360Photography

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  • Zeiss optics included in latest ExoLens accessory lenses for the iPhone

    Smartphone accessory lens manufacturer ExoLens is to introduce three new lenses that use optics and designs from Zeiss. The lenses will be a zoom macro adapter as well as wideangle and telephoto convertors that will screw into a frame that fits around the phone. The macro lens will allow focusing from as a close as 30mm, and will convert the effective focal length of the iPhone lens to a 40-80mm zoom in full frame terms. The wide angle adapter will offer 0.6x magnification to make the iPhone lens act as an18mm would, while the telephoto adapter has a 2x magnification that delivers the appearance of a 58mm lens. 

    Both converters allow focusing to infinity, from 50cm (the wideangle) and 36mm (the telephoto), while the zoom macro lens has a focusing range that’s restricted to 30-78mm. 

    Zeiss says that the Mutar-design converters have been calculated to suppress chromatic aberrations, especially fringing, and aspheric lenses have been used to ensure accurate drawing by reducing curvilinear distortions. Contrast is said to be maintained and T* coatings are used on all glass/air surfaces to keep flare under control. The wideangle converter uses four elements in four groups, while the telephoto version uses five elements in three groups. 

    The company has labelled the macro zoom lens a Vario-Proxar for its ability to vary the focal length of the camera lens and its ability to close-focus. Zeiss says it is the only continuous zoom accessory for smartphones, and that it maintains coverage of the entire sensor while zooming takes place. The magnification is such that objects as small as three centimetres can fill the frame, and the lens comes with a semi-transparent diffuser hood that simultaneously improves the quality of the light while providing a guide to the closest focus distance. 

    The metal frame that the lenses screw in to features a tripod socket as well as an accessory shoe for lights etc. 

    No prices have been announced yet, but Zeiss and ExoLens say the accessories will be available before the middle of 2016. Initially they will be made for iPhone 6/6s and 6 Plus and 6s Plus. 

    For more information visit the Zeiss and ExoLens websites. 

    Press release:

    ExoLens

    ZEISS and Fellowes Brands Launch Mobile Phone Accessory Photography Lenses

    Fellowes Brands, manufacturers of premium mobile photography accessories and ZEISS, international optics enterprise, present three new high-performance accessory lenses for mobile phones at the 2016 Consumer Electronics Show in Las Vegas

    ZEISS, one of the world’s leading companies in the fields of optics and optoelectronics, and the Fellowes’ ExoLens™ brand, an American innovator in mobile photography accessories, announce their collaboration in the design and development of accessory lenses for mobile phones. The companies will present the first jointly developed accessory lenses at the Fellowes booth (no. 31016) during the Consumer Electronics Show in Las Vegas from 6-9 January 2016.

    The first three lenses – wide-angle, telephoto and macro – are scheduled to be launched in late Q2 2016. The wide-angle and telephoto lenses offer excellent image performance with outstanding edge-to-edge contrast. The macro lens features a zoom function – unique for accessory lenses of this type – for flexible image composition. The new lenses can be used on the Apple® iPhone®1) with customized mounting brackets.

    Partnership between ZEISS and ExoLens™

    The collaboration between ZEISS and ExoLens™ represents an important step in the development of accessory lenses for mobile phones. ZEISS has been powering optical innovation in photography since 1890. With current products such as the professional camera lenses of the ZEISS Otus SLR lens family or the ZEISS Batis autofocus lenses featuring an innovative OLED display for mirrorless full-frame system cameras, the optics company continues to evolve and set new milestones in photography. ExoLens™ is a pioneer in the new and expanding space of mobile photography. The joint goal of ZEISS and ExoLens™ is to bring never before seen quality and versatility to this rapidly growing market. 

    “We are thrilled to announce our new relationship with ZEISS, who has been setting standards in optics for almost 170 years,” says John E. Fellowes, Chief Executive Officer of Fellowes. “Following the launch of our new ExoLens™ mobile phone photography line last year, our partnership with ZEISS will enable unique and innovative consumer lens solutions. ExoLens™ with optics by ZEISS will redefine quality in the mobile photography space, providing professional-grade results for end users.”

    “The impact of an image is decisively influenced by the lens and its technical properties,” says Dr. Winfried Scherle, Executive Vice President of Carl Zeiss AG and Head of the ZEISS Consumer Optics business group. “The collaboration with ExoLens™ gives us the opportunity to tap into new target groups and provide ambitious mobile phone photographers with high-quality tools to support their creativity.”

    ExoLens™ with optics by ZEISS

    The new lenses are characterized by their leading-edge design featuring smooth surfaces made of black anodized aluminum with white labeling. This is a systematic continuation of the distinctive, innovative product design that typifies current families of ZEISS camera lenses. The modern design offers excellent optic properties and the lenses meet even the highest aesthetic standards,” Scherle says. “The lenses of ExoLens™ with optics by ZEISS are the best currently available on the market,” he adds. “We have achieved the best possible technical balance between a small size, light weight and high image quality.”

    All lenses incorporate the proven T*® antireflective coating from ZEISS, which minimizes reflections at the glass-to-air surfaces and improves the transmission of light.

    The lenses are attached to the device-specific ExoLens™ machined aluminum bracket using a screw thread. The ExoLens™ bracket features a standard tripod mount (1/4”-20) as well as a cold shoe for mounting accessories. At launch, ExoLens™ with optics by ZEISS will be available for Apple® iPhone® 6/6s and Apple® iPhone® 6 Plus/6s Plus, with the goal of adding more devices in the future.

    ExoLens™ wide angle and telephoto lenses with optics by ZEISS

    The jointly developed lenses turn the integrated mobile phone lens into either a wide-angle or telephoto lens. The optical design used for both lenses bears the name MutarTM. This stands for an afocal system and is therefore different from traditional interchangeable lenses for system cameras. The lens has no focal length, i.e. the focus is set at infinity. This enables photography of objects from infinity to the close-up range, the limits of which are defined only by the technical properties of the mobile phone camera. This makes this optical design suitable for both landscape and detailed photography. Distortion would impair the composition as straight lines which are not imaged through the image center would be reproduced as curved lines. This adverse effect has been offset by the use of aspheric lenses in the optical design. Both lenses therefore offer image excellence and outstanding contrast rendition right to the edges. Chromatic aberrations are also corrected. Bright-dark transitions in the image, and highlights in particular, are largely free from colored artifacts. Protection against dust and water spray makes the wide-angle or telephoto lens perfect for the challenges of outdoor use. 

    Dramatic perspectives, exceptional angles or portraits in which the main subject is to be clearly isolated from the background are the specialties of the two lenses by ExoLens™ with optics by ZEISS.

    ExoLens™ macro lens with optics by ZEISS

    The macro lens complements the wide-angle and telephoto lenses and enables currently unparalleled close-up photography with a mobile phone camera. The optical design of the macro lens bears the name Vario-ProxarTM. “Vario” stands for the variability of the focal length (zoom), and Proxar for proximity. Like the wide-angle and telephoto lenses, the macro lens offers edge-to-edge image excellence and no discernible distortion or chromatic aberration. It is currently also the only accessory lens for mobile phones to offer a continuous zoom function, permitting the full-frame capture of objects with diameters of between three and twelve centimeters. An optionally attachable and semi-transparent diffusor serves as a spacer, allowing light to shine evenly on the object to be photographed and enabling convenient focusing, even with a short object distance and shallow depth of field.

    Articles: Digital Photography Review (dpreview.com)

  • UHD Alliance sets ‘premium’ standards that could prompt higher-quality 4K cameras

    As the industry starts to set quality standards, camera manufacturers may be pushed towards offering higher-quality 10-bit 4K recording. The UHD Alliance, a group made up from leading producers, distributors and device makers has defined the Ultra HD Premium brand that requires certain minimum specifications to be met for content production, streaming and replay.

    The most interesting detail is the requirement for 10-bit capture, distribution and playback, meaning cameras must be able to record 10-bit footage to meet the standard. We’re hoping this will mean higher bit-depth recording from 4K-capable cameras to allow their use in productions hoping to carry the Ultra HD Premium branding.

    At present, most cameras we encounter can only capture 8-bit files, limiting dynamic range and flexibility at the color grading stage.

    Press Release:

    UHD Alliance Defines Premium Home Entertainment Experience

    Unveils Consumer-Facing “ULTRA HD PREMIUM” Logo and Begins Certification, Licensing Establishes First Cross-Industry-Developed Quality Criteria for HDR across Displays, Content and Distribution

    LAS VEGAS–(BUSINESS WIRE)–Enjoying a premium, full-featured Ultra High Definition in-home experience has been simplified for consumers as the UHD Alliance (UHDA), the inter-industry group charged with fostering the Ultra HD ecosystem and promoting the benefits of Ultra HD entertainment technology, today unveiled a consumer-facing logo to identify devices, content and services capable of delivering a premium experience to an exploding Ultra HD market that is expected to grow eightfold by 2019. The UHDA also announced the start of licensing of its ULTRA HD PREMIUM logo.

    Developed through the collaborative efforts of leading film studios, consumer electronics manufacturers, content distributors and technology companies, the Ultra HD Premium specifications reflect collective expertise from across the Ultra HD ecosystem, as well as significant input gleaned from experiential consumer testing.

    The UHDA’s ULTRA HD PREMIUM logo is reserved for products and services that comply with performance metrics for resolution, high dynamic range (HDR), peak luminance, black levels and wide color gamut among others. The specifications also make recommendations for immersive audio and other features. These advances in resolution, contrast, brightness, color and audio will enable certified displays and content to replicate the richness of life’s sights and sounds and allow in-home viewers to more fully and accurately experience the content creator’s vision.

    “The diverse group of UHDA companies agreed that to realize the full potential of Ultra HD the specs need to go beyond resolution and address enhancements like HDR, expanded color and ultimately even immersive audio. Consumer testing confirmed this,” said UHD Alliance President Hanno Basse. “The criteria established by this broad cross section of the Ultra HD ecosystem enables the delivery of a revolutionary in-home experience, and the ULTRA HD PREMIUM logo gives consumers a single, identifying mark to seek out so they can purchase with confidence.”

    To ensure products bearing the ULTRA HD PREMIUM logo are certified and conform to the organization’s specifications, the UHDA has designated multiple, independent centers around the globe to handle testing. Companies throughout the ecosystem will work directly with these centers to have their products tested and certified.

    The UHDA’s new ULTRA HD PREMIUM specifications cover multiple display technologies and reference established industry standards and recommended practices from the Consumer Technology Association, the Society of Motion Picture and Television Engineers, the International Telecommunications Union and others.

    “Ever-rising consumer adoption of Ultra HD TV sets will fuel strong growth for the entire Ultra HD ecosystem over the next few years,” noted Paul Erickson, senior analyst at IHS Technology. “Annual worldwide shipments of Ultra HD TVs are expected to grow nearly 719% over the next several years according to IHS’ forecasts, from nearly 12 million in 2014 to nearly 96 million in 2019, with over 300 million in use by the end of 2019. For the many mainstream consumers looking to make sense of the various terminologies, acronyms and feature descriptions at retail, standardization efforts such as the UHDA’s “ULTRA HD PREMIUM” can reduce consumer confusion and help ensure consistency of both buyer expectations and the delivery of the end experience – benefiting not only consumers, but also the industry as a whole.”

    Founded in January, 2015, the UHDA, has grown to more than 35 companies in two membership categories – Board and Contributor. In 2016, the UHDA will add a third member category, Adopter, for those who wish to license the Ultra HD Premium specifications. Collectively, the UHDA member companies will continue to lead the charge into this new era of home entertainment through advances in resolution, brightness, contrast, dynamic range, color and audio.

    Companies interested in the UHDA specification and the associated licensing terms can obtain the UHDA Information Agreement and/or licensing terms by going through: http://www.uhdalliance.org/contact-us/.

    ABOUT THE UHD ALLIANCE:

    The UHD Alliance (UHDA), comprising more than 35 member companies, is a global coalition of leading film studios, consumer electronics manufacturers, content distributors and technology companies aligned to foster the creation of an ecosystem that fully realizes and promotes the next generation premium in-home entertainment platform. Key characteristics of a robust next generation experience should offer 4K resolution as well as a mix of other features that include high dynamic range, wide color gamut, high frame rate and immersive audio, among other features. UHDA Board members are executives from: The DIRECTV Group Inc, Dolby Laboratories, LG Electronics, Netflix, Panasonic Corporation, Samsung Electronics, Sony Corporation, Technicolor, The Walt Disney Studios, Twentieth Century Fox, Universal Pictures and Warner Bros. Entertainment. To learn more about the UHD Alliance, please visit: www.uhdalliance.org

    “ULTRA HD PREMIUM” Logo
    “ULTRA HD PREMIUM” logo is trademark of the UHD Alliance, Inc.

    UHD Alliance Technical Specifications Overview

    The UHD Alliance has developed three specifications to support the next-generation premium home entertainment experience. The three specifications cover the entertainment ecosystem in the following categories:

    • Devices (currently, television displays, with other devices under consideration)
    • Distribution
    • Content

    A high level overview of each technical specification can be found below. Please join the UHD Alliance for full access to all technical and test specifications.

    Devices

    The UHD Alliance supports various display technologies and consequently, have defined combinations of parameters to ensure a premium experience across a wide range of devices. In order to receive the UHD Alliance Premium Logo, the device must meet or exceed the following specifications:

    • Image Resolution: 3840×2160
    • Color Bit Depth: 10-bit signal
    • Color Palette (Wide Color Gamut)
      • Signal Input: BT.2020 color representation
      • Display Reproduction: More than 90% of P3 colors
    • High Dynamic Range
      • SMPTE ST2084 EOTF
      • A combination of peak brightness and black level either:
        • More than 1000 nits peak brightness and less than 0.05 nits black levelOR
        • More than 540 nits peak brightness and less than 0.0005 nits black level

    Distribution

    Any distribution channel delivering the UHD Alliance content must support

    • Image Resolution: 3840×2160
    • Color Bit Depth: Minimum 10-bit signal
    • Color: BT.2020 color representation
    • High Dynamic Range: SMPTE ST2084 EOTF

    Content Master

    • The UHD Alliance Content Master must meet the following requirements:
    • Image Resolution: 3840×2160
    • Color Bit Depth: Minimum 10-bit signal
    • Color: BT.2020 color representation
    • High Dynamic Range: SMPTE ST2084 EOTF

    The UHD Alliance recommends the following mastering display specifications:

    • Display Reproduction: Minimum 100% of P3 colors
    • Peak Brightness: More than 1000 nits
    • Black Level: Less than 0.03 nits

    The UHD Alliance technical specifications prioritize image quality and recommend support for next-generation audio.

    UHDA Member Companies

    Company

    Membership Level
    The DIRECTV Group, Inc. Board Member Company
    Dolby Laboratories, Inc. Board Member Company
    LG Electronics Board Member Company
    Netflix, Inc. Board Member Company
    Panasonic Corporation Board Member Company
    Samsung Electronics Corporation Board Member Company
    Sony Corporation Board Member Company
    Technicolor Board Member Company
    The Walt Disney Studios Board Member Company
    Twentieth Century Fox Board Member Company
    Universal Pictures Board Member Company
    Warner Bros. Entertainment Inc. Board Member Company
     
    Amazon.com Contributor
    ARRI, Inc. Contributor
    Dreamworks Contributor
    DTS Contributor
    Fraunhofer Gesellschaft Contributor
    Hisense Contributor
    HiSilicon Technologies Contributor
    Intel Corporation Contributor
    Koninklijke Philips N.V. Contributor
    MStar Semiconductor, Inc. Contributor
    Nanosys Inc. Contributor
    Novatek Contributor
    NVIDIA Contributor
    Orange Contributor
    Realtek Semiconductor Corp. Contributor
    Rogers Communications Contributor
    Sharp Corporation Contributor
    Shenzhen TCL New Technology Co., Ltd. Contributor
    Sky UK Ltd Contributor
    THX Ltd Contributor
    Toshiba Lifestyle Products & Services Corporation Contributor
    TP Vision Europe B.V. Contributor

    Articles: Digital Photography Review (dpreview.com)

  • Here at last: Nikon announces D500

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    Nikon has announced the much-anticipated followup to its D300S, the 20.9MP D500 which the company calls its ‘best enthusiast DX offering.’ It features the same 153-point AF system and EXPEED 5 processor as the D5. It can shoot continuously at 10 fps with a 200 shot buffer for Raw images. It can also capture 4K/UHD video and also features ‘SnapBridge’, a constant connection to a smartphone using Bluetooth, similar to what Samsung did with its NX1. The D500 will be available from March at an MSRP of $ 1999.95 body only, or $ 3069.95 with the 16-80mm F2.8-4E ED VR lens.

    The camera has a 100% coverage viewfinder offering 1.0x magnification. It also makes use of the XQD high speed memory format first used in the D4. It also has a flip up/down 3.2″ touchscreen LCD with 2.4 million dots.

    The camera’s relationship to the D5 matches that shared between the D3 and original D300, with the APS-C format camera offering the same AF system and similar feature set with only a slight drop in continuous shooting speed and a much smaller body. And, as a first for one of Nikon’s APS-C DSLRs, the D500 also gets the illuminated buttons offered on the D5 for low-light working.

    An AF module developed for full-frame means unprecedented frame coverage on the APS-C D500, in this case with cross-type sensors available out to the literal edges of the frame. Furthermore, Nikon is introducing Auto AF Fine-Tune, which appears to use Live View (focus at the image plane) to automatically calibrate (at least the center point of) the Phase Detect AF module for any given lens ‘with a few button operations’. This should help address arguably one of the biggest shortcomings of DSLRs relative to mirrorless cameras: the fact that the AF module is only a proxy for focus and, therefore, prone to inaccuracy. 

    We were pretty impressed with the similar low power Bluetooth option on the NX1 as way of keeping a constant line of communication open between the camera and a smart device, meaning that images can quickly be pushed or pulled across from device to device. This continuous connectedness should make Wi-Fi much easier to use and consequently more appealing.

    Jump to:

    • Press Release
    • Specifications

    Press release:

    PRO PEDIGREE, DX AGILITY: THE NEW NIKON D500 ESTABLISHES A NEW ERA OF DX-FORMAT PERFORMANCE 

    The Highly Anticipated Resurrection of the DX-Format Flagship Gives Photographers the Best Combination of Speed, Reach and Connectivity 

    LAS VEGAS, NV (January 5, 2016) – Today, Nikon Inc. announced the D500, a DX-format DSLR with pro-level features that gives photographers nimble handling, speed and extreme processing power in a compact and lightweight body. With amazing imaging capability, robust build quality and lightning fast performance, the D500 is sure to satisfy as the highly sought-after successor to the venerable D300S. Like its sibling the D5, the D500 benefits from Nikon’s latest technological innovations such as the totally new, blazing-fast Multi-CAM 20K 153-point AF system and 4K UHD video capture, yet adds a fun new way to share photos with Nikon SnapBridge built-in.

    “Nikon has answered the call from photographers to once again re-invent this camera category and offer an unmatched combination of performance and value that is hard for any photographer to resist,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “When paired with the amazing imaging capabilities of legendary NIKKOR optics, photographers can capture intimate portraits, mind-blowing macros or action from extreme distances– the possibilities are endless.”

    Pro-Level Image Quality, DX-Format Versatility

    The D500 imagines the best of both worlds, offering advanced enthusiasts and pro photographers all the benefits of DX-format, such as smaller form-factor and lens crop, combined with many of the same advanced pro features found in the new Nikon D5. The new Nikon D500 features an all-new 20.9-megapixel DX-format CMOS sensor that renders images with outstanding colors and gorgeous tonality. This new sensor is coupled with Nikon’s new EXPEED 5 image processing engine, affording low noise and maximum processing power with a surprisingly small footprint and superbly balanced body.

    The benefits of the DX-format are evident for long-distance applications like wildlife and sports photography, where telephoto ability is at a premium and weight reduction is welcome. With Nikon’s legendary FX or smaller-sized DX-format NIKKOR lenses, the sleek D500 is the ideal companion for wanderlust. When mated with the new AF-S NIKKOR 200-500mm f/5.6E ED VR lens, the D500 offers a remarkable 350-750mm equivalent focal range for a lightweight, yet super-telephoto duo. 

    Because amazing images can happen even when the sun goes down, the D500 is capable of excellent low-light performance, with an ISO range of 100-51,200, expandable to 50-1,640,000 equivalent. From low-light cityscapes to action sports under the lights, the D500 is ready to tackle any imaging challenge.

    Performance Meets Portability

    Within the streamlined body of the D500 is a formidable processing powerhouse. Whether photographing sideline sports for the home team or animals in exotic destinations, a super-fast 10 frames-per-second (fps) burst speed with full AF and AE will help nail nearly any shot. This extreme speed lets users capture every fleeting moment in exceptional clarity, while a generous buffer allows for up to 79 shots (14-bit, uncompressed RAW/NEF) to be captured, so the moment won’t be missed.

    To keep pace with the action, the D500 is fitted with the same AF system as the Nikon D5, the Multi-CAM 20K AF sensor module, with a separate dedicated processor for AF function. On the D500’s DX format sensor, the 153-point AF array fills the frame from side to side, letting users flawlessly track and lock-onto subjects from the edges of the viewfinder. Like the D5, the D500 utilizes the new 180K RGB Metering system and Advanced Scene Recognition System to help ensure balanced exposures and fantastic color rendition in nearly any shooting situation.

    Controls and Rugged Construction Worthy of a Flagship

    The D500 features an enhanced level of robust build quality, offering the same amount of rugged weather sealing as the Nikon D810. The durable body is a monocoque structure composed of magnesium alloy for the top and rear, while the front is reinforced with lightweight carbon fiber. The shutter mechanism has been tested for 200K actuations, helping to ensure maximum endurance. For further durability, the D500 excludes a pop-up flash, yet is compatible with Nikon’s newest radio frequency capable flash, the SB-5000 Speedlight (with optional WR-R10 & WR-A10)1.

    It’s easy to compose and view images on the D500’s bright 3.2-inch, high resolution (2359K-dot) touchscreen LCD, which lets users interact with photos in playback, control the camera and operate menus. When mounted on a tripod or shooting from creative angles, landscape and event shooters will appreciate the reinforced tilting LCD screen, similar to that of the Nikon D750. Additionally, images are rapidly written to either a fast XQD card slot or to the additional SD card slot for maximum workflow efficiency.

    Constant Connectivity with the New Nikon SnapBridge

    The D500 marshals in a new way to share photos wirelessly with the new Nikon SnapBridge, making the camera’s built-in connectivity easier to use than ever before. SnapBridge allows for Bluetooth2 supported connection between your camera and compatible smart device, thus making automatic upload of your images possible. Once enabled, the camera stays connected to the smart device and transfers photos, eliminating the need to re-connect devices. Those looking to share images from their travels or from the field can also tag images for transfer in camera and can password protect their connection for added security. As an added benefit, the D500’s built-in Near Field Communication (NFC)3 capability easily connects the camera to a compatible smart device with just a tap, while built-in Wi-Fi3 capability allows for faster wireless image transfer.

    For those looking for an even faster transfer solution, the D500 is also compatible with the new optional WT-7A Wireless Transmitter, enabling wired or wireless transmission of files to an FTP server or computer at faster speeds.

    Advanced Video Features

    Just like the D5, the D500 has the ability to capture striking 4K UHD video at up to 30p (3840×2160), as well as Full HD (1080p) video at a variety of frame rates. Ready for any production, the camera sports a host of pro video features derived from the D810, including uncompressed HDMI output and Picture Controls, but adds even more great features. These pro-level creative video features include the ability to create 4K time-lapse movies in-camera, Auto ISO smoothing to provide fluid transitions in exposure during recording, and the capability to record 4K UHD video to the card and output to HDMI simultaneously. When capturing 1080p Full HD content, the camera also has a new 3-axis electronic VR feature that can be activated regardless of the lens being used.  Challenging video exposures are no problem for the D500, as it also adds in Active D-Lighting to Full HD video to balance exposure values within a scene to help prevent blown-out highlights

    Price and Availability

    The new Nikon D500 DSLR will be available in March 2016 for a suggested retail price (SRP) of $ 1,999.95* for the body-only configuration. A kit will also be available, bundled with the versatile AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR lens, for the SRP of $ 3,069.95*. The MB-D17-battery pack will also be available in March 2016 for the SRP of $ 449.95* and will add extended battery life and facilitate vertical shooting. The WT-7A Wireless Transmitter will be available in March 2016, for the SRP of $ 934.95*. For more information on these new Nikon products, please visit www.nikonusa.com.

    1. Wireless Remote Controller WR-R10 and WR Adapter WR-A10 (both available separately) required. WR-R10 firmware must be updated to enable support for radio-controlled Advanced Wireless Lighting (see Nikon’s website).
    2 The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Nikon Corporation is under license.
    3 Wi-Fi and the Wi-Fi logo are trademarks or registered trademarks of the Wi-Fi Alliance. N-Mark is a trademark or registered trademark of NFC Forum, Inc., in the United States and/or other countries.
    *SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

    Nikon D500 specifications

    Price
    MSRP $ 2000 (body only), $ 3069 (w/16-80mm lens)
    Body type
    Body type Mid-size SLR
    Sensor
    Max resolution 5568 x 3712
    Other resolutions 4176 x 2784, 2784 x 1856
    Image ratio w:h 3:2
    Effective pixels 21 megapixels
    Sensor photo detectors 22 megapixels
    Sensor size APS-C (23.5 x 15.7 mm)
    Sensor type CMOS
    Processor Expeed 5
    Image
    ISO ISO 100 – 51200 (expandable to 50 – 1640000)
    White balance presets 12
    Custom white balance Yes (5)
    Image stabilization No
    Uncompressed format RAW + TIFF
    JPEG quality levels Fine, Normal, Basic
    Optics & Focus
    Autofocus
    • Contrast Detect (sensor)
    • Phase Detect
    • Multi-area
    • Selective single-point
    • Tracking
    • Single
    • Continuous
    • Face Detection
    • Live View
    Autofocus assist lamp No
    Digital zoom No
    Manual focus Yes
    Number of focus points 153
    Lens mount Nikon F
    Focal length multiplier 1.5×
    Screen / viewfinder
    Articulated LCD Tilting
    Screen size 3.2″
    Screen dots 2,359,000
    Touch screen Yes
    Screen type TFT LCD
    Live view Yes
    Viewfinder type Optical (pentaprism)
    Viewfinder coverage 100%
    Viewfinder magnification 1×
    Photography features
    Minimum shutter speed 30 sec
    Maximum shutter speed 1/8000 sec
    Built-in flash No
    External flash Yes (Hot-shoe, Wireless plus sync connector)
    Flash modes Auto, On, Off, Red-eye, Slow sync, Rear curtain
    Flash X sync speed 1/250 sec
    Continuous drive 10.0 fps
    Self-timer Yes (2, 5, 10 or 20 sec)
    Metering modes
    • Multi
    • Center-weighted
    • Highlight-weighted
    • Spot
    Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
    AE Bracketing (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV steps)
    WB Bracketing Yes (2 or 9 frames in steps of 1, 2 or 3 mired)
    Videography features
    Resolutions 4K (UHD) 30p/25p/24p, 1080/60p/50p/30p/25p/24p, 720/60p/50p
    Format MPEG-4, H.264
    Microphone Stereo
    Speaker Mono
    Storage
    Storage types SD/SDHC/SDXC (UHS-II compliant) + XQD
    Storage included None
    Connectivity
    USB USB 3.0 (5 GBit/sec)
    HDMI Yes (mini-HDMI)
    Microphone port Yes
    Headphone port Yes
    Wireless Built-In
    Wireless notes Wi-Fi with low energy Bluetooth
    Remote control Yes (Optional, wired or wireless )
    Physical
    Environmentally sealed Yes
    Battery Battery Pack
    Battery description Lithium-Ion EN-EL15 rechargeable battery & charger
    Battery Life (CIPA) 1240
    Weight (inc. batteries) 860 g (1.90 lb / 30.34 oz)
    Dimensions 147 x 115 x 81 mm (5.79 x 4.53 x 3.19″)
    Other features
    Orientation sensor Yes
    Timelapse recording Yes
    GPS Optional
    GPS notes GP-1

    Articles: Digital Photography Review (dpreview.com)

  • Nikon unveils KeyMission 360, a rugged 4K-capable action camera

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    Nikon has announced a shockproof and waterproof spherical 360-degree action camera. Called KeyMission 360, it promises to ‘put 360 virtual reality in the hands of any enthusiast’ and offers 4K UHD recording. Shockproof to 2m / 6.6 ft and waterproof to 30m / 100 ft, the camera includes electronic VR stabilization and houses an image sensor and lens on opposite sides of the device to create immersive stills and video. No other firm specifications are available at this time; Nikon expects to officially release KeyMission 360 in Spring 2016.

    Press release:

    NIKON CHARGES INTO THE ACTION CAMERA MARKET WITH THE 360-DEGREE KEYMISSION 360

    With the New KeyMission 360, Consumers Can Capture and Share an Exciting, Uniquely Immersive Perspective of Their Life and Passions

    LAS VEGAS, NV (January 5, 2016) – Today, Nikon Inc. announced its entry into the action camera market with the development of an exciting lineup of products that build on Nikon’s legendary excellence in optical technology and imaging innovation. The first in the lineup will be the Nikon KeyMission 360 a rugged camera capable of recording true 360-degree video in 4K UHD allowing users to share new perspectives and explore imagery like never before. 

    The Nikon KeyMission 360 features an image sensor and lens on opposite sides of the device, with images from each combining to create a single immersive, ultra-high-definition 360-degree video and still image. A terrific companion for a wide range of travel, sports or when an adventure takes a turn off the beaten path, the camera is designed to be easy to use and withstand the elements. Waterproof (approx. 100 ft./30m), and ready to stand up to dust, shock and low temperatures, the KeyMission 360 also features electronic Vibration Reduction (VR), enabled through applications during playback, that reduces the effects of camera shake to help produce sharp and crisp video quality.

    Nikon will exhibit reference models of the KeyMission 360 at the Nikon booth at the 2016 Consumer Electronics Show (CES) from Wednesday, January 6 to Saturday, January 9, 2016 in Las Vegas, Nevada. The KeyMission 360, the first of Nikon’s lineup of action cameras, along with a variety of dedicated accessories, will officially be released in Spring 2016. For more information about the KeyMission 360 and other Nikon products, please visit www.nikonusa.com.

    Articles: Digital Photography Review (dpreview.com)

  • Making (radio) waves: Nikon releases SB-5000 Speedlight

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    The Nikon SB-5000 Speedlight is the company’s new flagship flash, released alongside the flagship Nikon D5 camera. The standout feature for the SB-5000 is its ability to operate and trigger via radio frequency, a first for Nikon’s line of portable flashes.

    Nikon claims that when the flash is paired with the WR-R10 Wireless Remote Adapter set and a D5 or D500, the flash will operate without a direct line of sight at a range of up to approximately 98 feet (30 meters). With that same combination, the flash will be able to control up to six groups or 18 Speedlights for when you want to get really fancy. Although we haven’t had a chance to try this system out yet, we’re hoping that Nikon CLS features like TTL/Manual and Flash Exposure Compensation settings will be accessible via the camera menu system – especially since a radio-controlled commander with dedicated dials and buttons (like Nissin’s Air 1 system) isn’t available from Nikon. The SB-5000 retains similar optical-control and triggering capabilities as the other advanced Speedlights in the company’s lineup.

    Attaching the WR-R10 to your camera should give you full control over up to 18 Speedlights (up to 6 groups) directly from your camera, without the need for any other flashes or commanders attached to your camera. This should be a boon for off-camera flash photography.

    This is a significant addition to Nikon’s flash line-up, not only for the radio-triggered control it brings during applications where line-of-sight isn’t feasible or practical, but also because pairing flashes to the WR-R10 is arguably more preferable to pairing to the outdated SU-800 commander (which is so dated that it attaching it to your camera disables Auto ISO). 

    Also new for the SB-5000 is a redesigned cooling system promising improved consecutive firing times before cool-downs, and 120 continuous shots at 5-second intervals. Controls are updated with an ‘i’ button for frequently used settings, and the flash head maintains tilt-and-rotate capability.

    Press release:

    New Radio Controlled SB-5000 Speedlight: Lighting with No Limits

    The Nikon D5 is optimized to work with the newest flagship Speedlight, the SB-5000, illuminating new possibilities in creative lighting. A first for Nikon, the flash operates via radio frequency and will operate without a direct line of sight for a range of up to approx. 98 feet (30 meters). This new-found flexibility lets photographers place lights in different rooms, around corners and work seamlessly in bright ambient light with maximum efficiency. When paired with the WR-R10 and the D5 or the D500, this Speedlight can control up to six groups (A-F) or 18 Speedlights for truly advanced wireless lighting. It is also possible to perform Advanced Wireless Lighting using either radio-controlled (up to three groups) and/or optical-controlled units (up to three groups) by simply attaching a conventional, optical-control Nikon Speedlight or the SU-800 Commander (as a master or commander unit) and a WR-R10 (as a commander) onto the D5.

    The new smaller SB-5000 Speedlight also has a radically new design that includes its own internal cooling system, which prevents overheating of the flash panel from consecutive firings. As a result, the SB-5000 can fire consecutively for longer than conventional models, without flash cool-down time between bursts, and can fire up to 120 continuous shots at 5 second intervals. Controls have also been streamlined and refined, with the addition of an “i” button for access to frequently used settings. The design also integrates versatile bounce ability, with the flash head capable of tilting down to -7° or up to 90°, and rotate horizontally 180° to the left and right.

    Pricing and Availability:

    The Nikon SB-5000 AF Speedlight will be available in March for the SRP of $ 599.95.

    Nikon SB-5000 Key Specifications

    • Price: $ 599.95
    • Commander function: Yes
    • Remote function: Yes
    • Transmission mode: Radio control and optical communication
    • Transmission range: Radio control approx. 98 ft. (30m), optical communication – line of sight
    • Guide number: 34.5 m / 113 ft. (at 35mm) 55m / 180 ft. (at 200mm) (FX format, ISO 100)
    • Lens coverage: 24 to 200mm lens, 14mm with wide panel (FX format)
    • Minimum recycling time: 1.8 sec. (approx.) with Ni-MH (2600 mAh) batteries, 2.6 sec. (approx.) with AA-size Alkaline (1.5V) batteries
    • Flash duration: 1/980 sec. at M 1/1 (full) output, 1/30,820 sec. at M 1/256 output
    • Optional power supply: SK-6 Power Bracket Unit, SD-9 High-Performance Battery Pack
    • Wireless groups: Radio controlled: Master + 6 groups; Optically controlled: Master + 3 groups
    • Dimensions: 73 x 137 x 103.5mm
    • Weight (sans batteries): 14.9 oz. (420 g)

    Articles: Digital Photography Review (dpreview.com)

  • Olympus Stylus Tough TG-870 brings next-generation GPS to familiar rugged compact

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    Olympus has updated its rugged compact lineup with the Stylus Tough TG-870, a modest update to last year’s model offering next-generation GPS and a brighter, higher-resolution screen. Still sporting a 16MP BSI CMOS chip and a 21-105mm equivalent zoom, the TG-870 provides a 920k-dot 180 degree flip-up LCD that claims to be 1.1x brighter than its predecessor’s screen. While the Wi-Fi features are unchanged the GPS feature has enhanced, claiming positioning in under 10 seconds. Also new to this model is Live Composite mode as well as low light Nightscape Movie and Nightscape Mode options.

    The Olympus Stylus Tough TG-870 will be offered in April 2016 for $ 279.99. 

    Press release:

    ACTION FROM EVERY ANGLE: THE NEW OLYMPUS STYLUS TOUGH® TG-870

    Bright 180-Degree Tilting LCD, Ultra Wide-Angle 5x Zoom Lens, Built-in Wi-Fi®, Next-Generation GPS and Expanded Shooting Capabilities with Nighttime Live Composite in a Compact, Rugged Camera 

    CENTER VALLEY, Pa., January 5, 2016 — Olympus adds to the versatility and creativity of its renowned Stylus Tough lineup with the new Stylus Tough TG-870, a premium rugged camera built to capture high-quality photos and video in the most challenging situations. This compact, take-anywhere camera is packed with features, including a class-leading ultra wide-angle 21mm (equivalent) lens with 5x optical zoom, allowing users the ability to effortlessly frame everything from dramatic landscapes to group shots. Together with its high-resolution 180-degree tilting LCD monitor, customizable front button, Sportcam Modes with full HD 1080/60p video, built-in Wi-Fi, next-generation GPS, and an ever-expanding wealth of expressive features, the Stylus Tough TG-870 is ready to capture stunning images anytime, in any environment.

    In the tradition of the Olympus Tough series of rugged compact cameras, the Stylus Tough TG-870 is built to withstand extreme conditions: the camera is waterproof to depths of 50 feet (15 m), freezeproof to 14°F (-10°C), shockproof from 7 feet (2.1 m), crushproof to 220 pounds of force (100 kgf) and dustproof. The 21mm–105mm (35mm equivalent) f3.5–5.7 zoom lens is the widest lens in the rugged compact category, perfect for ultra-wide group selfie shots. The TruePic™ VII image processor, the same found in Olympus’s award-winning OM-D series of interchangeable lens cameras, is paired with a 16.0 megapixel backlit CMOS sensor to capture incredibly clear images with sharp details and true-to-life colors, even underwater.

    The Stylus Tough TG-870’s 180-degree tilting 920,000-dot high-resolution LCD monitor has double the resolution and is 1.1x brighter than that of its predecessor, enabling the user to see more detail while shooting outdoors or underwater. The customizable button on the front of the camera can be programmed for several functions, including shutter release, video recording, monitor boost, LED assist and Super Macro Mode. The TG-870 also detects the orientation in which it’s being held to assist the user in capturing the perfect selfie, point-of-view action video or over-under shot.

    The free Olympus Image Share app synchronizes a user’s iOS or Android mobile device with the Stylus Tough TG-870 via the camera’s built-in Wi-Fi, enabling instant image and movie transfers and direct uploading to websites and social media. A live view of the camera’s lens appears on the smart device display. Users can control the camera remotely by touching the smart device display as if it were the camera itself. The next-generation GPS boasts fast positioning in under 10 seconds via three satellite systems and helps users track precisely where they are in the world. The Olympus Image Track (OI.Track) smartphone app allows users to update the camera’s GPS assist data and transfer GPS logs and images from the camera to a smartphone for simplified viewing and management. 

    An impressive variety of shooting modes and 13 Art Filters, including 6 new filters (Vintage, Key Line, Watercolor, Light Tone, Cross Process and Gentle Sepia), help the user capture distinctive images. The Stylus Tough TG-870 is equipped with nighttime Live Composite Mode, which automatically combines the brightest areas of multiple images taken with interval shooting for dramatic photos of cityscapes, star trails and light painting. Sportcam Mode puts four video options right at the user’s fingertips. With 60p Movie, the camera captures full HD 1080p video at 60 frames per second (fps), with 720/60p and 480/60p options also available. With High-Speed Movie, the Stylus Tough TG-870 can record slow-motion video at 120 fps at 854×480 (16:9) or 640×480 (4:3) resolution, or 240 fps at 640×360 (16:9) or 480×360 (4:3) resolution. Time Lapse Movie compresses hours of action into a short movie, and Sport Burst allows photographers to capture sequential images with a shutter interval of 0.05 to 60 seconds. For video capture after dark, camera settings are automatically optimized for low light with Nightscape Movie or Nightscape Mode.

    The Stylus Tough TG-870’s rugged construction can be further reinforced with the CSCH-124 Silicone Jacket, which shields the camera from surface damage. The CSCH-123 Tough Sport Holder supports hands-free photography and video recording, allowing users to attach the camera to backpack straps or a chest harness during intensive activities like rock climbing or snowboarding. The PT-057 Underwater Case or Housing lets users dive deeper, increasing the camera’s underwater capability to 147 feet (45 m), and the elective UFL-3 Underwater Strobe Flash facilitates genuine underwater flash photography. A second tripod base plate on the camera offers the added benefit of vertical mounting, and the F-5AC compact high-capacity AC adapter reduces charging time, getting users back to the action faster. 

    U.S. Pricing and Availability

    The Olympus Stylus Tough TG-870 will be available in April 2016 in Gunmetal Metallic, Metallic Green and Pure White for $ 279.99 (US) and $ 329.99 (CA).

    Olympus Stylus Tough TG-870 specifications

    Price
    MSRP $ 279
    Body type
    Body type Ultracompact
    Body material Aluminum
    Sensor
    Max resolution 4608 x 3456
    Image ratio w:h 1:1, 4:3, 3:2, 16:9
    Effective pixels 16 megapixels
    Sensor photo detectors 17 megapixels
    Sensor size 1/2.3" (6.17 x 4.55 mm)
    Sensor type BSI-CMOS
    Processor TruePic VII
    Color space sRGB
    Color filter array Primary color filter
    Image
    ISO Auto, 125-6400 (expands to 12800)
    White balance presets 6
    Custom white balance Yes
    Image stabilization Optical
    Uncompressed format No
    File format
    • JPEG (Exif v2.3)
    Optics & Focus
    Focal length (equiv.) 21–105 mm
    Optical zoom 5×
    Maximum aperture F3.5 – F5.7
    Autofocus
    • Contrast Detect (sensor)
    • Multi-area
    • Center
    • Tracking
    • Single
    • Continuous
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Digital zoom Yes (4x)
    Manual focus No
    Normal focus range 10 cm (3.94″)
    Macro focus range 1 cm (0.39″)
    Screen / viewfinder
    Articulated LCD Tilting
    Screen size 3″
    Screen dots 921,000
    Touch screen No
    Screen type TFT LCD
    Live view Yes (Display tilts upward 180 degrees)
    Viewfinder type None
    Photography features
    Minimum shutter speed 4 sec
    Maximum shutter speed 1/2000 sec
    Scene modes
    • Portrait
    • ePortrait
    • Landscape
    • Interval shooting
    • Live composite
    • Handheld star light
    • Night scene
    • Night + portrait
    • Sport
    • Indoor
    • Sunset
    • Fireworks
    • Cuisine
    • Documents
    • Beach & snow
    • Underwater snapshot
    • Underwater wide
    • Underwater macro
    • Backlight HDR
    • Self portrait
    Built-in flash Yes
    Flash range 4.00 m (at ISO 1600)
    External flash No
    Flash modes Auto, redeye reduction, fill flash, off, LED illuminator
    Drive modes
    • Program
    • iAuto
    Continuous drive 7.0 fps
    Self-timer Yes (2 or 10 sec, custom)
    Metering modes
    • Multi
    • Center-weighted
    • Spot
    Exposure compensation ±2 (at 1/3 EV steps)
    WB Bracketing No
    Videography features
    Resolutions 1920 x 1080 (60p), 1280 x 720 (60p), 640 x 480 (60p)
    Format MPEG-4, H.264
    Videography notes 5-axis (optical+digital) image stabilization
    Microphone Stereo
    Speaker Mono
    Storage
    Storage types SD/SDHC/SDXC, Internal
    Storage included 37MB
    Connectivity
    USB USB 2.0 (480 Mbit/sec)
    HDMI Yes (micro-HDMI)
    Microphone port No
    Headphone port No
    Wireless Built-In
    Remote control Yes (via smartphone)
    Physical
    Environmentally sealed Yes (waterproof to 15m/50ft, crushproof to 100kgf/220lbf, shockproof from 2.1m/7ft, freezeproof to -10C/+14F)
    Battery Battery Pack
    Battery description Li-50B lithium-ion battery & charger
    Battery Life (CIPA) 300
    Weight (inc. batteries) 221 g (0.49 lb / 7.80 oz)
    Dimensions 113 x 64 x 28 mm (4.45 x 2.52 x 1.1″)
    Other features
    Orientation sensor Yes
    Timelapse recording Yes
    GPS BuiltIn

    Articles: Digital Photography Review (dpreview.com)

  • CES Video: Nikon’s Mark Soares talks about the D5 and D500

    Today at CES Nikon announced two new DSLR cameras: the pro-oriented D5 and the enthusiast-oriented D500, which is possibly the longest-awaited successor to any camera we can remember, replacing the D300S after almost six years.

    Just after the announcement we slipped away from the CES crowds with Nikon’s DSLR product manager, Mark Soares, to get his take on the new bodies, a rundown of some major features, and insight into why Nikon chose to break the number sequence by skipping ‘400’ and calling the new DX flagship the D500 instead.

    See more videos on our YouTube channel

    Articles: Digital Photography Review (dpreview.com)

  • Olympus launches M.Zuiko Digital ED 300mm F4 IS Pro as sharpest-ever lens

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    Olympus has launched the M.Zuiko Digital ED 300mm F4 IS Pro, which it claims it the sharpest lens in its lineup. The 600mm equivalent prime lens features built-in IS that also works in conjunction with the OM-D E-M1 and E-M5 II bodies to offer 6 stops of stabilization, measured to CIPA standards – the best we’ve yet encountered. Olympus says it expects the lens to be used for bird photography, landscape and sports. The lens is now available for around $ 2500.

    The 300mm F4 IS Pro includes the pull-back manual focus clutch system used on recent high-end Olympus lenses to give a traditional manual focusing experience. It also includes a retractable hood like the one found on the M.Zuiko Digital 50-150 F2.8 IS Pro. There’s also a rotating tripod collar but, since Olympus believes the stabilization and relative light weight of the lens allows it, it also comes bundled with a cosmetic ring that replaces the tripod mount for handheld use.

    Jump to:

    • Press Release
    • Specifications

    Press Release:

    A NEW WORLD OF HANDHELD NATURE PHOTOGRAPHY: THE OLYMPUS M.ZUIKO® DIGITAL™ ED 300MM F4.0 IS PRO ARRIVES

    Super Telephoto Lens with Powerful 5-Axis Sync Image Stabilization and Olympus’s Highest Resolution Ever in a Compact, Dustproof and Splashproof Body

    CENTER VALLEY, Pa., January 5, 2016 —Olympus is pleased to announce the Olympus M.ZUIKO Digital ED 300mm f4.0 IS PRO, a compact supertelephoto lens that expands the capability of the M.ZUIKO PRO series of professional, splashproof and dustproof lenses that deliver outstanding image quality under any circumstance. The M.ZUIKODigital ED 300mm f4.0 IS PRO is the first Olympus interchangeable lens with a built-in image stabilization mechanism, and when paired with the Olympus OM-D E-M1 (firmware version 4.0) or E-M5 Mark II (firmware version 2.0), in-body and in-lens image stabilization work in perfect harmony, resulting in the new 5-Axis Sync IS technology to produce the world’s most powerful image stabilization performance of up to six shutter speed steps of compensation*. The lens can also be used effectively with other camera bodies, as the in-lens stabilization mechanism alone provides four shutter speed steps of compensation.

    With a length of 8.9 inches (227mm) and weight of a mere 2.8 pounds (1,270g), at one third of the size and weight of most DSLR 600mm equivalents, the M.ZUIKO Digital ED 300mm f4.0 IS PRO is designed to slip into an airplane carry-on bag or backpack and go anywhere to help users easily capture handheld images in once-challenging photo destinations. Despite its compact size, the lens is hermetically sealed in 17 places and features freezeproof performance down to 14?F (-10°C). Together with the same splashproof, dustproof and freezeproof performance as the OM-D E-M1 and E-M5 Mark II, this ensures you can capture high-quality images in the harshest environments.

    The M.ZUIKO Digital ED 300mm f4.0 IS PRO debuts Olympus’s highest-ever resolution by combining three Super ED lenses, one Extra-High Refractive index lens and three High Refractive index lenses to reduce the color bleeding and chromatic aberrations that tend to occur on typical super telephoto lenses. In addition to Olympus’s renowned ZERO Coating (ZUIKO Extra-low Reflective Optical Coating), a brand-new lens coating technology called ZERO Coating Nano suppresses reflected light to minimize ghosts and flares for extremely sharp details of images, including car headlights. A layer of nanosized particles and a layer of air from the center to the surface of the lens achieves a refractive index similar to air and significantly reduces surface reflection.

    The M.ZUIKO Digital ED 300mm f4.0 IS PRO also gets up close to explore the beautiful, minute world of telemacro photography with maximum image magnification of 0.48x (35mm equivalent), with a minimum focusing distance of 46 inches (1.15m) from the end of the lens. When combined with the M.ZUIKO Digital 1.4x Teleconverter MC-14, the user can capture all of nature’s beauty in high resolution at 840mm (35mm equivalent) and an increased image magnification of 0.67x (35mm equivalent) in a handheld compact body while maintaining the same minimum focus distance.

    The OM-D’s silent mode combines with the lens’ Movie & Still Compatible mechanism for silent AF and shooting, giving the user the ability to blend into the background of any situation, whether that be the refinement of a symphony performance or the dusty plains of a lion’s hunting grounds.

    The lens also features a Manual Focus Clutch mechanism that makes switching to manual focus possible by pulling the focusing ring toward you. The side of the lens barrelfeatures a Focus Limit switch (4m to infinity, all range, 1.4 to 4m), an IS switch (On/Off), and an L-Fn button, which can all be operated without ever taking your eye off the viewfinder. The built-in sliding lens hood can be locked into place when extended, and the tripod base plate with a quick shoecompatible rail is removable.

    U.S. Pricing and Availability
    The M.ZUIKO Digital ED 300mm f4.0 IS PRO lens is available now for an estimated street price of $ 2,499.99 (U.S.) and $ 3,199.99 (Canada).

    To find out more about the Olympus M.ZUIKO Digital ED 300mm f4.0 IS and for a complete list of specifications, visit the Olympus website at http://www.getolympus.com/us/en/lenses/pen-omd/fixed-focal-lengths/m-zuiko-ed-300mm-f4-0-is-pro.html.

    *As of December 2015. CIPA guideline compliant, when correction is carried out on two axes (yaw and pitch) and when halfway release image stabilization is off.

    Olympus M.Zuiko Digital ED 300mm F4 IS PRO specifications

    Principal specifications
    Lens type Prime lens
    Max Format size FourThirds
    Focal length 300 mm
    Image stabilisation Yes (4 stops (6 stops with E-M1 and E-M5 II))
    Lens mount Micro Four Thirds
    Aperture
    Maximum aperture F4.0
    Minimum aperture F22.0
    Aperture ring No
    Number of diaphragm blades 9
    Optics
    Elements 17
    Groups 10
    Special elements / coatings Three super ED, one extra-high refractive, three high refractive elements + ZERO nano coating
    Focus
    Minimum focus 1.40 m (55.12″)
    Maximum magnification 0.24×
    Autofocus Yes
    Motor type Micro-type ultrasonic
    Full time manual Yes
    Focus method Internal
    Distance scale No
    DoF scale No
    Focus distance limiter Yes
    Physical
    Weight 1270 g (2.80 lb)
    Diameter 93 mm (3.64″)
    Length 227 mm (8.94″)
    Sealing Yes
    Colour Black
    Zoom method Rotary (extending)
    Power zoom No
    Filter thread 77.0 mm
    Hood supplied Yes
    Tripod collar Yes

    Articles: Digital Photography Review (dpreview.com)

  • Olympus M.Zuiko Digital ED 300mm F4 IS Pro: a closer look

    Olympus M.Zuiko Digital ED 300mm F4 IS Pro

    The weather-sealed M.Zuiko Digital ED 300mm F4 IS Pro is the latest in the company’s range of high-end ‘Pro’ lenses for the Micro Four Thirds system and the fifth such lens to date.

    Like the other Pro lenses, the 300mm F4 IS Pro features the company’s snap-back manual focus clutch system that reveals a distance scale when you pull on the focus ring; engaging manual focus and proving a linear focus response with end-stops to the ring’s travel, to give a traditional manual focus experience.

    Size

    The lens is relatively compact, given its long reach. Although its F4 maximum aperture is equivalent to F8 on full frame in terms of depth-of-field and light gathering (in total image terms), its still impressively small and light for 600mm equivalent lens. The lens itself is 227mm (8.9”) long, and relatively easy to add to a mid-sized camera bag.

    The 300mm weighs 1.27kg (2.8lbs) meaning that it’s relatively easy to handle and carry. As Olympus points out, this is around one third of the weight of equivalent full-frame 600mm lenses. However, this lightness doesn’t come at the expense of solid-feeling build, with extensive use of metal giving the F4 Pro a reassuring sense of robustness.

    Image Stabilization

    The lens IS offers correction of pitch and yaw movement (tipping up / down or panning left / right), and this combines with the in-camera systems on the E-M1 and E-M5 II to offer six stops of stabilization, according to CIPA standard testing. The company explains that the gyroscopic sensors in the lens and those camera bodies calibrate one when the lens in connected to the camera, to ensure they work in sync with each other.

    Sadly this full capability is not realized when the lens is mounted on the E-M10 II or older Olympus cameras, nor is it compatible with Panasonic’s Dual IS system on the GX8 that works in a similar manner.

    Magnification

    The closest focus distance on the 300mm is a pretty impressive 1.4m (4.6′) from the focal plane (1.15m front of the lens), giving a maximum magnification of 0.24x. This doesn’t exactly make it ideal for macro work (Olympus would probably point out that it’s akin to 0.48x magnification on a full frame camera, in terms of how much of the frame an object fills), but it does allow its use fairly close to the subject, increasing the lens’s utility beyond safari and birds-in-flight (etc.).

    The lens features a focus limit switch to prevent it hunting across its full focus range, when being used for more distant subjects, so this close-quarters capability shouldn’t affect long-range performance. Olympus suggests wildlife, sports and stage performances as sensible use-cases, in addition to telephoto macro photography. The company’s internal analysis of images uploaded to Flickr apparently shows that 54% of images shot around 600mm equivalent are of birds.

    Tripod ring

    The 300mm F4 IS Pro has a built-in, rotatable tripod collar, as you’d expect on a long telephoto lens. However, Olympus is confident enough about the effectiveness of the stabilization that it allows you to remove the ring that the tripod foot is mounted on and replace it with a smooth ring to cover the mounting studs. This cosmetic ring is included in the box, meaning you don’t have to try to rotate the tripod foot out of the way or keep catching your hands on the mounting studs if you shoot handheld.

    The foot on the tripod collar features Arca-Swiss compatible grooves cut into it, allowing a sturdy connection to a tripod without the need for an additional plate.

    Elements/coatings

    The lens is a relatively complex design, made up of 17 elements arranged in 10 groups. These elements include three extra low dispersion (ED) lenses, three high refractive index (HR) lenses and one extra-high refractive index (E-HR) lenses.

    Olympus also touts a ‘nano’ coating that eases light across glass/air boundaries to reduce internal reflections and minimize ghosting and flare. Also helping to minimize flare is the retractable lens hood. It attaches using a normal lens bayonet but the outer sleeve of the hood can then be pulled back over the lens barrel when not in use and pulled forwards only when needed.

    Overall

    Although a 600mm equivalent prime isn’t usually considered a must-have part of every shooter’s camera bag, it’s likely to do a pretty good job of acting as a ‘halo’ product – underlining the company’s commitment to the system and its use in a wide range of circumstances, as well as showing-off what it is capable of. It feels significant that Olympus would explicitly highlight that the 300mm F4 is sharper than the older 300mm F2.8 for the Four Thirds SLR system – another niche but impressive optic that when it was released sat at the apex of that system’s lineup.

    Articles: Digital Photography Review (dpreview.com)

  • Olympus M.Zuiko Digital ED 300mm F4 IS Pro real-world sample gallery

    Olympus M.ZUIKO DIGITAL ED 300mm F4 IS Pro on the Olympus OM?D E?M1. You will love it, but birds will be less than pleased. Photo by Jordan Stead.

    Olympus just squeezed a 600mm equivalent field of view into a 2.8-pound lens, complete with image stabilization, weatherproofing and an impressive close focusing distance. Meet the Olympus M.Zuiko Digital ED 300mm F4 IS PRO.

    This compact, 2.8 pound supertelephoto is splashproof, freezeproof and dustproof, and is the first Olympus interchangeable lens with a built-in image stabilization mechanism. When paired with the Olympus OM-D E-M1 (firmware version 4.0) or E-M5 Mark II (firmware version 2.0), the 300mm’s in-body and in-lens image stabilization work together to produce image stabilization performance that Olympus claims is equivalent to up to six stops of compensation. 

    We got the chance to shoot with it recently, and we’ve prepared a gallery of sample images. 

    Olympus M.Zuiko Digital ED 300mm F4 IS Pro real-world sample gallery

    Articles: Digital Photography Review (dpreview.com)