Category: Uncategorized

  • Canon plans high-res future with 120MP DSLR and 8K Cinema EOS in development

    Canon is clearly in a forward-looking frame of mind: announcing more development projects that it has under way. These include a 120MP DSLR and a Cinema EOS camera that can shoot 8K video. Although it adds caveats that specifications can change, the press release suggest both projects are planned for commercial, rather than research purposes. Read more

    Articles: Digital Photography Review (dpreview.com)

  • Kodak PixPro SP360-4K 360-degree camera unveiled

    Kodak licensee JK Imaging has introduced the PixPro SP360-4K camera, a variation of its PixPro SP360 Action Camera model that includes a 4K resolution option for still images and video. The camera comes with desktop software that transcribes recorded footage into YouTube’s 360-degree video format. Read more

    Articles: Digital Photography Review (dpreview.com)

  • Heavy lifting: Leica S (Type 007) sample gallery

    A few weeks ago we got a hands-on look at the Leica S Type 007, a camera that brings a CMOS sensor to Leica’s medium format S-series for the first time. Its 37.5MP 30 x 45mm sensor boasts ISO sensitivity up to 12,500. We took the S and a pair of lenses out for a spin – check out our gallery. Read more

    Articles: Digital Photography Review (dpreview.com)

  • Canon turbo boosts the pixel race with 250-million-pixel APS-H sensor

    If you thought the pixel race was something that ended a few years ago think again. Canon has announced that its R&D team has developed a CMOS sensor of a similar size to that used in the EOS 1D Mark IV which houses 250 megapixels. Read more

    Articles: Digital Photography Review (dpreview.com)

  • Red Dot Camera wants to bring the Leica experience to your iPhone

    Red Dot Camera is a new camera app for iOS by Lifelike Apps. Its makers, who call themselves avid Leica M shooters, have tried to convert the look and feel of the legendary camera series to an iPhone app complete with rangefinder-style manual focusing. Read more

    Articles: Digital Photography Review (dpreview.com)

  • Top 6 Interview Tips For Making It In The Photography Industry

    Photography Industry Leaders Share Their 6 Top Interview Tips For Getting Ahead

    Top 6 Interview Tips To Advance In The Photography Industry

    Hey there FashionPhotographyBlog.com readers. Our friends from the Dots are back once again to share great tips from photography industry leaders who attended their portfolio masterclass in London, UK. The Dots is a community of creative professionals, designed to connect creatives with collaborators, companies and commercial opportunities. They believe in collectively building a stronger, more profitable and diverse creative sector, similar to us here at FPBlog. We are super excited to have them here with us again on our website.

     

    Just in case you may not be aware, The Dots hosted a Photography Portfolio Masterclass at Spring Studios to give talented emerging photographers the chance to have their work reviewed by some of the UK’s most prominent picture editors and photographic agents. It was also an opportunity for these budding photographers to ask questions and engage in dialogue with these photography representatives, who would be otherwise out of reach. 

     

    With such a wealth of collective experience in the room, they all must have heard all sorts of answers photographers give in interviews when they come to meet them. This is why the team at The Dots took each of them aside to ask them for their best interview tips they could give to photographers to get ahead in the hugely competitive photography industry. Here’s what the photography industry representatives revealed:

     

    6 Interviews Tips For Photographers Who Want To Move Up In The Industry

     

    1. Research

     

    It may seem obvious to some, but our industry leaders’ main interview tip was to make sure you do your research.

     

    Jamie Klingler (Publishing Manager, Shortlist/Stylist Magazine) made it very clear that “if you walk in and you don’t know what my job is, you don’t know where I’ve worked before, you haven’t seen any of the shoots I’ve produced before – you’re not gonna have an ‘in’ with me, you’re not gonna be showing me your professionalism.”

     

    David Birkitt (Owner & Managing Director, DMB Represents) noted that you should “have a really good reason as to why you’re coming to see me, be aware of what I do. Be aware of something you can add to what I’ve got, not replicate what I’ve got. Have a goal, have a reason for why you want to come, and have at least one thing that you wanna learn.”

     

    Our golden rule for interviews: Do your homework!

     

    1. Have a point of view

     

    (Robin Derrick, Executive Creative Director, Spring Studios) illuminates why perfectly – “when people ask me how to become a fashion photographer – which is mostly what I commission. What they should remember is the word ‘Fashion’ is as big as the word ‘Photographer’ in that phrase, and it’s very important for a fashion photographer to have a point of view on fashion […] most people can take a picture; I think really learning about fashion and having a point of view on that is normally what improves the work.”

     

    Holly Hay (Photographic Editor, AnOther Magazine & Another Man) reinforced this notion, stating that she also looks for “someone who has something to say, someone who has an opinion on the world and on fashion and on style.”

     

    1. Make sure your style fits.

     

    If your work is more ‘classic’ than ‘edgy’ then there’s no point in applying for a job at places such as Dazed or Vice as that’s not the kind of work they’re looking for, it’s “a waste of time for everybody, a waste of time for the photographer and for ourselves” Dalia Nassimi (Deputy Picture Editor, WIRED).

     

    Your time is precious; make sure you’re not wasting it!

     

    1. Be passionate.

     

    Jamie Klingler needs to see passion from a photographer in an interview – “it’s not an easy job, we’re not in this because we want to work 9-5, we’re in this because we want more. So you have to show me that you want to give more and you want to collaborate more.”

     

    Dalia Nassimi points out that, “in magazines – you’re not in it for money you’re in it for the experience, for the exposure. You’re going to get access to a really interesting person or access to a really interesting company. That’s what we’re giving you – go run with it, because in ad world you don’t get that.”

     

    So, in your interview, be passionate about the project and let them know how much you want the opportunity to work with them.

     

    1. Be on time

     

    Again it may seem obvious, but punctuality is crucial in an interview. It’s the very first impression you give to the interviewer and you don’t want it to be a bad one, as Jamie Klingler stresses, “if I think you’re late for an interview you’re gonna be late for my shoot and I just don’t deal with lateness […] I’ve never hired anyone that was late for an interview.”

     

    And Finally…

     

    1. Be persistent

     

    After so many emails sent with no response, it can feel like you may never get your big break.

     

    But Holly Hay’s advice for breaking into the industry is to “have persistence – don’t feel like you’re chasing people. Everyone is so busy they won’t feel hounded […] it’s all about timing – hitting someone’s inbox at the right time. So persistence and be brave, and stay true to why you originally started taking pictures.”

     

    What did you think about these photographer’s interview tips? Hopefully, next time you are sitting at the desk of a photography magazine editor or creative director to pitch an idea or show them your portfolio, you will now be better prepared. If you have any interview tips for getting ahead in the industry that you want to share, that hasn’t been mentioned in this post, or you want to leave a comment about the ones listed above please feel free to write them in the comment section below. 

     

     

    To find out  more about The Dots’ next Photography Portfolio Masterclasses here: https://the-dots.co.uk/about/portfolio-masterclasses

     

    You can also check out The Dots’ Vimeo channel for video interviews, tips & highlights from the Photography Portfolio Masterclass here:  https://vimeo.com/album/3444505

     

     

     

    IMAGE SOURCE: 

    Feature image & images 1: courtesy of Jack Woodhouse


    Fashion Photography Blog

  • Sony Cyber-shot DSC-RX10 II added to studio test scene comparison

    The Sony RX10 II is built just like its predecessor, but under the hood are a lot of interesting improvements. We’ve done a lot of real-world shooting with the camera, but now we’ve put its 20MP 1″-type stacked CMOS sensor to the test in our studio. Take a look at how it stacks up against its peers. Read more

    Articles: Digital Photography Review (dpreview.com)

  • Pop photo: the commercial and fashion work of Caesar Lima

    Commercial portraitist and product photographer Caesar Lima is absolutely fascinated by imaging technologies. His earnest enthusiasm for photography and the business side of the market have helped him stay one step ahead of his peers, and his ability to adapt to digital trends early on has helped keep his studio at the forefront of conceptual advertising. Find out more about him in our Q+A. Read more

    Articles: Digital Photography Review (dpreview.com)

  • 3 Tips For Getting Ahead In The Photography Industry

    Photography Industry Leaders Share Their Top 3 Tips For Getting Ahead In The IndustryTop 3 Tips For Getting Ahead In The Photography Industry

    Hey there FashionPhotographyBlog.com readers. Our friends from the Dots return to join us on our site to share great tips they have uncovered from their recent masterclass in London, UK. The Dots is a community of creative professionals, designed to connect creatives with collaborators, companies and commercial opportunities. They are just as passionate about collectively building a stronger, more profitable and diverse creative sector as we are and we are very excited to have them featured here again.

     

    For those of you who may not know, The Dots hosted a Photography Portfolio Masterclass at the incredible Spring Studios to give talented emerging Photographers the chance to have their work reviewed by some of the UK’s most prominent Picture Editors and Photographic Agents.

     

    With such a wealth of experience in the room, The Dots team took the opportunity to ask a few questions on how to get ahead in the hugely competitive Photography industry. Here’s what the industry representatives had to say:

     

    Getting Ahead In The Industry – 3 Top Tips

     

    1. Be original

     

    Photography industry leaders are primarily on the hunt for originality and a unique perspective because, “in the end if you’re presenting a book that looks like someone else, you better be a cheaper version of them, because there’s no reason to hire you just to be a copycat” (Robin Derrick, Executive Creative Director, Spring Studios).

     

    Matt Davey (Co-Founder & Director, Probation London) told us that he looks for “ originality – an ability to express ideas in their work and create something other than just a pretty picture.”

     

    1. Have a ‘Can-Do’ attitude

     

    Never underestimate the importance of having an upbeat and ‘go-getting’ character. If someone thinks you’re going to respond to a difficult brief with enthusiasm, they’re more likely going to want to work with you.

     

    Dalia Nassimi (Deputy Picture Editor, WIRED) told us “If they have that easy going, very can-do personality and are up for a bit of an adventure you get real magic.”

     

    Similarly, the main thing Jamie Klingler (Publishing Manager, Shortlist/Stylist Magazine) looks for in a photographer is “someone that will do anything and that are part of my team on the day. These are the people who I wanna work with again and again and I wanna have a drink with, and who I’ll hire a million times over.”

     

    1. Be personable

     

    You’re going to have to work with lots of people throughout a shoot and if you’re unpleasant to be around, chances are noone is going to want to work with you again. “You need to be personable, you need to get on with people, you need to be able to chat and work around an idea.” (Steve Peck, Picture Editor, WIRED Magazine).

     

    It may not seem that important, but as Nicola Kavanagh (Editor in Chief, Glass Magazine) points out, if it’s a toss up between two photographers, “and they both have a really strong portfolio, I’m gonna go with the one that’s easier to get along with, because everyone likes a nice, easy life!”

     

    So it seems that being nice really can help you finish first, hurrah!

     

     

    To find out  more about The Dots’ next Photography Portfolio Masterclasses here: https://the-dots.co.uk/about/portfolio-masterclasses

     

    You can also check out The Dots’ Vimeo channel for video interviews, tips & highlights from the Photography Portfolio Masterclass here:  https://vimeo.com/album/3444505

     

    Finally, if you have any tips for getting ahead in the industry that you want to share, that hasn’t been mentioned in this post, feel free to share them in the comment section below. 

     


    Fashion Photography Blog

  • Readers’ Showcase: Gene Smirnov

    Gene Smirnov is a regular DPR reader and a working photographer based in Philadelphia. As a music photographer he’s photographed over 300 bands, and now mainly shoots portraits for magazines. He’s got years of professional experience under his belt, but it all began with a Nikon FM10 and a portrait gig for his college newspaper. See his work and learn more about him. Read more

    Articles: Digital Photography Review (dpreview.com)