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Posts Tagged ‘improved’

GoPro Hero8 Black adds improved stabilization, Media Mod, Digital Lenses and more

02 Oct

As promised in its teaser a few weeks back, GoPro has unveiled its latest action camera, the Hero8 Black.

The GoPro Hero8 Black now features Hypersmooth 2.0, GoPro’s second-generation stabilization technology that features a ‘Boost’ mode and an auto horizon leveling mode. TimeWarp (GoPro’s hyperlapse mode) also received a 2.0 update that will automatically adjust the playback of the video to the speed you’re traveling and can slow down to capture prominent moments with a tap of the screen.

Moving onto the hardware side of things, the Hero8 Black features the leaked ‘Media Mod,’ which adds additional ports and makes it possible to add a number of add-on accessories. When secured inside the Media Mod housing, the Hero8 Black gains a shotgun microphone, a 3.5mm microphone port, a Micro HDMI out port, a USB-C Port and two cold-shoe mounts.

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In addition to third-party accessories, GoPro has also released its own line of ‘Mods’ including a 1.9in flip-up LCD ‘Display Mod’ and a waterproof LED ‘Lighting Mod.’

GoPro has also added a new feature called ‘Digital Lenses.’ As its name suggests, this new functionality will effectively crop the image to adjust the framing in four different settings: Narrow, Linear, Wide and SuperView.

Presets have also been added to the Hero8 Black, which makes it easy for users to switch settings on the fly depending on what they anticipate filming. With the ‘Cinematic’ preset the Hero8 Black will shoot 4K/30p video, in ‘Activity’ it will shoot 2.7K/60p video and in ‘Slo-Mo’ it will shoot 1080/240p video. The exact settings can be further adjusted as with past Hero cameras, but these presets should provide a simple starting point for those who don’t care to dive into the settings too much.

GoPro has also updated its SuperPhoto and HDR functionality to deliver more ‘detail you never thought possible.’ Other improvements include the ability to livestream Full HD video, a 2x stronger lens and a dedicated Night Lapse Video mode.

Below is a detailed video of all the new and improved functions of the Hero8 Black:

The GoPro Hero8 Black is available to pre-order starting today for $ 399.99. The first shipments are expected to go out October 15th with in-store availability starting October 20th. The Media Mod and Display Mod will retail for $ 80 and the Light Mod will retail for $ 50 when they become available to pre-order in December.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe previews improved Photoshop Content-Aware Fill capabilities that are coming ‘soon’

28 Sep

Adobe has offered a sneak peek look at the Content-Aware Fill update it will be bringing to Photoshop in the near future. The changes are introduced by Photoshop Product Manager Meredith Stotzner, who explains that Adobe plans to add new ‘Auto’ and ‘Custom’ sampling area options to the tool when it is opened using the application’s Edit menu, these joining the existing ‘Rectangular’ option.

By tapping its Sensei AI technology, the Content-Aware Fill’s new Auto option will analyze the image, find the pixels immediately bordering a selection and then apply the fill using those pixels for an improved final result. The Custom option, meanwhile, gives users complete control over the sampling area selection so that users can ‘brush [their] sampling area from scratch,’ according to Stotzner.

A demonstration of both of these new capabilities have been shared by Adobe in the video above. The company says it will be introducing Auto and Custom to Content-Aware Fill soon, but it hasn’t provided a specific release date at this time. The video indicates the update will arrive before the end of the year.

Articles: Digital Photography Review (dpreview.com)

 
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How to Embrace MINIMALISM for IMPROVED Landscape Photos [video]

21 Sep

The post How to Embrace MINIMALISM for IMPROVED Landscape Photos appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video from Mark Denney, he looks at how embracing Minimalism can improve your Landscape Photography.

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Mark uses some of his photos to illustrate some of the following points:

5 tips for achieving minimalist landscape photography

1. Include an obvious subject

Use an obvious subject without filling the frame with it. It draws the viewer’s eye in.

2. Expansive Composition

Use a lot of negative space around your subject to make your subject stand out further.

3. Minimizing color

Color can be distracting (if there are many colors) in a minimalist composition. Many minimalist photos are black and white, quite monotone or only make use of a few colors so that the composition is not busy.

4. Use of light and shadows

Consider using dappled light, striped light, or spots of light so that light is the main subject in the scene. This can work well for minimalist photography.

5. Keep it simple

Think differently and outside the box, but keep it simple. Look for a distraction-free palette to work with. Often it is more about what you don’t have in the frame rather than what you do.

So shake up your focus with your landscape photography, and give Minimalism a try. If you are interested in learning more about Landscape Photography, check out our Landscape and Nature Course!

 

You may also be interested in:

  • Tips for Achieving Minimalism in Photography
  • Minimalism: Using Negative Space In Your Photographs
  • Tips for Using Negative Space in Photography to Create Stunning Images
  • How to Photograph a Minimalist Landscape
  • The Minimalist Landscape Photographer: What do you really need?
  • 5 Guidelines of Minimalist Photography to Help Improve Your Work
  • Tips for Minimalist Photography in an Urban Environment

The post How to Embrace MINIMALISM for IMPROVED Landscape Photos appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Technical readouts reveal faster shutter speeds, improved ISO and more in iPhone 11 Pro

20 Sep

Like he did last year for the iPhone XS, Sebastiaan de With, co-founder of the iOS camera app Halide, has again made use his app’s technical readout feature to obtain additional camera specifications above and beyond what can be found in the official spec sheet. He’s broken down the data and compared the new iPhone 11 Pro to last year’s XS model. Let’s have a closer look at his findings:

The 11 Pro main camera comes with a 6-element lens that offers a 26mm equivalent focal length and F1.8 aperture. The chart below details the changes between the XS and the new model. As you can see the base ISO on all of the camera modules has increased by half a stop, the maximum shutter speed has been increased from 1/22,000 sec to a whopping 1/125,000 sec and the maximum ISO has been expanded to ISO 3072 vs the previous ISO 2304 limit, coinciding with the increased base ISO level.

It’s not quite clear at this point what the blisteringly fast shutter speeds could be used for. The increased maximum ISO doesn’t necessarily mean that the new iPhone will produce lower levels of image noise at a given ISO setting but it should be able to achieve better exposures in very dark settings.

Apple iPhone XS versus 11 Pro main camera comparison, source: Halide

As before, the telephoto cameras features a 52mm equivalent focal length but now comes with a faster F2.0 aperture. This should improve low light tele photos and should also produce a more visible ‘natural’ bokeh than on the iPhone XS.

Apple iPhone XS versus 11 Pro tele camera comparison, source: Halide

The iPhone XS did not come with an ultra-wide camera, so we can’t compare but the new camera offers a 13mm equivalent field-of-view, an F2.4 aperture lens and phase detection AF.

Apple iPhone 11 Pro ultra-wide camera specifications, source: Halide

The front camera has been updated, too. It now features faster shutter speeds, a higher maximum ISO, larger image output size and a wider field-of-view.

Apple iPhone XS versus 11 Pro front camera comparison, source: Halide

Overall the hardware changes don’t look too impressive on paper, but they are of course only a (small) part of the whole story as Sebastiaan points out in the blog post:

‘It’s kind of unbelievable that even with the glowing reviews out today, Apple has said that there’s more software processing yet to come. We’re told Deep Fusion is a very big leap in post-processing quality, but with the changes to Smart HDR, Semantic Mapping in the imaging pipeline and discrete situational processing like Night Mode, these specs are the furthest from the whole story on the new iPhone cameras yet.’

The Halide app is available from the iOS App Store for iPhone and Apple Watch and will set you back $ 6.


Image credits: Charts used with permission from Sebastiaan de With, developer of Halide.

Updated (September 19, 2019): Edited to clarify the increased ISO ratings and base ISO levels.

Articles: Digital Photography Review (dpreview.com)

 
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ON1 Photo RAW 2020 public beta arrives with AI-powered tools and improved speeds

20 Sep

ON1 has taken the wraps off its upcoming ON1 Photo RAW 2020. The software arrived as a public beta today, introducing the first offering in ON1’s recently announced new line of creative products. Photo RAW 2020 is a layered editor, raw processor, and image organizer that ON1 claims offers ‘everything you need in one photography application.’

Photo RAW 2020 brings new AI-powered tools including AI Match, a feature that processes raw images to appear the way they looked ‘on the back of the camera,’ as well as AI Auto Tone, which brings a new algorithm that was trained using thousands of photos.

In addition to the new AI tools, Photo RAW 2020 brings numerous performance updates that enable the software to open raw files up to two times faster than before. The performance updates also resulted in smoother brushing, something that persists even on devices that feature integrated graphics cards.

Users can also expect improved noise reduction, new map view and timeline albums, several new filters (weather, color balance, channel mixer, and sun flare), plus a new print module, focus mask overlay, more than 100 new presets, SmugMug integration, and custom camera profiles made possible by a partnership with X-Rite.

ON1 says it will release a list of newly added camera and lens support soon. Photo RAW 2020 supports raw image files from more than 800 camera models, as well as expected formats like DNG, JPEG, TIF, PNG, PSD, and PSB.

Below is a sneak peek On1 shared earlier today:

The public beta is available to download now from ON1’s website. Photo RAW 2020 can be preordered at $ 79.99 USD for existing ON1 product owners and $ 99.99 USD for everyone else. The company is bundling a 100 pack of presets for a limited time as a preorder bonus. The product is scheduled to release for everyone by the end of October 2019.

Articles: Digital Photography Review (dpreview.com)

 
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RawTherapee 5.7 update brings new Film Negative tool, improved star ratings

13 Sep

Free, Raw image developing app RawTherapee has been updated to version 5.7, gaining a Film Negative tool for processing raw images from film negatives, as well as support for viewing XMP/EXIF rating tags in RawTherapee’s own star rating system. New features aside, RawTherappe 5.7 also brings hundreds of bug fixes, according to the software’s changelog.

RawTherapee is free and open-source for users on Windows, macOS and Linux. The software is non-destructive, offering a variety of advanced editing tools for adjusting lighting, colors and details, including Film Simulation, Haze Removal, Color Toning, Defringe and more.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm reveals X-A7 with improved AF, 4K/30p video and $700 price tag

12 Sep

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Fujifilm has announced the X-A7, an entry-level mirrorless camera with some key improvements over its X-A5 predecessor. A new 24MP sensor offers 8.5 times more phase detection autofocus points than the previous model, and includes 4K/30p video recording – a welcome upgrade over the X-A5’s 4K/15p. Burst shooting remains at 6 fps.

The X-A7 offers a fully articulated, ultra-high-res 3.5″ touch screen LCD, which is the primary means of interacting with camera controls, as the camera offers only a few physical controls on the back panel. The camera with kit lens attached weighs just 455g (1lb) altogether.

Other new offerings include an update to Fujifilm’s auto scene recognition mode called Bright Mode, which utilizes HDR and other camera settings to create brighter, more vivid images with little user input.

The Fujifilm X-A7 will be available October 24th kitted with a Fujinon XC 15-45mm F3.5-5.6 OIS PZ lens for $ 700. Shaking things up a bit, Fujifilm will offer the camera body in dark silver, ‘camel’, mint green and silver color options. A ‘navy’ color will also be available in some regions.

FUJIFILM INTRODUCES THE X-A7 MIRRORLESS CAMERA WITH LENS KIT – COMPACT SIZE, BIG FEATURES

Valhalla, N.Y., September 12, 2019 – The Electronic Imaging Division of FUJIFILM North America Corporation is pleased to announce the launch of its X-A7 mirrorless digital camera, available in a kit that includes a popular XC15-45mmF3.5-5.6 OIS PZ lens. The X-A7’s compact, lightweight form factor, outstanding image quality, and multitude of new and enhanced features position it as an ideal and timely entry into Fujifilm’s popular family of X Series mirrorless cameras.

Weighing in at only 11.3 ounces (320 grams)*1 and boasting a new 24.2MP imaging sensor, the X-A7’s fast auto-focus, quick face detection, and enough power to create stills at 6 FPS, the X-A7 is the ideal camera for content creators of all skill levels and disciplines. Its intuitive LCD articulating touch screen enables users to capture the perfect image on-the-go. The vari-angle touchscreen allows the monitor to be rotated in various angles freely. Moreover, the newly-designed “Smart Menu” facilitates intuitive touchscreen operation, so that even beginners can produce high-quality images easily.

Touch Your Way to the Perfect Image
Create great images with X-A7’s intuitive 3.5 inch, 16:9 touchscreen LCD flip-out articulating screen. With a quick touch, tap or swipe, users can adjust the brightness, film simulation, bokeh and even skin softening effects.

Incredible Image Quality for Any Situation
The newly developed 24.2MP imaging sensor features sensor features 8.5 times more phase detection pixels across its surface than the previously available sensor*2. The X- A7 has been engineered with industry-leading copper wiring to reduce digital noise, to ensure images and video are processed quickly and to ensure the best possible image quality. The X-A7 offers enhanced data readout speed which enables a smooth frame rate of 30fps when recording 4K video, minimizing the rolling shutter effect which typically occurs when recording fast -moving subjects or when panning the camera quickly.

Focus on the Moment; Let the Camera Focus on the Image
Enhanced face-detection and autofocus algorithms make it easy to focus on capturing the perfect moment in all kinds of situations, including low-light and with moving subjects.

Capture Life in Stunning 4K
Record stunning video in 4K30P to get a beautiful cinematic look with beautiful bokeh and colors that only a FUJIFILM X Series camera can provide. Record, upload, and share on-the-go with unique features such as “Countdown Video” mode, which allows videos to be filmed at a pre-selected duration: 15, 30 or 60 seconds, for a quick upload to social media channels.

Compact and lightweight design weighing only 11.3 ounces (320 grams)*
Despite featuring a large 3.5” touchscreen LCD, the X-A7 weighs approximately 1 pound (455 grams) with the kit lens (XC15-45mmF3.5-5.6 OIS PZ) attached. Perfect for the active photographer, the X-A7 can shoot approximately 440 pictures per charge*3 facilitating long-term use.

Diverse shooting modes that help produce photography with a creative flair
A new Bright Mode feature has been added to the Advanced SR Auto function, letting the camera configure ideal settings to produce HDR and other options that create bright, vivid images in a single, one-touch operation. The Light Trail mode, added to the Scene Position selection, can be used to capture light trails of car headlights, for example, while checking the effect on the LCD in real time.

Enhanced connectivity for easy link to smartphones and tablets
The use of FUJIFILM Camera Remote (a free app for smartphones and tablet devices) and the unique features of the X-A7 are designed to ensure dependable connectivity and stability in wireless communications. The X-A7 also supports wired communications with smartphones and tablet devices*4, useful when transferring large data, e.g. video, to such devices.

Availability and Pricing
The new FUJIFILM X-A7 with FUJINON XC15-45mmF3.5- 5.6 OIS PZ lens kit will be available in most markets in camel, dark silver, mint green and silver. It will be available for purchase starting October 24, 2019 in the U.S. and Canada at a MSRP of USD $ 699.95 and CAD $ 899.00.

*1 including the weight of a battery and a memory card, but excluding the Kit-included FUJINON lens
*2 Compared to the image sensor used in the Fujifilm X-A5 mirrorless digital camera
*3 When Economy mode is selected
*4 With a Type C jack: USB to C cable or USB C to A (included in package) +A to C Adapter
With a Micro B jack: USB C to A (Included in package) +A to Micro B Adapter
With a Lightning jack: USB C to A (Included in package) +A to Lightning Adapter

Fujifilm X-A7 specifications

Price
MSRP $ 699 (w/15-45mm lens)
Body type
Body type Rangefinder-style mirrorless
Body material Composite
Sensor
Max resolution 6000 x 4000
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 24 megapixels
Sensor size APS-C (23.5 x 15.7 mm)
Sensor type CMOS
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-12800 (expands to 25600)
Boosted ISO (minimum) 25600
White balance presets 7
Custom white balance Yes
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG (Exif 2.3)
  • Raw (Fujifilm RAF format)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 425
Lens mount Fujifilm X
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3.5
Screen dots 2,760,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type None
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Scene modes
  • Portrait
  • Night (tripod)
  • Fireworks
  • Sunset
  • Snow
  • Beach
  • Underwater
  • Party
  • Flower
  • Text
  • Multiple exposure
  • Light trail
Built-in flash Yes
Flash range 4.00 m (at ISO 100)
External flash Yes (via hot shoe)
Flash modes Auto, forced, slow synchro, 2nd curtain, commander, suppressed)
Flash X sync speed 1/180 sec
Drive modes
  • Single
  • Continuous
  • AE bracketing
  • ISO bracketing
  • Film Simulation bracketing
  • WB bracketing
  • Dynamic range bracketing
  • HDR
  • Movie
Continuous drive 6.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±5 (3, 5, 7 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 30p, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 24p, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 23.98p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 23.98p, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC (UHS-I supported)
Connectivity
USB USB 2.0 (480 Mbit/sec)
USB charging Yes
HDMI Yes (mini HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth 4.2
Remote control Yes (via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description NP-W126S lithium-ion battery & charger
Battery Life (CIPA) 440
Weight (inc. batteries) 320 g (0.71 lb / 11.29 oz)
Dimensions 119 x 38 x 41 mm (4.69 x 1.5 x 1.61)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Huawei Kirin 990 mobile chipset launches with improved image signal processor

10 Sep

Last week Samsung announced its new top end mobile chipset Exynos 980 with a range of new imaging capabilities. Now it’s rival Huawei’s turn. At its press conference at the IFA trade show in Berlin the Chinese company revealed its new system-on-a-chip (SoC) that will likely power upcoming high-end Huawei devices, including the Mate 30 Pro which is expected to launch on September 19th.

Like for the the Exynos, one of the Huawei’s Kirin 990 chipset’s new stand-out features is the integration of 5G modem. Huawei says the Kirin 990 will provide peak download speeds of 2.3 Gbit/s and upload of 1.25 Gbit/s.

Of course there’s also an integrated Neural Processing Unit (NPU) that will be tasked will all sorts of AI-applications and Huawei says the new chipset will be more energy-efficient and deliver more power for mobile gaming aficionados.

Mobile photographers will be more interested in the new Image Signal Processor ISO 5.0, though. The company says it’s 15 percent more powerful than its predecessor for faster image and video processing, and also comes with ‘professional-level’ hardware noise reduction. In addition, real-time video post-processing and rendering is based on AI segmentation and is capable of adjusting color parameters frame by frame for optimized video color.

We should find out in just over a week how the new chipset performs in an actual device.

Articles: Digital Photography Review (dpreview.com)

 
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Syrp’s Genie Mini II portable motion control system adds USB-C and improved connectivity

27 Jun

Syrp has unveiled Genie Mini II, a sequel to the original pocket-sized camera motion controller introduced in 2016. The second generation model retains the same general design and features as the original, but with the inclusion of USB-C instead of micro USB, Bluetooth 4.2 instead of Bluetooth 4.0, and WiFi.

The Genie Mini II offers the same portable panning functionality as the original, enabling filmmakers to capture smooth motion in real time and photographers to capture time-lapses. The motion control system supports multi-row panorama capture, offers Astro Time-Lapse and HDR modes, and offers an Ease In/Ease Out feature.

The device works with Syrp’s Genie 2 app for Android and iOS offering keyframed motion control in addition to various presets for easily initiating shooting sessions. According to Syrp, the new Bluetooth 4.2 support makes it possible for advanced users to ‘advantage of more complex, custom motion control settings and multi-row panoramas to create 360/VR images.’

The Genie Mini II, which has a total load capacity of 3.9kg (8.8lbs), is designed to sandwich between a tripod and camera. The device is powered by an internal lithium-ion battery capable of powering six hours of continuous smooth panning, an increase from the previous version’s five hours, or up to a 15-hour time-lapse, a noticeable decrease from the original’s 24-hour duration. The new model has a max 360-degree capture speed of 33 seconds.

Syrp has launched the Genie Mini II for pre-order at the same $ 249 price as the original model.

Articles: Digital Photography Review (dpreview.com)

 
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Hasselblad launches X1D II 50C with improved handling, faster responses and lower price

22 Jun

Hasselblad has released a new version of its X1D medium format digital camera that offers a range of upgraded features and a speedier operating system. With improvements based around user feedback, the X1D II 50C offers a larger rear screen, a higher resolution EVF, faster startup and reduced lag, as well as a collection of menu and interface changes. Hasselblad says the new camera offers a ‘quicker and more intuitive medium format experience’. Critically though, the new version will cost a good deal less than the original X1D, presumably to bring it closer to the price of the Fujifilm GFX 50R.

Using the same body and pixel-count as the original X1D 50C, the Mark II is clearly an upgrade rather than a completely new camera, a fact reflected in the naming convention. A new processor appears to have been used that speeds up the operating system so that the time it takes the camera to start up is cut by 46%, shutter lag is cut and the blackout time between frames is reduced.

Users will get an extra 0.4 fps on the maximum drive mode taking the frame rate to 2.7 fps, and the time it takes to preview and scroll through recorded images has been decreased. The new processor allows a 62% better refresh rate in the viewfinder too – it’s now 60 fps – and focus accuracy has been improved.

Hasselblad claims the 3.6″ rear screen is the largest available on a digital medium format camera, and has increased the resolution to 1024×768 pixels with the total number of dots standing at 2.36M compared to the 920,000 screen used on the original model. Likewise, the EVF resolution has jumped from 2.36M dots to 3.69M (1024×768 vs 1280×960), and the new 0.87x magnification gives users a bigger view.

Hasselblad says the camera’s menu system has been tweaked to make it more logical and to deliver easier access to the functions, while new icons and clearer language make finding what you are looking for more straightforward. The menu can now be displayed and operated in the viewfinder, while a new system for touch AF has been incorporated and the control screen will now display more information, including self-timer and a Balance Scale to indicate exposure adjustments.

JPEG users will be pleased to hear that the X1D ll 50C allows not only full sized JPEG images but that JPEGs can be recorded on their own with no Raw accompaniment. And, the company says the quality of its JPEG files has improved – though we don’t get to know how exactly.

The camera’s 24.7Wh battery can be charged either in an external charging block or in-camera via the USB socket. This also allows the battery to be charged via a powerbank when on the location. Another new feature is that a GPS module is now built into the body instead of being supplied as a hot shoe accessory. This saves the $ 175 that it costs for the hotshoe model used with the original body if one wasn’t supplied with your camera, while freeing up the hot shoe for a flash unit.

The Hasselblad X1D II 50C will be available in July 2019 and will cost $ 5750 (before tax) or €6000/£5400 (inc VAT). For more information see the Hasselblad website.

Phocus Mobile 2 allows Raw download and cabled connection

Hasselblad has also updated its Phocus Mobile iOS app so that now users can not only control the camera and rate images, but additionally download Raw and JPEG files to their iPad Pro and iPad Air (2019) devices. The app can connect to the X1D II 50C either via Wi-Fi as before or via the camera’s USB-C port, and will now support tethered shooting.
Phocus Mobile 2 is free, and will be available on Apple’s App Store.

Press release

X1D II 50C – AN EVOLVED MEDIUM FORMAT PHOTOGRAPHY EXPERIENCE

In the pursuit to continue the journey of taking medium format outside of the studio, Hasselblad is pleased to announce the next installment of the X System – the X1D II 50C Mirrorless Medium Format Digital Camera. Dedicated to optimising the X System for a wider audience of creatives, Hasselblad has listened to user feedback and improved upon the first generation with enhanced electronics for a quicker and more intuitive medium format experience.

Continuing in the legacy of being the most portable and lightweight digital medium format camera, the X1D II 50C lets you take the power of medium format in a footprint smaller than most full frame DSLRs in a beautifully designed, compact package. Its large, high resolution 50-megapixel CMOS sensor (43.8 x 32.9 mm) is 1.7 times larger than 35mm full format sensors, packing in huge pixels (5.3 x 5.3 nm) for capturing images with superb tonality. With outstanding colour depth and an impressive dynamic range of 14 stops, which allows for capturing immense details in both shadows and highlights, the photographer is left with plenty of room for adjustment in post-processing. With Hasselblad Natural Colour Solution (HNCS) technology integrated into the camera’s system, exceptional, true-to-life tones are delivered that match what the human eye sees.

Building upon the award-winning first generation, the X1D II 50C blends form and function with minimalistic, Scandinavian design aesthetics and a smooth handling experience with its ergonomic grip. The new X1D II 50C continues to provide creatives with incredible Hasselblad image quality, with 16-bit RAW images and now full resolution JPEGs, in a compact, lightweight design.

Developing upon the first generation of the X System, the X1D II 50C’s upgraded electronic platform includes a higher resolution 3.6-inch 2.36-million-dot touch display, which is physically the largest LCD display currently available on a digital medium format camera.

Additionally, the X1D II 50C features a higher resolution enhanced OLED electronic viewfinder (EVF) with 3.69-million dots and a high magnification of 0.87x, letting you see the bigger picture. The much higher resolution of the rear display screen (1024×768) gives a more vivid, true to life image viewing experience.

The X1D II 50C’s live view features a faster refresh rate, reduced shutter lag and black out time between frames, an improved continuous capture rate, and a startup time cut almost in half from the first generation. Building upon the highly-intuitive user interface of the previous model, further refinements have been made to the X1D II 50C to improve the camera’s handling experience, including the ability to access the menu system when looking in the EVF, giving greater usability in the sunniest conditions.

Enabling an even more portable medium format workflow, Hasselblad’s post production solutions now include the new Phocus Mobile 2. Connected via USB-C and Wi-Fi, photographers can transfer RAW and full quality JPEG files directly from the X1D II 50C and edit RAW images on their iPad Pro or iPad Air (2019) while out on the field.

PHOCUS MOBILE 2 TAKES IMAGE PROCESSING WORKFLOW TO A NEW PORTABLE LEVEL

Expanding the possibilities of the Hasselblad workflow, Phocus Mobile 2 takes the image editing process to a new, portable level. Compatible with the X1D II 50C via either USB-C or Wi-Fi, this application is currently supported on iPad Pro and iPad Air (2019) models, enabling the traveling photographer to have a quicker, more mobile workflow. With Phocus Mobile 2, users can import, edit and rate RAW images and import and rate full quality JPEG images directly on their portable device. In addition, Phocus Mobile 2 supports full quality image export, tethered shooting and direct camera control.

Articles: Digital Photography Review (dpreview.com)

 
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