Category: Uncategorized

  • Leica launches M-D (Typ 262) digital rangefinder with no rear screen

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    German camera manufacturer Leica has announced a new M digital rangefinder that has no LCD panel. The Leica M-D (Typ 262) will be almost exactly the same as the existing M (Typ 262) but without a rear screen for reviewing images and working the menu. The company says it has produced a camera with only the ‘essentials of photography’, or ‘Das Wescentliche’, and that it will help photographers concentrate on the important elements of image making rather than getting distracted with the camera functions.

    This isn’t the first time Leica has produced a digital M with no rear screen, as the company launched the limited edition M Edition 60 to mark the sixtieth anniversary of its rangefinder camera system. Leica made only 600 of these models, and they sell for about $ 18,000/£12,000, but the M-D (Typ 262) will be the first full production model without a rear LCD.

    This new model will feature the standard 24MP CMOS sensor, will have an ISO range of 200-6400, and will have brass base and top plates. The viewfinder has a magnification of 0.68x and offers bright-frame markings for 35/135mm, 28/90mm and 50/75mm lenses. The body has no traditional red dot as Leica says it wants the camera to be discrete, and the single frame mode uses a particularly quiet shutter cocking system.

    Users will have control only of aperture, shutter speed and ISO settings, and the camera records in DNG Raw format only.

    The Leica M-D (Typ 262) will go on sale in May with a price of $ 5995/£4650. The M (Typ 262), which does feature a rear screen, actually costs less, at $ 5195/£4050, but it doesn’t have the quiet shutter or brass top and bottom plates.

    For more information visit the Leica website.


    Press release:

    Leica M-D: The return of anticipation

    New digital Leica rangefinder focuses on the absolute essentials of photography, and excludes an LCD screen
     
    Leica Camera has extended its iconic rangefinder camera series with a new model: the Leica M-D (Typ 262). The fifth product in the Leica M range, the Leica M-D joins the Leica M and M-P (Typ 240), the Leica M (Typ 262) and the Leica M Monochrom (Typ 246), offering a greater choice for photographers looking for specific functionality from their rangefinder camera.
     
    The Leica M-D is the first serial production model of the digital M family to be made without an LCD monitor screen. The standard location of the screen on the back of the camera is taken by the ISO sensitivity setting dial – one of the few, but essential, features of the camera. Although the Leica M-D embodies the entire range of technical developments perfected over decades for the Leica rangefinder system, it intentionally omits all but the most vital features. Concentrating entirely on the key parameters required for photography: shutter speed, aperture, distance and ISO sensitivity, the Leica M-D focuses the user on the most essential aspect – the picture they are taking – and brings back the anticipation of discovering the results later in the process, as when shooting with film.
     
    Jason Heward, managing director, Leica UK, said, “With the exclusion of the ubiquitous LCD screen, photographers must return to the principles of photography when shooting with the Leica M-D: accurate framing and composition, selecting the appropriate parameters and settings, and ensuring that they capture the decisive moment with the thought and consideration that has always been necessary in analogue photography. This unique rangefinder camera also brings back the fascination and expectation associated with film – returning photography to its origins during the capturing process, whilst maintaining the obvious convenience and benefits of digital technology.”
     
    Principally, the technical features of the Leica M-D are based on those of the Leica M (Typ 262). As with all other digital Leica M cameras, the Leica M-D (Typ 262) features a high resolution CMOS full-frame sensor, which has been designed exclusively for rangefinder photography, and supports neither video recording nor Live View. Its 24 megapixel resolution delivers exceptional image quality and extreme sensitivity, making it perfect for available light situations. At the same time, the camera’s Maestro processor guarantees fast processing of image data. Exposures are captured exclusively as RAW data in DNG format, enabling photographers to apply the required adjustments in post-processing software.
     
    Leica’s focus on ‘Das Wesentliche’ (the essentials of photography) is immediately recognisable in the design of this camera. The Leica M-D expresses purely functional, formal clarity, and features characteristics such as a brass top plate with a ‘step’ at the end, referencing the design of the Leica M9. The Leica ‘red dot’ logo has been omitted from the front of the camera for ultimate discretion.
     
    Furthermore, the barely audible shutter of the Leica M-D ensures the camera is inconspicuous when shooting: an invaluable advantage in scenarios where the photographer wishes to remain unobtrusive. As an aid to this, the camera features a shutter cocking system that is particularly quiet in single exposure mode, and enables a shutter release frequency of up to two frames per second. In continuous mode, the Leica M-D has the same sequential shooting speed as its sister model and shoots up to three frames per second.
     
    The Leica M-D is available in a black paint finish, and includes a real leather carrying strap in full-grain cowhide.

    Articles: Digital Photography Review (dpreview.com)

  • The Canon that can: Canon EOS 80D Review

    The Canon EOS 80D is an enthusiast-level DSLR, and the successor to the 70D. It sports a new 24MP APS-C CMOS sensor which, like the 70D, offers Canon’s Dual Pixel on-sensor phase-detection autofocus system. The 80D also gains a new 45-point hybrid AF system with all of the points being cross-type. This is a step up from the 19-point AF system in the 70D, though not quite at the same level as the 65-point coverage offered by the more professionally-oriented 7D Mark II.

    Featuring a body sealed against dust and moisture, the 80D has a polycarbonate exterior and magnesium alloy chassis. It is nearly identical in design to its predecessor, with the majority of controls accessible via the articulating rear touchscreen, as well as via physical control points. Video is a major part of the 80D’s total package. While it cannot shoot 4K, it does offer 1080/60p capture and continuous autofocus during video. A headphone socket has been added to compliment its microphone port.

    Canon EOS 80D key features:

    • 24MP AP-C CMOS sensor with Dual Pixel AF
    • 45-point AF system with all cross-type points
    • 3″ 1.04M-dot articulating touchscreen
    • 1080/60p video capture
    • 7 fps continuous shooting with AF
    • Weather-sealed body
    • 7560-pixel RGB+IR Metering Sensor
    • Wi-Fi + NFC

    Other improvements come in the form of a new mirror vibration control system (similar to the 5DS and 7D Mark II), which should help reduce the blur-inducing effects of shutter shock. The 80D also gains the same 7560 pixel RGB+IR metering sensor found in the Rebel T6s and T6i, a serious improvement over the 63-zone dual layer sensor found in the 70D. This new sensor gives the camera some degree of human subject awareness for subject tracking through the viewfinder. However, unlike the 7D Mark II, the 80D does not have Canon’s ‘Intelligent Tracking and Recognition’ (iTR) system, which uses the metering sensor along with distance info to subject track.

    The new sensor

    It’s no secret that some Canon shooters have been frustrated as of late, as Sony’s sensor technology marches ahead in terms of dynamic range. Fortunately, the 80D marks a significant step forward in Canon’s sensor development, offering much better DR than the 70D or 7D Mark II. But the new sensor isn’t interesting just because of the pictures it can capture. Dual Pixel AF not only allows for continuous focus during video capture, but during still capture (in live view mode) as well. We first saw this feature in the Rebel T6s and it is exciting to see it now making its way up Canon’s food chain to enthusiast-level cameras.

    Compared to its siblings

      Canon EOS 80D Canon EOS 7D Mark II Canon EOS 70D  Canon EOS 6D
    Sensor 24MP APS-C 20.2MP APS-C 20.2MP APS-C 20.2MP full-frame
    ISO range 100-16000 (expands to 25600)

    100-16000
    (expands to 25600)

    100-12800
    (expands to 25600)
    100-25600
    (expands to 50-102800)
    AF (viewfinder) 45 all cross-type points 65 all cross-type points 19 all cross-type points 11 point, center point is cross-type
     AF (Live view/video)  Dual pixel AF  Dual pixel AF  Dual pixel AF Contrast Detect, Phase Detect (in ‘Quick’ mode)
    Intelligent Tracking and Recognition No Yes No No
    C-AF in live view during still shooting Yes No No No
     AF joystick  No Yes No No
     Video capabilities 1080/60p 1080/60p 1080/30p 1080/30p
    Burst rate 7 fps 10 fps 7 fps 4.5 fps
     LCD spec 3″ 1.04M-dot articulating touch LCD  3″ 1.04M-dot fixed LCD 3″ 1.04M-dot articulating touch LCD 3″ 1.04M-dot fixed LCD
     Weight 730 g (1.61 lb) 910g (2.0 lb) 755g (1.7 lb) 770 g (1.70 lb)

    Aside from the 70D, the closest sibling to the 80D is the more professionally-oriented Canon EOS 7D Mark II. It uses a slightly lower resolution chip and offers less dynamic range than the 80D. While the two share the same basic video specs, the 7D Mark II is better equipped for fast action, thanks to greater AF point coverage, a dedicated AF joystick and the inclusion of Canon iTR, as well as a faster shooting rate. On the other hand, the 80D’s touch focus capabilities make it a more appealing choice for video.

    Of course the full frame Canon 6D now falls into a similar price class to the both the 80D and 7D Mark II, making it worthy of consideration. Although it’s far from new the 6D remains a solid and popular camera despite its comparatively simplistic AF system.

    Accessories

    The 80D shown with PZ-E1 Power Zoom Adapter connected to the EF-S 18-135mm F3.5-5.6 IS USM kit zoom. This adapter allows for smooth zooming at variable speeds. 

    Along with the announcement of the 80D, Canon announced the DM-E1 shotgun microphone (compatible with any camera that has a 1/8″ socket). Canon also announced the PZ-E1 Power Zoom Adapter. It can clip onto the new EF-S 18-135mm f/3.5-5.6 IS USM kit lens and control the zoom, with two speed options. The DM-E1 will sell for $ 250, while the PZ-E1 will run you $ 150. Unfortunately, we weren’t able to get hold of either new accessory in time for this review, but we’ll be updating our impressions as soon as we can. 

    Pricing and availability

    The Canon EOS 80D is available now for a body-only price of $ 1199/£999/€1199. Kitted with Canon’s new EF-S 18-135mm f/3.5-5.6 IS USM lens, the 80D will run you $ 1799. Kitted with the EF-S 18-55mm F3.5-5.6 IS STM lens, the 80D will run $ 1349/£1089.

    Articles: Digital Photography Review (dpreview.com)

  • Video: Meet the Nikon D500

    It’s really here. The wait for the D300’s successor has been a long one, but the Nikon D500 has officially arrived. So what does the D500 bring to the freshly-revived flagship APS-C lineup? We break down just what’s new and notable in our video overview.

    Articles: Digital Photography Review (dpreview.com)

  • Sony enables XAVC S recording to SDHC card with a7R II and a7S II firmware update

    Newly released firmware updates for the Sony a7R II and a7S II enable XAVC S format video recording to SDHC memory cards. Previously, XAVC S format video could only be recorded to an SDXC card. Sony makes a couple of notes on the use of SDHC cards for XAVC S video – any recorded files larger than 4GB will be split into multiple files to comply with a 4GB maximum file size limitation. Cards must also be at least SD Speed Class 10 and UHS Speed Class U1 or faster. Video recorded at 100Mbps or more must use a UHS Speed Class U3 card.

    Articles: Digital Photography Review (dpreview.com)

  • Front-runner: Nikon D500 leads class in studio and dynamic range tests

    At long last, a Nikon D500 has found its way into our office (thank you LensRentals!). We put the camera straight into our studio to find out what the long-awaited successor to the D300 is capable of. It’s only the beginning of course, but you can see for yourself below what the D500’s full ISO range looks like in our studio scene (cranked all the way up to ISO 1,638,400) and on the next page you’ll see the results of our dynamic range testing. There’s good news in store – in our initial testing the D500’s performance is class-leading with respect to low light (high ISO) noise performance, as well as dynamic range. In fact, it’s essentially ISO invariant, taking after Nikon’s own D7200 rather than the D5.

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    Articles: Digital Photography Review (dpreview.com)

  • Nikon D7200 firmware 1.01 now available

    Nikon has released firmware version 1.01 for the D7200. The latest software version fixes a few issues, including static that could be heard in videos recorded using external HDMI recorders, an incorrectly displayed firmware version number in the Setup Menu, an issue with displaying February 29th in leap years and exposure compensation failure that sometimes happened when using in-camera Raw processing.

    The full changelog reads:

    Fixed the following issues:

    • Selecting Firmware version in the SETUP MENU would not display “C X.XX L X.XXX”.
    • About 4 seconds of static could be heard on audio recorded with external HDMI recorders during movie live view.
    • Exposure compensation would fail to produce the desired results if a negative value was selected when NEF (RAW) images were processed using the NEF (RAW) processing option in the RETOUCH MENU.
    • February 29th would sometimes not display correctly in leap years.

    Note

    • Updating to firmware version 1.01 resets menu settings for cameras with firmware that displays as “A X.XX”, “B X.XX”, “L X.XXX”, “D X.XX”, “L X.XX”, or the like. We recommend that you save settings before performing the update.

    The firmware can be downloaded for Windows and Mac OS from Nikon’s Support website.

    Articles: Digital Photography Review (dpreview.com)

  • Helium Core turns iPhone into fully-fledged imaging rig

    A sleek iPhone case with plenty of room for mobile photography and videography attachments is seeking crowd-funding on Kickstarter. Read more

    Articles: Digital Photography Review (dpreview.com)

  • Interchangeable lens camera sales steady as Canon profits plunge

    Canon calls out the EOS 80D as a driver for strong unit sales in the interchangeable lens camera market.

    Canon Japan reported flat ILC unit sales as one of the bright points in first quarter reports that saw a 17.5% fall in net income. A strengthening Yen, poor performance in the laser printer business and continued decline in compact camera sales combined to give the company a tough quarter.

    Overall, digital camera sales are down 12%, due in large part to a 22% decline in the dying compact camera market, though Canon cites its G-series as a bright spot. Interchangeable lens camera sales were flat compared to Q1 2015, propped-up by strong sales of the EOS 80D and gains for the M3 and M10 mirrorless cameras in Asia. Interchangeable lens cameras account now account for 49% of total unit sales and 84% of the company’s revenue.

    While delivering ‘flat’ numbers might not sound very positive, figures provided by the Camera & Imaging Product Association show a nearly 10% year-on-year industry-wide decline in ILC unit shipments, as well as 17% YoY reduction in SLR shipments. In other words, Canon isn’t doing quite as poorly as it may sound just looking at the numbers.

    Looking ahead to 2016 as a whole, Canon expects compact camera sales to drop 24%, though more expensive models like the G-series will help protect margins. The company states that it hopes to increase profitability of this line ‘through the standardization of parts and other measures.’ It also says it expects unit sales of ILCs to fall by 7% across the year. But, while it has slightly lowered its projections for income from its imaging business for 2016, nearly all of the reduction comes from the expectation that the Yen will stay strong, lowering the value of overseas sales.

    For more details, have a look at Canon’s Q1 2016 financial statement.

    Articles: Digital Photography Review (dpreview.com)

  • Magnum launches Photography Awards competition to celebrate its 70th birthday

    Image © Martin Parr/Magnum Photos

    The Magnum Photos agency has announced $ 18,000 worth of prize money for its first photography competition open to anyone 18 years or older. Launched as part of 2017’s celebrations to mark 70 years since the agency was established, the Magnum Photography Awards hopes to ‘discover the best photographers from all over the world.’ The agency has partnered with LensCulture and has set categories for Documentary, Street, Portrait, Fine Art and Photojournalism, as well as an Open section. The jury will look for a winning series and single image in each section, with the best series winning $ 2000 and the best single shot $ 1000. Additional images will be highlighted as finalists, Jurors’ Picks and Editors’ Picks, while five students will also be singled out for praise.

    Cash prizes await the winners of the sections and those picked for other awards will be included in an online exhibition and a book, while all series entrants can request a review of their submission by an ‘industry expert’.

    The deadline for entries is Tuesday May 24th 2016, and it costs $ 20 to submit a single image, with further submissions costing $ 10. Entering 5 single images as a group costs $ 50, while a series of 10 photos costs $ 60. For more information see the Magnum Photography Awards page on the LensCulture website.


    Press release:

    Call for Entries: Magnum and LensCulture Photography Awards 2016

    Magnum Photos and LensCulture have joined forces to create one of the best new opportunities for photographers to be recognized and rewarded for their talent.

    2017 marks a significant year for Magnum as we celebrate 70 years since our founding photographers toasted the conception of an independent photo agency. Ahead of these anniversary celebrations, Magnum Photos and LensCulture invite submissions to the inaugural Magnum and LensCulture Photography Awards, an international call to discover the best photographers from all over the world.

    Our distinguished jury will select 12 Winners and 20 Finalists from Documentary, Street, Portrait, Fine Art, Photojournalism and Open categories. In addition, the jury will select 7 photographers as “Jurors’ Picks” and give out 5 “Student Spotlight” awards to young, up-and-coming talents. Winners, finalists and top-rated photographers will enjoy gain access to an unprecedented level of global exposure and recognition from two of the largest organizations in the photo industry, as well as cash funding and career support.

    “Magnum Photos is delighted to be working with LensCulture on this exciting new competition, which we hope will attract diverse photographic practices from all over the world. 2016 marks a significant juncture for the agency as we launch a new, stories-first website, in the lead-up to our 70th anniversary. We view this new award as an opportunity for our dedicated audience — and the photography community at large — to share in our celebrations.” – Martin Parr, Magnum Photographer and President.

    Articles: Digital Photography Review (dpreview.com)

  • DxOMark Mobile report: Nextbit Robin

    The Nextbit Robin looks like your standard smartphone, but its cool blue exterior houses the first real cloud-based phone. It’s an innovative device, but unfortunately its camera falls short of the best in its class. DxOMark has put the Robin through its standard mobile tests, awarding it 81 points and putting it in 18th place in DxO’s mobile rankings. While image testers liked the Robin’s good detail preservation and fast AF, unusually high noise levels kept NextBit’s smartphone out of the higher echelon’s of the DxO rankings.

    Articles: Digital Photography Review (dpreview.com)