RSS
 

Posts Tagged ‘improved’

Redesigned Nikon 70-200 F2.8 arrives with improved optics, electromagnetic diaphragm

19 Oct

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_0289055049″,”galleryId”:”0289055049″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

Nikon has released the latest iteration of its workhorse 70-200mm F2.8 lens. The AF-S Nikkor 70-200mm F2.8E FL ED VR, as it is known, has a new optical design, improved Vibration Reduction as well as an electromagnetic diaphragm.

The lens has a total of 22 elements, with 6 ED, 1 fluorite and 1 high refractive index element. A Nano Crystal Coat reduces flare and ghosting while fluorine coatings on the front and rear class helps prevent smudging. Vibration Reduction has been improved, now reducing shake by 4 stops (vs 3.5). The electromagnetic diaphragm allows for responsive adjustment and the ability to adjust the aperture in live view and movie mode on all camera bodies.

You’ll be able to pick up this 1.4 kg (3 lb) beast next month for $ 2799.95.

Press Release:

MASTER YOUR PERSPECTIVE WITH OPTICAL EXCELLENCE: NIKON ADDS TWO PRO-GRADE FX-FORMAT LENSES TO CELEBRATED NIKKOR LENS LINEUP

Extraordinary Next-Generation AF-S NIKKOR 70-200mm f/2.8E FL ED VR Sets a New Standard for Pro Telephoto Workhorse Lenses, While New PC NIKKOR 19mm f/4E ED is Nikon’s Widest Ever Tilt-Shift NIKKOR Offering

MELVILLE, NY (October 19, 2016 at 12:01 A.M. EDT) – Today, Nikon Inc. has announced two exciting FX-format additions to the storied NIKKOR lens lineup, designed to achieve amazing optical performance for the most demanding professional and enthusiast photographers. An evolution of one of Nikon’s most versatile and popular pro-zoom lenses, the newly redesigned AF-S NIKKOR 70-200mm f/2.8E FL ED VR sports an updated optical formula capable of amazing image quality, while optimized for high-speed shooting. Also introduced today is Nikon’s widest perspective control lens to date, the PC NIKKOR 19mm f/4E ED tilt-shift lens, which helps photographers effortlessly control perspective when capturing architecture, interiors, fine art, product photography and landscapes.

“Nikon continues to raise the bar of optical excellence, and our newest FX-format NIKKOR offerings provide experienced photographers with powerful tools to help ensure brilliantly sharp images, whether capturing a high-speed photo finish or creatively framing an architectural marvel,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc. “While the new AF-S NIKKOR 70-200mm f/2.8E FL ED VR builds upon the success of its predecessors to offer a true all-around NIKKOR optic, the PC NIKKOR 19mm f/4E ED will provide fantastic perspective control for a variety of challenging wide-angle applications.”

The Ultimate Workhorse Lens for Seasoned Photographers

Long considered an essential lens in the bag of professional photographers, this updated AF-S NIKKOR 70-200mm f/2.8E FL ED VR sets a new benchmark for fast telephoto zoom lenses, taking image quality and handling to the next level. An indispensable and powerful tool for nearly any photographic scenario, the NIKKOR 70-200mm remains the professional’s choice with a wide f/2.8 constant aperture that is ideal for capturing sports, weddings, stunning portraits and more, even in low-light.

The next generation design of the lens helps ensure the very best in image quality, speed and low-light performance, while offering balance and handling that is nothing short of superb. Nikon’s new 70-200mm provides up to four stops1 of Vibration Reduction (VR) image stabilization, an improvement from its predecessor that helps users to eliminate blur and camera shake even when shooting handheld or in challenging light. During burst shooting, the lens takes advantage of an electromagnetic diaphragm for consistent auto-exposure control. Additionally, a Silent Wave Motor (SWM) enables ultra-fast and quiet AF operation with seamless manual focus override. Discerning photographers will also appreciate assignable function buttons on the lens barrel that offer customization, perfect for engaging pre-set autofocus or other focusing options.

A new optical formula consisting of six ED elements, one Fluorite element, a high refractive element and Nano Crystal Coat helps make for a lighter and more versatile lens, while reducing chromatic aberration and helping to all but eliminate distortion, ghosting and flare. Ready for even the most rugged of assignments, the magnesium alloy lens barrel features superior weather-sealing that achieves anti-dust and waterdrop-resistance, while Fluorine coating on both the front and rear glass facilitates easy cleaning. Whether shooting with a camera like the Nikon D5, D810, D750 or D500, capturing sports or weddings, the AF-S NIKKOR 70-200mm f/2.8E FL ED VR is a fantastic lens choice for experienced photographers.

Seamlessly Control Perspective with the New Super-Wide PC NIKKOR Lens

Also new from Nikon is the latest perspective control lens (designated PC) in the NIKKOR lens lineup, the PC NIKKOR 19mm f/4E ED, a tilt-shift offering that will help photographers master perspective and depth-of-field. For storytellers who yearn to capture optically-challenging subjects like cityscapes and architecture, interiors or unique landscapes, this lens offers 97° of coverage – the widest focal length of any PC lens in the NIKKOR family. Tilt the lens to sharpen focus throughout a scene or create a miniature effect, or shift2 to adjust perspective in-camera, create panoramas or eliminate converging lines. For the first time with a NIKKOR PC lens, the direction of tilt operation can be made parallel or perpendicular to shift, offering users nearly unprecedented ability to control perspective, focus and depth-of-field, without having to lock and unlock to make adjustments.

Sporting a super-wide 19mm focal length, the lens provides a unique perspective ideal for shooting horizontal or vertical panoramas, or even filmmaking. With this ultra-wide angle in mind, the latest FX-format NIKKOR offering was crafted with three ED and two aspherical elements that help combat distortion and glare, while virtually eliminating chromatic aberration and coma, even at the widest aperture settings. The lens also features core NIKKOR technologies such as Nano Crystal Coat to combat ghosting and flare, an electromagnetic diaphragm for fast auto-exposure control, as well as a Fluorine coat that helps resist dirt, water spots and smudges. Ready for a variety of challenging ultra-wide applications, the PC NIKKOR 19mm f/4E ED is a powerful tool for discerning photographers looking for full creative and perspective control. It joins three other Gold Ring Series PC lenses in Nikon’s line-up; the PC-E NIKKOR 24mm F3.5D ED, PC-E Micro NIKKOR 45mm f/2.8D ED and the PC-E Micro NIKKOR 85mm f/2.8D.

Price and Availability

Both the AF-S NIKKOR 70-200mm f/2.8E FL ED VR and PC NIKKOR 19mm f/4E ED will be available starting in November 2016 for suggested retail prices (SRP) of $ 2,799.95* and $ 3,399.95*, respectively. For more information on these new Nikon products and pricing for optional accessories, please visit www.nikonusa.com.

1 Based on CIPA Standard. This value is achieved when FX-format compatible lenses are attached to a FX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.

2 Depending on combination of shift and rotation, operation may be restricted by mechanical interference between the lens and camera when used with certain Nikon cameras.

  • Models that can be used without any limitation: D5, D4 series, D3 series, D810 Series, D500
  • Models that can be used with some limitations: Df, D800 series, D750, D610, D600, D300 series, D7200, D7100, D5500, D5300, D5200, D5100, D5000, D3400, D3300, D3200, D3100
  • Models that are not compatible with PC NIKKOR 19mm f/4E ED: D2 series, D1 series, D200, D100, D90, D80, D70 series, D3000, D60, D50, D40 series, film cameras, Nikon 1 series with FT-1

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Nikon AF-S Nikkor 70-200 F2.8E FL ED VR specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 70–200 mm
Image stabilization Yes (4 stops)
Lens mount Nikon F (FX)
Aperture
Maximum aperture F2.8
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 22
Groups 18
Special elements / coatings 6 ED, 1 Fluorite, 1 HRI element + Nano Crystal & Fluorine coatings
Focus
Minimum focus 1.10 m (43.31″)
Maximum magnification 0.21×
Autofocus Yes
Motor type Ring-type ultrasonic
Full time manual Yes
Focus method Internal
Distance scale Yes
DoF scale No
Focus distance limiter Yes
Physical
Weight 1430 g (3.15 lb)
Diameter 89 mm (3.48″)
Length 203 mm (7.97″)
Materials Magnesium alloy
Sealing Yes
Zoom method Rotary (extending)
Power zoom No
Zoom lock Yes
Filter thread 77.0 mm
Hood supplied Yes
Tripod collar Yes

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Redesigned Nikon 70-200 F2.8 arrives with improved optics, electromagnetic diaphragm

Posted in Uncategorized

 

Canon introduces global shutter CMOS sensor with improved dynamic range

01 Sep

Canon has announced a global shutter CMOS sensor with a re-designed pixel structure aimed at boosting dynamic range. Using global shutter presents a clear benefit for the sensor’s videography applications, as it doesn’t suffer from the distortion effects that a standard ‘progressive scan’ sensor does when capturing fast-moving subjects.

However, global shutter designs have tended to offer less dynamic range than their conventional counterparts. Canon says that the sensor’s drive system (the way it’s read out) increases the amount of light the sensor can capture before overexposing. This is combined with a more efficient pixel structure and ‘optimized internal configuration’ to reduce noise and increase sensitivity. The result should be improved dynamic range, though it’s not clear how this improved performance will compare with traditional chips of the kind that exhibit rolling shutter.

Canon says it will explore use of the chip in measurement and industrial applications, and consider applications in video production. No details of the sensor’s size or resolution were given.

Press release:

Canon develops global shutter-equipped CMOS sensor that achieves expanded dynamic range through new drive method

TOKYO, August 31, 2016—Canon Inc. today announced that it has developed a new CMOS sensor equipped with a global shutter function that, because it exposes all of the sensor’s pixels at the same time, enables the capture of distortion-free images even when shooting fast-moving objects. Employing a new signal-readout drive system and new pixel structure that significantly expands the full well capacity and reduces noise, the sensor contributes to high-image-quality video capture by making possible the realization of a wide dynamic range.

Distortion-free image capture when shooting fast-moving objects

Standard CMOS sensors make use of the rolling shutter method, which sequentially exposes the pixels one row at a time. Because rolling shutters can create slight discrepancies in signal-readout timing depending on the location of the pixel, images of fast-moving objects may appear distorted and flash photography may result in the occurrence of the flash band phenomenon, in which the upper and lower portions of images display different levels of brightness. Because Canon’s newly developed CMOS sensor employs a global shutter, when shooting such fast-moving objects as a rotating propeller or a speeding train, subjects are able to retain their proper form to create distortion-free images. Enabling the confirmation of object shapes with a high degree of accuracy, the sensor offers potential benefits in industrial applications, including as a sensor for use in inspection cameras.

Wide dynamic range realized through new proprietary drive method and pixel structure

When the newly developed CMOS sensor converts light into electrical signals and stores the signal charge in memory, the new drive system achieves a significant expansion in full well capacity. Also, because it employs a structure that efficiently captures light and each pixel incorporates an optimized internal configuration, the sensor makes possible increased sensitivity with reduced noise. The expanded full well capacity, realized through the sensor’s new drive system, and substantial reduction in noise, enabled by the new pixel structure, combine to deliver a wide dynamic range, facilitating the capture of high-image-quality, high-definition footage even when shooting scenes containing large variances in brightness.

Canon will explore various industrial and measurement applications for the newly developed CMOS sensor and consider deploying it in the field of video production for cinema production applications, TV dramas, commercials and more.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Canon introduces global shutter CMOS sensor with improved dynamic range

Posted in Uncategorized

 

Corel PaintShop Pro X9 arrives with improved workflow

18 Aug

Corel has launched PaintShop Pro X9, the latest version of its photo editing software. With the X9 version, PaintShop Pro adds seven new features, as well as two enhancements to existing features, including new Interactive Gradients, expanded RAW camera profile support, and new Project Templates. Joining this release is PaintShop Pro X9 Ultimate, which includes the X9 software plus an add-ons collection with AfterShot 3, Corel Live Screen Capture and Athentech’s Perfectly Clear 2 SE.

PaintShop Pro X9’s new features are comprised of project templates, screenshot capturing and editing, support for Windows Real Time Stylus, a new Guided Tour, edit history exporting, Intel RealSense XDM support and Interactive Gradient fill. In addition to those new features, Corel says X9 brings a few ‘enhanced’ features: support for Windows Server 2016, 15 new camera RAW profiles, and an improved workflow that ‘streamlines many common tasks.’

PaintShop Pro X9 is available now for $ 79.99 USD/CAN, 69.99 EUR, £59.99, and $ 99 AUD. PaintShop Pro X9 Ultimate is also available for $ 99.99 USD/CAN, 89.99 EUR, £79.99, and $ 129 AUD. The software is offered in the following languages: English, German, French, Dutch, Italian, Spanish, Russian, Japanese and Traditional Chinese. 

Via: MarketWired

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Corel PaintShop Pro X9 arrives with improved workflow

Posted in Uncategorized

 

Now with 4K: Fujifilm X-T2 offers 24MP, improved AF and video specs

07 Jul

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_6056057871″,”galleryId”:”6056057871″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

Fujifilm has updated its premium SLR-style X-series lineup with the X-T2, bringing 4K video capture to its lineup for the first time.

The camera uses the 24.3MP X-Trans CMOS III APS-C sensor first seen in the X-Pro2 and also includes an upgraded hybrid AF system with more focus points, as well as an AF-point selection joystick a la the X-Pro2. There’s also a faster top mechanical shutter speed of 1/8000 sec (1/32,000 sec with the electronic electronic), an improved AF-C algorithm and an overall boost in response times when using the camera. Like the X-T1, this camera is weather-sealed.

The X-T2 offers an unchanged 2.36 million-dot OLED EVF carried over from its predecessor, but the 1.04 million-dot 3″ LCD has an additional hinge for waist-level portrait-orientation shooting. An optional ‘Vertical Power Booster Grip’ is offered. The grip houses two batteries and lives up to its name by ‘boosting’ mechanical shutter burst shooting to 11 fps (from 8 fps), reducing shutter lag and blackout time slightly and allowing for 30 minutes of 4K capture (as opposed to 10). 

An EF-X500 hot shoe flash is also introduced for the system, offering a guide number of 50 with a tilting flash head.

The Fujifilm X-T2 will be available in September for $ 1,599.95 body-only, or bundled with the XF18-55mm for $ 1,899.95. The EF-XF500 flash will also be available in September for $ 449.99.

Press release:

Fujifilm Unveils the New X-T2, the Ultimate Mirrorless Camera with New Autofocus System and 4K Video Shooting

X-T2 gives users cutting-edge performance that delivers premium imaging quality in a classic design that is a joy to use; New FUJIFILM EF-X500 flash arrives

Valhalla, N.Y., July 7, 2016 – As a leader in advanced digital camera technology and outstanding image quality, FUJIFILM North America Corporation today announced the new FUJIFILM X-T2, a splash-resistant premium interchangeable lens camera with a large OLED electronic viewfinder (EVF). The X-T2 houses the latest generation 24.3MP X-Trans CMOS III with an APS-C sensor with no low-pass filter, boasting the highest performance in the history of X Series. The new X-T2 produces crisp image resolution comparable to that of cameras equipped with larger sensors and higher pixel counts, all in a more compact and classically-designed body.

And for the first time, the new FUJIFILM X-T2 now supports 4K video recording that can use each available Film Simulation mode, including ACROS, to easily produce premium-quality footage that is as unique as the photographer behind the viewfinder.

Dramatic improvement to auto focus system The FUJIFILM X-T2 receives a dramatically improved auto focus system (AF) that increases the overall single AF points to 325, and the number of Zone focusing points to 91 (expanded from 49 in previous models). Approximately 40% of the imaging area (center area containing 49 focusing points) is covered with phase detection auto focus pixels to form a fast and precise phase detection auto focus area that can be used in a variety of scenes.

With the high-speed X-Processor Pro and the use of improved algorithms, the X-T2 now refocuses more frequently, enabling predictive AF of advanced accuracy.

The X-T2 also has an enhanced ability to autofocus on small points of light, low-contrast objects and subjects with fine and delicate textures such as bird feathers and animal fur.

The X-T2’s performance of contrast detection AF, enabled for approximately 65% of the imaging area, has also been improved. The data read speed has been doubled compared to previous models to achieve AF performance of higher speed and precision. Photographers will enjoy accurate focusing is all shooting situations, even in low light with a -3EV.

Another area of improvement is the AF-C algorithm that has been significantly enhanced for even higher accuracy when focus-tracking moving subjects in the AF-C mode. According to the type of movement, users can choose individual settings for Subject Retention Characteristic, Acceleration / Deceleration Tracking Characteristic and Focus Zone Characteristic, or select one of five presets or customize specific settings for these three elements.

Image Quality
Fujifilm’s commitment to superior image quality remains a guiding principle, and the FUJIFILM X-T2 is the latest effort to deliver outstanding picture resolution, all from a compact and sophisticated body that is both weather-sealed and easy to travel with in any location. With Fujifilm’s proprietary image design technology, produced through the development of photographic films, the X-T2 reproduces warm skin tones, bright blue skies and rich green foliage in beautiful colors, just as you remember seeing in real life. The X-T2 includes the ACROS Film Simulation for smooth gradation, deep blacks and beautiful textures to create monochrome images that far outperform even the most demanding expectations.

The X-T2 also has the Grain Effect function for reproducing distinctive graininess seen in photographs taken with film cameras. The function is available in Strong and Weak options, and can be combined with any of the Film Simulation modes. You can easily obtain the effect of film-based photos, notable especially when the image is printed out.

Speedy throughout
Basic response specifications, such as startup time, shooting interval and shutter release time lag, have all been improved to the extreme in pursuit of a camera that operates exactly as the photographer demands. The high-speed processing power and the use of improved algorithms have significantly improved the basic autofocus performance, and X-T2 now gives users AF-C Custom Settings for even higher accuracy in focus-tracking moving subjects.

The X-T2’s electronic viewfinder, which is used to continuously track a moving subject, is capable of displaying up to 100 frames per second, while also maintaining the magnification ratio of 0.77x and the display time lag of 0.005 seconds. The duration of the viewfinder blackout, in which the evf blacks out temporarily while the camera reads picture data, has been reduced by more than half, enabling continuous shooting to ensure tracking subject movements.

Body and grip offer ultimate stability
The X-T2’s body is fully made of magnesium alloy making it not only compact and lightweight, but also solid and highly durable. The X-T2 body has weather-proofing at 63 points to achieve a high level of resistance to dust and moisture, and coupled with its ability to operate in temperatures down to 14°F, is ready for full-fledged field photography. Similar ruggedness is applied to the new Vertical Power Booster Grip.

The Vertical Power Booster Grip (optional VPB-XT2) is a dust-resistant grip, rugged and capable of operating at temperatures as low as 14°F that maximizes the performance of the X-T2 beyond expectations. It fits two batteries, bringing the total number of batteries the X-T2 can use to three, including the one in-camera, to increase the maximum number of frames that can be taken per charge to approximately 1,000 (Normal mode). In the Boost mode, multiple batteries can operate at the same time to give a boost to camera performance in continuous shooting, shooting interval, shutter release time lag and blackout time, while also extending the duration of 4K video recording to approximately 30 minutes.

The Vertical Power Booster Grip also features a shutter release button, focus thumbstick, AE-L button, AF-L button, command dials, Q button and Fn button and headphone jack to enable audio monitoring during video recording to provide the same level of excellent operability in vertical shooting as you get in horizontal operation. The grip itself has battery-charging functionality where by using the AC adapter supplied (AC-9VS), users can fully charge two batteries at the same time in about two hours.

FUJIFILM EF-X500 Flash
The new high-end multi-function external FUJIFILM EF-X500 Flash is now official for the lineup of accessories for the X Series of digital cameras. The EF-X500 is a hot-shoe mount flash with a maximum guide number of approximately 50, and includes support for the FP mode (high-speed flash sync) so that the flash can be fired at any shutter speed. Photographers can now concentrate on shooting when a faster shutter speed is required, for example, in order to use a near-maximum aperture to produce beautiful bokeh.

The EF-X500 also supports multi-flash lighting. Users can set up multiple flashes to freely control light on a subject and background for a creative result. Through-the-lens (TTL) lighting control is available with single flash and also in the multi-flash setup, so that users can start shooting without having to make cumbersome adjustments to light output.

EF-X500 Flash key features: 

  • Maximum guide number of approximately 50 (ISO100?m) / 164 (ISO100·ft) • Zooming the illumination angle for the focal lengths of 24mm – 105mm, and covering the illumination angle of approximately 20mm when the wide panel is used
  • Flash head that can be tilted up by 90° degrees, down by 10° degrees, to the left by 135° degrees and to the right by 180° degrees for bouncing light
  • Equipped with LED video light that can also be used as AF assist light and catch light
  • Registers up to ten combinations of various setting to suit specific shooting conditions in advance for quick activation when needed

FUJIFILM X-T2 key features:

  • 24.3MP X-Trans CMOS III Sensor
  • Dust and moisture-resistant body with approximately 63 points of weather sealing; Freeze resistance to 14°F
  • X-Processor Pro
    – Fast AF of 0.06 seconds
    – Startup time of 0.3 seconds
    – Shutter time lag of 0.045 seconds
    – Shooting interval of 0.17 seconds
    – Phase detection AF and motion predictive AF for continuous shooting up to 8 frames per second (fps)
    – Up to 11fps using Booster Grip
  • High-precision 0.48-inch, 2.36 million dot OLED viewfinder
    – Viewfinder magnification for digital cameras of 0.77x
    – Wide viewing angle (diagonal 38° and horizontal 31°)
    – Ultra-fast Real Time Viewfinder with a lag-time of 0.005sec (less than 1/10 of existing models)
    – Automatic Brightness Adjustment function
    – EVF refreshes at a rate of 60fps, or as high as 100fps in the Boost mode
    – Continuous shooting of 5fps in Live View
  • Full 4K 3840×2160 30P/25P/24P shooting (Using a card with the UHS Speed Class 3 or higher)
    – Continuous recording: up to approximately 10 minutes
    – Full HD 1920×1080 60P/50P/30P/25P/24P, Continuous recording: up to approximately 15 minutes
    – HD 1280×720 60P/50P/30P/25P/24P, Continuous recording: up to approximately 29 minutes
  • Four different display modes: Full, Normal, Dual and Vertical
    – Full mode: Displays shooting information at the top and bottom of the screen to avoid obstruction of the view
    – Dual mode: Adds a small second screen for checking focus point with Focus Peak Highlight or Digital Split Image
    – Normal mode: Lets you concentrate on framing the shot in Auto Focus mode while keeping you aware of how the shooting conditions are changing, making it the perfect setting for sports and action photography
    – Portrait mode: When in Full or Normal modes, it rotates the shooting information interface when the camera is turned vertically
  • Tempered glass 1.04 million dot high-precision 3” tilting LCD monitor
  • Digital Split Image and Focus Highlight Peaking
  • Wi-Fi and remote camera operation
  • ISO200 – 6400, extended ISO 100, 12800, 25600, Auto(maximum ISO setting from ISO 400 – ISO6400 available) with High ISO 51200 setting
  • Lens Modulation Optimizer technology maximizes each lens’ performance
  • In-camera RAW converter
  • Die-cast magnesium body provides a sturdy and durable, while compact and lightweight design
  • Two command dials and six Function buttons for instant control and customization
  • Interval timer shooting for Time Lapse photography is available with intervals of 1 second to 24 hours and up to “?” frames
  • Advanced filters and Film Simulations, including ACROS

FUJIFILM X-T2 Accessories:

  • Vertical Power Booster Grip (optional VPB-XT2) New
  • X-T2 Metal Hand Grip (MHG-XT2) New
  • X-T2 Bottom Leather Case (BLC-XT2) New
  • X-T2 Cover Kit (CVR-XT2) New
  • NP-W126S Rechargeable Battery New
  • Five dedicated flash models to choose from depending on requirements (EF-X500 New, EF-X8, EF-X20, EF-20, EF-42)
  • Battery Pack EF-BP1, compatible with EF-X500 New
  • Protective Filters (PRF-39, PRF-52, PRF-58, PRF-62 and PRF-72)
  • M Mount Adapter for additional lens compatibility
  • Remote Release (RR-90)
  • Stereo Microphone (MIC-ST1)

Availability and Pricing
The new FUJIFILM X-T2 (body only) will be available in September 2016 in the U.S. for USD $ 1,599.95. The X-T2 and XF18-55mm (27-84mm) kit will be available in September 2016 in the U.S. for USD $ 1,899.95.

The FUJIFILM EF-X500 Flash will be available in September 2016 in the U.S. for USD $ 449.99.

Fujifilm X-T2 specifications

Price
MSRP $ 1599 (body only), $ 1899 (w/18-55mm)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6000 x 4000
Other resolutions 3:2 (4240 x 2832, 3008 x 2000), 16:9 (6000 x 3376, 4240 x 2384, 3008 x 1688), 1:1 (4000 x 4000, 2832 x 2832, 2000 x 2000)
Image ratio w:h 1:1, 3:2, 16:9
Effective pixels 24 megapixels
Sensor size APS-C (23.6 x 15.6 mm)
Sensor type CMOS
Color space sRGB, Adobe RGB
Color filter array X-Trans
Image
ISO Auto, 200 -12800 (expands to 100-51200)
Boosted ISO (minimum) 100
Boosted ISO (maximum) 51200
White balance presets 7
Custom white balance Yes (3 slots)
Image stabilization No
Image stabilization notes Lens only
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG (Exif v2.3)
  • Raw (Fujifilm RAF, 14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 325
Lens mount Fujifilm X
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3″
Screen dots 104,000
Touch screen No
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.77×
Viewfinder resolution 2,360,000
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Built-in flash No (Small external flash included)
External flash Yes
Flash modes Auto, standard, slow sync, manual, commander
Flash X sync speed 1/250 sec
Continuous drive 14.0 fps
Self-timer Yes (2 or 10 secs)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±2 (3 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes
Videography features
Resolutions 3840 x 2160 (29.97p, 25p, 24p, 23.98p), 1920 x 1080 (59.94p, 50p, 29.97p, 25p, 24p, 23.98p), 1280 x 720 (60p, 50p, 30p, 25p, 24p)
Format MPEG-4, H.264
Microphone Stereo
Speaker Mono
Storage
Storage types Dual SD/SDHC/SDXC UHS II
Connectivity
USB USB 3.0 (5 GBit/sec)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n
Remote control Yes (via smartphone or wired remote)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description NP-W126S lithium-ion battery & charger
Battery Life (CIPA) 340
Dimensions 133 x 92 x 49 mm (5.24 x 3.62 x 1.93″)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Now with 4K: Fujifilm X-T2 offers 24MP, improved AF and video specs

Posted in Uncategorized

 

OOWA smartphone lenses use ‘free-form’ tech for improved image quality

09 Jun

DynaOptics, an optical engineering company that has previously looked at bringing zoom lenses to smartphones, has launched a Kickstarter campaign for its OOWA smartphone add-on lenses. 

The lenses, a 2.5x tele-lens with an equivalent focal length of 75mm and a 15mm equivalent super-wide-angle, use DynaOptics’ patented free-form system design methodology which promises improved edge-to-edge sharpness, minimal distortion, no chromatic aberrations and no vignetting, compared to conventional optical designs. This is achieved through a rotationally asymmetric design that optimizes image quality in a rectangular shape (i.e, the shape of an imaging sensor). In contrast, conventional rotationally symmetric lenses optimize image quality in a circle.

Both lenses attach to iPhone 6-series models via an included protective case. The tele-lens has 5 elements, one made from glass and 4 made out of plastic. The wide-angle has three plastic elements and one glass element. 

You can currently secure either lens by pledging $ 65 on the OOWA Kickstarter page, or $ 120 for the kit. If you like the idea behind the lenses but don’t currently own an iPhone you can also help OOWA select the next devices that it will make lenses available for. Samples and comparison shots can be be found on the DynaOptics website.

Press Release:

Palo Alto, CA and Singapore – June 8, 2016 – DynaOptics, an innovator in optics technology, entered the mobile photography market today with OOWA, a suite of iPhone lens attachments powered by free-form lenses. OOWA’s high-quality wide-angle and telephoto lenses, together with protective phone cases, are available for pre-order on Kickstarter now.

“The introduction of OOWA lenses marks a true innovation in the world of optics: for the first time, a free-form lens is incorporated into a camera lens,” said Li Han Chan, DynaOptics CEO and co-founder. “OOWA’s precision-crafted lens attachments are now available for the iPhone 6 series. Our technology empowers these users to see the world from a fresh perspective — with unprecedented clarity — zero chromatic aberration (no color bleeding) and zero vignetting (no dark corners).”

Photographs taken by OOWA can be found on Instagram at #madewithoowa.

OOWA’s suite of products includes:

  • a 2.5X zoom telephoto lens,
  • a 110 degree diagonal field-of-view wide-angle lens, and
  • a phone case that allows for lens attachment with ease and precision while protecting the phone

A Single Lens Kit (telephoto or wide-angle lens) comes with the selected lens and a phone case, a lens cap, and a carrying pouch. The Pro Kit comes with both lenses, two lens caps, two carrying pouches, and a phone case. OOWA’s Kickstarter supporters can purchase lens kits at early-bird prices (Single Lens Kit at $ 65; Pro Kit at $ 120) during the first three days of the campaign. After which, the kits will be offered at regular reward levels of $ 79 and $ 139 respectively.

As mobile phones capture an ever-increasing share of the world’s photos, the pressure is on for cell phone technology to compete with the image quality of DSLR cameras. Market research firm InfoTrends estimates that more than one trillion photos will be taken by mobile phone users in 2017, up from 0.14 trillion in 20101.

OOWA’s products address this insatiable demand for ever-improving image quality and technology in today’s mobile camera world. Visit OOWA’s press page here for more information on OOWA’s free-form technology, product specifications, lab and field image quality results, and a prototype review by a professional photographer. 

OOWA products are available today for pre-order on KICKSTARTER. OOWA lenses are compatible with the iPhone 6, 6S, 6+ and 6S+ (other phone users — watch this space!), and with screen protectors. The products are expected to ship in November 2016.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on OOWA smartphone lenses use ‘free-form’ tech for improved image quality

Posted in Uncategorized

 

DJI’s Phantom 4 boasts improved camera optics and obstacle avoidance

02 Mar

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_8627299961″,”galleryId”:”8627299961″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

DJI has updated its flagship drone lineup with the Phantom 4, which offers automatic obstacle avoidance and ‘dramatically’ improved camera optics. With a 12MP sensor and F2.8 lens the Phantom 4 is capable of Raw still shooting and 4K/UHD video at 30p as well as new machine vision technology adding subject tracking and object avoidance. Flight time has increased to 28 minutes – and the price has increased to $ 1399 compared to the Phantom 3 Professional’s original $ 1259 MSRP.

The DJI Phantom 4 is now available for pre-order through DJI.com and Apple.com. Orders are expected to ship March 15.

Press release:

DJI Launches New Era of Intelligent Flying Cameras

DJI, the world’s leading maker of unmanned aerial vehicles, on Tuesday launched the Phantom 4, the first consumer quadcopter camera (or “drone”) to use highly advanced computer vision and sensing technology to make professional aerial imaging easier for everyone.

The Phantom 4 expands on previous generations of DJI’s iconic Phantom line by adding new on-board intelligence that make piloting and shooting great shots simple through features like its Obstacle Sensing System, ActiveTrack and TapFly functionality.

“With the Phantom 4, we are entering an era where even beginners can fly with confidence,” said DJI CEO Frank Wang. “People have dreamed about one day having a drone collaborate creatively with them. That day has arrived.”

The Phantom 4’s Obstacle Sensing System features two forward-facing optical sensors that scan for obstacles and automatically direct the aircraft around the impediment when possible, reducing risk of collision, while ensuring flight direction remains constant. If the system determines the craft cannot go around the obstacle, it will slow to a stop and hover until the user redirects it. Obstacle avoidance also engages if the user triggers the drone’s “Return to Home” function to reduce the risk of collision when automatically flying back to its take off point.

With ActiveTrack, the Phantom 4 breaks new ground, allowing users running the DJI Go app on iOS and Android devices to follow and keep the camera centered on the subject as it moves simply by tapping the subject on their smartphone or tablet. Perfectly-framed shots of moving joggers or cyclists, for example, simply require activating the ActiveTrack mode in the app.

The Phantom 4 understands three-dimensional images and uses machine learning to keep the object in the shot, even when the subject changes its shape or turns while moving. Users have full control over camera movement while in ActiveTrack mode – and can even move the camera around the object while it is in motion as the Phantom 4 keeps the subject framed in the center of the shot autonomously. A “pause” button on the Phantom 4’s remote controller allows the user to halt an autonomous flight at any time, leaving the drone to hover.

By using the TapFly function in the DJI Go app, users can double-tap a destination for their Phantom 4 on the screen, and the Phantom 4 calculates an optimal flight route to reach the destination, while avoiding any obstructions in its path. Tap another spot and the Phantom 4 will smoothly transition towards that destination making even the beginner pilot look like a seasoned professional.

The Phantom 4’s camera, still the world’s best aerial-optimized 4K imaging device, has undergone an upgrade that includes improved optics for better corner sharpness and reduced chromatic aberration. The Phantom 4 also has DJI’s signature Lightbridge video transmission system onboard, allowing users to see what their camera sees in HD and in real-time on their smart devices at a distance up to five kilometers (3.1 miles).

The Phantom 4’s form factor, still the classic quadcopter style pioneered by DJI, has been redesigned and redefined to emphasize elegance and smoother, more-aerodynamic lines. Its frame incorporates a lightweight composite core to provide enhanced stability and more-agile flight. The core now features a redesigned gimbal that provides more stability and vibration dampening, and has been repositioned for a better center of gravity and to reduce the risk of propellers getting in the shot.

Refinements to motor efficiency, power management and a new intelligent battery have extended the Phantom 4’s flight time to 28 minutes, which means more time in the air to capture professional photos and video.

DJI crafted the Phantom 4 with reliability in mind, including redundant inertial measurement units (IMUs) and dual compasses onboard. It uses new push-and-lock propellers that are faster to install and more secure in flight.

In addition to intelligence and ease-of-use, the Phantom 4 is built for fun. Its new “Sport Mode” for advanced flyers gives a taste of what drone racing feels like. In “Sport Mode,” the Phantom 4 can fly 20 meters per second (45 miles per hour) and ascends and descends more rapidly than in other modes. The craft’s acceleration and top speed in “Sport Mode” also mean it can reach locations for shots faster and capture shots you couldn’t get before.

“Though the Phantom 4 is easy to use, let’s not forget it is a high-performance aircraft powered by unparalleled DJI technology,” said Senior Product Manager Paul Pan.

The Phantom 4’s U.S. retail price is $ 1,399.

Pre-orders for the Phantom 4 will start March 1 on DJI.com and Apple.com, and customers will begin receiving their units on March 15. The Phantom 4 will also be available in-store at DJI’s flagship stores and Apple stores around the world starting March 15. Phantom 4 pre-orders from DJI’s other sales partners will commence on March 23, with availability from April 1.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on DJI’s Phantom 4 boasts improved camera optics and obstacle avoidance

Posted in Uncategorized

 

Canon PowerShot G7 X Mark II boasts faster performance and improved ergonomics

19 Feb

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_3326063429″,”galleryId”:”3326063429″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

Canon has introduced the PowerShot G7 X Mark II with a new DIGIC 7 processor, bringing much-needed improvements to camera performance. Maintaining its predecessor’s 20.1MP 1″-type CMOS sensor and 24-100mm equiv. F1.8-2.8 lens, the G7 X II brings some updates to the camera’s exterior as well, with a re-designed grip, bottom-hinged 3″ 1.04M-dot LCD and a front control dial that can switch between clicking or smooth-turning operation.

The new processor allows for face registration and better subject detection in scenes of low saturation or similar colors. In addition, it dramatically speeds up camera performance, with Canon claiming continuous 8 fps Raw shooting. Battery life is also 25% better than the original G7 X, with a CIPA-rated number of 265 shots per charge.

Full 1080/60p HD video is offered, as in its predecessor, along with Wi-Fi and NFC. The G7 X II provides Picture Style processing modes borrowed from the EOS DSLR line, and time-lapse movie mode is included.

The Canon PowerShot G7 X Mark II will be offered for $ 699 with availability in May.

Press release:

TAKE THAT CAMERA TO GO!  CANON U.S.A LAUNCHES COMPACT POWERSHOT G7 X MARK II AND POWERSHOT SX720 HS DIGITAL CAMERAS

Newest Canon PowerShot Digital Cameras Offer Outstanding Quality in Convenient Compact Size 

MELVILLE, N.Y., February 17, 2016 – Ideal for both advanced amateur and pro photographers looking for a convenient, high performance compact camera with the ability to connect to compatible digital devices, Canon U.S.A. Inc., a leader in digital imaging solutions, proudly introduces the compact PowerShot G7 X Mark II1 and lightweight PowerShot SX720 HS digital cameras.

Canon’s new PowerShot G7 X Mark II digital camera pairs a 1.0-inch, 20.1 Megapixel* CMOS sensor with Canon’s new DIGIC 7 Image Processor to help reduce noise and deliver outstanding image quality, even in low light shooting situations. The PowerShot SX720HS digital camera boasts a new 40x Optical Zoom lens (equivalent to 24-960mm), providing outstanding performance, reach and resolution for everyday use and when shooting memorable family events, while easily slipping into a pocket or purse.

“In today’s world, compact cameras must work well with other devices and still offer superb quality. The PowerShot G7 X Mark II and PowerShot SX720 HS cameras both provide outstanding image quality with amazing optical zoom lenses and they easily connect with compatible phones, tablets and other smart devices so great images can be shared and enjoyed” stated Yuichi Ishizuka, president and COO, Canon U.S.A., Inc.  

Sleek and Sophisticated 
The first Canon camera to feature Canon’s new high-speed DIGIC 7 Image Processor, the PowerShot G7 X Mark II digital camera is a model of compact sophistication and speed with a high-quality sleek body and optimum comfort grip. Building on the success of Canon’s PowerShot G7 X digital camera, the PowerShot G7 X Mark II digital camera features a fast startup and improved RAW continuous shooting speed of up to eight frames per second (fps) with short intervals between shots. Additional features include: 

  • Bright f/1.8 (W) – f/2.8 (T), 4.2x (24–100mm equivalent) optical zoom lens with Canon’s Intelligent Image Stabilizer (IS) and a 9-blade iris diaphragm;
  • Multi-angle 3.0-inch capacitive touch panel LCD with a screen resolution of 1.04 million dots and tilt options of 180° up and 45° down;
  • Ability to capture 1080p Full HD video in MP4 format with stereo sound;
  • Built-in Wi-Fi®** and Near Field Communications (NFC™)*** capability with a dedicated Wi-Fi button for easy sharing and transferring of images and videos;
  • Picture Style function that offers superb command of in-camera color, contrast, and sharpness;
  • In-camera RAW conversion, making it possible to preview customized image processing modifications on the camera, without the use of a computer;
  • Convenient control ring lever that enables users to quickly switch between stepped and continuous ring movement; 
  • Time-Lapse Movie feature to help capture images at preset intervals and combine them to create a short movie clip;
  • Panning feature that allows the camera to lock onto the main subject using Canon’s Intelligent IS technology to automatically adjust the shutter speed for beautiful background blur.

The Canon PowerShot G7 X Mark II digital camera is currently scheduled to be available in May 2016 for an estimated retail price of $ 699.992.

Powerful Zoom Delivers Virtually Shake-Free Images
The Canon PowerShot SX720 HS digital camera is equipped with a new powerful zoom lens and is the ideal choice for amateur photographers looking to take a step up from a smartphone or entry-level digital camera to a lightweight, compact camera. The PowerShot SX720 HS digital camera’s new 40x Optical Zoom lens (24-960mm equivalent focal length range) uses one Hi-UD, three UD and three aspheric lens elements to help achieve high image quality and high magnification, while also utilizing Canon’s Intelligent Imaging Stabilizing (IS) technology for greater optical performance. 

As the successor to Canon’s PowerShot SX710 HS digital compact camera, the PowerShot SX720 HS digital camera features increases its zoom range while maintaining compact size for maximum convenience. Additional features include:

  • A dedicated Wi-Fi® button for easy sharing and transferring of images and videos utilizing the camera’s built-in WiFi and NFCtechnology;
  • 20.3 Megapixel* CMOS sensor with Canon’s DIGIC 6 Image Processor to help deliver outstanding image quality, even in low light;
  • 1080p/60 Full HD video capture with stereo sound;
  • 3.0-inch LCD (approx. 922,000 dots) to allow for easy viewing, even from a wide angle;
  • Zoom Framing Assist that allows the lens to automatically zoom in or out while the camera follows subject movement  and helps keep it in focus;
  • Story Highlight feature that enables the camera to automatically compile images and videos3 from a certain day or event into a mini-highlight reel with music and effects;
  • Creative Shot mode that uses composition, color and lighting from an original image to create artistic images.
  • Canon’s PowerShot SX720 HS digital camera is currently scheduled to be available in March 2016 for an estimated retail price of $ 379.992.  

1 This device has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not be offered for sale or lease, or sold or leased, until authorization is obtained.

2 Availability, pricing and specifications are subject to change without notice.  Actual prices are set by individual dealers and may vary.

3 Videos must be shot in Hybrid Auto or Short Clip.

* Image processing may cause a decrease in the number of pixels.

** Compatible with iOS® versions 7.1/8.4/9.0, AndroidTM smartphone and tablet versions  4.0/4.1/4.2/4.3/4.4/5.0/5.1.  Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

*** Compatible with Android smartphone and tablet versions 4.0/4.1/4.2/4.3/4.4/5.0/5.1.

PowerShot G7 X Mark II specifications

Price
MSRP $ 699
Body type
Body type Compact
Sensor
Max resolution 5472 x 3648
Other resolutions 5472 x 3080, 4864 x 3648, 4320 x 2880, 4320 x 2432, 3840 x 2880, 2304 x 1536, 2048 x 1536, 1920 x 1080, 720 x 480, 720 x 408, 640 x 480
Image ratio w:h 4:3, 3:2, 16:9
Effective pixels 20 megapixels
Sensor photo detectors 21 megapixels
Sensor size 1″ (13.2 x 8.8 mm)
Sensor type BSI-CMOS
Processor DIGIC 7
Color space sRGB
Color filter array Primary color filter
Image
ISO Auto, 125-12800 (expandable to 25600)
Boosted ISO (maximum) 25600
White balance presets 8
Custom white balance Yes
Image stabilization Optical
Uncompressed format RAW
JPEG quality levels Super fine, fine
File format
  • JPEG (EXIF v2.3)
  • Raw (Canon CR2, 12-bit)
Optics & Focus
Focal length (equiv.) 24–100 mm
Optical zoom 4.2×
Maximum aperture F1.8 – F2.8
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (4x)
Manual focus Yes
Normal focus range 5 cm (1.97″)
Macro focus range 5 cm (1.97″)
Number of focus points 31
Screen / viewfinder
Articulated LCD Tilting
Screen size 3″
Screen dots 1,040,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type None
Photography features
Minimum shutter speed 15 sec
Maximum shutter speed 1/2000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
  • Custom
Scene modes
  • Self Portrait
  • Portrait
  • Panning
  • Star Portrait
  • Star Nightscape
  • Star Trails
  • Star Time-Lapse Movie
  • Handheld Night Scene
  • High Dynamic Range
  • Underwater
  • Fireworks
Built-in flash Yes
Flash range 7.00 m
External flash No
Flash modes Auto, on, slow synchro, off
Continuous drive 8.0 fps
Self-timer Yes (2 0r 10 secs, custom)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±3 (at 1/3 EV steps)
AE Bracketing ±3 (3 frames at 1/3 EV steps)
Videography features
Resolutions 1920 x 1080 (60p, 30p, 24p), 1280 x 720 (30p), 640 x 480 (30p)
Format MPEG-4, H.264
Videography notes Also has time-lapse (normal and star), miniature effect, and digest modes
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC (UHS-I compatible)
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port No
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n with NFC
Remote control Yes (via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description NB-13L lithium-ion battery and charger
Battery Life (CIPA) 265
Weight (inc. batteries) 319 g (0.70 lb / 11.25 oz)
Dimensions 106 x 61 x 42 mm (4.17 x 2.4 x 1.65″)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Canon PowerShot G7 X Mark II boasts faster performance and improved ergonomics

Posted in Uncategorized

 

ZY Optics launches improved Speedmaster F0.95 35mm lens, claiming 30% better resolution

17 Feb
The new model (right) is smaller and lighter than the original version of the lens (left)

The Shenyang Zhongyi Optical & Electronic Company Limited has introduced an updated version of its super-fast 35mm lens for APS-C-sensor cameras that it claims has better resolution and reduced chromatic aberrations. The manual focus Mitakon Speedmaster 35mm F0.95 II is also smaller and lighter than the original model, with a length of 60mm instead of 82mm, a filter thread of 55mm instead of 58mm and a weight of 460g/1.06lb compared to 680g/1.5lb.

The latest version uses a new optical design that features 11 elements in 8 groups, and includes a single extra-low dispersion element, two extra-high refractive index elements, and three elements made in high-refractive glass. The company says the new design produces 30% more resolution via better overall sharpness and reduced chromatic aberrations. Performance wide open is also greatly improved, ZY Optics says.

A click-less aperture ring makes the lens suitable for video recording, so it is a shame the Micro Four Thirds system isn’t supported in the initial offering. Fuji X, Sony E and EOS-M camera system owners will be provided for though.

The lens costs $ 599, and you can learn more on the ZY Optics website.

Press release:

ZY Optics releases the improved Zhongyi Mitakon Speedmaster 35mm f/0.95 Mark II for Sony E / Fuji X / EOS-M cameras

Shenyang China, Feb 14, 2016 – Zhongyi Optics (ZY Optics) has released an improved version of their first f/0.95 lens, Zhongyi Mitakon Speedmaster 35mm f/0.95 Mark II. The mark II verison features a drastic improvement of sharpness, better control of chromatic abberations and much compact size. The new version comes with a Fuji X / Sony E / EOS-M mount and is able to cover the image circle of APS-C sized sensors.

Zhongyi Mitakon Speedmaster 35mm f/0.95 Mark II is a ultra-fast prime lens which provides a 35mm-equivalent focal length of around 53mm in APS-C cameras. A maximum aperture of f/0.95 makes it extremely convenient to shoot at a low light conditions without flash. The new optical design incorporates a 11 elements in 8 groups structure, including 1pc of Extralow disperson elements, 2 pcs of Extra-high Refractive Index elements and 3pcs of High Refractive Index elements. This structure effectively improved the image resolution by 30% compared to the previous version from corners to corners. This also controls the chromatic abberations very well and deliver excellent image sharpness even at f/0.95.

The new Speedmaster 35mm f/0.95 is light and compact. The total weight is reduced from 680g to 460g, making it an ideal companion for the compact mirrorless cameras. Manual focus design and a click-less, silent aperture ring promote smooth handling and are especially well-suited to video applications. The lens is built in metallic enclosure with additional protective process and finest finishing, which gives extra durability and aesthetic.

Pricing & Availability
Mitakon Speedmaster 35mm f/0.95 is now available to purchase at ZY Optics authorized resellers and at our official website (http://www.zyoptics.net/). The Recommended Retail price is USD 599.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on ZY Optics launches improved Speedmaster F0.95 35mm lens, claiming 30% better resolution

Posted in Uncategorized

 

Finally! Adobe updates Bridge CC for improved performance

10 Feb

Adobe has released a significant update to Bridge CC, its venerable file management program. Where Photoshop and Lightroom have seen multiple incremental updates over the past few years, Bridge has been left somewhat alone. That all changes today with multiple improvements including improved cache management, and an option to import images from external devices including iOS and Android mobile devices.

Sluggish performance, especially when displaying large numbers of thumbnails has been a perennial complaint among photographers who use Bridge. And although it has taken a while, Adobe seems to have listened to those complaints. Thumbnail previews are now generated on-demand rather than all at once, and metadata is loaded first so that filters can be used before all thumbnails have been generated. In another effort to boost performance, Adobe has introduced improvements to its cache management to automatically purge stale items when Bridge is idle.

This Bridge update also re-instates a feature that automatically identifies and stacks images shot in a sequence either for an HDR or panoramic composite. 

Bridge CC version 6.2 is available for download now.

Press release:

Bridge Reloaded

Today we are pleased to announce the release of Adobe Bridge CC version 6.2.

Bridge was brought back to be managed by Megan Donahue, Director, Creative Cloud and Arno Gourdol, Sr. Engineering Director, Creative Cloud and their awesome teams.  Arno is no stranger to Bridge since he has worked on several past releases.  Our team has been working on several new initiatives that enhance user experience around asset management used by Creative Cloud customers. Most recent initiatives launched by this team include collaboration features in Creative Cloud as well as Creative Cloud Assets, and Creative Cloud Libraries.

This latest release of Adobe Bridge CC includes updates to the following feature set:

Automated cache management

The central cache of Adobe Bridge stores thumbnails, previews, and metadata information in a database. This database improves the performance when users browse or search files. However, the larger the cache, the more disk space it uses. Cache preferences help you manage the trade-off between performance and cache size. We have worked on improving purging cache capability, which is an existing feature in Bridge. In this update, automatic purging of stale cache items has been enabled when the application is idle.

We are also providing a cache compaction option to set up cache clean-up at exit in case the database size increases beyond a certain size. Both these options improve performance of the application and help keep the cache and database clean over extended periods.

For more information see, Work with the Adobe Bridge cache.

On-demand thumbnail generation

To improve the responsiveness of Bridge when you are browsing through a large set of assets, we have made improvements to the way the thumbnails, previews, and metadata are extracted/generated. Now when you select a folder, the thumbnails/previews are extracted on priority for only the on-screen assets. The thumbnails for the remaining files are either generated on demand (when you scroll down/up) or when the application is idle. The metadata extraction happens on priority for all assets, thereby enabling the filter panel and search to become functional sooner.

This change enables you to work with bulky folders without any performance issues like hangs and not-responding states. With this change, you will now have a fully updated Filter panel even before all the thumbnails/previews are generated. This will also enable you to search for the files even before all the thumbnails/previews are generated.

Import from device option on Mac

On Mac OS 10.11.x, Bridge CC did not recognize the following types of devices:

iOS mobile devices

Android mobile devices and digital cameras connected in PTP (Picture Transfer Protocol) or MTP (Media Transfer Protocol) mode

In this update, an alternative to import media from these devices has been provided. You can now choose File > Import From Device to import media from the devices.

For more information, see Import from device on Mac OS 10.11.x.

Note: This is a Mac only feature and launches Apple Image Capture to bring files from devices into Bridge.

Other significant updates

We also reinstated Autostack Panorama/HDR feature. Given our focus was on stability and performance of Bridge, we have made significant updates to the core technology components. This will set the foundation for a technology platform to enable future development and modernization of Bridge.

Our team is very excited to bring this release as a stepping-stone for the work we have set out for 2016!

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Finally! Adobe updates Bridge CC for improved performance

Posted in Uncategorized

 

Photo Mate R3 brings improved Raw editing on Android

02 Feb

Photo Mate, arguably the most comprehensive Raw image editing app for Android, has received a substantial update. Version R3 comes with an all-new rendering engine for both Raw & JPEG editing. This includes improvements to all the important adjustments, such as contrast, shadows, highlights and exposure. Read more

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Photo Mate R3 brings improved Raw editing on Android

Posted in Uncategorized

 
« Older Entries
Newer Entries »