Canon has announced two lenses for the EF-M mount used for the first time by its EOS M mirrorless camera. The first lenses will be a EF-M 22mm F2.0 STM ‘pancake’ prime and an EF-M 18-55mm F3.5-5.6 IS STM standard zoom lens. Both are built around a STM linear stepping motors to drive focus. The EF-M 22mm F2.0 offers a field-of-view equivalent to a 35mm lens on a 135 film camera, while the 18-55mm offers around 29-88mm equivalent coverage. Both feature metal lens barrels and focus-by-wire manual focus.
Chinese accessory manufacturer Kipon says it has developed mount adapters to use Canon EOS lenses on Micro Four Thirds and Sony NEX bodies with full electronic control of the aperture setting. There’s no word on whether other functions such as image stabilization or autofocus have any chance of working, and as yet Kipon is only showing unfinished-looking examples on its website. There’s also no information on availabililty or pricing, but we’d expect it to be very competitive.
Carl Zeiss has announced two videography-orientated lenses to add to its CP.2 Compact Prime range, a 15mm and a 135mm. The lenses, to be unveiled at the NAB broadcast industry trade show in Las Vegas, are the CP.2 15mm T/2.9 and CP.2 135mm T/2.1. Both lenses are color-matched to allow consistency in footage shot with different lenses, and feature interchangeable mounts, allowing use with PL, EF, F, MFT and E mounts. The two lenses will be available in the fourth quarter of 2012 at an MSRP of €4,200 / US$ 5,700 (excluding VAT).
CES 2012: Panasonic is showing mockups of two large-aperture zoom lenses for Micro Four Thirds. The Panasonic stand plays host to mockups of a 12-35mm F2.8 and a 35-100mm F2.8 lens, prominently badged ‘Concept’ lenses. Next to the models is a lens roadmap confirming the company’s intentions to build a 12-35mm (24-70mm equiv) and 35-100 (70-200mm equiv) ‘X’ grade zooms, but with a note that the maximum apertures are ‘to be determined.’ The diagram appears to suggest both lenses will arrive later in 2012.
Nikon has released firmware updates for its Nikkor 1 10-30mm f/3.5-5.6, 30-100mm f/3.8-5.6 and 10-100mm f/4.5-5.6 lenses. The 10-30mm and 30-100mm lenses are upgraded to firmware v1.02, which corrects a bug which causes an incorrect aperture value to be recorded. Meanwhile the 10-100mm power zoom firmware moves to v1.01 that, like the 1.01 upgrades for the other two lenses, addresses a problem by which images could ‘be blurred when shot immediately after the camera was shaken or moved quickly’.
We’ve published our roundup of the ten most interesting third-party lenses for enthusiast photographers. There are a huge number of lenses available from third-party manufacturers that at least match, and sometimes exceed the quality of more expensive models from camera manufacturers. In this four-page roundup, Matt Golowczynski highlights ten stand-out lenses by category.
Adorama Photography TV presents: In this episode Mark recommends some great lenses for shooting portraits in low light. These lenses will also give you shallow depth of field. Visit www.adorama.com for more photography videos! See product details and specs at www.adorama.com Send your questions to: AskMark@Adorama.com
Freelance photographer Kristian Dowling, shares the secrets of his working pro camera bag in this new series . Part 1 just begins the look through the gear that gets the job done. In the next parts, he’ll cover not only the cameras and lenses, but the location lighting he uses for unique portrait work that has made his name in the world of photography. Visit photoinduced.com for more photo-ness. Video Rating: 4 / 5
Alongside the J1 and V1, Nikon has launched three lenses for its Nikon 1 system. The lenses, designed for the 1"-type CX sensors, start with the 1 Nikkor VR 10-30mm F3.5-5.6, 27-81mm equivalent kit zoom. In additon there will be a 1 Nikkor VR 30-110mm F3.8-5.6 lens, which gives a 81-297mm equiv range. Finally there will be the 27mm equiv. 1 Nikkor 10mm F2.8 pancake lens. There will also be a 1 Nikkor VR 10-100mm f/4.5-5.6 (27-270mm equivalent) power zoom lens for video capture. News: Digital Photography Review (dpreview.com)
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Live report from the New York launch of the Nikon 1 system. Dpreview.com attended the unveiling of Nikon’s new mirrorless camera system, which included the launch of the J1 and V1 cameras. We had a chance to handle the cameras and their associated accessories. Here are our images from the event, including mock-ups of possible future lenses. News: Digital Photography Review (dpreview.com)
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In this talk, Sebastian Sylwan from Weta Digital discusses digital film making and the historic tradition of art and science converging to allow better tools for storytelling. Today’s digital tools are not only helping to create more *convincing, believable imagery, they have enabled the birth of methods like previs and virtual production that are changing the entire collaborative creative process of film making. Sebastian Sylwan is the CTO of Weta Digital. Before Weta, Sebastian served as Autodesk’s Senior Film Industry Manager, where he helped set the strategy for Autodesk’s products in the global film market, including the first steps into stereoscopic 3D. Prior to that, Sylwan was Director of Technology at Digital Domain, an Academy Award-winning VFX facility. He successfully renewed Digital Domain’s technology infrastructure while maintaining the legacy value of over 13 years and helped it venture into new areas like the development of the facility’s first stereoscopic rendition of a CG animated film. Sylwan has also served as Principal Technology Advisor at USC’s Institute for Creative Technologies where he led the Light Stage 6 project. In Italy, where he grew up, Sylwan designed, built, and acted as the CTO of Lumiq Studios, the country’s largest production, post-production and 3D character animation studio. Sylwan serves on numerous advisory boards and industry committees. AboutTEDx, x = independently organized event In the spirit of ideas worth spreading, TEDx …
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