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Posts Tagged ‘arrives’

Hasselblad’s first XCD zoom, the 35-75mm F3.5-4.5, finally arrives this October

22 Jun

Hasselblad’s press release says its first zoom lens for the X system is ‘eagerly awaited’, though some users might consider ‘much delayed’ a more accurate phrase. Promised in 2017, the XCD 35-75mm F3.5-4.5 should finally be arriving in stores in October this year.

The company seems to think it will all be worth the wait though, as its chief designer declares it to be the ‘best zoom lens available on the market’. Said to offer the same edge-to-edge image quality as a series of prime lenses, Hasselblad claims it is the best lens it has ever developed.

Using an internal focusing system that allows the lens to retain the same compact dimensions throughout the zoom range, the lens is said to provide fast AF in a lightweight package.

The Hasselblad XCD 3.5-4.5/35-75 Zoom lens will cost $ 5175 / €4500 / £4050. For more information see the Hasselblad website.

Hasselblad XCD 35-75mm F3.5-4.5
Focal length 35.9-73.1mm
Focal length equiv 28-58mm
Aperture range F3.5-32/F4.5-32
Angle of view (D, H, V) 77°/64°/50°
Length/diameter 145 / 85 mm
Weight (excl. covers and lens shade) 1115g
Filter diameter 77 mm
Minimum distance object to image plane 0.42 / 0.6 m

Press release

THE NEW XCD 3,5-4,5/35-75 – PRIME LENS PERFORMANCE IN A COMPACT ZOOM

The ninth addition to the X System lens range is the eagerly awaited XCD 3,5-4,5/35-75 Zoom Lens. Delivering the same superb image quality from edge-to-edge as the XCD prime lenses, this extremely high performance, compact mid-range zoom covers moderate wide angle to short telephoto focal lengths. Its internal focusing keeps the lens’ dimensions constant, delivers quick autofocus and additionally keeps the overall weight down. Ideal for shooting anything from wide angle landscapes to portrait images, this lens is perfect for photographers who are looking to keep the amount of equipment they carry when travelling to a minimum but don’t want to compromise on image quality. “This really is the best lens Hasselblad has developed – its performance is extremely high, competing with our prime lenses. I can even go as far to say that it’s probably the best zoom lens currently available on the market,” says Per Nordlund, Hasselblad Lead Optical Designer.

Like the rest of the XCD lens range, the XCD 35-75 features an integral central lens shutter, offering exposure times from 68 minutes to 1/2000s with full flash synchronisation throughout.

Articles: Digital Photography Review (dpreview.com)

 
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USB 3.2 specification arrives this year with confusing new naming structure

01 Mar

The USB 3.2 specification announced by the USB Implementers Forum (USB-IF) in 2017 will be arriving soon, and it’ll bring a relatively convoluted new naming structure with it. As was the case when the USB 3.1 specification launched, the new USB 3.2 spec will absorb the previous generations before it, designating them as Gen 1 and Gen 2.

The new USB 3.2 specification, which brings speeds up to 20Gbps, will be known as USB 3.2 Gen 2×2. Joining this will be USB 3.2 Gen 1, which originally launched as USB 3.0 and was later renamed USB 3.1 Gen 1; this specification supports transfer speeds up to 5Gbps.

Between the two will be USB 3.2 Gen 2, which originally launched as USB 3.1 and was late renamed USB 3.1 Gen 2; this specification supports transfer speeds up to 10Gbps. In order to hit the 20Gbps speed, USB 3.2 Gen 2×2 will utilize two of these 10Gbps high-speed channels.

To help consumers understand which version they’re getting, the USB-IF suggests manufacturers use the following terms:

  • USB 3.2 Gen 1: ‘SuperSpeed USB’
  • USB 3.2 Gen 2: ‘SuperSpeed USB 10Gbps’
  • USB 3.2 Gen 2×2: ‘SuperSpeed USB 20Gbps’

According to The Verge, the new USB 3.2 specification will hit the market sometime this year.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix S1R arrives in April for $3699 body-only

01 Feb

Panasonic has revealed full details of the Lumix S1R – its pro-oriented full-frame mirrorless camera. We’ve known since Photokina 2018 that the 47.3MP S1R would be the higher resolution camera of the two new Panasonic S-series cameras and that its feature set would be aimed squarely at stills shooters. The S1R boasts thorough weather-resistance, and uses the L-mount standard – a joint effort between Panasonic, Leica and Sigma.

Both the S1R and its close relation the S1 offer a High Resolution multi-shot mode, but thanks to its higher sensor resolution the S1R creates 187MP files compared to 96MP from the S1. Full-resolution burst shooting with AFS is available at up to 9 fps; with continuous autofocus the maximum rate drops to 6 fps. Panasonic’s 6K Photo mode provides extraction of 18MP stills from 30 fps bursts, and 4K Photo offers 8MP stills from 60 fps bursts.

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The S1R uses the latest generation of Panasonic’s contrast-based DFD (Depth From Defocus) autofocus system. The company says that the system’s tracking capabilities are enhanced by machine learning to better identify moving subjects.

While the S1R is capable of 4K/60p video recording, it uses pixel binning where the S1 offers higher quality over-sampled 4K/30p footage from its full sensor width. In-body 5-axis stabilization can be combined with optical stabilization.

The S1R provides a market-leading 5.76M-dot OLED electronic viewfinder, with 60 fps or 120 fps selectable refresh rate. It’s also equipped with a 3.0″ 2.1M-dot touch screen that tilts on three axes. The camera also provides a top panel status LCD.

The Panasonic Lumix DC-S1R will be available in early April for $ 3699 body-only or $ 4599 with the new 24-105mm F4.

Press release:

Panasonic Launches New LUMIX S Series Full-frame Mirrorless Cameras LUMIX S1R and LUMIX S1

Newark, NJ (February 1, 2019) – After the development announcement at Photokina 2018, Panasonic is now proud to introduce the full specifications of its long-awaited first full-frame Digital Single Lens Mirrorless cameras, the LUMIX S1R and S1, with a 35mm full-frame CMOS sensor. The new cameras are based on the L-Mount standard, which boasts a well-balanced, large inner diameter and compact dimensions for a flange focus to realize optimum size and performance as a mirrorless camera system.

The LUMIX S Series aims for unprecedented image quality with high resolution, rich gradation and superior color reproduction. A high-speed, high-precision AF system based on advanced control technology over the lens, the sensor, and the new Venus Engine enable the user to capture the target in sharp focus without fail. The LUMIX S Series also boasts industry-leading video recording performance (4K 60p/50p*1), intuitive control, a rugged design for heavy field use, durability, and expandability.

The LUMIX S1R integrates a 47.3-megapixel full-frame CMOS sensor (36mm x 24mm), which gives it the industry’s highest level of resolution in the full-frame mirrorless cameras*2, to pursue the ultimate power of expression. In addition to the precise reproduction capability in detail, this sensor achieves a high S/N ratio by taking advantage of its high light-condensing efficiency despite the large number of pixels. The LUMIX S1R features a High Resolution mode for the first time as a mirrorless full-frame camera to enable 187-megapixel ultra-high precision photo shooting.

The LUMIX S1 comes with a 24.2-megapixel full-frame CMOS sensor (35.6mm x 23.8mm) that provides a wide dynamic range and excellent performance at high sensitivity in addition to a natural yet sharp image description thanks to sufficient light condensation per pixel. The LUMIX S1 supports professional use in videography by taking advantage of the stunning expression performance that a full-frame camera can offer. It records smooth 4K 60p video and enables full-pixel readout of signals in 4K 30p/25p*1 to save truly beautiful footage. Furthermore, the LUMIX S1 will comply with 4:2:2 10-bit 4K 30p/25p*1 internal video recording and 4K 60p HDMI output as well as V-Log, with a software upgrade key (to be sold separately) following soon in 2019.

Panasonic’s advanced Contrast AF system with DFD technology has evolved through the development of numerous mirrorless cameras to make the AF system of the LUMIX S1R/S1 even more practical. It achieves not only the industry’s fastest level of focusing speed but also a tracking performance that is made possible by the adoption of advanced AI technology that accurately recognizes moving target subjects. The LUMIX S1R/S1 incorporates a Body I.S. (Image Stabilizer) to effectively compensate for the hand-shake movement. Combining the Body I.S.(5-axis) and the O.I.S. (Optical Image Stabilizer, 2-axis) in the LUMIX S Series lenses, the Dual I.S. 2*3 boasts even more powerful compensates for virtually any types of blur. Equipped with a high-resolution Real View Finder, triaxial tilt rear monitor and high performance shutter unit with high durability, the rugged design LUMIX S1R/S1 provides the professional photographers with high reliability.

Drawing on the vast expertise of the L-Mount Alliance with Leica Camera and Sigma, various interchangeable lenses are available for the LUMIX S Series. On the other hand, the LUMIX PRO service*4 has also launched to support professional work globally.

As a pioneer of the Digital Single Lens Mirrorless camera, Panasonic has pursued innovations in technology under the vision of “Changing Photography.” Crystallizing all these digital and optical technologies, Panasonic is committed to introducing an unparalleled full-frame camera system without compromise for professional photographers and videographers.
*1 PAL area only
*2 As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.
*3 5-Axis Dual I.S.2 can be used with the lens S-R24105 and S-R70200 as of February 1, 2019.
*4 Service is not available in some countries.

1? High picture quality made possible by the first LUMIX full-frame mirrorless camera Unprecedented picture quality and high descriptive performance LUMIX S1R
The LUMIX S1R incorporates a new 47.3-megapixel CMOS sensor without LPF (Low Pass Filter) to realize high resolution and descriptive performance. This sensor adopts an aspherical lens for the on-chip micro lens to enhance light condensation. Together with the optimum design to concentrate more incoming light onto the photodiode, it achieves both high resolution and highly efficient light condensation performance. This results in the realization of the industry’s highest level of 47.3-megapixel resolution* in the full-frame mirrorless cameras at high S/N ratio and maximum ISO 25600 high sensitivity. The large amount of digital signals is processed by the new high-speed, high-performance image processor Venus Engine to render images with breathtaking description in both photo and video.
* As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.

High image quality, high sensitivity performance LUMIX S1
The LUMIX S1 employs a 24.2-megapixel CMOS sensor. The new Venus Engine, which is exclusively tuned for the full-frame camera, and its Multipixel Luminance Generation and Intelligent Detail Processing realize natural, high-resolution expression while suppressing color moiré. Three-dimensional color control improves the color reproduction of both bright and shadow areas. This results in natural, true-to-life images from low to high sensitivity. Taking advantage of sufficient light condensation, the LUMIX S1 boasts a wide dynamic range and reproduces sharp images with exceptional clarity. Noise is minimized even when shot at maximum ISO 51200 high sensitivity. It is an ideal camera to use especially in low-light situations.

An AR coating applied on the sensor of both LUMIX S1R/S1 minimizes ghost and flare even in backlighting. In combination with the high-quality LUMIX S Series lenses based on the L-Mount, this further enhances the potential of the camera.

Plus, the LUMIX S1R/S1 integrates the Body I.S. (Image Stabilizer) for powerful handshake correction. Panasonic developed an algorithm that precisely calculates shake information acquired not only from a gyrosensor, but also from the image sensor and accelerometer sensor. This enables more accurate shake detection and compensation, making it possible to use a 5.5-stop slower shutter speed*1. Combining the Body I.S. (5-axis) in the camera and the O.I.S. (Optical Image Stabilizer, 2-axis) in the LUMIX S Series lens, the 5-axis Dual I.S. 2 compensates for larger movements that were conventionally uncontrollable. Maximizing both O.I.S and B.I.S. is highly beneficial in telephoto shots and in adverse situations, such as in low-light or with one-handed shooting with a 6-stop slower shutter speed*2. The 5-axis Dual I.S. 2 works for both photo and video recording, including 4K. The Body I.S. compensates for camera movement even when other L-Mount lenses without O.I.S. are used.

Taking full advantage of its high-resolution sensor, the LUMIX S1R/S1 provides a High Resolution mode that faithfully reproduces precise details to be saved as beautiful, highly realistic RAW images. Eight consecutive images are automatically shot while shifting the sensor using the Body I.S. (Image Stabilizer) mechanism and synthesized into a 187-megapixel equivalent (16,736 x 11,168-pixel) image for LUMIX S1R and 96-megapixel equivalent (12,000 x 8,000-pixel) image for LUMIX S1 by the new Venus Engine, which boasts high-speed signal processing. This mode is suitable for taking natural landscapes or fine arts with delicate details. This magnificently high resolution photo is ideal for landscape photography of stationary subjects using a tripod. However, it can also be used in situations where moving subjects are included in the scene, by switching the sub mode.

The HLG*3 Photo mode is a whole new style of photo expression that Panasonic proposes. It provides a wider dynamic range to reproduce light and shadow with more natural contrast. The HLG Photos can also be produced as an HSP file*4 with compressed high-brightness signals in stunning 8K resolution (7,680 x 4,320 in 16:9, with LUMIX S1R) or its full resolution (5,888 x 3,312, in 16:9, with LUMIX S1) in addition to JPEG/RAW files. It excels in the expression of lights, such as sparkling starlight or glaring sunlight. The user can playback these vibrant images on the latest Panasonic HLG-compliant 4KTV via HDMI cable connection or other HLG-compliant devices. It is also ideal for photo presentations by photographers.

The high-precision shutter unit offers the highest shutter speed at a maximum 1/8000 second to capture spur-of-the-moment, fast moving subjects and to use a high-speed lens with a fully open aperture even outdoors for impressive defocusing. The external flash can be synchronized with the industry’s fastest shutter speed of a maximum 1/320 second.*5*6
*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=50mm, when S-X50 is used.]
*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when S-R70200 is used.]
*3 “HLG (Hybrid Log Gamma)” is an international standard (ITU-R BT.2100) HDR format.
*4 “HSP” is an HDR picture format using HLG format video technology.
*5 The guide number decreases when the shutter speed is set to 1/320 of a second.
*6 As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.

2. High-speed, high-precision AF system LUMIX S1R LUMIX S1
Panasonic has achieved a high-speed AF with its advanced control technology over the major devices – lens, sensor and imaging engine. The lens and sensor communicate at a maximum 480 fps. Combining the Contrast AF with DFD technology, the LUMIX S1R/S1 realizes an ultra-high-speed, high-precision AF of approximately 0.08 sec*1. The LUMIX S1R/S1 also boasts high speed burst shooting at 9 fps (AFS) or 6 fps (AFC). With its high subject tracking performance, the LUMIX S1R/S1 never loses the target subject. As a camera that excels in low-light shooting, the LUMIX S1R/S1 boasts -6EV*2 luminance detection performance with Low Light AF thanks to the higher sensitivity and optimized tuning of the sensor. The face/eye detection technology makes it possible to capture people in crisp focus, the Eye AF even detects the pupil of the eye and precisely focuses on it for impressive portrait shooting. The LUMIX S1R/S1 also incorporates advanced AI technology that detects specific subjects – humans and fast-moving animals, including dogs, cats and birds. The camera keeps tracking these subjects even when they turn their back to the camera.

For more continuous burst shooting, 6K PHOTO*3 makes it possible to capture unmissable moments at 30 fps by extracting the frame with the best timing out of a 6K burst file (in 4:3 or 3:2 aspect ratio) to save as an approximate 18-megapixel equivalent high resolution photo. The 4K PHOTO enables 60-fps high-speed captures in approximate 8-megapixel equivalent resolution. In 6K PHOTO /4K PHOTO, three exclusive modes can be chosen from depending on the situation; 6K Burst/4K Burst, 6K Burst (Start/Stop)/4K Burst (Start/Stop) and 6K Pre-burst/4K Pre-burst. Users can choose the most suitable burst shooting mode in addition to the regular consecutive shooting mode in full resolution depending on the situation.
*1 11EV, at wide-end with S-R24105 (CIPA) in LVF120 fps setting.
*2 At ISO100, F1.4, AFS
*3 6K PHOTO’ is a high speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with approx.18-megapixel (approx. 6000 x 3000 effective pixel count) that the 6K image manages.

3. Operability from ingenuity for intuitive control LUMIX S1R LUMIX S1
The LVF (Live View Finder) is the key factor for completing the ultra-high-speed response of the camera. The LUMIX S1R/S1 has the largest level of Real View Finder which boasts the world’s highest 5,760k-dot resolution.* The 0.78x magnification ratio can be switched to 0.7x or 0.74x according to the shooting situation. Adoption of a high-speed, high-precision OLED (Organic Light-Emitting Diode) for the LVF achieves smooth display at 60 fps/120 fps (switchable) and high-speed response with minimum time lag of less than 0.005 sec as well as 10,000:1 high contrast for exceptional visibility. With minimum distortion and high optical performance, this Real View Finder provides a natural view as seen with the naked eye. It is always sharp and clear from the center all the way to the corners.

The 2,100K-dot high resolution monitor in 3:2 aspect ratio has adopted a triaxial tilt moving element to secure both durability and operational ease. It also has a touch control system. Live View Boost is another practical feature that makes it possible to check the composition even in total darkness by boosting the sensitivity just for live view. It also incorporates a night mode that provides mild backlighting. It lets the user watch the subject comfortably even after viewing the monitor in a dark situation for a long time. The LUMIX S1R/S1 includes a largest-in-class Status LCD on the top, allowing users to check the settings at a glance.

To make the camera just like a part of the photographer’s body, the LUMIX S1R/S1 provides a firm grip, making it easy to hold for long periods. The control buttons and dials are located based on an ergonomic study to enable the user to concentrate on shooting. The adoption of an 8-directional joystick and refined UI (User Interface) also supports quick operation during shooting. In addition, illuminated buttons can be of help in low-light situations. An operation lock lever prevents unintentional operation, and the user can choose which operation to lock.
* As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.

4. Rugged design, reliability and expandability LUMIX S1R LUMIX S1
To be tough enough to withstand heavy field use, the main structure is composed of a magnesium alloy full die-cast front/rear frame. Robust construction and a sealing for every joint, dial, and button make the LUMIX S1R/S1 not only splash resistant* and dust resistant,* but also freeze resistant down to -10 degrees Centigrade. The shutter unit is also durable for approximately 400,000 cycles.

The LUMIX S1R/S1 is equipped with a double memory card slot compatible with SD (UHS-II) or XQD memory cards for high-speed, high-capacity continuous data recording. Users can flexibly choose the recording method from Relay Recording, Backup Recording or Allocation Recording using the double slots. It will also be compatible with CFexpress in the near future. The 7.4-V 3,050 mAh high-capacity battery can be quickly charged via USB PD (USB Power Delivery) using the bundled USB3.1 Type-C cable. And it also realizes high-speed data transfer.

A variety of new accessories are available for the LUMIX S1R/S1, including Remote Shutter (DMW-RS2),?Eyecup (DMW-EC6), Battery Grip (DMW-BGS1) and Battery Charger (DMW-BTC14). The Battery Charger also complies with USB PD and enables quick power charging in approximately 2 hours. The camera can be used while charging via this adaptor. The conventional External Flash (DMW-FL580L / FL360L / FL200L) can also be mounted on the LUMIX S Series cameras.
*Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.

5?Outstanding video recording performance in a full-frame camera 4K 60p video recording for more creative freedom LUMIX S1R The LUMIX S1R is a camera designed and developed to boast exceptional performance in photography, yet is capable of 4K 60p video recording.*2 To elevate the video expression even more, a variety of effects are available for video recording.

Exceptional video recording performance for professional videographers LUMIX S1
The LUMIX S1 features outstanding video performance for professional videography with 4K 60p recording. It realizes a crop factor of 1.0x in 4K 30p/25p*1/24p, which means that the user can record video in the original viewing angle of the lens. There is no recording time limit*3 for both 4K 30p/25p*1/24p and Full-HD video. Notably, the CMOS Sensor with high sensitivity on the LUMIX S1 achieves full-pixel readout for an excellent S/N ratio. The HDR (High Dynamic Range) video recording is available, which reproduces both the bright parts and dark parts of an image, making it look just like human eyes see it. The camera records video with a designated gamma curve compatible with ITU-R BT.2100, and you can now choose Hybrid Log Gamma (HLG) in Photo Style. The LUMIX S1 further expands its potential with a firmware update including 4:2:2 10-bit 4K 30p internal video recording and 4K 60p/50p HDMI output as well as V-Log, with a Software Upgrade Key (to be sold separately) following soon in 2019.

As a camera from Panasonic that has been overstepping the limit of video performance in digital cameras, a host of functions are available on the LUMIX S1R/S1. The High Speed Video lets users record slow motion video in 4K (maximum 60 fps and FHD (maximum 180 fps).

For the terminal, an HDMI Type A is provided. Plus, a cable lock holder for the HDMI cable is included in the LUMIX S1R/S1 to prevent unplugging trouble on location. LINE input is also supported by a 3.5-mm microphone jack. This makes it possible to input sounds from an external audio device, for more efficient video production. A 3.5-mm headphone jack is also available. In addition, it complies with the Microphone Adaptor DMW-XLR1 (sold separately), which is a plug-in type adaptor for an XLR microphone to record high-quality stereo sound. It is ideal for lip-sync recording. Dedicated switches allow direct, quick control. MIC, LINE and CONDENSER MICROPHONES are switchable.
*1 PAL area only.
*2 Maximum 15 minutes in 4K60p and unlimited recording time in Full HD until the SD Memory Card becomes full or the battery runs out.
*3 Maximum 29 minutes 59 seconds in 4K60p until the SD Memory Card becomes full or the battery runs out.
– When the ambient temperature is high or continuous recording is performed, the camera may stop the recording to protect itself. Wait until the camera cools down (*2*3).

6. Other Features LUMIX S1R LUMIX S1

  • Photo Style Featuring a New Flat Mode
    To shorten post-processing work, JPEG photos can be adjusted precisely according to the photographer’s intention. The LUMIX S1R/S1 also provides a Flat mode that features a plain finish with less contrast and saturation for versatile use.
  • Variable Aspect Ratios With New 65:24 and 2:1
    In addition to the standard 3:2, 4:3, 16:9 and 1:1, 65:24 (Film Panorama) and 2:1 (6 x 12 cm) aspect ratios are available for photo shooting.
  • I.S. Status Scope
    The user can consciously remove the cause of shake by checking a pointer that indicates the camera’s shaking condition. It is available while the viewfinder or rear monitor blacks out even during a long-time exposure.
  • Flicker Decrease
    When the flickering of a fluorescent light is detected, the camera indicates it and releases the shutter when its effect is the least to suppress the discontinuity of exposure or color across a sequence of photos.
    *Not available in 6K PHOTO, 4K PHOTO and Post Focus.
  • Highlight Weighted Light Metering Mode
    The Highlight Weighted Light Metering Mode meters light with the priority on highlighted parts, to prevent it from washing out.
  • New AWBw Auto White Balance Mode
    In Auto White Balance, a new AWBw that retains a reddish tint is available in addition to conventional AWB (standard) and AWBc (bluish tint). AWBw reproduces healthy, rosy skin color even under fluorescent light.
  • Bluetooth 4.2 and Wi-Fi 5GHz (IEEE802.11ac)* / 2.4GHz (IEEE802.11b/g/n)
    Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone/tablet with minimum power consumption. The settings of a LUMIX S1R/S1 camera can also be copied and transmitted wirelessly to other S1R/S1 cameras when using multiple S1R/S1 cameras*1. Also, Wi-Fi 5GHz (IEEE802.11ac)*2 is effective in addition to 2.4GHz (IEEE802.11b/g/n.) This provides even secure and stable connection not only with a smartphone/tablet but also with other devices on location for smooth remote control. Transmission speed of photo/video data is also increased up by using the 5GHz-band*2.
    *1 The Settings of LUMIX S1R can be copied to S1R only and the settings of LUMIX S1 can be copied to S1 only.
    *2 5GHz Wi-Fi is not available in some countries.
  • Lumix Tether
    This software enables tethered shooting via USB. Users can control the camera by connecting it to a PC via USB. It lets you view the image on a large PC screen while shooting, which is helpful in commercial photoshoots of portraits, products and more, where continuous confirmation is required. You can use [6K PHOTO] [4K PHOTO] and start and stop video recording with tethered shooting. It is also possible to choose the folder to save the image files in the PC.
  • Lumix Sync
    Lumix Sync is a new application for iOS/Android devices, which enables photo transmission to a smartphone or tablet via easy wireless connection. It also allows remote control of the camera using a smartphone or tablet.
  • Leica is a registered trademark of Leica Microsystems IR GmbH.
  • L-Mount is a trademark or registered trademark of Leica Camera AG.
  • Android and Google Play are trademarks or registered trademarks of Google Inc.
  • IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license.
  • XQD is a trademark of Sony Corporation.
  • All other company and product names are trademarks of their respective corporations.
  • Some accessories are not available in some countries.
  • The use of recorded or printed materials that are protected by copyright for any purpose other than personal enjoyment is prohibited, as it would infringe upon the rights of the copyright holder.
  • Design and specifications are subject to change without notice.

Panasonic Lumix DC-S1R specifications

Price
MSRP $ 3699 (body only), $ 4599 (w/24-105mm lens)
Body type
Body type SLR-like (bridge)
Body material Magnesium alloy
Sensor
Max resolution 8000 x 6000
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 47 megapixels
Sensor photo detectors 50 megapixels
Sensor size Full frame (36 x 24 mm)
Sensor type CMOS
Processor Venus Engine
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-25600 (expands to 50-51200)
Boosted ISO (minimum) 50
Boosted ISO (maximum) 51200
White balance presets 5
Custom white balance Yes (4 slots)
Image stabilization Sensor-shift
Image stabilization notes 5-axis; combines with in-lens stabilization for increased shake reduction
CIPA image stabilization rating 6 stop(s)
Uncompressed format RAW
JPEG quality levels Fine, standard
File format
  • JPEG
  • Raw (Panasonic RW2)
  • HLG (CTA-2072)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 225
Lens mount Leica L
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2
Screen dots 2,100,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.78×
Viewfinder resolution 5,760,000
Photography features
Minimum shutter speed 60 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/16000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe or flash sync port)
Flash modes Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off
Flash X sync speed 1/320 sec
Continuous drive 9.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±3 (3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 50p / 150 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 28 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 50p / 28 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 30p / 20 Mbps, MOV, H.264, AAC
Microphone Stereo
Speaker Mono
Storage
Storage included XQD + SD card slots; UHS-II supported
Connectivity
USB USB 3.1 Gen 1 (5 GBit/sec)
USB charging Yes (can be charged with high-power laptop/tablet chargers or portable power banks)
HDMI Yes (4:2:2 8-bit output, except 4K/60p)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11ac + Bluetooth
Remote control Yes
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description DMW-BLJ31 lithium-ion battery & charger
Battery Life (CIPA) 360
Weight (inc. batteries) 898 g (1.98 lb / 31.68 oz)
Dimensions 149 x 110 x 97 mm (5.87 x 4.33 x 3.82)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Mapplethorpe movie trailer arrives ahead of film’s US theatrical premiere

09 Jan

A new trailer has given the public its first look at Mapplethorpe, a biopic chronicling the life of controversial photographer Robert Mapplethorpe, whose provocative work earned him fame in 1970s America. The movie, which was written and directed by Ondi Timoner, first debuted to a limited audience at the Tribeca Film Festival last year, but will receive a wider release in US theaters on March 1, 2019.

Mapplethorpe was best known for his black-and-white portraits and photographs of New York’s underground scene. The photographer’s first solo exhibition took place in 1973 at the Light Gallery in New York City featured photos captured with a Polaroid camera. Mapplethorpe later transitioned to a Hasselblad medium format camera. The photographer’s fame flourished through the 1980s up to his death from AIDs in 1989.

The biopic stars Matt Smith of Dr Who fame as Robert Mapplethorpe, Marianne Rendon as Patti Smith, and Hari Nef as Tinkerbelle.

Articles: Digital Photography Review (dpreview.com)

 
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ON1 Photo RAW 2019 arrives with new UI, AI-powered Lightroom migration, and more

14 Nov

ON1 has launched its new ON1 Photo RAW 2019 photo editor for macOS and Windows. The new software is a “major upgrade” to the existing ON1 Photo RAW editor, according to the company, which has added new features that include focus stacking, a non-destructive layers workflow, a new portrait tab, and more.

ON1 Photo RAW 2019 relies on AI-powered algorithms to bring “significant enhancement” for users who want to migrate from Adobe Lightroom. In addition to the batch of new features, the updated application also adds additional camera support and lens profiles, HEIC file support, and a new interface with reduced contrast, updated UI elements, and an overall modern look.

ON1 Photo RAW 2019 is available now with a 30-day free trial and $ 99.99 USD purchase price. Existing ON1 product owners are offered the upgrade at a discounted $ 79.99 USD. Alternatively, customers can get access to the new software via an ON1 Plus Pro membership, which is currently priced at $ 129.99/year with a regular annual price of $ 149.99 USD.

ON1 Photo RAW 2019 – An All-New Photo Editing Experience Now Available

ON1 Photo RAW 2019 – An All-New Photo Editing Experience Now Available
Portland, OR – November 13, 2018?? – ON1, Inc announces that ON1 Photo RAW 2019, an all-new photo editing experience and a major upgrade to ON1 Photo RAW, is available today. ON1 Photo RAW 2019 includes all-new features and technologies along with a streamlined workflow that is elegant, powerful and easy to learn. Notable new features include a new non-destructive workflow for layers, auto-alignment of layers, focus stacking, a new portrait tab, a new text tool, new digital asset management updates and more. ON1 Photo RAW 2019 includes the tools photographers need in a single well thought out photography workflow application.

This all-new photo editing experience gives photographers the features they use the most from the Adobe® Lightroom® and Photoshop® worlds in a single application. ON1 Photo RAW 2019 also includes a significant enhancement to the migration process for customers looking to move away from Lightroom®. Version 2019 is the first solution to utilize AI-powered algorithms to transfer and display Lightroom edited photos in ON1 Photo RAW 2019. The transferred settings will also remain non-destructive and be re-editable inside ON1 Photo RAW 2019.

The ON1 community drives the development of ON1 Photo RAW based on what’s most important for their photo editing needs. Every new feature and improvement made in version 2019 is a direct result of community input through the ON1 Photo RAW Project.

  • A New & Faster Editing Workflow ??–? ??All of the editing modules from previous versions have been combined into the Edit module to create a single place for editing photos. The former editing modules are now available as tabs to allow you to work in each seamlessly without changing the application appearance. These include Develop, Effects, Portrait, and Local Adjustments tabs.
  • A New Workflow for Layers?? – ON1 Layers is no longer a separate module. Instead, the power of layers is accessible within the non-destructive workflow in the new Edit module. This allows for creating or editing multi-layered files, including raw files, and keeping non-destructive settings for each photo layer. Customers can also move, size and mask each layer. More importantly, and a new concept, each layer has its own non-destructive settings, all the way back to the original file. What’s most exciting is if you are working with raw files, powerful adjustments like exposure, highlights and shadows can now be processed using the raw data in a layered photo workflow. All without having to change modules or applications.
  • New Lightroom Photo Settings Migration?? – New AI-powered algorithms give customers the ability to transfer Lightroom edited photos, keep the non-destructive settings, and move them into ON1 Photo RAW 2019. The updated Lightroom Migration Tool in version 2019 transfers almost every edit you can make in Lightroom including raw processing, crop, retouching and local adjustments along with folders, photos, collections, and metadata.
  • New Focus Stacking?? – Automatically blend a series of photos at different focus distances to increase depth-of-field. It’s so fast, you can adjust the focus in real-time, just like changing the focus on your lenses. Think of it like HDR, but for focus instead of exposure.
  • New Auto-Align Layers?? – Easily combine multiple photos as layers, then automatically align them based on image content, making it easy to mask and blend them together.
  • New AI Masking Tool (coming Winter 2019)?? – This new tool, powered by machine learning, will allow customers to easily identify areas of their photos to create a selection or mask and the AI technology detects your subject matter and automatically creates a beautiful mask.
  • New Portrait Tab ??– The new Portrait tab automatically detects faces in your photo allowing you to easily retouch, smooth skin, brighten and sharpen eyes, and whiten teeth.
  • New Text Tool?? – The new text tool is perfect for creating posters, postcards, or adding your byline or watermark. Easily control font size, color, position, and more and then save a preset to add the same text overlay to a batch of photos quickly.
  • New Master Keyword List?? – Now you can see every keyword you use in a single, searchable list. You can quickly apply, clear, edit, or delete keywords.
  • Enhanced Local Adjustments?? – Local adjustments have been enhanced to use the raw processing data. This allows for more highlight and shadow details with more tonal range. This also includes new controls like haze, whites and blacks.
  • New Layered HDR Workflow?? – With the powerful new non-destructive layers you can combine other photos, text or alternate exposures with your HDR photos. Use the powerful masking tools to combine multiple HDR renditions even.
  • New Filter Options in Effects ??–? ??We have added dedicated film grain, curves and color adjustment filters to Effects. These let you add film grain to color photos and make advanced, targeted color and tone adjustments faster. There’s even a new filter selector that allows you to search for filters, learn what they do and even view a sample before you add them.
  • New User Interface?? – The new user interface has a fresh and modern feel. Overall contrast has been reduced to make photos stand out along with a new font to help increase readability. Updated icons, tabs, and sliders will also take up less visual space.
  • Other Updates ??– including support for HEIC files, keyboard shortcuts for changing modules, more accent color options, color labels on folders and more.
  • Additional Camera Support?? – Added support for the Fujifilm XF10, Fujifilm X-T3, Nikon P1000, Nikon Z7, Panasonic LX100 II, Leica M10-P.
  • Additional Lens Profiles?? – Added lens profiles for: Canon EF35mm f/1.4L II USM (750), Chinon Auto Chinon 35mm f/2.8, KMZ Helios-40 85mm f/1.5, Nikon 200-500mm F5.6 174, Panasonic LEICA DG 8-18/F2.8-4.0, Panasonic LEICA DG NOCTICRON 42.5/F1.2, Pentax Pentax SMC Takumar 50mm f/1.4, Sigma Sigma 17-50mm f/2.8 EX DC HSM, Sony FE 24-105mm F4 G OSS, Sony FE 50mm F1.8, Tamron 14-150mm F/3.5-5.8 DiIII C001, Tamron SP 24-70mm F/2.8 Di VC USD G2 (A032), Voigtla?nder Voigtlander Super Wide Heliar III.

Price and Availability

ON1 Photo RAW 2019 is available today for $ 99.99. Previous owners of any ON1 product can upgrade for $ 79.99. ON1 Photo RAW 2019 is also available as part of an ON1 Plus Pro membership for a for $ 129.99/year (Reg: $ 149.99/year). ON1 Plus Pro includes a perpetual license of ON1 Photo RAW along with in-depth post-processing and photography education from the industries best trainers such as Matt Kloskowski, Hudson Henry, Tamara Lackey and many more. All of it is easy to follow along and fun. For a limited time, a purchase of ON1 Photo RAW 2019 includes some great bonuses. These include the ON1 Photo RAW 2019 Foundations video course, which provides the perfect get up and running training and the ON1 Looks eBook and series of 25 videos and practices files and to help you master ON1 Photo RAW 2019.

A 30-day free trial of ON1 Photo RAW 2019 is also available for download from the ON1 website.

A single purchase of ON1 Photo RAW 2019 includes both macOS and Windows installers and activation for up to five computers. It comes with a 30-day money-back guarantee, world-class customer support based in Portland, Oregon USA, hundreds of free video tutorials, and free ON1 Loyalty Rewards every month.

What’s Ahead for ON1

ON1 Photo RAW 2019 will include several free updates over the next year with all-new photo organizing and editing features, AI-powered algorithms to enhance workflows, other feature refinements, as well as updates for cameras and lenses. The first free update will in Winter 2019.
ON1 is also working on solving additional problems for customers who share files across multiple computers or work environments as well as those customers who are shooting video as part of their photography process.
“As we’ve said before, we have big plans at ON1. Our team is already busy working on the next free updates to version 2019. These will include dual display support, an editing history, and additional capabilities and enhancements to Focus Stacking,” says Craig Keudell, President of ON1.

About ON1 Photo RAW – An All-New Photo Editing Experience

ON1 Photo RAW 2019 is a game changer. Version 2019 includes everything photographers look for when editing their photos including an integrated photo organizer, raw processor, pixel editor, and layered file workflow. It’s like having Lightroom and Photoshop® in one application without paying a monthly subscription. ON1 Photo RAW 2019 will also use ON1’s

state-of-the-art processing engine providing a fast, smooth, comfortable, and fun photo editing experience while producing the highest quality results for your photos.

Photo RAW seamlessly integrates the features of photo organizing, non-destructive editing, layering capabilities, the best masking and selection tools, portrait retouching, hundreds of photo effects, text, HDR, automated panorama stitching, photo resizing, and more into one powerful yet easy-to-use software application.

ON1 Photo RAW 2019 supports RAW files from over 800 cameras, but it isn’t just for raw files. It also supports file formats include JPEG, TIF, PSD/PSB, PNG, HEIC and DNG are supported and benefit from the speed, performance, and abundance of editing tools in the app. Photo RAW 2019 will also integrate as a plug-in to Adobe® Lightroom Classic CC and Photoshop CC as well as Apple Photos and will continue to work as a standalone photo editor and rival the Adobe Photography Plan. Like the current version, version 2019 will integrate with the major cloud services to allow for uploading, managing, and editing photos across multiple computers. This enables users to sync photos and their edits across multiple computers or in a studio setting.

Articles: Digital Photography Review (dpreview.com)

 
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iOS 12.1 arrives with ‘beauty filter’ fix and real-time Portrait depth control

02 Nov

Apple has released iOS 12.1 for iPhone and iPad on Tuesday. As promised, the update brings a fix for the “beauty filter” issue that resulted in soft selfies and debate. The new version also adds the ability to preview Portrait mode depth of field in real-time before capturing the image.

The ability to adjust Portrait mode depth of field post-capture remains, but users now have the option to adjust that depth of field before capturing the image, as well, with a real-time preview of the background blur for more control over the process.

Camera updates aside, iOS 12.1 also brings dual SIM support to the newest iPhone models, more than 70 new emoji, and Group FaceTime for chatting with up to 32 people.

You can download iOS 12.1 by going into Settings > General > Software Update.

Articles: Digital Photography Review (dpreview.com)

 
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DxO PhotoLab 2 arrives with new haze removal tool and PhotoLibrary

26 Oct

DxO has released PhotoLab 2, an update to its PhotoLab image processing software. The updated version brings new features and improvements, including ClearView Plus, a new version of its haze removal and local contrast tool, as well as a new data and image management feature called DxO PhotoLibrary, and support for DCP color profiles.

DxO presents its new ClearView Plus as a “revolutionary tool” that can strip haze from an image while enhancing local contrast. According to the company, this improved version of the tool enables the user to create “dramatic adjustments” without producing unwanted halos.

PhotoLibrary, meanwhile, offers a variety of features, including the ability to search for, select, sort, and display images. The feature offers dynamic search, which presents the user with suggests as they type the search query. Users can search for content based on various criteria, including name, extension type, and shooting parameters.

DxO is now offering PhotoLab 2 for both Mac and PC through its online shop. The software is offered at introductory prices until November 18, after which point the regular rate is applied. PhotoLab 2 Essential is $ 99.99 USD and will be $ 129 USD after the introductory pricing ends; PhotoLab 2 Elite is $ 149.99 USD currently and will be $ 199 USD after the promotion ends.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm’s XF 8-16mm F2.8 ultra-wide zoom arrives in November

20 Jul

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Fujifilm’s widest X-series zoom to date, the XF 8-16mm F2.8 R LM WR, will ship in late November: just in time for Christmas. The lens has a total of 20 elements, including four aspherical, three ED and three Super ED, plus a Nano GI coating to reduce ghosting and flare. The lens has linear motors for responsive and quiet focusing, a nine-blade aperture and a minimum focus distance of 25 cm / 9.8″. The lens is sealed against dust and moisture and operates down to -10°C/+14°F.

The XF 8-16mm F2.8 will be priced at $ 2000.

Press Release:

FUJIFILM ANNOUNCES NEW FUJINON XF 8-16MMF2.8 R LM WR LENS; FUJINON XF 200MMF2 R LM OIS WR TELEPHOTO LENS AND XF 1.4X TC F2 WR TELECONVERTER KIT

Ultra-wide angle zoom lens and super-fast telephoto lens with accompanying teleconverter for the X Series line of mirrorless interchangeable lens digital cameras; Latest development of the X Mount Lens Roadmap unveiled

Valhalla, N.Y., July 20, 2018 FUJIFILM North America Corporation today announced the new FUJINON XF8-16mmF2.8 R LM WR Lens, an ultra-wide angle zoom lens with a constant maximum aperture of F2.8 and focal length equivalent to 12-24mm (35mm format). Capable of providing outstanding edge to edge image-resolving performance, this lens is perfect for landscape and architecture photography such as interior and nightscape, and astrophotography.

FUJINON XF8-16mmF2.8 R LM WR Ultra-Wide Angle Lens

The new XF8-16mmF2.8 R LM WR features an optical construction of 20 elements in 13 groups, including 4 aspherical lens elements to control distortion and spherical aberration, and 6 ED lens elements including 3 super ED elements to control lateral chromatic aberration, a lens design that produces advanced image-resolving performances across the entire zoom range. Featuring a floating lens element that adjusts according to the position of the zoom, the XF8-16mmF2.8 R LM WR achieves edge-to-edge sharpness, and corrects field curvature that is typically found in ultra-wide angle lenses. The lens barrel is lightweight yet robust, sealed at 11 points, designed to be weather and dust-resistant and capable of operating in temperatures as low as 14°F/-10°C.

FUJINON XF8-16mmF2.8 R LM WR Key Features:

  • FUJIFILM X Mount is compatible with all FUJIFILM X Series interchangeable system cameras
  • Weather-sealed at 11 points for weather and dust-resistance; operates in temperatures as low as 14°F/-10°C
  • 20 elements in 13 groups including 4 aspherical elements, 3 ED elements and 3 super ED elements
  • Uses linear motors for quiet and ultra-fast AF
  • Nano-GI coating applied to rear surface of two front lens elements to eliminate ghosting and flare caused by oblique light

Availability and Pricing

The new FUJINON XF8-16mmF2.8 R LM WR Lens will be available in late November 2018 in the U.S. and Canada for USD $ 1,999.95 and CAD $ 2,599.99.

Fujifilm XF 8-16mm F2.8 R LM WR specifications

Principal specifications
Lens type Zoom lens
Max Format size APS-C / DX
Focal length 8–16 mm
Image stabilization No
Lens mount Fujifilm X
Aperture
Maximum aperture F2.8
Minimum aperture F22
Aperture ring Yes
Number of diaphragm blades 9
Optics
Elements 20
Groups 13
Special elements / coatings 4 aspherical + 3 ED + 3 Super ED elements, Nano GI coating
Focus
Minimum focus 0.25 m (9.84)
Maximum magnification 0.1×
Autofocus Yes
Motor type Linear Motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 805 g (1.77 lb)
Diameter 88 mm (3.46)
Length 122 mm (4.8)
Materials Magnesium alloy
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Apple’s new iMac Pro arrives December 14th, and first impressions are good

14 Dec

Listen up power-hungry Apple fanboys! Yesterday, Apple finally announced a release date for its beast of a desktop all-in-one, revealing that the new iMac Pro will be available to purchase starting on December 14th.

The model’s arrival will mark the first instance of a new pro-tier Apple desktop release in years, and it’ll come in four variants sporting 8-, 10-, 14-, and 18-core configurations. Once available, these iMac Pro models will be the most powerful desktop options ever offered by Apple, ones targeted specifically at creative professionals working with massive image and video files.

Many details on the new iMac Pro are still absent; however, certain information has been revealed ahead of time. Buyers will be able to choose up to 4TB of storage, up to 128GB of ECC DDR4 2666MHz RAM, and a 16GB Vega 64 GPU, according to 9to5Mac. The 8- and 10-core iMac Pro variants will be available first, on December 14th, while the other two won’t be available until next year.

But don’t expect any of this to come cheap. The base model of the bunch, the 8-core iMac Pro variant, will have a starting price of $ 5,000 USD, and no other prices have been revealed at this time, although additional information should be available starting on Thursday. Apple states on its iMac Pro website that the new model retains the same slim size as the previous version.

Apple has allowed a couple of journalists to have early access to the new iMac Pro, including Marques Brownlee, who shared his Week #1 impressions of the desktop—and many shots of it—in the video below:

And if you want a photographer’s first impressions, Vincent Laforet got his hand on a 10 Core 3GHZ Intel Xeon W, 2TB SSD, 128 GB RAM, Vega 64 Radeon version that did NOT disappoint him.

To learn more, check out the video above, read Vincent’s review, or head over to Apple’s iMac Pro website.

Articles: Digital Photography Review (dpreview.com)

 
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GoPro Hero6 arrives today with 4K/60p recording, improved image quality, better stabilization

29 Sep

A more powerful processor is at the center of GoPro’s Hero6 Black announcement today, enabling features like 4K/60p video recording and improved dynamic range compared to its previous Hero action cams. The custom-designed GP1 processor also enables 1080/240p slow motion video, and claims that improved image stabilization and better low light performance come with the package.

Like the Hero5, the Hero6 is waterproof without a case to a depth of 10m/33ft. It also supports GoPro’s QuikStories, a mobile app feature that analyzes footage and automatically assembles short clips of what it identifies as the highlights of your adventure. GoPro says that the new GP1 chip offers advanced machine vision and computer learning capabilities to analyze scenes and create better automated stories.

Other improvements include 3x faster offloading speeds and a new digital zoom feature. The Hero6 comes of course with Wi-Fi and Bluetooth, as well as GPS, accelerometer, and gyroscope sensors to track all of the action.

The GoPro Hero6 Black is on sale today for $ 500.

Articles: Digital Photography Review (dpreview.com)

 
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