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Fujifilm X-E3 offers 24MP sensor and extensive touch control

07 Sep

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Fujifilm has announced the X-E3, sporting a 24.3MP X-Trans sensor and 4K video capture. It updates the X-E2S, which was itself a fairly minor update to the X-E2, so brings a number of welcome upgrades.

The X-E3 borrows much of its hardware from the X-T20, including a 325-point AF system with a handy new AF Area All option that activates various modes as the AF point size is changed. The camera also uses and updated subject tracking algorithm that claims better success tracking smaller and faster objects. Its predecessor’s built-in flash has been omitted, but an EF-X8 accessory flash is included in the box.

Video recording at 4K/30p is offered, taken by the full width of the sensor. Full 1080 HD can be had at up to 60p. The X-E3 continues to offer Wi-Fi, and adds the option for a constant Bluetooth low energy connection to a smartphone.

The X-E2S’s fixed 3″ 1.04M-dot LCD has been upgraded to a (still non-articulated) touchscreen in the X-E3, and a new feature called Touch Function puts additional customizable touch controls at the user’s fingertips. The camera’s rear control panel loses the directional navigation buttons in favor of touch control, but gains an AF joystick.

The Fujifilm X-E3 is expected to arrive in September in three kit configurations: body-only for $ 900, with 18-55mm for $ 1300, or with 23mm F2 R WR for $ 1150.

FUJIFILM ANNOUNCES NEW ULTRA-COMPACT X-E3 WITH 4K VIDEO, TOUCHSCREEN, UPGRADED AF TRACKING AND BLUETOOTH CONNECTIVITY; NEW FUJINON XF80MMF2.8 R LM OIS WR MACRO LENS

Latest development of the X Mount Lens Roadmap unveiled; new Firmware Updates for FUJIFILM X-Pro2, X-T2, X100F and X-T20 coming soon

Valhalla, N.Y., September 7, 2017 – As a leader in advanced digital camera technology, FUJIFILM North America Corporation today announced the new FUJIFILM X-E3 rangefinder style mirrorless digital camera with outstanding image quality and enhanced handling. The X-E3 features the latest 24.3MP X-Trans CMOS III image sensor and the X-Processor Pro high-speed image processing engine, along with a new image recognition algorithm in an ultra-compact body.

Also announced today is the new XF80mmF2.8 R LM OIS WR Macro Lens, the first 1.0x magnification mid-telephoto macro lens in the X Series lineup of interchangeable lenses. The lens features a focal length equivalent to 122mm (in the 35mm format) and a maximum aperture of F2.8 for beautiful bokeh.

Exceptional Autofocus Tracking and High-Speed Response
The FUJIFILM X-E3 features a large phase detection autofocus (AF) area and provides photographers with enhanced tracking performance for moving subjects. Equipped with a newly developed image recognition algorithm, the X-E3 is able to track moving subjects half the size, or moving twice as fast as previous models.

The X-E3 supports both Full HD and 4K video recording. Videos can be shot with Film Simulations in-camera to easily produce creative high-resolution footage.

The compact and lightweight X-E3 is perfect for quick snapshots, boasting high-speed response times including a start-up time of just 0.4 seconds, shooting interval of 0.25 seconds, shutter time lag of 0.05 seconds and autofocus speed as fast as 0.06 seconds.

Enhanced Connectivity and Intuitive Touchscreen Control
The X-E3 is the first X Series model to feature Bluetooth® low energy wireless communication. Providing photographers with enhanced connectivity, this feature offers the ability to pair the camera with a smartphone or tablet for easy transfer of pictures via the free FUJIFILM Camera Remote application.

The X-E3 features a high-resolution 3.0 inch 1.04M-dot static touchscreen LCD monitor to provide users with easy, intuitive operations in a variety of shooting and playback modes. When shooting with the X-E3, the touchscreen can be used to select the focus area, or focus on a specific point before taking a picture. For playback, users can enjoy the ability to swipe or scroll through images, double-tap to enlarge, drag an image once enlarged, along with pinch-out and pinch-in sizing. A new Touch Function feature will also be available on the X-E3, enabling users to create customized camera functions by swiping left, right, up and down on the touchscreen panel.

Ultra-Compact and Lightweight Body for Portability and Practicality
Making it the perfect companion for everyday shooting and travel photography, the new FUJIFILM X-E3 is the most compact and lightweight model with a viewfinder within the X Series interchangeable lens camera range. The X-E3 also features a Focus Lever positioned on the rear side of the camera that allows photographers to use joystick-type operations in eight directions to easily select a focus area.

The top plate features two precision-milled aluminum dials, giving the camera a premium feel and allowing users to easily adjust the shutter speed and exposure compensation while maintaining focus on taking a picture. The Exposure Compensation Dial now has the C position for exposure compensation up to ±5 stops. The new X-E3 is also equipped with an Auto mode selector lever for selecting the fully-automatic Advanced SR Auto mode where the camera can automatically select the optimum settings for a given scene.

FUJIFILM X-E3 Key Features:

  • 24.3MP APS-C X-Trans CMOS III sensor
    o X-Processor Pro
    o Start-up time of 0.4sec
    o Ultra-fast AF speed of 0.06sec
    o Offers 5.0fps live-view shooting
    o Shutter time lag of 0.050sec
    o Shooting interval of 0.25sec
  • 3.0 inch 1.04M-dot static TFT color LCD touchscreen monitor
  • Upgraded AF tracking performance
    o Newly developed image recognition algorithm to track moving subjects up to half the size, or moving twice as fast as previous models.
  • 4K video can be recorded at [3840 x 2160] 29.97p, 25p, 24p, 23.98P, 100Mbps
  • Continuous recording: up to approximately 10min
  • Full HD video can be recorded at 59.94 fps, 50 fps, 29.97 fps, 25 fps, 24 fps and 23.98 fps, and with Film Simulation effects
    o Video can be outputted to external monitor via the HDMI port and input audio from an external microphone
    o Easily connect to external HDMI monitor and turn on HDMI Rec Control to automatically enable a clean HDMI output when the camera’s shutter release button is pressed
    o Touch AF to change the focus area and refocusing according to subject movement functions in video recording
  • 25 high-performance FUJINON X Mount lenses for ultimate versatility
  • Bluetooth® low energy wireless communication to pair the camera with a smartphone or tablet device for easy transfer of pictures
  • Free FUJIFILM Camera Remote app for Remote Control function

FUJIFILM X-E3 Accessories:

  • X-E3 Metal Hand Grip (MHG-XE3)
  • X-E3 Bottom Leather Case (BLC-XE3)

FUJINON XF80mmF2.8 R LM OIS WR Macro Lens
The new XF80mmF2.8 R LM OIS WR is a lightweight, mid-telephoto macro lens designed to deliver the very best results from Fujifilm’s unique X-Trans CMOS sensor. Capable of achieving high quality macro shots, the XF80mmF2.8 R LM OIS WR features an optical construction of 16 elements in 12 groups, including one aspherical lens, one Super ED lens and three ED lenses. As the first in the X Series interchangeable lens series to have a 1.0x magnification factor, the XF80mmF2.8 achieves high resolving power and beautiful bokeh, making it a perfect lens for capturing stunning macro images.

The XF80mmF2.8 R LM OIS WR has enhanced AF capabilities utilizing a Floating Focus System that suppresses aberration. The lens also supports handheld shooting with Optical Image Stabilization. A fluorine coating has been applied to the front lens element, making it less susceptible to smudges, water and dirt, further improving its durability. The lens is also designed to be weather and dust resistant, and operates in temperatures as low as 14°F/-10°C.

FUJINON XF80mmF2.8 R LM OIS WR Lens Key Features:

  • FUJIFILM X Mount is compatible with all FUJIFILM X Series interchangeable system cameras
  • Weather-sealed at eleven points around the barrel for weather and dust resistance; operates as low as 14 degrees Fahrenheit / -10 degrees Celsius
  • 16 lens elements in 12 groups including one aspherical ED lens, one Super ED lens and three ED lenses
  • Uses Floating Focus System for improved AF
  • Optical Image Stabilization system achieves 5-stop image stabilization
  • Focus lens driven by a linear motor for fast and near-silent autofocus performance
  • Fluorine coating applied to front lens elements for improved durability
  • Compatible with XF1.4x and XF2.0x teleconverters

Updated X Mount Lens Roadmap Unveiled
Also announced is the latest development of the X Mount Lens Roadmap for developing interchangeable lenses for the X Series line of mirrorless digital cameras. The latest roadmap adds two new lenses: the ultra-wide angle zoom lens XF8-16mmF2.8 R LM WR and the telephoto prime lens XF200mmF2 R LM OIS WR. With the expansion of the high performance X Mount lens lineup, Fujifilm covers more focal lengths from ultra-wide to telephoto to support a wide range of photography styles and shooting scenarios.

New Firmware Updates Coming Soon
Fujifilm will release new firmware updates for the FUJIFILM X-Pro2, X-T2, X100F and X-T20 X Series cameras in November and December 2017 to add new functionality and improve operability. These updates will include new support for FUJIFILM X RAW STUDIO, dramatic improvements to the AF-C tracking algorithm in zone and tracking AF mode, addition of 4K video support and computer tethering functions and enhancements to touch panel operations.

FUJIFILM X-Pro2: V.4.0 Key Features

  1. Addition of 4K video mode using Film Simulation modes (excluding HDMI output for recording).
  2. Supports tether shooting via USB or Wi-Fi using compatible software* to enable transfer of images to a computer, or to control camera from the computer.
    *Requires FUJIFILM X Acquire and Tether Shooting Plug-in PRO/ Tether Shooting Plug-in (Adobe® Photoshop® Lightroom® 6 or CC is required).
  3. New AF tracking algorithm enhances AF-C to track moving subjects half the size, or moving twice as fast as previous models.
  4. Supports FUJIFILM X RAW STUDIO which enables users to convert RAW files with X Processor Pro.
  5. Improves radio flash controller usability allowing users to shoot with compatible third party studio flash in high speed sync or TTL mode via their radio controllers.
  6. Supports backup and restore of camera settings from one camera to another via FUJIFILM X Acquire.

FUJIFILM X-T2: V.3.0 Key Features

  1. New AF tracking algorithm enhances AF-C to track moving subjects half the size, or moving twice as fast as previous models.
  2. Supports FUJIFILM X RAW STUDIO which enables users to convert RAW files with X Processor Pro.
  3. Improves radio flash controller usability allowing users to shoot with compatible third party studio flash in high speed sync or TTL mode via their radio controllers.
  4. Supports backup and restore of camera settings from one camera to another via FUJIFILM X Acquire.

FUJIFILM X100F: V.2.0 Key Features

  1. Supports backup and restore of camera settings from one camera to another via FUJIFILM X Acquire.
  2. Supports FUJIFILM X RAW STUDIO which enables users to convert RAW files with X Processor Pro.
  3. Improves radio flash controller usability allowing users to shoot with compatible third party studio flash in high speed sync or TTL mode via their radio controllers.

FUJIFILM X-T20: V.1.1 Key Features

  1. Touch panel operation while looking into the electronic viewfinder.

Availability and Pricing
The new FUJIFILM X-E3 will be available in three versions in late September 2017.
The X-E3 Body, Black or Silver will be available for USD $ 899.95.
The X-E3 Body with XF18-55mm Lens Kit, Black or Silver will be available for USD $ 1,299.95.
The X-E3 Body with XF23mmF2 R WR Lens Kit, Black or Silver will be available for USD $ 1,149.95.

The new FUJINON XF80mmF2.8 R LM OIS WR lens will be available in November 2017 for USD $ 1,199.95.

Fujifilm X-E3 Specifications

Body type
Body type Rangefinder-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6000 x 4000
Image ratio w:h 1:1, 3:2, 16:9
Effective pixels 24 megapixels
Sensor size APS-C (23.6 x 15.6 mm)
Sensor type CMOS
Color space sRGB, Adobe RGB
Color filter array X-Trans
Image
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG (Exif v2.3)
  • Raw (Fujifilm RAF, 14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 325
Lens mount Fujifilm X
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Fixed
Screen size 3″
Touch screen Yes (Four-way controller functions replaced by 'swiping' on display)
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder resolution 2,360,000
Photography features
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Built-in flash No (Small external flash included)
External flash Yes
Self-timer Yes
Videography features
Microphone Stereo
Speaker Mono
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth LE
Remote control Yes
Physical
Battery Built-in
Battery description NP-W126S lithium-ion battery & charger
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Olympus OM-D E-M10 III offers 4K video, bigger dials and beginner-friendly UI adjustments

31 Aug

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Olympus has announced the OM-D E-M10 Mark III, a subtle update to its entry-level OM-D body. The addition of a TruePic VIII processor brings 4K video capture at 30/25/24p, and an ergonomic update introduces bigger dials and a curved handgrip to the still-diminutive camera.

The E-M10 III continues to use its predecessor’s 16MP Micro Four Thirds sensor, meaning image quality is largely unchanged, though you will be able to apply a new Bleach Bypass Art Filter to your images. The E-M10 II’s 81 autofocus points have been upped to 121 points, and burst shooting gets a smidgen faster: up to 8.6 fps compared to 8.5 fps.

Maintained from the previous model is 5-axis in-body stabilization, which can be used in conjunction with digital stabilization for videos – even while recording at 4K resolution. Also consistent with its predecessor are a 2.36M-dot OLED viewfinder and a tilting 3″ 1.04M-dot touchscreen.

The rest of this model’s updates center around usability, specifically for a beginner. Auto mode has been updated with more intelligent scene and subject recognition, and modes for more specialized use-cases (such as focus bracketing and Live Time) are now organized under an Advanced Photo mode on the dial. A new shortcut button offers access to relevant settings based on the camera mode in use.

The Olympus OM-D E-M10 III is expected to ship in late September for $ 650 body only and $ 800 bundled with an M.Zuiko 14–42mm EZ lens.

Press release

NO PHONING IT IN: OLYMPUS OM-D E-M10® MARK III HELPS TAKE YOUR PHOTOGRAPHY TO THE NEXT LEVEL

Compact Interchangeable Lens Camera with New Touch Screen Interface Effortlessly Captures and Shares Blur-Free, High-Quality Images in Any Scene

CENTER VALLEY, Pa., August 31, 2017 — Olympus’ new OM-D E-M10 Mark III is a compact, lightweight, easy-to-use interchangeable lens camera that offers the performance and image quality of the OM-D® lineup to the snapshooter looking to expand their photography. The OM-D E-M10 Mark III includes best-in-class image stabilization compensation performance and the same TruePic VIII Image Processor used in Olympus’ acclaimed flagship OM-D E-M1 Mark II camera. This combination delivers high-quality images even in situations when camera shake typically causes blur, such as night scenes or handheld telephoto shooting.

Consumers looking to step up from their smartphone camera to an interchangeable lens system will instantly benefit from the OM-D E-M10 Mark III’s 5-Axis Image Stabilization. With an image stabilization system built into the camera body, it can provide blur-free images no matter which lens is attached, and can also record crisp, shake-free handheld 4K videos in cinemalike quality.

The camera is compact and lightweight to easily be taken anywhere to capture and share standout, like-worthy images on social media. Designed for ease of use, both in form and functionality, the grip rests nicely in the hand, and buttons and dials are thoughtfully positioned for effortless operation. The body is equipped with a variety of features for different shooting styles and situations, including a high-resolution electronic viewfinder, a tilting rear LCD monitor with touch controls similar to a smartphone and a built-in flash.

First-time interchangeable lens camera users benefit from four shooting assist modes to capture brilliant images right out of the box. The intelligent AUTO Mode detects the shooting scene, subject, camera movement and light transmitted through the lens, then automatically chooses the optimal settings. The other assist modes include Scene Mode (SCN), Advanced Photo Mode (AP), and Art Filter Mode (ART), each of which appear on the mode dial alongside AUTO Mode for easy access.

The Touch AF shutter, which now takes advantage of 121 autofocus points, allows users to choose the precise area of focus and trip the shutter simply by touching the LCD screen. Continuous AF (C-AF) Mode maintains focus on moving subjects when the shutter is pressed halfway.

The OM-D E-M10 Mark III is equipped with built-in Wi-Fi®, which can be used in conjunction with the Olympus Image Share (OI.Share®) app to easily connect to a smart device and wirelessly transfer images for quick editing and uploading to social media.

Pricing and Availability
The Olympus OM-D E-M10 Mark III will be available in a black and silver body or black body beginning in late September with an estimated street price of $ 649.99 USD/$ 799.99 CAD (body only) and $ 799.99 USD/$ 999.99 CAD (M.Zuiko 14–42mm EZ Lens kit). For a complete list of specifications, visit the Olympus website: http://getolympus.com/digitalcameras/omd/e-m10-mark-iii.html.

Olympus OM-D E-M10 II Specifications

Price
MSRP $ 649 (body only), $ 799 (w/14-42mm PZ lens)
Body type
Body type SLR-style mirrorless
Body material Metal, Composite
Sensor
Max resolution 4608 x 3456
Image ratio w:h 4:3
Effective pixels 16 megapixels
Sensor photo detectors 17 megapixels
Sensor size Four Thirds (17.4 x 13 mm)
Sensor type CMOS
Processor TruePic VIII
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 200-25600 (expands to 100-25600)
Boosted ISO (minimum) 100
White balance presets 6
Custom white balance Yes (4 slots)
Image stabilization Sensor-shift
Image stabilization notes 5-axis
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG (Exif v2.3)
  • Raw (Olympus 12-bit lossless compressed)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 121
Lens mount Micro Four Thirds
Focal length multiplier 2×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3″
Screen dots 1,040,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.62×
Viewfinder resolution 2,360,000
Photography features
Minimum shutter speed 60 sec
Maximum shutter speed 1/4000 sec
Maximum shutter speed (electronic) 1/16000 sec
Exposure modes
  • Auto
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Scene modes
  • Portrait
  • e-Portrait
  • Landscape + Portrait
  • Night + Portrait
  • Children
  • Night scene
  • Sport
  • Hand-held Starlight
  • Fireworks
  • Light trails
  • Sports
  • Panning
  • Landscape
  • Sunset
  • Beach & Snow
  • Backlight HDR
  • Candlelight
  • Silent
  • Macro
  • Nature Macro
  • Documents
  • Multi Focus Shot
Built-in flash Yes
Flash range 5.80 m (at ISO 100)
External flash Yes (via hot shoe)
Flash modes Auto, redeye, slow sync, 2nd-curtain slow sync, redeye slow sync, fill-in, manual, off
Flash X sync speed 1/250 sec
Drive modes
  • Single
  • Anti-shock
  • Sequential high
  • Sequential low
  • Anti-shock sequential low
  • 12 sec self-timer
  • 12 sec anti-shock self-timer
  • 2 sec self-timer
  • 2 sec anti-shock self-timer
  • Custom self-timer
  • Custom anti-shock self-timer
Continuous drive 8.6 fps
Self-timer Yes (2 or 12 secs, custom)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±5 (3, 5 frames at 2/3 EV, 1 EV steps)
WB Bracketing No
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 102 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 102 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 52 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 52 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 52 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 52 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 52 Mbps, MOV, H.264, Linear PCM
  • 1280 x 720 @ 120p, MOV, H.264, Linear PCM
  • 1280 x 720 @ 30p / 14 Mbps, MOV, H.264, Linear PCM
  • 1280 x 720 @ 25p / 14 Mbps, MOV, H.264, Linear PCM
  • 1280 x 720 @ 24p / 14 Mbps, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC (UHS-I/II supported)
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro HDMI)
Microphone port No
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n
Remote control Yes (via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description BLS-50 lithium-ion battery & charger
Battery Life (CIPA) 330
Weight (inc. batteries) 410 g (0.90 lb / 14.46 oz)
Dimensions 122 x 84 x 50 mm (4.8 x 3.31 x 1.97″)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Nikon D850 offers 45.7MP BSI FX-format sensor, 7 fps bursts, 4K video

24 Aug

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Nikon appears to have pulled out all the stops for its D850, announced today. It combines high resolution and speed: a full-frame 45.7MP BSI CMOS sensor with no low pass filter capable of full resolution 7 fps bursts with AF/AE (boosted to 9 fps when paired with the optional MB-D18 battery grip and EN-EL18a/b battery). The D850 also offers the D5’s excellent 153-point AF system, as well as a native ISO range of 64-25,600 (expandable to 32 or up to 102,400).

The D850 also improves on the D810’s video offerings with the inclusion of full-frame 4K 24/25/30p capture. Focus peaking (1080p-only) and zebra stripes are provided for videographers, as well as uncompressed 4:2:2 8-bit 4K HDMI output and microphone/headphone inputs.

Like the D500, the D850 offers a tilting 3.2″ 2.36M-dot touchscreen. The camera includes dual card slots: one XQD, one SD. SnapBridge provides built-in connectivity via Nikon’s mobile app, but for more flexible wireless support you’ll have to add a Wi-Fi adapter. The D850’s magnesium alloy body is weather sealed, and illuminated controls provide better visibility in dark situations.

The Nikon D850 is expected to go on sale in September; MSRP is set at $ 3,299.95. For a closer look at the D850’s many improvements and added features, head to our First Impressions Review.

Press release

FULL-FRAME, EXTREME SPEED & EPIC RESOLUTION: THE NEW NIKON D850 DSLR DEFINES PROFESSIONAL VERSATILITY

New Nikon DSLR Offers Incredible Combination of Performance, Image Quality and Thoughtful Features

MELVILLE, NY (Embargoed until Thursday, August 24, 2017 at 12:01 A.M. EDT) – Today, Nikon announced the new Nikon D850, a powerful full-frame DSLR camera that provides professional photographers and multimedia creators with an impressive combination of resolution and high-speed performance. The 45.7-megapixel D850 is Nikon’s first DSLR with an FX-format, back-side Illuminated (BSI) CMOS sensor for image quality that is nothing short of majestic, allowing professionals to create stunning, high resolution still images and full-frame 4K UHD video. Despite its monumental resolution, the D850 is capable of an astoundingly fast capture rate of up to 7 frames-per-second (fps) or 9-fps with the optional battery grip and EN-EL18a/b battery, while offering a range of new user-friendly features requested by Nikon shooters around the world.

The Nikon D850 is a serious tool that expertly enables every kind of photographer. Whether capturing for client work or personal projects, the camera delivers intense clarity and accurate skin tones for portraits, with the added benefit of low-light ability for weddings and events. It is versatile enough to be used for landscapes and fine art where broad dynamic range is critical, for sports that require a high frame rate and decisive AF, or for video creators who want 4K UHD flexibility. Whether in the studio or on-location, from the catwalk or the scenic overlook, to a wedding ceremony or night sky, the Nikon D850 is the tool that can capture it all, with astounding resolution and speed.

“The Nikon D850 is much more than a camera, rather it’s a statement that Nikon is continuing to listen to customer needs, to innovate for the next 100 years, and bring to market a full-frame DSLR that exceeds the expectations of the professionals that rely on this caliber of camera to make a living,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc.

“I have had the pleasure of putting this camera through its paces, and there is nothing like it. The Nikon D850 introduces a whole new generation of photographers to medium format quality; the resolution is out of this world, and the tonality and range are at a level I never thought possible from a DSLR,” said Nikon Ambassador and award-winning wedding photographer Jerry Ghionis.

The Ultimate Combination of Resolution and Speed
The Ultimate Combination of Resolution and SpeedThe Nikon D850 is the new benchmark in DSLR image quality, with an unprecedented combination of resolution, dynamic range, ISO and processing power. The 45.7-megapixel CMOS sensor approaches medium format-level resolution and forgoes an optical low pass filter (OLPF) to harness the maximum sharpness of NIKKOR lenses, with fantastic fidelity, tonality and clarity. This is also Nikon’s first DSLR to incorporate a BSI CMOS sensor, which captures light more efficiently, resulting in a wider dynamic range and low-noise image capture. Beyond the immense resolution, the Nikon D850 offers photographers superior performance:

  • High-Speed Capture: The D850 is capable of shooting up to 7 fps at full resolution, with full AF/AE or 9 fps at full resolution with the addition of an optional battery grip (MB-D18) and EN-EL18a/b battery (Buffer approximately 51 frames of 14-bit lossless RAW capture / 170 frames of 12-bit lossless).
  • Wide ISO Range: The D850 offers a wide ISO range from 64-25,600 (Expandable down to ISO 32, up to 102,400).
  • Flagship Focus System: The D850 uses the Nikon D5’s 153-point, Multi-Cam 20K AF system, which features 99 cross type sensors, 15 of which are sensitive to f/8.
  • EXPEED 5: Behind every great sensor is a great image-processing engine. EXPEED 5 is Nikon’s most powerful engine yet, allowing for fast data readout and swift image processing, improved low light performance, high speed shooting, full-frame 4K UHD video capture and greater power efficiency for longer battery life.

Innovation Built for the Needs of Professional Creators
In addition to its phenomenal performance, the Nikon D850 hosts a range of innovative and thoughtful new features that enhance workflow, and will leave every photographer or content creator wondering how they ever lived without them:

  • Tilting LCD Touchscreen: The 3.2-in., high resolution (2359k-dot) LCD monitor offers Nikon’s most extensive touch functionality ever.
  • Silent Shooter: The D850 offers the ability to operate with an electronic shutter in Live View. When in this mode, users can shoot in complete silence, which is ideal for weddings, ceremonies and events where the shutter sound is discouraged. The electronic shutter operates at up to 6 fps (AF/AE locked) at full resolution, while an additional mode enables 8.6-megapixel capture in DX image area mode at up to 30 fps.
  • Radio Flash Control: Like the D5 and D500, the D850 also supports Radio-controlled Advanced Wireless Lighting with the optional SB-5000 Speedlight and WR-A10 and WR-R10 accessories.
  • RAW Processing Power: Users can choose from 3 sizes of RAW files to enhance workflow, including Large (45.4-MP), Medium (25.6-MP) and Small (11.4-MP). Additionally, the D850 lets users batch process RAW files in camera, saving time in post-production.
  • Nikon’s Widest and Brightest Optical viewfinder: The 0.75x viewfinder magnification is the highest ever for a Nikon DSLR, and offers a wide and bright view of the frame to easily track and compose subjects.
  • Phenomenal Battery Performance: Shoot all day and well into the night with up to 1,840 shots at full resolution or approximately 70 minutes of video on a single charge. Users who opt for the additional control and handling benefits of the optional battery grip can expect up to 5140 shots (CIPA standard).
  • Dual Card Slots: The D850 features dual memory card slots — XQD for high-speed capture and transfer, as well as readily available SD media.
  • Illuminated Buttons: Buttons that light up at the turn of a dial increase visibility and allow easy shooting at night or in low-light scenarios.
  • Focus Stacking: Ideal for macro, product and landscape photographers, the Focus Shift Photography feature of the D850 is high resolution meets high magnification. This feature lets the user automatically shoot up to 300 shots at adjustable focus step intervals to infinity which can be easily assembled into a focus-stacked image using third party software.
  • Negative/Positive Scanning: With the optional ES-2 Film Digitizing Adapter and compatible Micro-NIKKOR lens, the camera enables super high-resolution digitizing of 35mm slides or negatives and converts them in-camera to positives
  • Durable Construction: Ready for any field assignment or production environment, the rugged and weather-sealed magnesium alloy body lets users work with confidence in a wide range of tough environments.
  • Square shooter: Photographers can choose from five formats, including FX-format, 1.2x, DX, 5:4, or 1:1 square with viewfinder shading for easy composition.
  • Built-in Wi-Fi1 & Bluetooth2 Connectivity: Users can seamlessly send images to their compatible smart devices through an always-on Bluetooth Low Energy (BLE) connection or through Wi-Fi. Nikon SnapBridge3 also gives the ability for remote capture and preview.

Multimedia Production Ready
Multimedia content creators and filmmakers alike will appreciate a wide range of considerate, industry-leading new features that can help to elevate any production:

  • Full-frame 4K UHD at 24/30 fps: The D850’s FX BSI CMOS sensor allows 4K UHD output at a full-frame width at 16:9, to increase lensing options and provide a true field of view.
  • Slow Motion: Creators can also capture Full HD 1080p at up to 120 fps (4x or 5x) for dramatic slow-motion video capture.
  • Focus Peaking: When shooting Full HD or in Live View for stills, focus peaking can be enabled which highlights in-focus subjects in the frame to ensure sharpness.
  • 8K / 4K Time-lapse: Users can create 4K UHD time-lapse videos easily in-camera, or can use the built in intervalometer to capture images for an ultra-high resolution 8K time lapse that can be assembled in post for those who want the ultimate in video quality.
  • Zebra stripes: The D850’s highlight display mode uses zebra patterns to quickly spot overblown highlights. What’s more, the zebra patterns come in two varieties, selectable according to the patterns and textures of the subjects.
  • HDMI output: Using HDMI, users can record uncompressed, broadcast quality 4:2:2 8-bit 4K UHD footage, directly to an external digital recorder while simultaneously recording to a card.
  • Audio Control: The D850 features an onboard stereo microphone, as well as inputs for headphones and microphone. The camera also features a new audio attenuator to regulate sound levels.

THE FX-Format advantage
The amazing performance and image quality of the Nikon D850 is best coupled with the wide variety of NIKKOR lenses, heralded for their unmatched image quality, color reproduction and optical characteristics. For maximum fidelity, Nikon’s Gold Ring Series of lenses provide the highest caliber of optical performance needed for such immense resolution applications.

Price and Availability
The Nikon D850 will have a suggested retail price (SRP) of $ 3,299.95*, and will be available in September 2017. The MB-D18 Multi Power Battery Pack will have an SRP of $ 399.95*, while the ES-2 film digitalizing adapter will have an SRP of $ 149.95*. For more information on the latest Nikon products, please visit www.nikonusa.com.

Nikon D850 specifications

Price
MSRP $ 3299
Body type
Body type Mid-size SLR
Body material Magnesium alloy
Sensor
Max resolution 8256 x 5504
Image ratio w:h 1:1, 5:4, 3:2, 16:9
Effective pixels 46 megapixels
Sensor photo detectors 47 megapixels
Sensor size Full frame (35.9 x 23.9 mm)
Sensor type BSI-CMOS
Processor Expeed 5
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 64-25600 (expands to 32-102400)
Boosted ISO (minimum) 32
Boosted ISO (maximum) 102400
White balance presets 14
Custom white balance Yes (6 slots)
Image stabilization No
Uncompressed format RAW + TIFF
JPEG quality levels Fine, normal, basic
File format
  • JPEG (Exif v2.3)
  • TIFF (RGB)
  • Raw (Nikon NEF, 12 or 14 bit, lossless compressed, compressed or uncompressed)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp No
Manual focus Yes
Number of focus points 151
Lens mount Nikon F
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2″
Screen dots 2,359,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Optical (pentaprism)
Viewfinder coverage 100%
Viewfinder magnification 0.75×
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe or flash sync port)
Flash modes Front-curtain sync (normal), Rear-curtain sync, Red-eye reduction, Red-eye reduction with slow sync, Slow sync
Flash X sync speed 1/250 sec
Drive modes
  • Single-frame
  • Self-timer
  • Quiet shutter
  • Quiet continuous
  • Mirror-up
  • Continuous low
  • Continuous high
Continuous drive 9.0 fps
Self-timer Yes (2, 5, 10, 20 secs)
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV, 1 EV steps)
AE Bracketing ±5 (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV steps)
WB Bracketing Yes (2-9 exposures in 1, 2, or 3EV increments)
Videography features
Format MPEG-4
Modes
  • 3840 x 2160 @ 30p, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 24p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 120p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p, MOV, H.264, Linear PCM
  • 1280 x 720 @ 60p, MOV, H.264, Linear PCM
  • 1280 x 720 @ 50p, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC (UHS-II supported) + XQD
Connectivity
USB USB 3.0 (5 GBit/sec)
HDMI Yes (mini HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11b/g + NFC + Bluetooth 4.1 LE
Remote control Yes (wired, wireless, smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description EN-EL15a lithium-ion battery & charger
Battery Life (CIPA) 1840
Weight (inc. batteries) 1015 g (2.24 lb / 35.80 oz)
Dimensions 146 x 124 x 79 mm (5.75 x 4.88 x 3.11″)
Other features
Orientation sensor Yes
Timelapse recording Yes (4K or 8K movies)
GPS None

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This video game offers an in-game photo studio for shooting exotic cars

08 Aug

Players of the next version of PlayStation’s Gran Turismo Sport will be able to create professional looking photographs of their cars using a new feature that offers a surprising amount of ‘photographic’ control over the way the images turn out. For us mere photographic mortals, it might be the closest we’ll ever get to shooting a $ 2.5 million car with a $ 50,000 camera…

The Gran Turismo features is called ‘Scapes’, and it lets players place their favorite cars in a wide range of scenes—from landscapes to city streets and interiors—and adjust their camera ‘controls’ to dial in things like depth of field.

A control panel down the side of the screen has software-like sliders for exposure compensation, aperture, shutter speed and focus. The car can be turned and parked where you like, the lights switched between beam settings, and the color temperature of the whole scene can be adjusted to create warm and cool effects.

More than a passing thought has gone into creating the Scapes mode, and the control of the images really seems extensive.

Users can alter the color balance of shadows, mid-tones and highlights using RGB sliders, while grain effects can be added along with vignetting and distortion corrections. And if that’s not enough, you can even blur the background using a panning effect, to deliver a race day atmosphere in one of around 1000 scenes.

For more information, check out the Gran Turismo website.

Information from PlayStation:

‘Scapes’, the New World of Photography

Go on a photography trip with your favorite car.

The ‘Scapes’ feature is a new format of photography, borne from a True HDR workflow and physics based rendering technologies. Each photo spot contains all the light energy information of that scene as data. Even the incredible brightness of the Sun is physically recorded and contained in each of these photos; and because each image also contains spacial information for that scene, it is now possible to ‘place’ cars into real world photographs.

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FAA offers drone registration refunds following court ruling

09 Jul

In 2015, the FAA issued the Registration Rule mandating that small drones used for recreational purposes had to be registered with the Administration. This was the law of the land until the U.S. Court of Appeals for the District of Columbia Circuit vacated the FAA’s Registration Rule for these small drones (called ‘model aircraft’) in May of this year, saying the requirement ‘directly violates’ Section 336(a) of the FAA Modernization and Reform Act signed by President Obama in 2012.

Thanks to that ruling, small drone owners who registered their aircraft are now eligible for a refund.

Earlier this week, the FAA announced that small drone owners who operate their unmanned aircraft for recreational purposes can choose to have their FAA registration deleted and to receive a refund for the registration fee—a whopping $ 5.

This deletion and refund, however, only applies to drones that are ‘exclusively in compliance’ with Section 336: that is, for small aircraft that are solely operated for recreational purposes. And, for what it’s worth, the FAA says it still encourages these model aircraft owners to voluntarily register their drones, so if you already registered your drone you might want to remain $ 5 poorer and leave your registration intact.

If, on the other hand, you do want a refund, you’ll need to print, fill out and mail in this form to the FAA—the mailing address is located on the bottom of the second page.

Articles: Digital Photography Review (dpreview.com)

 
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Meeting Owl robotic video offers 360-degree views of conferences

22 Jun

Owl Labs, a startup backed by Android co-founder Andy Rubin, has launched a new camera called the Meeting Owl. This 360-degree camera is designed specifically for companies and groups, enabling them to hold video conferences without the burden of manually operating the cameras. The Owl does the hard work itself, automatically focusing the video feed on the person who is talking. Oh, and guess what it looks like? Yep, an adorable, productivity-increasing owl.

The device features a 360-degree camera on the top of its cylindrical body, as well as a total of 8 omnidirectional beam-forming microphones for capturing audio from all directions. The combination of the two enables Owl to capture everyone around a table at the same time, presenting viewers with a full view of the conference room. The camera shifts focus onto whomever is speaking, and presents split-views if multiple people are engaging in a conversation. The microphones isolate important noise from unwanted ambient sounds.

Owl Labs has designed its conferencing camera to work with major video conferencing platforms, including Slack, Skype, Google Hangouts, Zoom, and GoToMeeting; the camera is plug-and-play via a USB cable. According to the company’s website, ‘limited quantities’ of the Meeting Owl are available at this time, with shipping starting within the next four weeks. The camera is priced at $ 799.

Via: The Verge

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Panasonic AU-EVA1 offers EF-mount Super 35 5.7K capture to SD with Raw promised

03 Jun

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Panasonic has announced a 5.7K Super 35 format cinema camera that sits between the GH5 and the VariCam LT 4K. The camera is built around a Canon EF mount and can capture 4K video at up to 10-bit 4:2:2 quality to SD cards.

Panasonic hasn’t discussed revealed detailed specs yet but says the camera will have ‘dual native ISOs,’ which is usually videographer speak for sensors with a dual gain design.

The camera has XLR audio inputs and both HDMI and SDI video outputs. Initially it will output 4K over these connectors but Panasonic promises 5.7K Raw output to external recorders with a firmware update. The camera will ship in ‘the autumn’ at a cost of around €8000.

Press Release:

Panasonic has previewed the AU-EVA1, at Cine Gear Expo 2017 in Los Angeles, USA, a new 5.7K cinema camera positioned between the Panasonic Lumix GH5 4K mirrorless camera and the VariCam LT 4K cinema camera. Compact and lightweight, the AU-EVA1 is tailor-made for handheld shooting, but also well suited for documentaries, commercials, and music videos.

“For cinema-style acquisition, we realised there was a space between the GH5 and the VariCam LT,” said EMEA Marketing Manager Nela Pertl. “With its compact size and new 5.7K sensor, the EVA1 fills that gap for a variety of filmmaking applications.”

The EVA1 contains a newly designed 5.7K Super 35mm-sized sensor for capturing true cinematic images. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down sampled to 4K, UHD, 2K, and even 720p. The increased colour information results in a finer, more accurate finished image.

One of the key features of the VariCam 35, VariCam LT, and VariCam Pure is dual native ISO. Utilising a process that allows the sensor to be read in a fundamentally different way, dual native ISO extracts more information from the sensor without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity without an increase in noise, or other artifacts.

“On the VariCams, dual native ISO has allowed cinematographers to use less light on set, saving time and money, as well as allowing for a great variety of artistic choices. The EVA1 will include dual native ISO, but the camera is currently being tested to determine final ISO specifications,” added Nela Pertl.

The ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colours. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colourimetry of the VariCam line.

Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. There will also be numerous mounting points and Panasonic is currently working with top accessory makers to allow further customisation with the EVA1.

Ideal for indie filmmakers, the EVA1 records to readily-available, lower-cost SD cards. The camera can record in several formats and compression rates, and offers up to 10-bit 422, even in 4K. A complete breakdown of recording formats will be available at the time of the EVA1’s release.

The camera utilises a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. Electronic Image Stabilisation (EIS) is employed to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared.

As a professional video production tool, the EVA1 offers dual balanced XLR audio inputs and 4K-capable video outputs in both HDMI and SDI. In a future firmware upgrade, EVA1 will offer 5.7K RAW output to 3rd party recorders.

The EVA1 will ship this autumn for under €8,000 (body only).

For more information on Panasonic Broadcast & ProAV, please visit http://business.panasonic.eu/broadcast-and-proav

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Sigma offers firmware updates for four Canon mount lenses

19 May

Sigma has released new firmware for Canon mount versions of four of its lenses:

  • 17-70mm F2.8-4 DC Macro OS HSM | Contemporary Canon
  • 18-200mm F3.5-6.3 DC Macro OS HSM | Contemporary Canon
  • 18-300mm F3.5-6.3 DC MACRO OS HSM | Contemporary Canon
  • 24-105mm F4 DG OS HSM | Art Canon

According to Sigma, the new firmware improves the AF accuracy of the lenses when used with the Sigma Mount Converter MC-11, as well as decreasing the lens diaphragm blades noise when using the aforementioned converter.

The same AF accuracy improvement and decreased noise also apply to the lenses when they are used with Canon EOS DSLRs while shooting video or while in Live Mode. Finally, Sigma says these lenses are now compatible with the Canon Digital Cinema Camera EOS C300 Mark II. 

Sigma lens owners with the Sigma USB Dock must first update the Sigma Optimization Pro software to, at minimum, version 1.4.1 (Windows) or version 1.4.0 (Mac) before installing the new firmware.

The full Sigma changelog is below:

Benefits of this firmware update

  • It has improved the AF accuracy when the lens is attached with the SIGMA MOUNT CONVERTER MC-11.
  • ?It is necessary to use the SIGMA USB DOCK for Canon ver.1.02 or later to update the firmware.
  • ? For customers who own SIGMA MOUNT CONVERTER MC-11 EF-E, it is necessary to update this to the latest firmware ver. 1.05.
  • It has reduced the operating sound of the lens diaphragm blades when attached with the SIGMA MOUNT CONVERTER MC-11 EF-E and used for video shooting.
  • It has improved the AF accuracy when the lens is used for video shooting as well as with Live View mode of EOS DIGITAL SLR cameras.*1
  • It has reduced the operating sound of the lens diaphragm blades when the lens is used for video shooting on EOS DIGITAL SLR cameras. *1
  • It has become compatible with the Canon Digital Cinema Camera EOS C300 Mark II.
  • *1 The degree of improvement may differ depending on the camera used.

Via: Sigma

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Alpa Silex unit offers electronic control of Canon and Nikon lenses on digital medium-format backs

17 May

Swiss camera and adapter manufacturer Alpa has introduced a new device that allows Nikon and Canon users to mount some of their lenses on digital medium format backs and have access to aperture controls. The Alpa Silex control unit works with the company’s 12 series bodies and brings aperture control to electronically operated lenses from Canon and Nikon, as well as Contax, Hasselblad and Rollei. All Canon EF lenses can be controlled but only Nikon E lenses, with electromagnetic diaphragm mechanisms, will work.

With a Silex in place compatible lenses can be used to record images on a wide range of digital medium format backs. The A12 cameras accept digital backs of a variety of ages, so users don’t necessarily need the latest, and the image area will depend on the size of the sensor used and the covering circle of the lens. 

The Silex not only allows aperture adjustments but also AF control in most Hasselblad H, Canon EF and Nikon E lenses, and web access means the device can be handled remotely over a server.

Initially presented at Photokina 2016 the Alpa Silex is available now for $ 3600/CHF3355. For more information see the Alpa website.

Press release

The control unit ALPA Silex is a brand new, central element of ALPA’s extended modular photographic system. Photographers and soon even videographers will be able to combine ALPA cameras with digital backs of various manufacturers and lenses from Canon, Contax, Hasselblad, Nikon or Rollei. A variety of functions and operating modes are available to the user.

Handy and flexible – Silex is the Swiss pocket knife of the control units. Under this claim, ALPA presented the product at the Photokina 2016. The name Silex itself, however, goes much further back: it reminds us of the material for the all-purpose tools of the stone-age. ALPA Silex is the new all-purpose tool in the ALPA system. It can be used to convert any model of the classic ALPA-12 series into an electronic camera.

The basis for the development of ALPA Silex is the ALPA 12 FPS, introduced at Photokina 2012, with electronically controlled focal plane shutter. The integrated controller was separated as a standalone module and all functions except for the slot shutter were taken over. All known digital components from Hasselblad, Phase One / Leaf and Sinar can be synchronized and the electromechanical diaphragms of Canon EF, Contax, Hasselblad H, Nikon E and Rollei can be controlled. The leaf shutter in Hasselblad HC / HCD (up to 1/800s, “orange” line even up to 1/1000s) and Rollei 6000 (up to 1/500s) can be used, as well as the focus control of many of the lenses from Canon, Hasselblad H and Nikon E. The integrated web server allows remote control in networks without software installation. The future support of Sinar eShutter systems is already prepared.

Together with existing camera models from ALPA, the photographer can use a vast number of third party lenses and, depending on the available image circle, also perform shifts (shifting and stitching). In the future, our back-end adapters will also make it possible to use ALPA cameras for video recording in conjunction with the corresponding digital backs.

Available now:

  • The control unit ALPA Silex,
  • The electronic lens adapter (ELA),
  • As well as the ALPA lens module Hasselblad fix (HAF).
  • Also, immediately available for download is the latest firmware version 4.03, which makes all new functions of ALPA Silex also available for the ALPA 12 FPS. Free as always – as an investment in the ALPA system is sustainable and the term ‘planned obsolescence’ is alien to ALPA. Even if the environment changes, an ALPA will persist.

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Delkin BLACK USB 3.0 Rugged Memory Card Reader offers microSD, CF and SD slots

16 May

Delkin has launched the BLACK USB 3.0 Rugged, a large memory card reader featuring both microSD and SD UHS-II card slots.  This is the first rugged memory card reader offering both of these slots in a single device, according to Delkin, making it a suitable model for on-the-go photographers who are frequently in ‘strenuous shooting environments.’

In addition to support both USH-II SD and microSD cards, the BLACK USB 3.0 Rugged has a larger Compact Flash UDMA 7 memory card slot. Transfer speeds reach up to 500MB/s, which Delkin says is ten times the speed of USB 2.0. All three card slots can be used at the same time, while the USB transfer cord and one of each type of flash card can be stored inside of the media card reader when not in use.

The card reader itself is made from both plastic and aluminum with a rubber cover that shields the device from water, dust, and impacts caused by bumps and drops. If the BLACK USB 3.0 Rugged does break at any point within its 5-year warranty period, Delkin will ship a replacement to the customer within 48 hours. The model is available now exclusively within authorized retail camera stores; price isn’t clear at this time.

Via: PhotographyBLOG

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