Category: Uncategorized

  • Studio Samples added to Sony Cyber-shot RX100 III First Impressions

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    We’ve just gotten ahold of a full-production Sony Cyber-shot DSC-RX100 III and we’ve added studio test scene images to our first impressions review. This third generation of Sony’s much-acclaimed enthusiast compact features a 20.1 megapixel 1″-type BSI-CMOS sensor, a pop-up electronic viewfinder and a more consistently fast 24-70mm equivalent F1.8-2.8 lens than its predecessor. See studio results

    News: Digital Photography Review (dpreview.com)

  • Panasonic Lumix DMC-GH4 real-world samples gallery

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    The Panasonic Lumix GH4’s headline features revolve around its 4K video capture capability, but it’s still a very attractive stills camera. It offers a newly developed 16-megapixel Live MOS sensor, 12 fps burst shooting (7 fps with continuous focus) and up to ISO 25600 sensitivity. A built-in 2.36-million dot EVF and a fully articulated LCD are also provided. Take a look at our gallery of real-world samples and see how it performs in the field. See gallery

    News: Digital Photography Review (dpreview.com)

  • Google Camera update brings back self-timer and 16:9 crop

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    Google again updates its Camera App, this time with self-timer, 16:9 aspect ratio and two more panorama modes. This addresses a point of criticism raised by users when an update in April removed the self-timer function. Other features that come with the new version of the app include wide angle and fisheye panorama options that are based on the Photo Sphere technology. 

    News: Digital Photography Review (dpreview.com)

  • PURE WHITE With Yannick Wolff

    Yannick Wolff on Fashion Photography Blog showcasing images from his PURE WHITE photo shoot (FashionPhotograhyBlog.com)

    Yannick Wolff returns to FashionPhotographyBlog.com with a stunningly gorgeous shoot with model, Agneta Kuhne, entitled “PURE WHITE“. In this angelic series, Yannick shows, yet again, another side of his photographic versatility depicting clear fashion, but also both the strength and vulnerability of the model in his photos.

    The inspiration behind PURE WHITE was the collaboration between the photographer and Tina Hoffmann, the make-up artist, Yannick explained his process, “We thought about a new fashion editorial story. We had searched for several pictures to create our own mood board. The whole styling was done by Tina herself and I found a great location to shoot in.”

    Yannick Wolff on Fashion Photography Blog showcasing images from his PURE WHITE photo shoot (FashionPhotograhyBlog.com)

    When asked about how this fashion series differs from his previous shoots Yannick pointed out that the contrast between the styling and the setting with the natural light streaming in makes this editorial shoot so enchanting, “I think this golden, warm color tone and the contrast from these pure white clothes to the quite industrial location creates a special flair with what is going on through the whole series.”

    Based on what Yannick shared with me the shoot came together well, it was like as though it was meant to be. Agneta Kuhne, the model, was a friend of a friend of Yannick‘s who also was a photographer, and assembling the team after being on many shoots together was relatively simple he explained “That’s quite easy, in general, because over time you create your own pool of connections of make up artists, stylists and assistants, but for this shoot, Tina Hoffmann, asked me if I´m interested in a photo shoot like this, so we came together for this project.”

    Yannick Wolff on Fashion Photography Blog showcasing images from his PURE WHITE photo shoot (FashionPhotograhyBlog.com)

    It seemed like the only hardest part of the shoot was finding the perfect location and it’s a common issue for Yannick on his shoots as he expressed that “Finding good locations is one of the hardest things for me – especially in Germany it is very hard to find topical or even beach like locations.“ So the photographer is constantly challenged to think outside the box and make do with the settings around him, and aren’t we glad that he found the industrial warehouse setting for this shoot that adds just the right amount of rawness that contrasts the purity of the model’s facial features and the styling so well. Does anyone else see a bit of Cate Blanchett here in these pictures?

    Utilizing the surroundings around him, Yannick takes advantage of the natural light penetrating through the industrial windows. The photographer revealed that “I´ve used mostly the incoming sunlight with a Profoto reflector. On some other sets I used a simple two light setup to light up the scenery a little bit.” For this shoot, Yannick used two Priolite MB 500 flash lights with several light formers, a Profoto reflector and a Nikon D800 with the Nikkor 85mm lens.

    Yannick Wolff on Fashion Photography Blog showcasing images from his PURE WHITE photo shoot (FashionPhotograhyBlog.com)

    To find out more about Yannick Wolff’s work or to contact him you can visit his website www.yannickwolff.com as well as on his Facebook fan page www.fb.com/yannickwolffphotography, Twitter and on Instagram @yannickwolff. What do you think of Yannick’s latest shoot? Check out his behind the scenes video below. Feel free to post your comments in the comments section underneath.

    PHOTO CREDITS:

    Photographer – Yannick Wolff

    Make-up/Styling – Tina Hoffmann

    Model – Agneta Kuhne

    Assistant – Admir Suljanovic


    Fashion Photography Blog

  • Accessory review: FotodioX WonderPana FreeArc Filter System

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    If you shoot primarily with wide-angle and ultra wide-angle lenses, you know how difficult it is to add filters. A lot of wide-angle lenses feature deep petal-style lenshoods and lack normal filter threads, making it impossible to add standard threaded filters. The FotodioX WonderPana uses a threaded ring and mount system which enables the attachment of 145mm round filters and square drop-in filters to several ultra wide-angle optics. Read our review

    News: Digital Photography Review (dpreview.com)

  • SmugMug Films: Lava Light

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    We’ve been following SmugMug Films’ ongoing behind-the-lens series, which provide a look at people who follow their passions in photography. The latest installment features Hawaii-based duo CJ Kale and Nick Selway, who have spent the last ten years photographing volcanic lava flows in their home state. We asked them a few questions about how they got started and what keeps them out of harm’s way. Read the Q&A

    News: Digital Photography Review (dpreview.com)

  • Adobe Creative Cloud update brings ability to download previous versions

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    Adobe has rolled out version 1.6.0.393 of Adobe Creative Cloud, bringing some new features and improved file transfer support. The biggest addition that this update brings to Creative Cloud is the ability to install previous versions of Adobe’s design tools directly from the Creative Cloud installer. Graphics professionals and creatives will be able to maintain legacy versions of CC apps without having to juggle multiple serial numbers. Read more

    News: Digital Photography Review (dpreview.com)

  • Facebook SDE blogs about copyright theft in 2012, gets flamed in 2014

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    Back in 2012, Jesse Chen – now an engineer at Facebook, but then a fresh graduate – wrote a blog post. In that post he explains how to get rid of the ‘ugly copyright overlay’ typically used in image proofs, posted online or sent out by professional photographers after events. Essentially a short guide to image theft, the post went unnoticed at the time, but two years later it has come back to haunt Chen, creating a storm of righteous anger from photographers on social media. Read more

    News: Digital Photography Review (dpreview.com)

  • Wonderland with Kelli

    There is a spot in northern Utah that my friend and sometimes assistant Chelsey Ott discovered near her home. A small trail off the road and into some trees reveals an expansive opening of all sorts of amazing places and things to shoot.
    Jake Garn Photography

  • The best 50 yet? Our Sigma 50mm F1.4 DG HSM in-depth review

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    The Sigma 50mm F1.4 DG HSM ‘Art’ is a fast normal prime for full frame cameras, with an unusually complex optical design. However at $ 950 / £850 it’s substantially more expensive than either its predecessor, or Canon and Nikon’s 50mm F1.4 lenses. We’ve already published lab test data showing that its optically excellent, but what does this mean in real-world use? Read our detailed review to find out.

    News: Digital Photography Review (dpreview.com)