Category: Uncategorized

  • Wireless tethering on a budget: control your camera from your phone or tablet for $40

    Wireless tethering is nothing new, but it’s not exactly a cheap proposition. Well, that’s changed, as Seattle-based photographer Alan Lawrence shows on his blog. For around $ 40, you can wirelessly control and transfer images from your camera to your phone or tablet.

    In short, this DIY wireless tethering requires a TP-Link MR3040 Battery Powered 3G Wireless Router, some software, a USB cable, and some time. Lawrence says the router is similar-looking to the CamRanger, a device that offers tethering functionality out-of-the-box, but the router retails for under $ 30 compared to the CamRanger’s $ 299 MSRP.

    Once you’ve got your hands on the router (and he does say you need a specific version, which is the one linked above), you’ll need a $ 9 app called DSLR Dashboard for Android, or QDSLR Dashboard for iOS. The last thing you’ll need is a compatible USB cable, and you’re almost in business.

    The DSLR Dashboard website has a link to download new firmware for the router, and once you’ve updated that, all you have to do is connect to the wireless network you’ve set up and launch the app. You can control your camera from your device and download files instantly after you’ve taken them.

    You can read all the nitty gritty details over on Alan Lawrence’s blog.

    Articles: Digital Photography Review (dpreview.com)

  • Hasselblad and DJI announce 50MP medium-format drone kit

    The first product of the collaboration between Chinese drone maker DJI and Swedish medium-format camera manufacturer Hasselblad will be a long range drone fitted with the same 50MP CMOS sensor that is used in a number of current medium-format cameras, including the new X1D mirrorless camera.

    What the companies are calling a ‘fully integrated aerial photography platform’ will combine DJI’s industrial Matrice 600 drone with Hasselblad’s recent A5D aerial camera. The camera, which has no moving parts of its own, will come with an adapted HC 50mm F3.5 lens that has its focus set to infinity. When used with the 50c sensor the lens offers a view similar to that which we would expect from a 42mm lens on a 35mm system camera.

    DJI’s M600 can carry a maximum of 6kg/13.2lb which the company says means it can carry the Hasselblad A5D and a Ronin-MX gimbal ‘with ease’ – together the camera, lens and gimbal will weigh just over 4kg/8.95lb.

    As both products are already on sale the bundle deal is available now priced $ 25,999/€24,400/¥189,999 (Chinese yuan) – all before tax. The UK price has yet to be announced. For more information see the Hasselblad and the DJI websites – below are a couple of official samples from Hasselblad.

    ISO 100, F6.3, 1/500sec
    ISO 100, F4.5, 1/800sec

    Press release:

    DJI and Hasselblad introduce first joint aerial photography package

    First fully integrated aerial photography platform combines DJI’s M600 with Hasselblad’s A5D.

    DJI and Hasselblad today announced a fully integrated high-end aerial camera-platform bundle made up of Hasselblad’s aerial medium format camera A5D and DJI’s professional flying platform M600.

    The A5D-M600 bundle is the first joint product following DJI’s recent investment in Hasselblad. The combination of the M600 and the A5D provides users with today’s most advanced aerial optics and sensors integrated with one of the world’s most reliable aerial platforms. In addition, the two companies are looking at additional joint products for the future.

    ‘Combining best-in-class aerial optics with the world’s most powerful aerial platform is a natural development for DJI and Hasselblad. We are delighted to provide this unique bundle to professional photographers, surveyors and mappers’, said Perry Oosting, CEO of Hasselblad.’

    DJI’s M600 is designed for maximum performance and smart flight safety. The M600 is fully compatible with DJI’s advanced gimbal system the Ronin-MX. It comes fully equipped with 6 intelligent batteries, A3 flight controller, Lightbridge 2 Professional HD transmission system, a dust-proof propulsion system and powerful app control.

    Hasselblad’s A5D camera combines the world’s best optics and sensors with a modern, compact design. The sensors are almost twice the size of those used in today’s best 35 mm DSLR cameras and the A5D lens comes in 50 mm.

    Hasselblad’s Natural Colour Solution (HNCS) comes standard and helps optimize difficult color gradations straight out of the box. The A5D has a strong seal on the camera body and sensor unit preventing dust in the optical system.

    Articles: Digital Photography Review (dpreview.com)

  • Huawei’s Honor 8 comes with dual cam, no Leica branding

    Huawei has today announced the latest high-end model of its sub-brand Honor. The Honor 8 is in many ways a smaller version of the phablet-device Honor V8 and also has a lot in common with Huawei’s current flagship P9. Like the P9, it comes with a 5.2-inch 1080p IPS display and a dual-camera setup. The main imaging module combines the images of two 12MP sensors with F2.2 aperture but has to make to without the P9’s Leica Summarit branding.

    In terms of memory the device offers up to 4GB of RAM and 64GB of expandable storage. Android 6 and Huawei’s EMUI 4.1 are powered by the Chinese manufacturer’s in-house chipset Kirin 950 and like on the P9 there is a fingerprint sensor on the back for increased security. The 3,000 mAh battery is charged via a USB Type-C port.

    The Honor will become available in China on July 19th. The base model with 3GB of RAM and 32GB of storage will cost approximately $ 298, the top-end version with 4GB RAM and 64GB storage will set you back approximately $ 335. No information on international availability has been revealed yet but it can be assumed the Honor 8 will be available to purchase in other regions soon. 

    Articles: Digital Photography Review (dpreview.com)

  • New infrared image of Orion Nebula surprises ESO researchers

    ESO/H. Drass et al. Music: Johan B. Monell (www.johanmonell.com)

    A new image from the European Southern Observatory in Chile is making researchers reconsider what they thought they knew about the Orion Nebula. The image comes courtesy of the Very Large Telescope’s HAWK-I infrared imager, and provides the deepest view of the nebula ever recorded. According to ESO, the imagery ‘reveals many more very faint planetary-mass objects than expected.’

    Multiple infrared exposures were layered to get this new look into the nebula, and you can see a comparison of how the infrared images compare to visible light. ESO has made the videos available for download in resolutions up to 4K.

    Articles: Digital Photography Review (dpreview.com)

  • Sony prices 70-200mm F2.8 GM OSS G Master at $2600

    Sony’s premium telezoom for full-frame will cost $ 2600 when it reaches US consumers in July. The 1.4x and 2.0x teleconverters designed for the 70-200 will each cost $ 550 and are also expected to ship in July.

    A recent announcement from Sony Japan indicated that the 70-200 would be delayed until September, but according to Sony US, the lens will indeed be available to customers in North America this month. The September release date still stands for Japan.


    Press release:

    Pricing and Availability – New FE 70-200mm f/2.8 GM OSS G Master lens. Teleconverters and Wireless Lighting Control System

    Today, Sony has also released pricing and ship timing for the FE 70-200mm f/2.8 GM OSS G Master lens, 1.4x and 2.0x teleconverters plus their new wireless lighting control system. All products were introduced earlier this year.

    One of the most eagerly anticipated lenses of the year, the Sony FE 70-200mm f/2.8 GM OSS G Master lens takes its place as the flagship telephoto zoom in the Sony lens lineup. Featuring built in Optical Stead Shot (OSS) and a fast f/2.8 maximum aperture across the zoom range, the lens will be an ideal fit for nature, sports, travel, fashion, beauty and wedding photographers. This lens will ship this July for a retail price of $ 2,600 US and $ 3,300 CA.

    Designed exclusively to fit the 70-200mm F2.8 G Master lens, the new 1.4x and 2.0x teleconverters (models SEL14TC and SEL20TC) will both be sold for the same retail price of about $ 550 US and $ 700 CA, and will ship this July.

    The versatile new wireless flash and control system – comprised of the FA-WRC1M wireless radio commander and the FA-WRR1 wireless radio receiver – was designed to meet the growing demands of professional Sony photographers. With a maximum range of 30m (approx.. 98 feet) and the ability to control a maximum of 15 separate flash units in 5 different groups, it offers a flexible wireless flash shooting experience with exceptional performance.

    The FA-WRC1M commander will be sold for about $ 350 US and $ 480 CA. The FA-WRR1 receiver will be sold for about $ 200 US and $ 280 CA. Both products will ship this August.

    The new lenses, teleconverters and wireless lighting system will be sold at a variety of Sony authorized dealers throughout North America.

    A variety of exclusive stories and exciting new content shot with the new lenses, accessories and other Sony ? products can be found at www.alphauniverse.com, Sony’s new community site built to educate, inspire and showcase all fans and customers of the Sony ? brand.

    Articles: Digital Photography Review (dpreview.com)

  • Photographer captures kayakers with help from drone-mounted Speedlites

    Australian adventure photographer and Canon Master Krystle Wright is the subject of a new video from Canon in which she details photographing kayakers with the EOS-1D X Mark II. Wright captures the kayakers dropping down a 60ft waterfall in near darkness with help from a drone rigged with two 600-EX Speedlites.

    ‘With the way the world is these days, there’s so many images being produced,’ she explains, ‘you really have to push hard to create something that is unique.’ We’d say the unique approach definitely paid off with some memorable shots.

    Articles: Digital Photography Review (dpreview.com)

  • 2016 iPhone Photography Award winners announced

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    The organizers of the iPhone Photography Awards (IPPAWARDS), one of the longest running mobile photography contests, have announced the winners of the 2016 competition. The grand prize this year goes to an image titled ‘The Man and the Eagle’ by Chinese photographer Siyuan Niu.

    “The brave and wise Khalkhas live along the mountains in the south of Xinjiang and are companions with the eagles. They regard eagles as their children and train them for many years to hunt. This 70 year old man is rigid and solemn in front of family and friends, but when he is with his beloved eagle, the corner of his mouth would curve up. When the eagles reach mating age, although he is very reluctant, the man releases the eagles back into nature so that they can thrive. A mild heart and exquisite love are covered by his weather-beaten face. He is a tough man with a tender heart.”

    The contest covers a wide range of categories and winning images were selected from thousands of submissions made by photographers from 139 countries. In the gallery above you can see the grand prize winning shot and some of the category winners. Head over to the IPPAWARDS website to see all winning images.

    Articles: Digital Photography Review (dpreview.com)

  • 8K Helium Super 35mm sensor on the way from RED

    Movie camera manufacturer RED has announced that it will be introducing a new 8K sensor that it is calling Helium. At 29.9×15.77mm the new sensor is much smaller than the current 8K Dragon sensor, which measures 40.96×21.6mm, but both sensors have 8192×4320 pixels.

    The attraction of the new Helium sensor is that a wider range of lenses will provide sufficient coverage for its shorter diagonal, even though it is slightly larger than the standard Super 35mm format. It should also be easier to make and may take some of the pressure off the company’s difficult delivery of the larger Dragon 8K VistaVision sized sensor. The Helium is designed to operate in the same Weapon camera, but the company’s CEO Jarred Land also let on that a new camera, the Epic-W, will also come with the new sensor.

    The announcement was made in a casual way in Land’s July Update on the Red User forum and via pictures posted on Land’s Instagram and Facebook pages, as well as those of the company designer’s Matthew Tremblay. Little technical detail has been released so far, but it is known that the pixels will be just 3.65 microns and that the sensor will be available in ‘coming months’.

    For more information see the RED website and REDuser forum.

    Articles: Digital Photography Review (dpreview.com)

  • Sony announces FE 50mm F1.4 ZA prime lens

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    Sony has announced its new Planar T* FE 50mm F1.4 ZA lens. This full-frame fast prime features an 11-blade aperture for circular out-of-focus highlights even as you stop down, ‘Advanced Aspheric’ and ED lens elements and Zeiss’ T* coating. Sony says that the lens’ Planar design minimizes distortion. 

    The lens is similar in construction to the FE 35mm F1.4. It’s weather-sealed and uses Sony’s Super Sonic Wave Motor for quick and quiet autofocus. A clicked aperture ring can be de-clicked if desired for smooth aperture control in video.

    At a recent shooting event in San Diego, we had a chance to go hands with this fast prime (view our gallery here). Despite being a bit heavy, the lens handles beautifully. We were very impressed by sharpness: subjects placed far off-center remained sharp even wide open, despite the 42MP Sony a7R II sensor resolution. Indeed, MTF curves indicate an impressive 60% response is maintained across the frame wide open even at 40 line pairs / mm. Our initial shots also indicate that axial chromatic aberration (green and purple fringing) are very well controlled, and bokeh appears very smooth, both of which add to this lens’ appeal over options like the Sony FE 55mm F1.8 ZA.

    The FE 50mm F1.4 ZA lens will be available this month at a price of $ 1500.

    Sony Planar T* FE 50mm F1.4 ZA specifications

    Principal specifications
    Lens type Prime lens
    Max Format size 35mm FF
    Image stabilisation No
    Lens mount Sony FE
    Aperture
    Aperture ring Yes
    Number of diaphragm blades 11
    Optics
    Elements 12
    Groups 9
    Special elements / coatings 2 aspherical + 1 ED element + Zeiss T* coating
    Focus
    Minimum focus 0.45 m (17.72)
    Maximum magnification 0.15×
    Autofocus Yes
    Motor type Ring-type ultrasonic
    Full time manual Yes
    Focus method Internal
    Distance scale No
    DoF scale No
    Physical
    Weight 778 g (1.72 lb)
    Diameter 84 mm (3.29)
    Length 108 mm (4.25)
    Sealing Yes
    Colour Black
    Filter thread 72.0 mm
    Hood supplied Yes
    Hood product code ALC-SH143

    Press Release:

    Sony Releases Full-Frame FE 50mm F1.4 ZA Prime Lens

    A quintessential wide-aperture 50mm “normal” lens, the new ZEISS® Planar F1.4 offers high resolution, high-contrast and overall exceptional performance

    SAN DIEGO, July 11, 2016 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced a new full-frame lens for their E-mount camera system, the Planar T* FE 50mm F1.4 ZA (model SEL50F14Z).

    This 50mm prime lens features a large F1.4 maximum aperture that offers impressive contrast and outstanding resolution that are hallmarks of the ZEISS® brand. It produces these consistently strong qualities throughout the entirety of the frame – from center to corner – and at all aperture settings, even while shooting wide open at F1.4. The cutting edge optical structure includes high-precision AA (Advanced Aspherical) and ED (Extra-low Dispersion) glass elements that reduce spherical and chromatic aberration, as well as a ZEISS® T* Coating that minimizes flare and ghosting creating the classic ZEISS® clarity. Additionally, its Planar design ensures minimal distortion.

    The large F1.4 maximum aperture of the FE 50mm F1.4ZA lens provides a level of brightness and speed that are advantageous for dimly lit indoor shots, night scenes, and portraits, while its 11-bladed circular aperture allows for stunning “bokeh”, or background defocus, in images. The lens also features an aperture ring with an adjustable ON/OFF switch, an AF/MF focus mode switch, and a dust and moisture resistant design¹, further increasing its functionality.

    The new lens is also equipped with a ring drive SSM (Super Sonic wave Motor) system, which allows it to efficiently lock focus with speed, precision and in near silence, making it particularly useful for shooting movies.

    Pricing and Availability – FE 50mm F1.4 ZA Lens

    The new FE 50mm F1.4 ZA lens will ship this July for a retail price of $ 1,500 US and $ 1,950 CA. The new FE interchangeable lens will be sold at a variety of Sony authorized dealers throughout North America.

    Articles: Digital Photography Review (dpreview.com)

  • Hands-on with Sony’s wireless flash system, arriving in August

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    Sony’s wireless radio flash trigger system, introduced back in March, is headed to retailers this August. The system is comprised of a ‘commander’ (FA-WRC1M) and a receiver (FA-WRR1). There can be up to 5 groups, each of which can contain 15 flashes. A standard sync port on the receiver allows for control of studio strobes with ease, though of course you’ll lose TTL capabilities. High Speed Sync (HSS) is also supported. The system has a maximum range of 30m/98ft, and the commander unit sports a large LCD with an intuitive user interface.

    What we like

    At a recent shooting event in San Diego, CA, I got some brief hands-on time with the new transmitters and receivers, and was pleased with how intuitive the user interface was (not something you can always take for granted with flash systems). For the shot below, I used E-TTL with three flashes (groups) – one (A) at camera right for some harsh side-lighting, one (B) front left of model Eliza as the key, and one (C) directly in front of her for a tiny bit of balance to the overall light. I dialed in my exposure manually to ensure ambient was drowned out, then varied the ratios of groups A, B, and C on the transmitter’s LCD with ease until I got the lighting just as I wanted it. Essentially, it all worked just as I’d expect it to. Adjust flash ratios, groups, Manual power, Flash Exposure Compensation are all very intuitive and direct. Furthermore, the option of triggering studio probes was very handy. Studio shooters: rejoice.

    What we’re less pleased with

    If you’re an event shooter, I was less pleased with the lack of an AF assist beam on the transmitter. This speaks to a larger problem with Sony mirrorless: no Sony E-mount camera will trigger any off-camera AF assist beam. Red/IR AF assist beams are a boon to any event photographer; for example, I rely on it for fast AF at dim wedding receptions, where all my flashes are off-camera for dramatic lighting. In such scenarios, AF assist beams on transmitters allow the camera’s AF system to focus in near-darkness, obviating the need for a heavy flash on-camera. Sony’s continued lack of any support of off-camera assist beams on transmitters or flashes is unfortunate, given Sony’s desire for acceptance by pros, and considering that in our own lab tests, Sony’s a7R II and a6300 focus incredibly well with red/IR assist beams triggered by Canon/Nikon systems (contrary to the belief of many that on-sensor phase-detect AF systems can’t ‘see’ these beams).

    While one can fault both Canon and Nikon for similar oversights in their latest radio triggered flash systems, we find the omission increasingly unforgivable given that 3rd party options like Phottix and Yongnuo do offer AF assist beams on their radio triggers. Yet while these 3rd party options do at least work on Canon and Nikon DSLRs, they fail entirely to trigger AF beams on Sony FE cameras, due to Sony’s continued lack of support of AF assist beams (save for the largely useless one built into the camera).

    We’re hopeful that this is something Sony will address in the future. It’s by no means a deal-breaker though for what appears to be a very capable radio trigger system that should find a way into your kit if you shoot with Sony flashes.

    Both the commander and receiver will be available in August at $ 350 and $ 200, respectively.

    Pricing and Availability – New FE 70-200mm f/2.8 GM OSS G Master lens. Teleconverters and Wireless Lighting Control System

    Today, Sony has also released pricing and ship timing for the FE 70-200mm f/2.8 GM OSS G Master lens, 1.4x and 2.0x teleconverters plus their new wireless lighting control system. All products were introduced earlier this year.

    One of the most eagerly anticipated lenses of the year, the Sony FE 70-200mm f/2.8 GM OSS G Master lens takes its place as the flagship telephoto zoom in the Sony lens lineup. Featuring built in Optical Stead Shot (OSS) and a fast f/2.8 maximum aperture across the zoom range, the lens will be an ideal fit for nature, sports, travel, fashion, beauty and wedding photographers. This lens will ship this July for a retail price of $ 2,500 US and $ 3,300 CA.

    Designed exclusively to fit the 70-200mm F2.8 G Master lens, the new 1.4x and 2.0x teleconverters (models SEL14TC and SEL20TC) will both be sold for the same retail price of about $ 550 US and $ 700 CA, and will ship this July.

    The versatile new wireless flash and control system – comprised of the FA-WRC1M wireless radio commander and the FA-WRR1 wireless radio receiver – was designed to meet the growing demands of professional Sony photographers. With a maximum range of 30m (approx. 98 feet) and the ability to control a maximum of 15 separate flash units in 5 different groups, it offers a flexible wireless flash shooting experience with exceptional performance.

    The FA-WRC1M commander will be sold for about $ 350 US and $ 480 CA. The FA-WRR1 receiver will be sold for about $ 200 US and $ 280 CA. Both products will ship this August.

    The new lenses, teleconverters and wireless lighting system will be sold at a variety of Sony authorized dealers throughout North America.

    Articles: Digital Photography Review (dpreview.com)