Tamron has updated its 18-200mm all-in-one lens. The 18-200mm F3.5-6.3 Di II VC introduces image stabilization and is the lightest lens in its high-zoom class. Designed for Canon, Nikon, and Sony APS-C camera bodies, it covers a 28-310mm equivalent range. Read more
Articles: Digital Photography Review (dpreview.com)
Tamron has revealed that it will be making its 18-200mm F/3.5-6.3 Di III VC superzoom in Canon EF-M mount. In a week of unparalleled excitement for EOS M owners, it becomes the fifth autofocus lens for the two year old system, and the first from a third-party manufacturer. With a 29-320mm equivalent range, it features a stepping motor for silent autofocus, and optical image stabilization. Sales will start in the USA on June 26, at $ 499.
News: Digital Photography Review (dpreview.com)
Sigma’s 18-200mm F3.5-6.3 DC Macro OS HSM | C is the latest version of its popular stabilized superzoom lens for APS-C / DX format SLRs. It’s smaller and lighter than the previous model (the 18-200mm F3.5-6.3 II DC OS HSM from 2011), but offers an updated optical design with improved close-focusing abilities. Sigma shipped us a sample a few days ago so we could try it out and we’ve been running around (in typically unpredictable Seattle weather) getting some real-world samples. Click through to see the shots.
News: Digital Photography Review (dpreview.com)
CES 2014: Sigma has announced the 18-200mm F3.5-6.3 DC Macro OS HSM | C, a superzoom lens for APS-C / DX format SLRs. With a 28-300mm equivalent zoom range, it’s smaller and lighter than its predecessor, and has a shorter minimum focus distance. It will be available in Canon, Nikon, Pentax, Sigma, and Sony mounts; as usual the Pentax and Sony versions won’t have optical stabilisation. Availability is still to be confirmed but Sigma USA has set a recommended price of $ 399.
News: Digital Photography Review (dpreview.com)
This is the first actual video I’ve put together (with the help of a friend w/ editing) with my Canon 60d. It shoots GREAT video in 1080 @ 30fps and 720 @60fps. All of these were shot with the 18-200mm lens (that came in the kit) on Sanibel Island Florida and Ft. Meyers Florida. LOTS more 60d HD videos to come so subscribe to check em out right when they do!!
Video Rating: 5 / 5
A variant of the original 18-200mm for the E-mount, I take a quick look at the differences of both 18-200mm lenses as well as its performance You can follow me on: Facebook – on.fb.me Twitter – bit.ly Blog – bit.ly
Video Rating: 4 / 5
Light – is one of the most impotent aspects of photography. Every photographer should know how to see light and how to use it. In this lesson we will be talking about light and its characteristics. A lot of examples for better visualization and understanding. Music: Kevin MacLeod. (Licensed under Creative Commons “Attribution 3.0”)
Video Rating: 4 / 5
Hey guys bear with me as this is my first review, I will try to review all of my photographic equipment to help you guys in choosing what’s best for you. More of these to come soon. This review was recorded using my Kodak Zi6
Here I go again, spotlighting the detail captured in old fashioned film photography. This time it’s a frame of 35mm positive film (Fuji Provia-100). Scanned with a Nikon Coolscan 9000ED, this frame of film becomes a 30 megapixel file. While the Canon 5D MkII and Nikon’s D3x offer resolution very close to 30 megapixels, neither is a match for the detail and tonal quality captured by film.
Due to popular demand, we are reviewing this DX-format superzoom lens from Nikon. The original 18-200mm f/3.5-5.6G VR was introduced in 2005 and was a popular lens – so what does this second version offer? Pricing Reference: www.digitalrev.com
Video Rating: 4 / 5
Gary Clark Jr. performs his song “Things Are Changin” in an exclusive recording session live at Pedernales Recording Studio in Austin, TX for The Live Room on The Warner Sound. Watch more of Gary Clark Jr. in The Live Room: goo.gl Download Gary’s new album, Blak and Blu: On iTunes: goo.gl Or on: GaryClarkJr.com Executive Producer Phil Botti Director Michael Thelin Director of Photography Mikko Timonen Mixed by Brett Eliason Editor Steven Pierce Recording Engineer Jacob Sciba Tracking Engineer Bharath Ramanath Captured live at Pedernales Recording Studio Austin, TX The Live Room with Gary Clark Jr. was captured exclusively with Nikon D4 HD-SLRs camera and NIKKOR lenses. The Live Room is an exclusive Warner Sound original series that captures today’s most innovative artists performing live recording sessions in the most iconic recording studios across America. Subscribe to The Warner Sound goo.gl The Warner Sound on the Web: youtube.com thewarnersound.com http twitter.com
Sigma has released version II of its 18-200mm F3.5-6.3 DC OS HSM superzoom lens. The latest version adds Sigma’s FLD glass, the ‘fluorite-like’ glass co-developed with Hoya and features a revised design (it now features a narrower body and 18 elements in 14 groups, rather than the 13 groups of its predecessor). The lens will be available for Canon, Nikon, Sigma, Pentax and Sony systems (without optical stabilization on the last two mounts). MSRP will be $ 720.
News: Digital Photography Review (dpreview.com)
After having this lens for 4+ months, I want to report some issues I have had with this lens. Also the repair experience I have had with Sigma.
I got the EasyCap D60, everything works fine besides sometimes my USB ports do not recognise it and when I record it works out alright then it goes all weird and freezes as you can see in this video. So any help would be great thanks 🙂