Month: October 2013

  • How to go Beyond the Regular Composition Advice for Getting the Best Shots of your Kids

    A Guest post by Rachel Devine – author of Click! How to Take Beautiful Photos of Your Kids.

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    If you search for advice on how to take better pictures of children there are certain gems that are sure to appear on any list of tips. “Get on their level” and “Get Closer”, are the two that come to mind right away and they are both solid ways to improve your kid shots. Let’s look first at why these work and then how to expand those ideas to create infinitely more interesting images.

    The top tip on any list you find is often going to be “Get on their level”. There is a reason that it should be as it is great advice and will make a big difference immediately. If you get down on the same level as a child to take their portrait, you give them power by allowing them to look into the camera straight on. Kneel down so that you become the same height as the child. Chat with your subject and engage them before just going right into taking their photograph. When the time is right, lift your camera and ask the kids if they can see themselves (or a fairy or a pony or any other magical subject) in your lens to get direct eye contact.

    Photography is a visual language and the angle with which you shoot the photograph is an integral part of the structure of your story you are telling. Think of composition as part of the “grammar” of this language and that the choices that you make should serve a purpose. Photography is a common language that even kids can understand and when you make the effort to physically go down to their level you are showing them a certain respect.

    Tech tip: Use a long lens so that you can put some distance between the camera and the child’s face. That is just another layer of respect.

    Once you have begun to incorporate the “Get on their level” angle into your regular routine, here are four other ideas to break the cycle of the adult eye level shots:

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    Over Their Shoulder: You are down on their level, you have taken a straight on portrait, now move around the child and have a look at what they are doing. Immerse yourself in their world and let your camera see what they see.

    Tech tip: If you have a fast 50mm lens, use it now and include some of the child in the frame. If they are busy, you will need to use a faster shutter speed to freeze the motion. Using a fast 50mm lens means you will be able to open up the aperture to allow you to use that faster shutter speed indoors and avoid triggering your flash.

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    Go Low: Kids are short and you may have gotten on your knees to get their eye level, but now, go further. Come on, you can do it, lie down. You may be amazed at what the world looks like from the ground. Babies tend to hate tummy time, but if you get down with them, they may even enjoy it more and you can end up with some wonderfully funny faces. Or, how about that mountain of toys on the playroom floor? You think it looks bad from where you are standing? It is massive from down here!

    Tech tip: Keep your aperture as wide as your lens will let you go so you can blur some of the floor in the foreground of these shots. That will help you isolate your subject even more.

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    Bird’s Eye: Breaking the adult’s eye level angle is not always just about sitting “criss-cross applesauce” or laying on the floor. It is about carefully observing the world that your child inhabits. It may be the same one as you, but it sure can appear different when you make an effort to look from unexpected points of view. Climb (carefully!) up above the kids and shoot directly down on mealtime, playtime, naptime, story time or bath time…anytime really. I have balanced (carefully! yet precariously) on the edges of various bathtubs, crib railings and dinner tables to get some of my favorite shots. It may be easier to grab a step stool though.

    Tech tip: Use the widest focal length that you have and really get a sweeping scope of the children in their environment. Just watch out for your own feet getting into the frame.

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    Reflections: Use reflections to not only capture yourself with kids, but to catch their expression when they don’t realize the camera is trained on them. You don’t need a house full of mirrors to do this either. When you start looking, you will find shiny surfaces all around you.

    Tech Tip: Show yourself in the shot. Set the camera to closest subject auto focus mode and take the camera away from your face before you press the shutter button.

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    Almost as often, when searching for ways to improve your photos of children, you will be told to “Get closer.” Children’s faces are so perfect and beautiful that it is great advice for you to fill the frame with them. Isolate the tiniest of details by photographing in close on things like newborn lashes, pursed toddler lips going in for a kiss or the drips of a juicy orange picked right from the tree. These shots make for beautiful additions to your collection of images.

    Tech tip: Use a macro lens, close-up adapter (or the little flower icon for point and shooters) to get the closest focus possible.

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    Far Away: Now that you have that powerful and fantastic full frame eye contact shot of your child, step back and let the kids in your photos breathe. You will need to really step back and feature the children in their big world. This angle will emphasize their smallness, but their confidence at being alone in the frame will be their strength.

    Tech tip: Use color and negative space well. A messy shot will not be as powerful.

    Image by Peta Mazey

    Enjoy this post? Check out Rachel’s new eBook – CLICK! How to Take Beautiful Photos of Your Kids

    Rachel Devine is an international commercial kid photographer and daily life photo blogger from the states. She currently lives in Melbourne, Australia. Rachel and Peta Mazey are the photography duo behind “Beyond Snapshots”. They teach and mentor (in person and online) photographers of all levels on how to take better photographs of life. Their book will be published next year on Amphoto/Random House.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    How to go Beyond the Regular Composition Advice for Getting the Best Shots of your Kids


    Digital Photography School

  • 30 September, 2013 – Photographing From The Heart

    We are happy to publish an article by Steve Gosling today on Photographing From The Heart.  Steve is a good friend and I have had the opportunity to work with Steve at several workshops.  His approach to seeing and capturing the image is truly from the heart.  If you get the chance to shoot with Steve you’ll enjoy a new way of seeing and you’ll smile a lot as he is truly one of those unique and unforgettable individuals.  We hope you enjoy his article.

     


    "Having been to Antarctica with Michael and Kevin, I would say after having traveled the world and shot nearly my entire life as an exhibiting photographer,  it was one of my highlights in my life and I talk about it, all the time.  The images and experience of seeing something visionary and nearly extinct from the world, to see and experience the wildlife and scenery that does not fear humans is amazing.  The images I shot there won me two Smithsonian awards and nearly 18 other international awards". – Tim Wolcott

     Find Out More Now
    These Expeditions Will Sell Out Quickly. They Always Do

     

    …
    The Luminous Landscape – What’s New

  • Blickfang: Ashes and Snow

    In the beginning of time, the skies were filled with flying elephants. Too heavy for their wings, they sometimes crashed through the trees and frightened other animals.

    In „Ashes and Snow“ eröffnen mehrere Serien mit Elefanten das Buch. Es folgen Wale, mit denen Gregory Colbert taucht, sowie verschiedene Vogelarten, Giraffen, Zebras, Großkatzen und Affen. Manchmal allein, manchmal mit Menschen. Auf Dünen, Bäumen, im Wasser oder tempelartigen Gebäuden.

    Kein Bild hat einen eigenen Titel, die Serien fließen, gehen ineinander über, wechseln sich ab. Es war nicht leicht, ein Bild auszuwählen, das für mich das Bild dieses Buches ist. Vielleicht ist das das hier gezeigte, es vereint fast alles, was mich an Gregory Colberts Arbeiten berührt: Tiere, Menschen, Natur gehören zusammen, passen genau ineinander, sind ein Ganzes.

    Die Fotos sind klar und gleichzeitig surreal. Warm und erdfarben, trotzdem mit einem Hauch von Blau. Sie wecken die Sehnsucht nach ursprünglicher, sicherlich aber auch romantisch verklärter Ursprünglichkeit in mir (wieder).

    Ashes and Snow © Gregory Colbert

    Gregory Colbert wurde 1960 in Toronto, Kanada geboren. Seine Karriere begann 1983 in Paris, wo er Dokumentarfilme über gesellschaftliche Probleme drehte. Über die Filmemacherei kam er zur Fotografie und stellte erstmals 1992 aus.

    In den folgenden zehn Jahren stellte er nicht aus, sondern startete über vierzig Expeditionen in entlegene und exotische Ecken der Welt, um dort die wundersamen Beziehungen zwischen Mensch und Tier zu fotografieren.

    2002 präsentierte er seine Arbeit der zurückliegenden Dekade unter dem Titel „Ashes and Snow“ in Venedig als eine der größten Einzelausstellungen Europas. Diese wird seitdem ständig erweitert, während Colbert die Welt bereist, neue Länder, Menschen und Tiere fotografiert.

    Seine Ausstellung „Ashes and Snow“, die neben Fotos auch Filme zeigt, ist als reisende Ausstellung angelegt. Die Räume, in denen sie präsentiert wird, werden „Nomadic Museum“ genannt, dessen Architektur als das Äquivalent offener Arme konzipiert ist. Das Museum kann zerlegt und einfach andere Orte der Welt gebracht werden, um dort präsentiert zu werden.

    Ashes and Snow © Gregory Colbert

    Überhaupt ist dieses Buch eines der schönsten, die es gibt. Ein haptisches Erlebnis. Dickes, weiches Papier in einem warmen Weiß, groben Schnittkanten, eingebettet in einen stark strukturierten braunen Umschlag. Mit einem Band verschlossen.

    „Ashes and Snow“* in die Hand zu nehmen, das Band zu lösen, den unvergleichlichen Umschlag aufzublättern, mich nach einiger Zeit der Kontemplation wieder aus den beruhigenden Serien zu lösen und das Band wieder ums Buch zu wickeln, ist jedes Mal wieder etwas Besonderes.

    * Das ist ein Affiliate-Link zu Amazon. Wenn Ihr darüber etwas bestellt, erhalten wir eine kleine Provision, Ihr zahlt aber keinen Cent mehr.


    kwerfeldein – Fotografie Magazin