Category: Uncategorized

  • Study: Instagram interactions declining as user base grows

    User interactions on Instagram decreased an overall 33% from the first quarter of 2015 to the first quarter of 2016, according to social media analytics company Quintly. Video interactions decreased more substantially than image interactions, with video interactions down 39% and image interactions down 27%. The changes affected accounts with a high number of followers more so than accounts with less followers.

    The study is based on an analysis of 13,000 Instagram profiles, and considers both ‘likes’ and comments as forms of interaction. While the decrease in interactions is ‘tremendous,’ according to Quintly, it doesn’t necessarily indicate anything dire for the image-sharing app. Rather, the company speculates that a combination of increased posting frequencies among users and a growing user base has crowded users’ feeds while their interactions with the content remain relatively stable, causing a natural decrease in interactions.

    Additionally, Quintly points toward more brands joining Instagram as a potential cause, saying the brands may be alienating their followers with various advertising methods, causing the followers to interact less often. The company summarizes its findings, saying, ‘The takeaway should definitely not be that Instagram is losing traction but more that it starts to get harder to achieve success in the “fight for interactions” on increasingly fast timelines.’

    Via: Quartz

    Articles: Digital Photography Review (dpreview.com)

  • Meike iPhone lens adapter case takes ring light and Sony QX1

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    Hong Kong accessory manufacturer Meike has introduced a new case for the Apple iPhone 6/6s that accepts three accessory lenses and offers a mount for a ring light and Sony’s ILCE-QX1 E-mount ‘lens-style camera’. The MK-H6S PRO comes with a hand grip that has a Bluetooth-enabled shutter release button to deliver a more camera-like experience for mobile phone photographers.

    The kit includes three lenses – a 0.65x wide-angle adapter, a 180° fisheye and a 2.5x macro lens – that screw into a mount over the device’s built-in camera. A larger mounting ring in the middle of the case accepts an optional ring light with built-in mirror for selfies. The same ring is also compatible with Sony’s 20MP APS-C QX1 adapter so users will be able to fit Sony E lenses to the device, preview the image on the phone’s screen and control capture via the grip’s shutter release.

    The Meike MK-H6S PRO will cost £45/$ 65. For more information visit the Meike website.

    Articles: Digital Photography Review (dpreview.com)

  • Patents hint at camera on future Apple Watch

    A patent filed by Apple suggests it could include a camera on a future version of the Apple Watch. Patent application number 14774642, filed in 2013, covers a range of ideas, including a camera for selfies or scanning QR codes, and the possibility of fixed focal length and zoom lenses.

    The key phrase to note in the patent is: ‘Zero, one, or more cameras can be provided, depending on implementation,’ making clear that the company is casting its net as widely as possible, to allow it to include all, some or none of these ideas in future watches.

    The block diagram from the patent clearly shows that Apple has considered including a camera as part of the watch’s user interface. The patent suggests cameras could be included along the sides or on the front of the watch’s face.

    The patent covers the idea of a camera mounted on the side or top edge of the device for taking photographs or scanning QR codes. Another implementation suggests a camera that faces towards the user, allowing the shooting of selfies (or, though it’s not mentioned, streaming video for Facetime communication).

    The patent is careful to include both the idea of having a fixed focal length lens and of including a zoom lens with autofocus. As always with patents, none of this means Apple will include a camera in the next or future generations of watches, just that they want to protect the idea of doing so and want to protect all the possible implementations it has thought of.

    Articles: Digital Photography Review (dpreview.com)

  • Hasselblad to announce ‘game changer’ next week

    Hasselblad is on the verge of announcing a new camera that it claims will be a ‘game changer in the world of photography.’ Details are vague but the teaser image, showing a low viewfinder hump supports the rumors of a high-end mirrorless model aimed at the enthusiast and semi-pro camera market.

    The camera will be the first expansion of the Swedish company’s product line since it abandoned its much-ridiculed attempt to sell ‘luxury’ versions of Sony-derived models. In an interview with DPReview earlier this year, CEO Perry Oosting suggested the company had learned from the experience and would offer products that build on, and are more consistent with, the brand’s heritage as it sought to expand into different markets. 

    The launch will be broadcast live June 22nd at 5:00AM (PST) via the company’s YouTube channel. 

    Articles: Digital Photography Review (dpreview.com)

  • Serious spec: HTC 10 camera review

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    DPReview smartphone reviews are written with the needs of photographers in mind. We focus on camera features, performance, and image quality.

    The 10 is HTC’s latest flagship model, and while its predecessors that we tested were frankly disappointing in the camera department, the new model’s imaging specs show the 10 has potential to turn things around for the Taiwanese manufacturer.

    The main camera specification is centered around the same 1/2.3-inch 12MP sensor that we have seen on several recent top-end smartphones. Light is captured through a very fast F1.8 aperture and an optical image stabilization system keeps things steady in low light. The AF uses both contrast detection and a laser that measures the distance to the subject and for those who like optimizing images in post production the camera offers a 12-bit Raw mode. In video mode footage can be recorded in 4K resolution and the front camera is the first of its kind to come with optical image stabilization. At 1.34µm it also offers unusually large pixels and again a fast F1.8 aperture. 

    All other specifications, including the 5.2-inch Quad-HD display and Snapdragon 820 chipset are in line with the current crop of flagship devices, making the HTC 10 a possible mobile photography alternative to devices like the Samsung Galaxy S7 or LG G5. Read the full review to find out how it performed in our test.  

    Key Photographic / Video Specifications

    • 12MP 1/2.3-inch sensor with 1.55µm pixels
    • F1.8 aperture
    • OIS
    • 12-bit Raw
    • 4K video
    • 720p, 120fps slow-motion video
    • 5MP front camera with OIS, F1.8 aperture and 1.34µm pixel size

    Other Specifications

    • 5.2-inch QHD screen
    • Qualcomm Snapdragon 820 chipset
    • 4GB RAM
    • 32 or 64GB storage
    • microSD slot
    • 3,000mAh battery with Quick Charge 3.0
    • Hi-Res audio

    Articles: Digital Photography Review (dpreview.com)

  • OnePlus 3 announced with 16MP stabilized camera

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    Chinese startup OnePlus has announced its latest high-end device, the OnePlus 3. Like previous models the 3 offers flagship-level specifications and features at a mid-range price point. It is also the first OnePlus device that doesn’t require an invitation to purchase. It can be ordered now on the OnePlus website for $ 399.

    The main camera module is centered around a Sony IMX298 16MP sensor with on-sensor phase detection. The chip comes in the 1/2.8″ format and has a pixel size of 1.12-micron. The lens has a fast F2.0 aperture and optical image stabilization. The system is capable of recording Raw image data, 4K video and 720p slow-motion footage. At the front an 8MP Sony IMX179 sensor with 1.4-micron pixel size and F2.0 aperture is capable of recording digitally stabilized 1080p Full-HD video in addition to self-portraits.

    The rest of the specification reads very nicely as well, especially considering the 3’s price point. Images can be viewed and composed on a 5.5″ 1080p AMOLED display that is protected by Gorilla Glass 4. Android 6 is powered by a Qualcomm Snapdragon 820 chipset and a generous 6GB of RAM. There are 64GB of internal storage which unfortunately is not expandable. A fingerprint reader, dual-SIM connectivity and NFC are on board as well. The 3,000 mAh battery supports quick charging and all the technology is wrapped up in an anodized aluminum body that is available in Graphite and Soft Gold colors.

    Articles: Digital Photography Review (dpreview.com)

  • Rare 1964 NASA 1000mm F4.5 super telephoto lens to be auctioned

    A one-of-a-kind Birns and Sawyer Omnitar 1000mm f/4.5 lens commissioned by NASA in 1964 will soon be available to purchase through RR Auction. The lens is owned by Jim Headley, who introduced it to the public via Shutterbug. According to Headley, the lens weighs 70lbs / 32kg and measures 4ft / 1.2m in length by 10in / 25cm in diameter.

    The super telephoto lens was built by Astra in Germany, and was acquired by Headley through a close friend after that friend closed down his camera store. Headly says on his website that he adapted the lens to work with a Canon EOS 40D, ‘effectively making this a 1600mm f:4.5 lens with the digital crop.’ The lens still features a pair of NASA identification tags, as well as a ‘trash can-sized’ lens shade. 

    Headley plans to part with the giant lens, telling Shutterbug that it will be sold through an auction this fall by RR Auction in New Hampshire. Interested potential buyers can contact Jonathan Siefken at (603) 732-4280 for additional details.

    Articles: Digital Photography Review (dpreview.com)

  • D500 owner formally accuses Nikon of false advertising

    A disgruntled D500 owner has taken out a legal warning against Nikon advertising the camera as offering ‘integrated Wi-Fi.’ In the equivalent of a cease-and-desist order. Andreas V, from Butzbach, Germany says, that the term is misleading, given there are unusual restrictions to using the function.

    In the case of the D500, you need to use a compatible Android device with Bluetooth LE and the Snapbridge app to enable Wi-Fi: a restriction that is not commonly shared by other cameras, including Nikon’s own D750 and D7200 models.

    The D500 does have integrated Wi-Fi, but you can’t necessarily use it in the way you might expect.

    As highlighted in our review, although the D500 does have integrated Wi-Fi, it is distinctly reluctant to make use of it, mainly relying on the low bandwidth ‘Bluetooth LE’ technology for file transfer. At present even this system is available only to users of compatible Android devices, since an iOS app will not be available until later in the year. Unlike the D7200 and D750, there’s no way to directly make use of the camera’s Wi-Fi: it can only be initiated using Bluetooth from the Snapbridge app.

    Part of the customer’s complaint was that it was reasonable to assume he’d be able to use his camera in the same manner as he had his D7200, and that the labels on the box indicating compatibility with Apple devices implied the function was already available to users of such devices. He goes on to highlight that it would be possible for Nikon to offer a simpler (and more readily accessible) Wi-Fi system via a firmware update.

    The story, first reported in the German magazine Digitale Fotografie, and subsequently on Nikon Rumors, has attracted mixed responses. While there have been plenty of predictable ‘he should have done his research’ comments, there have also been words of support from people who believe Nikon should have made the system’s limitations clearer (or made the Wi-Fi simpler). What do you think?

    Articles: Digital Photography Review (dpreview.com)

  • Leica announces shortlist for the €35,000 Oskar Barnack award

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    Leica has released details of the 12 photographers that have been shortlisted for this year’s Oskar Barnack competition. The company says that over 3200 photographers from 108 countries submitted portfolios of 12 images to compete for the Leica Oskar Barnack Award and the Leica Oskar Barnack Newcomer Award. The top prize for the main award is €25,000 in cash as well as Leica M system equipment to the value of €10,000, while the Newcomer will win €10,000 and an M camera and lens. Each of the remaining 10 finalists receive €2500 in cash.

    Although the competition is open to all countries the majority of winners come from Europe this year, with France taking five of the shortlist slots on its own. Only one shortlisted photographer is from Leica’s home nation of Germany.

    The winner will be announced at a Berlin ceremony at the end of September during the run up to the European Month of Photography. For more information, and to see the complete portfolios of the shortlisted photographers (highly recommended), visit the Oskar Barnack Awards website.


    Press release:

    Leica Oskar Barnack Award 2016 finalists revealed

    Twelve finalists selected in prestigious international photographic competition

    Leica Camera has announced that the twelve finalists in this year’s ‘Leica Oskar Barnack Award’ have been selected. Chosen by a jury of prominent international experts, the complete portfolios in the categories ‘Leica Oskar Barnack Award’ and ‘Leica Oskar Barnack Newcomer Award’ can now be viewed at www.leica-oskar-barnack-award.com.

    This year, more than 3,200 photographers from 108 countries took part in and submitted their work to enter the long-established international photographic competition, organised by Leica Camera AG. This is a new record number of entrants in the history of the Leica Oskar Barnack Award. The announcement of both category winners will take place on 28 September at an official awards ceremony in Berlin. During EMOP Berlin – the European Month of Photography – Leica will publicly present the work of all twelve finalists for the first time in a grand exhibition at the ‘Neuen Schule für Fotografie Berlin’, from 29 September to 23 October 2016.

    The twelve finalists are as follows:

    • Juan Pablo Bellandi, Venezuela: ‘Chasing HAMPA’
    • Fulvio Bugani, Italy: ‘Soul y Sombras’
    • Scarlett Coten, France: ‘Mectoub’
    • William Daniels, France: ‘C.A.R.’
    • Vincent Delbrouck, Belgium: ‘New Paintings’
    • Guillaume Herbaut, France: ‘Ukraine: Maidan to Donbass’
    • Stéphane Lavoué, France: ‘The North East Kingdom’
    • Max Pinckers, Belgium: ‘Two Kinds of Memory and Memory itself’
    • Guilio Piscitelli, Italy: ‘Informal facilities in the Jungle’
    • Clémentine Schneidermann, France: ‘The Unbearable, the Sadness and the Rest’
    • Sadegh Souri, Iran: ‘Waiting Girls’
    • Esther Teichmann, Germany: ‘Mondschwimmen’

    The members of this year’s Leica Oskar Barnack Award jury were: Karin Rehn-Kaufmann, Chief Representative Leica Galleries International (Austria), JH Engström, photographer and last year’s award winner (Sweden), Christine Ollier, Art Director Galerie Filles du Calvaire (France), Chris Boot, Executive Director Aperture Foundation (USA) and Lorenza Bravetta, Director Camera – Italian Centre for Photography (Italy).

    Karin Rehn-Kaufmann, Chief Representative Leica Galleries International, said, “The entire jury was impressed by the number of entrants, and the ongoing diversity and quality of the portfolios from 108 countries entered in this year’s competition. This once again underlines the international importance of the Leica Oskar Barnack Award, to which we have responded this year with its new alignment. The return of the prestigious award to Germany, and the roots of the man who lent it his name, was a wish that was very close to our hearts. We are looking forward to sharing the delight of the finalists at the exciting award-giving ceremony and the grand exhibition in Berlin.”

    With prizes amounting to a total value of 80,000 euros, the Leica Oskar Barnack Award is one of the industry’s most prestigious photographic competitions. The winner in the main category will be honoured with a cash prize of 25,000 euros and Leica M-System equipment (a camera and lens) valued at an additional 10,000 euros. The winner of the Newcomer Award will receive a cash prize of 10,000 euros and will also be presented with a Leica rangefinder camera and lens. In order to honour the work of all twelve finalists, this year’s competition will be the first to award cash prizes of 2,500 euros each for the works of a further ten photographers in addition to the awards for the winners of the two main categories.

    A special issue of LFI Magazine presenting the winners and finalists, and their comprehensive portfolios, will be published to accompany the Leica Oskar Barnack Award.

    Articles: Digital Photography Review (dpreview.com)

  • Pelican Air 1535 Rolling Hard Case with TrekPak Dividers Review

    Pelican Air 1535 Rolling Case w/TrekPak Divider System
    $ 315/£220 | www.pelican.com | Buy Now

    For decades now, Pelican cases have been the go-to solution for anyone who needs maximum protection for their equipment. The company’s website is filled with user stories about explosions, lion attacks, shifting pack ice and airplane crashes where the gear inside the case survived. Recently, Pelican introduced the Air series of cases designed to be up to 40% lighter than their standard cases, with the same promises of extreme durability.

    Many working photographers will factor in things like maximum comfort and gear accessibility when choosing a bag. But when you travel thousands of miles every month and your gear puts the food on your table, getting everything there and home in one piece becomes secondary to things like leather accents or ventilated shoulder straps. In and out of planes, taxis, luggage carts and TSA inspection checkpoints, whatever is carrying your cameras, lenses, and accessories has to do its job well or you won’t have your job much longer.

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    It’s on those high standards that Pelican has built its reputation for being the ultimate in gear protection. I still remember being seeing promotional material showing a Pelican case being run over with a car and thinking that was pretty amazing. While I never had a case subjected to any of that sort of treatment, I did drop one off a chairlift back when I was doing snowboard filming. While I felt like an idiot, the miniDV camera inside survived just fine.

    At the time of announcement, Pelican also said that the Air cases (along with a few others in the lineup) would have the option of coming with the TrekPak divider system instead of the standard pick ‘n pluck foam or padded divider inserts. I recently had a chance to run the rolling airline carry-on sized Pelican Air 1535 with the TrekPak system through its paces.

    Specifications

    • Exterior 55.8 x 35.5 x 22.8 cm (21.96″ x 13.97″ x 8.98″)
    • Interior 51.8 x 28.4 x 18.3 cm (20.39″ x 11.20″ x 7.21″)
    • Weight 3.9 kg (8.69 lbs) without foam/inserts

    By way of comparison, the similarly sized Pelican 1510 weighs 5.4 kg (11.99 lbs) without foam. Pelican says that the weight savings in the Air series comes from a newly developed generation of their HPX resin as well as hollowing out or honeycombing areas (the latch clasps and the extending roller handle for example) that were previously solid.

    In Use

    Hard cases are big and clunky and something of a pain to use if you are used to soft bags and packs. They bang into things, aren’t particularly ergonomic, and are a hassle to schlep long distances. That said, one of the best compliments I can give the Air 1535 is that using it is just like the 1500 series cases I have used in the past, but much lighter. It loads, latches, and generally seems just as tough as every other standard Pelican case I have ever used.

    I would encourage anyone looking to get a hard case of this size to be sure to choose one with the roller option. Your back will thank you as you try to make it across a busy airport for a connecting flight. Even with the weight savings of the Air line, these things are still heavy loaded up. The 1535 loaded with the gear shown in the article images checked in at a beefy 11.3 kg/25 lbs.

    That said, there are a few minor frustrations that remain. For some reason, Pelican chose not to use the easy pushbutton latches from their Storm Case series. Pelican’s standard double-throw latches work well and have been proven over the years. However, they are also loud as heck (particularly when closing) and can be a bit difficult for some people to use because they require a bit of force to operate.

    ‘You should not expect the 1535’s wheels to
    easily go off-roading’

    Also worth noting is that the wheels on the 1535 do not protrude very far from the bottom of the case. This makes it easy to stack cases without them rolling around on each other, but it also means that there is not much ground clearance. You should not expect the 1535’s wheels to easily go off-roading, rolling on ground much rougher than airport concourses will lead to some scraping and scratches.

    Like most hard cases, the lid of the Air 1535 doesn’t open much past 90 degrees (straight up) and can easily flop shut when bumped or jostled. Just another reminder that these cases are for transport far more than for working out of.

    One nice new feature is the card holder. It clips in and out easily with the lid open, but locks in once the lid is closed, and can be mounted on the side or end of the case. It can be used as a luggage tag when traveling or for an equipment list while on location or in storage.

    TrekPak system dividers

    If the Air 1535 is the steady performer who has hit the weight room in the off season and come back in better shape, then the TrekPak system may be the rookie superstar.

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    Both the pick ‘n pluck foam and padded divider systems have taken care of camera gear for decades. The pick ‘n pluck foam is extremely protective and customizable to exactly the size and shape of the gear you are carrying, and the padded divider sets allow you to change the layout of your case for different gear and still protect quite well. But the foam is also fairly tedious to cut out correctly and doesn’t offer a way to use the same case for different gear without buying a whole new set of foam. Dealing with velcro can also be a hassle, and the more you change it, the more it breaks down. The TrekPak system claims to improve on both by offering a completely customizable system that not only protects but is easily modified.

    The TrekPak dividers are corrugated plastic sandwiched with 3mm/0.125″ of dense foam on each side. This makes for a light yet protective divider in between each piece of gear. Setup was easy – I took the gear that I wanted to carry in the Air 1535 and laid it out in the case. Then I took a measurement for each divider and used the clever TrekPak cutter to trim the sections to fit. A U-shaped pin with a ribbon pull-tab holds the dividers together and allows for legitimately quick and easy repositioning.

    ‘I do admit to feeling somewhat uncomfortable making the cuts, as if perhaps I had made a decision that I was going to regret down the road’

    All together, it took me around 30 minutes to get everything cut and laid out. And to be honest, a lot of that time was spent dithering about how I wanted to organize. I do admit to feeling somewhat uncomfortable making the cuts, as if perhaps I had made a decision that I was going to regret down the road. This is probably a point in favor of the padded dividers, if I’m being honest.

    That said, you do get 80 inches of the TrekPak dividers (and 20 ‘U’ pins) to set up your case. Extra divider sections are available and are not terribly expensive, ranging from $ 3.50 to $ 15 depending on size.

    What’s the bottom line?

    Hard cases are bulky, less comfortable to carry and heavier than soft-sided bags. But when you need a hard case, there is no soft case that can do the same job. If you are looking for an airline carry-on sized hard case, there is every reason to consider the Pelican Air 1535. Significantly lighter but just as tough as the original 1500 series cases, the Air 1535 will protect your gear while giving you a much better shot at avoiding airline overweight fees.

    While the older style pick ‘n pluck foam and padded divider systems certainly worked well enough, the TrekPak system is well ahead of the other options for anyone who thinks they might be carrying different gear regularly.

    Overall, the 1535 with the TrekPak dividers would easily be my first choice if I were going to be doing a lot of traveling with my gear. These cases aren’t cheap, but neither is the gear they protect. I wholeheartedly trust the Air 1535 to get everything there and back in one piece; there’s not a lot more you can ask from a case like this.

    What we like

    • Lighter weight than previous Pelican cases, still tough-as-nails
    • Conforms to carry-on sizing rules (check your specific airline)
    • TrekPak is easy to customize while still light and sturdy
    • Roller option is a back-saver
    • Clever card holder

    What we don’t like

    • Expensive
    • Still heavy compared to typical bags/packs
    • Latches are loud and can be tough to use

    Articles: Digital Photography Review (dpreview.com)