots using several of its noise reduction settings, to give a feel for the image quality options available on this JPEG-only model.
News: Digital Photography Review (dpreview.com)
Just posted: Panasonic DMC G3 in-depth review
Just posted: Our in-depth review of the Panasonic Lumix DMC-G3. The G3 is Panasonic’s smallest EVF-equipped G-series camera so far, and also the second highest-resolution in the range. At the core of the G3 is a brand new 15.8MP sensor, making it the first mass-market model to step away from the ageing 12MP chip. Like the G2, it features an articulated, touch-sensitive LCD screen but inherits its interface from the GF2 to make the camera ever-more accessible to beginners. On paper, the G3 is an appealing combination of enthusiast-oriented specification and beginner-friendly ergonomics – read our in-depth review to find out how it performs.
News: Digital Photography Review (dpreview.com)
Panasonic Leica DG Summilux 25mm F1.4 sample gallery
Just Posted: Our samples gallery from the Panasonic Leica DG Summilux 25mm F1.4 ASPH. We’ve had the chance to borrow a production example of this fast 50mm-equivalent lens and have prepared a samples gallery to show some of what it can do. We’ve also shot a couple of comparisons against the popular Lumix G 20mm F1.7 ASPH to see how the two lenses compare when used wide open, and give some idea of what the slightly longer focal length and wider aperture mean in terms of background defocus and subject isolation.
News: Digital Photography Review (dpreview.com)
Panasonic GF2 announced and previewed
Panasonic has announced the Lumix DMC-GF2 Micro Four Thirds camera. A simplified version of the company’s GF1, it inherits the same flat-body design but with revised control layout and touch-screen control. It is built around a 12MP CMOS sensor but with a more powerful processor than its predecessor, allowing AVCHD video recording of 1080i60 movies from 1080p30 capture. It is also compatible with the company’s recently released 3D lens. We’ve had a pre-production GF2 in the office for a few days, so click through to read all about it in our hands-on preview.
News: Digital Photography Review (dpreview.com)
30 October, 2010 – Panasonic Gh2 First Look
The Panasonic GH2 looks to be a winner. It addresses the shortcomings of its predecessor the GH1, and more. After a week with a pre-production sample I now have my First Look Report online.
We have just published the final six episodes of Season Two of Art Wolfe’s Travels to the Edge. You can purchase individual HD downloads of each of the 26 episodes, or each of the season’s combined 13 shows at a reduced rate. Find out more.
The new Home Page photograph is my homage to the Halloween season. Trick or Treat.
…
The Luminous Landscape – What’s New
Panasonic posts firmware update for Lumix DMC-FZ100 superzoom
Panasonic has released a firmware update for the Lumix DMC-FZ100 superzoom compact. Version 1.1 is intended to address occasional banding or shadow noise that can occur in specific shooting conditions. The firmware is available for immediate download from Panasonic’s website.
News: Digital Photography Review (dpreview.com)
Panasonic to ship AG-AF100 from December
Panasonic has announced its AG-AF100 series professional Micro Four Thirds HD camcorder will be available from December 27 at a suggested retail price of 95. Announced in May 2010, the camcorder is capable of recording full 1080p HD videos at frame rates from 12 to 60 fps. It includes HD SDI and XLR connectors, twin SDXC slots and is compatible with the company’s line up of Lumix G lenses, filters and adapters.
News: Digital Photography Review (dpreview.com)
14 October, 2010 – Canon SX30 vs. Panasonic FZ100
It’s time for a Superzoom Shootout.
Both Canon and Panasonic have introduced a new generation of Superzooms – small sensor cameras with huge zoom ranges and 14 Megapixel sensors. Both are in the low US 0 range, and both can fit in a jacket pocket.
But, can they deliver the goods?
Our latest review is of the Canon Powershot SX30 vs. the Panasonic Lumix FZ100. Is there a winner? Yes there is. But not because of image quality.

"Awesome video presentation.
I have learnt so much more after looking through this on the weekend. The tip about pushing blacks and fill light in the Basic Module was worth the price alone. My images of a recent trip to the Australian Outback are popping and punching with delight!
Thanks Michael and Jeff – I really appreciate you taking the considerable time to share your in-depth knowledge and insights."
…
The Luminous Landscape – What’s New
Just Posted! Panasonic GH2 14mm F2.5 preview samples gallery
Just posted: Our Panasonic GH2/14mm F2.5 samples gallery. Panasonic’s latest video-focused Micro Four Thirds camera features an entirely new 18MP multi-aspect-ratio sensor and has been released alongside a 14mm F2.5 pancake lens. We’ve got hold of production examples of both and have taken them out shooting to get a flavor of how they perform with a variety of lighting conditions, subject distances and apertures. Rather than shooting the same scene at all ISO settings, we’ve shot an outdoor scene at ISO 160 to ISO 800 and indoors 1600 to 12,800 to give a more realistic impression of what you can expect in situations you might actually encounter.
News: Digital Photography Review (dpreview.com)