Month: December 2017

  • The CamFi Pro promises blazing-fast wireless photo transfer

    CamFi has launched the CamFi Pro, a souped-up version of its wireless remote controller that can allegedly transfer your photos at a rate of up to 10Mbps between the camera and a secondary device such as a laptop or smartphone. This, according to CamFi, will make the Pro “the fastest wireless camera controller in the world.”

    The new device uses 5.8GHz communications to move data more quickly than usual, making it possible to stream video in addition to sending larger files and sequences far more quickly. The idea is that users can transfer images directly to a computer or tablet as they are shot without tethering or relying on the slow transfer rates of most cameras’ built-in Wi-Fi systems.

    The CamFi Pro will work with a range of Nikon, Canon and Sony cameras, and will allow users the choice to transmit Raw and JPEG files simultaneously, or send one type over Wi-Fi and save the other to the camera’s memory card.

    Additional features include the ability to control the settings of a single camera while simultaneously triggering multiple cameras in sequence to create ‘time slice’ effects; support for HDR image capture (read: bracketing), focus stacking, and timelapse videos; and an Auto Print mode that lets the photographer send files straight to a printer via the CamFi Matrix software—ideal for providing high-quality prints on the fly while shooting events.

    The company is raising funding via Indiegogo, and needs $ 5,000 to make the project viable. Prices start from $ 200 for backers, after which the cost is expected to raise to $ 300, so supporters of the campaign get a pretty sizable discount.

    For more information, check out the video below, visit the CamFi website, or see the CamFi Pro Indiegogo page.

    Press Release

    CamFi will launch the fastest wireless camera controller in the world

    GUANGDONG , China – November 30, 2017 – CamFi, maker of wireless controllers for digital cameras, today announced the launch of a crowdfunding campaign on Indiegogo for the fastest wireless camera controller, CamFi Pro. CamFi Pro uses the 802.11ac protocol to transfer the photo from the camera. It can offer Wi-Fi transfer speeds up to 866Mbps. Tests show it can reach speeds of 10M bytes per second in reality, two to three times faster than most built-in Wi-Fi cameras and 2.4G Hz wireless camera controllers.

    CamFi Pro supports most of Canon, Nikon and Sony cameras. And it will be the only 5.8G wireless tether solution for Sony cameras in current market.

    “Speed is a big problem for current Wi-Fi products. It limits the productivity of the professional photographers.” Said Mark Ma, CEO of CamFi. “CamFi Pro is going to use new technology to solve this challenge.”

    CamFi Pro takes two to three seconds to transfer a raw photo with a size of 20 megabytes. It supports auto view mode, which enables the client device to receive the photos in real time when the photographer is taking the photo. Selective transfer is also supported. The photographer can send only JPEGs to the client device and keep the raw photos on SD card.

    By using 5.8G band, the device effectively avoids Wi-Fi interference. This is suitable for professional photographers covering events and meetings. The live view works smoothly for high transfer speed, making it effective for recording the video as well.

    CamFi Pro also supports timelapse, HDR, focus stacking and multiple camera control. The photographer can use one computer to control multiple cameras to shoot and transfer the photos back. It can be applied for bullet – time effect and 3D modelling.

    It can be controlled from Android and iOS mobile devices as well as PCs and Apple computers. Backers of CamFi Pro will be the first to receive the product. Delivery is expected for February, 2018. More information, including a full list of compatible cameras, can be found on the Indiegogo crowdfunding site: https://www.indiegogo.com/projects/camfi-pro-the-fastest-wireless-camera-controller#/

    Articles: Digital Photography Review (dpreview.com)

  • DJI adds ‘voluntary identification’ for drone pilots who want to broadcast their credentials

    DJI has updated its AeroScope drone tracking and identification system to include an optional self-identification feature for drone operators who choose to broadcast the info. With this update, operators can now “voluntarily identify their flight operations to authorities,” DJI explained in a press release. That info will join the serial number and telemetry data DJI drones broadcast to AeroScope receivers used by authorities.

    AeroScope was created as a solution for airport officials and law enforcement who need to identify drones operated in ways that violate regulations, such as near an airport. The system picks up on the telemetry data and serial number of a drone using the communications link between the drone and its remote controller. This localized data broadcasting limits surveillance potential by avoiding the Internet altogether.

    You can see the tech in action in this video.

    Via updates to both the DJI GO 4 app and DJI drones, operators will now have the option of broadcasting their Unique User Identification Code (UUIC), which is connected to their DJI pilot account, as well as providing Identification & Flight Information. With that latter option, drone operators can choose to share information about their flight with authorities who may be nearby with an AeroScope receiver.

    Though AeroScope remains a point of contention for many DJI owners, the added ability to voluntarily provide information about a flight could prove beneficial for pilots, enabling them to directly provide law enforcement or other authorities with details about the nature of flight and why it is taking place.

    The feature started rolling out late last week, first arriving via an update for the DJI Mavic Pro.

    Articles: Digital Photography Review (dpreview.com)

  • Video: Incredible 1,000fps slow-motion 4K lightning footage

    If you need something to get your week off to an ‘epic’ start, look no further than DP Dustin Farrell’s incredible storm chasing video he just released yesterday. Captured mostly with a Phantom Flex4K slow-motion camera at 1,000fps, it’s a slow-motion masterpiece with lightning footage that left this writer’s jaw slack.

    The video, titled Transient, is a compilation of Farrell’s best storm chasing shots from the 2017 season. Over the course of 30 days he says he drove over 20,000 miles—developing a deeper “respect and admiration for storm chasers” all the while. He also shared some technical details in the video’s description:

    Most of the lightning footage was captured in uncompressed raw at 1000 frames per second with our Phantom Flex4K.

    […]

    The Phantom Flex4K is a camera that must be post triggered while shooting high speed. This works out well for capturing lightning because the camera is always recording and rewriting to internal ram. As soon as a bolt appears in my view finder I trigger the camera to save what has been stored in the ram. Shooting at high frame rates requires a lot of light. Therefore, I mostly used my Zeiss Otus 28, 55, and 85mm lenses wide open at f1.4. In all, I captured 10TB of data during this production.

    But don’t let the plethora of awesome footage fool you, this was an incredibly challenging project:

    This is one of the most difficult projects I have ever attempted in my career […] Chasing storms with a Phantom Flex4K is stressful even when things are going well. There were at least 10 days where I returned home with my tail between my legs and nothing to show after a ten hour chase and 500 miles. There were also a couple of days that I drove home with an ear to ear smile that lasted for hours.

    Check out the results for yourself above, but don’t forget to do it right: shades drawn, headphones on, volume up, and resolution set to 4K. It is 100% worth it. And if you like what you see, definitely head over to Farrell’s website or give him a follow on Facebook and Instagram.

    Articles: Digital Photography Review (dpreview.com)

  • Video: Shooting the Milky Way hand-held with the Sigma 14mm F1.8 Art

    More than once, we’ve called the Sigma 14mm F1.8 DG HSM | Art lens an astrophotographer’s dream lens. From the moment it was announced, we were dying to get our hands on it; and once we did, it did not disappoint. But what’s the big deal? Why pay $ 1,600 for this lens when the very capable Samyang/Rokinon 14mm F2.4 will cost you half as much and resolve nearly as much detail (if not more)?

    Light… that’s why. A point explained beautifully by photographer Alyn Wallace, who recently took the 14mm F1.8 Art out for a spin in the night. After managing to take a hand-held photograph of the Milky Way—an insane and somewhat-pointless but also kind-of-fun experiment to see what F1.8 can really do—he pops the lens onto a tripod for some proper astrophotography and is immediately blown away.

    “This lens is a light vacuum,” he says. “It’s like I’ve stuck a black hole on the front of my camera.”

    DPReview’s Dale Baskin felt similarly after shooting the Aurora with the Sigma 14mm F1.8 Art, writing in his Gear of The Year post, “Once I tried the Sigma 14mm F1.8 it was game over. I knew I had found the one.”

    Of course, the lens isn’t perfect, and Wallace gets into that as well, looking closely at the corners and revealing where pushing this lens to F1.8 is going to cost you. To see his results and drool a bit over a piece of glass that may make its way onto your very own “treat yourself” list this holiday season, check out the full video up top.

    Articles: Digital Photography Review (dpreview.com)

  • 10 Tips for Photographing Moms and Their Kids

    Creating gorgeous photographs of moms with their kids can be a daunting task. But with a little planning, responding well to the family dynamic, and paying attention to whether or not you’re selecting flattering angles you can create lovely portraits that they’ll treasure for years.

    Women can be harsh critics of themselves, so it’s well worth spending some time thinking about how to make moms happy with their portraits. Both in terms of helping moms relax beforehand and on the day, and paying attention to choosing flattering angles as you photograph them. I’ve learned lots through my experience over the years – here are 10 tips to help you photograph moms.

    Clothing

    Suggest avoiding sleeveless tops so underarms aren’t exposed, as well as avoiding graphics on clothing so that the focus is on faces and not on clothing. For new moms, a loose t-shirt or a shirt is more flattering than tightly fitted breastfeeding tops.

    Clothing 10 Tips for Photographing moms and Their Kids

    Makeup

    Here you can suggest using a face powder to minimize shine, an under eye concealer to minimize shadows, and a pale eye shadow to brighten the face.

    Relaxing Mom

    Spend some time chatting to Mom before you meet her, and before you start photographing. The more relaxed she feels, the better your photographs of her will be.

    Find flattering angles

    If you’re providing any posing guidance, suggest Mom leans her weight on her back foot for the most flattering angle. Suggest she thinks about bringing her forehead in space to minimize any double chins – Peter Hurley has a great video demonstrating this technique (see below). The best place to hold a toddler is generally on Mom’s hip, rather than holding them squashed across or into her body.

    Angles for new moms

    Be careful that the weight of their baby isn’t creating bulges, as new moms are often sensitive about remaining baby weight and won’t want it emphasized. Holding the baby in the crook of their arm works well to minimize this. Or if Mom is very conscious of baby weight, have Dad hold the baby and encourage Mom to snuggle in from behind, bringing her arm round Dad’s so everyone’s involved.

    Another good option is to have Mom lie on her side, near her baby. This brings her head nice and close to the baby for an intimate portrait, and is also a flattering angle for those conscious of baby weight.

    New mums - 10 Tips for Photographing moms and Their Kids

    Games and laughter

    Find out which games the children are particularly enjoying at the Moment, and have Mom instigate those games. Peek-a-boo, spinning on the spot, aeroplanes, lifting babies up in the air (safely!) and tickles are surefire hits for some lovely giggles.

    Games - 10 Tips for Photographing moms and Their Kids

    Games air - 10 Tips for Photographing moms and Their Kids

    Cuddles and kisses

    This is one of the most highly prized photographs for moms, so encourage the children to give Mom a lovely cuddle. If they’re not feeling like dispensing kisses on demand, ask them if they know how to kiss Mom’s nose. Often the challenge of proving they can will get the kids to oblige!

    With newborns, encourage Mom to place a gentle kiss on the newborn’s face – you may need to point to the spot that you’ll be able to see in shot.

    Newborn kiss - 10 Tips for Photographing moms and Their Kids

    On the move

    moms will want to remember the feeling of holding a little hand in theirs. So remember to photograph moms walking with their children, hand in hand. Having Mom run towards the camera with her children can also be a great way of helping more camera shy mothers to relax and have fun.

    On the move - 10 Tips for Photographing moms and Their Kids

    Quiet moments

    Keep an eye out for the tender moments between moms and their children – these are very emotive and can be very powerful photographs for mothers. Capturing the strength of that bond is such a privilege, and the gentle oments of calming a baby or young child can be a great opportunity to do just that.

    Quiet moments - 10 Tips for Photographing moms and Their Kids

    Shy moms

    For shy moms, try to incorporate details such as their arms holding the baby – you don’t need a face-on portrait if it makes her feel uncomfortable. Having these kind of details will mean a lot to the baby when he/she is grown up, to see themselves lying in their mother’s arms.

    And if their mom is camera shy, all the more reason to make sure the child gets some photographs with Mom in shot!

    Arms - 10 Tips for Photographing moms and Their Kids

    Conclusion

    For one reason or another, it so often ends up being the mother who takes snaps at home and on holidays – with the unfortunate result that moms are often absent from most home photographs.

    Making sure to incorporate beautiful photographs of Mom with her kids is a lovely gift to level the playing field here and make sure that Mom features in their photo albums too!

    Do you have any other tips for photos of moms with their kids? Please share them and your images of moms and kids below.

    The post 10 Tips for Photographing Moms and Their Kids by Louise Downham appeared first on Digital Photography School.


    Digital Photography School

  • This 32-inch QHD Philips monitor with 99% Adobe RGB only costs $500

    Bargain hunters looking for a high quality monitor for designer work or photo editing, there’s a new panel in town that you will want to consider. Meet the Philips 328P6AUBREB P-line display, a 32-inch Quad HD (2560 x 1440) monitor with 100% sRGB coverage, 99% Adobe RGB coverage, and HDR technology.

    This monitor is essentially Philips response to BenQ’s 27-inch SW2700PT, which retails for $ 600 and features nearly identical specs, albeit in a slightly smaller screen. Depending on your needs, you might actually prefer the higher PPI of the smaller BenQ monitor, but the ability to get a slightly higher contrast ratio—1,200:1 on the Philips vs 1,000:1 on the BenQ—and a bit more screen real estate for $ 100 less is definitely tempting.

    Regarding the ‘HDR technology’ mentioned above, HDR viewing will definitely benefit from the relatively bright (for computer monitors, anyway) 450 nits typical brightness, and the wide color gamut support. However, the low contrast typically associated with IPS displays means you won’t want to use this as a primary HDR viewing or grading monitor.

    Finally, before you put it on your wish list, there is one more thing to consider. Despite diving into the user manual, we couldn’t find any mention of direct access to the 12-bit internal LUTs for color calibration on the Philips monitor.

    The BenQ monitors, by comparison, come with calibration software that directly addresses the 14-bit internal LUTs to calibrate your monitor without sacrificing the overall bit-depth of the display, minimizing the risk of banding. The color calibration solution BenQ provides, while of course requiring the purchase of a separate colorimeter or spectrophotometer, is definitely an advantage of its lineup.

    The Philips 328P6AUBREB P-line display will officially go on sale in January for £439 / 499 EUR/ 499 USD, and if you’re like some of the folks at our office, you’re seriously tempted by this display… at this price.

    Press Release

    New Philips Adobe RGB, QHD, docking USB-C monitor

    • USB-C docking for simplicity and single-cable peripherals docking
    • Designed for professionals whose work demands a maximum of quality

    Amsterdam, 30 November 2017 – MMD, the leading technology company and brand license partner for Philips monitors, is rolling out a new Philips Brilliance QHD docking USB-C monitor with High Dynamic Range (HDR). The 32-inch 328P6AUBREB delivers great image quality and one-cable docking for enhanced productivity and effortless convenience.

    Connectivity made simple

    The 328P6AUBREB is equipped with the extremely versatile connectivity of the latest-generation USB 3.1 Type C technology. Featuring a slim, reversible connector, USB-C enables users to charge, transfer audio and video signal, and connect to the Internet – all with one single cable. Hence, the monitor instantly becomes a hub and serves as a docking station, just without using that extra space on the desk. It also enables easy linking of multiple monitors, which is useful for graphic designers for example. Consequently, USB-C extends the limited connectivity of notebooks and allows users to transfer data securely at ultra-fast speeds. USB 3.1 is 20 times faster than USB 2.0, making data transfer a breeze. And, for those whose devices seem to always be running low on battery, USB-C with power delivery can even charge notebooks.

    An unparalleled visual experience

    Explaining the display’s positioning, Artem Khomenko, Product Manager Philips Monitors Europe at MMD, says: “The P-line monitors are designed to deliver precise, accurate and colour-critical colour performance. We are proud to bring this new model to the market, and to meet the high standards of professionals. This model is the perfect fit for graphic designers, CAD engineers, photographers, video editors and other professionals who rely on an outstanding on-screen reproduction of fine details.”

    With Quad HD, you will enjoy an excellent viewing experience with high-resolution visuals. HDR technology ensures exceptional brightness and contrast, as well as a rich palette of captivating new colours never before seen on a display. The 10-bit display offers 1.074 billion of them, supported by 12-bit internal processing for natural colours and smooth gradients. With 99% Adobe RGB and 100% sRGB (CIE 1973), the 328P6AUBREB offers professional colour standards and 2560 x 1440 pixels deliver crystal-clear images and make graphics come alive. Thanks to IPS technology, the monitor can be viewed from an angle of 178° without losing any of the colour accuracy or consistent brightness that professional applications demand.

    An extra dose of convenience

    Beyond its connectivity and stunning visuals, this 32-inch QHD display boasts many of the standout features that have earned Philips monitors their reputation: the SmartErgoBase ergonomic adjustable stand enables users to tilt, swivel and raise the display for maximum viewing comfort. It also features Philips LowBlue Mode which reduces potentially harmful shortwave blue light. Flicker-free technology regulates brightness and reduces flicker for even more comfortable viewing; built-in stereo speakers provide excellent audio reproduction while eliminating the need for peripheral speakers; and what is more, with 65% post-consumer recycled plastics, this monitor is a good choice for eco-friendly users.

    The Philips 328P6AUBREB P-line display, with an RRP of £439, will be available in January 2018.

    Technical Specifications:

    Specification

    • Philips 328P6AUBREB P-line display

    LCD panel type

    • IPS technology

    Backlighting technology

    • W-LED

    Panel size

    • 31.5 inch / 80.1 cm

    Aspect ratio

    • 16:9

    Optimum resolution

    • 2560 x 1440 @ 60Hz

    Effective viewing area

    • 698.11 (H) x 392.69 (V)

    Viewing angle

    • 178° (H) / 178° (V), @ C/R > 10

    Brightness

    • 450 cd/m²

    Display colours

    • 1.07 billion

    Colour gamut

    • 99% Adobe RGB (CIE 1973); HDR400

    SmartContrast

    • 50,000,000 :1

    USB Connectivity

    • USB-C (upstream), USB 3.0×2 (downstream, w/fast charging)

    Connectivity

    • Signal Input: VGA (Analog ), DisplayPort 1.2, HDMI 2.0 x 1, USB-C (DP Alt mode, PD, data)
    • Sync Input: Separate Sync, Sync on Green
    • Audio (In/Out): PC audio-in, Headphone out
    • RJ45

    Convenience

    • Built-in speakers: 3 W x 2
    • SmartImage, Input, Brightness Menu, Power On/Off
    • Control Software: Smart Control
    • Kensington lock, VESA mount (100 x 100 mm)
    • Plug & Play Compatibility: DDC/CI, Mac OS X, sRGB, Windows 10 / 8.1 / 8 / 7

    Stand

    • Height adjustment: 180 mm
    • Pivot: 90 degree
    • Swivel: -170/170 degree
    • Tilt: -5/20 degree

    Sustainability

    • Environmental and energy: EnergyStar 7.0, EPEAT Gold, RoHS
    • Recyclable packaging material: 100 %
    • Post-consumer recycled plastic: 65%
    • Specific Substances: PVC / BFR free housing, Mercury free, Lead free

    Compliance and standards

    Regulatory Approvals: CE Mark, FCC Class B,
    VCCI, RDM, BSMI, ICES-003, J-MOSS, cETLus, EPA, PSB, CU-EAC, SEMKO, SASO, KUCAS, UKRAINIAN, PSE, CECP, WEEE, TUV Ergo, TUV/GS

    Cabinet

    • Front bezel, rear cover and foot: Black
    • Finish: Texture

    What’s in the box

    • Monitor with stand
    • Cables: D-Sub cable, DP cable, HDMI cable, USB-C to USB-C cable, USB-C to USB-A cable, Power cable, Audio cable
    • User Documentation

    Articles: Digital Photography Review (dpreview.com)

  • CIPA figures show disappointing October sales, but mirrorless continues to rise

    Graph: CIPA

    The Camera & Imaging Products Association (CIPA) has released its statistics for October 2017, and in contrast to previous years, we did not see the Black Friday/Thanksgiving induced spike we’re used to seeing, with month-to-month shipments remaining fairly flat (read: disappointing).

    In fact, year-on-year total camera shipments in October are down a whopping 13 percent, although we did see an overall year-over-year increase of 11 percent in the digital camera market for the January-to-October timeframe, and 6 percent for ILCs. Part of this development could be due to production coming back online after the Kumamoto earthquake; however, this trend is likely to continue for another couple of CIPA reporting periods or so.

    Compared to October 2016, only 78 percent of DSLRs were shipped globally, but 112 percent for mirrorless, indicating that mirrorless is continuing its rise while simultaneously cannibalizing market share from its DSLR cousins. Most of the mirrorless shipments are going to the Asia region, though, which still accounts for more than 50 percent of all mirrorless cameras shipped. Globally, mirrorless is now 36 percent of the total market for ILC.

    With smartphones fulfilling most consumer imaging needs and a big manufacturer like Nikon thinking about re-entering the mirrorless segment, we’ll be watching closely to see how those numbers develop over the coming months into 2018.

    Articles: Digital Photography Review (dpreview.com)

  • Have your say! 2017 Readers’ Choice Awards open for voting

    It’s time: make your voice heard and vote for your favorite photography products of the year. Polls are currently open in all seven categories but don’t deliberate too long – they close December 18th.

    Articles: Digital Photography Review (dpreview.com)

  • How to Take the Pain Out and Put Personality Into Assembly-Line Photos

    Taking the Pain Out and Putting the Personality Into Assembly-Line Photos

    Assembly-line photos are a whirlwind of craziness and fun. These can include school dance photos, team sports, drill team, preschool, business headshots, and anything else that involves a whole lot of people that you have to photograph the same way in a short period of time.

    These sessions can be a nightmare if you aren’t prepared, and can be boring if you aren’t creative. I’m going to share some of my secrets for making these sessions some of your favorites and delivering photos that will please moms, coaches, teachers, and kids alike.

    Taking the Pain Out and Putting the Personality Into Assembly-Line Photos

    1. Make a List

    Before the day of your big assembly-line session, write out a list of exactly what you need to capture that day. Do not deviate from this list, especially if you have a large group. If you are working with teens especially, you’ll get requests for “just one more” picture, or requests to see what they look like in their photo. You might get requests to take photos not on your list, like best friends, or for a clothing change. If you want to keep your sanity, you have to smile, express how sorry you are, but give them a firm, “No”.

    Taking the Pain Out and Putting the Personality Into Assembly-Line Photos

    My lists might look something like the following. You can use this list as a starting point, and adapt it to your needs.

    PRESCHOOL FALL

    • Close-up face, horizontal
    • Reading a book, vertical
    • Holding an apple, vertical
    • Entire class – with teachers and without

    PRESCHOOL SPRING

    • Close-up face, horizontal
    • Name o a chalkboard, vertical
    • Graduation gown, vertical
    • Entire class with teachers and without

    Taking the Pain Out and Putting the Personality Into Assembly-Line Photos

    PROM

    • Individual couples; up close, full length, something fun (they choose)
    • Group photos; smiles, serious, silly
    • All girls together, all boys together

    Taking the Pain Out and Putting the Personality Into Assembly-Line Photos

    SWIM TEAM

    • An individual photo in team jacket on the “blocks”
    • Entire team smiling, hugging, serious, silly
    • Each class (seniors, juniors, etc.) smiling, silly
    • All girls together, all boys together
    • Coaches together and individually
    • Individual fun photo (off the diving board, in pool, they choose ONE)

    Taking the Pain Out and Putting the Personality Into Assembly-Line Photos

    DRILL TEAM

    • Individual horizontal, vertical, and something fun (they choose)
    • Shots of “big sister” and “little sister” together
    • Entire team smiling, hugging, “model pose” with coaches and without
    • Each class (seniors, juniors, etc.) smiling, one more their choice

    Taking the Pain Out and Putting the Personality Into Assembly-Line Photos

    2. Stay Professional and Organized

    Let everyone know right at the beginning how things will go, and keep everyone moving through quickly. It’s always good to have an assistant helping you line everyone up, and get the next in line prepared before they get in front of your camera. I usually use one of the coaches or teachers to help guide their kids, but you could bring a friend along too.

    Taking the Pain Out and Putting the Personality Into Assembly-Line Photos

    Things can become chaotic quickly, especially with kids and teens. Be firm, decisive, and even a little bit loud if necessary. Let everyone know what is coming up next, and have them line up and wait for their turn so you aren’t trying to gather people every time you need to do the next photo.

    If there’s something they need to decide (like what their class “silly” pose will be) warn them ahead of time, so they have time to prepare and think of something before it’s their turn.

    Taking the Pain Out and Putting the Personality Into Assembly-Line Photos

    3. Give them a Chance to Show their Personality

    Whether I am photographing the entire class, a team, a group together, or photographing each individual, I like to give them a chance to show a little bit of who they are.

    If it’s a younger group, like preschool, the teacher and I collaborate to have something fun for at least one of the photos. We’ve done holding apples, writing their name on a chalkboard, graduation caps and gowns, reading a cute children’s book, sitting on a stack of books, etc.

    Taking the Pain Out and Putting the Personality Into Assembly-Line Photos

    For organized team photos, I let them know that after we do all of the basic photos, I will let them each do one fun photo. For example, for the swim team, I give them two location options, either jumping off the diving board or in the water at the end of the pool.

    Everyone who wants the diving board option lines up there, and everyone who wants in the pool lines up at that location. I don’t let them do both because if you start that, they all want to do both, and there’s just no time for it. Once they are at their location I let them do whatever they’d like to do, but they only have one chance, and only a few seconds to set it up.

    Taking the Pain Out and Putting the Personality Into Assembly-Line Photos

    When school dance couples start to arrive, I let them know that they will be doing one “fun” pose together, and to start thinking of what to do. Many of them are “regulars”, and know that’s what I’ll be doing, so they come ready with ideas. If they can’t think of something, I give them a few ideas. They might go back-to-back, or make serious faces. Maybe one wants to pick the other one up. They could dance together, or make silly faces.

    When I do the group silly pose, I don’t give them time to plan. There are too many kids, and they’d be there all day trying to agree on something. Instead, I take the regular smiling photo first, then a serious face photo, then I say, okay, on the count of three, something crazy! Then, I count to three as they hurry and do their thing, and then I snap about 10 photos or so and choose the best one later.

    Taking the Pain Out and Putting the Personality Into Assembly-Line Photos

    4. Relax and Have Fun

    It’s easy to forget to breathe, let alone remember to have fun when you are photographing 60 kids at the same time. However, it’s important that you don’t get too robotic with your assembly-line photos. If you can have a little bit of fun interaction with each person, you’ll get much better photos.

    Help them relax, and you’ll get some genuine smiles that will be much better than those old school photos we used to get, where half of the time you were mid-blink, looking away, or not smiling. Assembly-line photos are a great way to get to know a whole bunch of wonderful people at once. Smile at them, and forget about the cheese.

    Taking the Pain Out and Putting the Personality Into Assembly-Line Photos

    The post How to Take the Pain Out and Put Personality Into Assembly-Line Photos by Melinda Smith appeared first on Digital Photography School.


    Digital Photography School

  • 2017 Buying Guide: Best cameras under $2000

    As you approach the $ 2000 price point you’ll find flagship APS-C and Four Thirds cameras, built for speed and durability. You’ll also find a handful of full-frame ILCs and DSLRs, with their own unique selling points. Find out which cameras are best-in-class in this price range.

    Articles: Digital Photography Review (dpreview.com)