Category: Uncategorized

  • EyeEm opens web uploader tool to everyone

    Photography community and marketplace EyeEm is making it easier for photographers to join its service by opening up its Web-based image uploading tool to all new and existing users. The uploader tool first launched last year for Market users looking to sell their photos through EyeEm. Using the tool, photographers can transfer images from services like Flickr and Google Drive to EyeEm, the latter of which auto-suggests tags based on an analysis of each image.

    EyeEm supports uploading images from a local computer and the Web services Flickr, Dropbox, Google Drive, and Picasa. After a photo is uploaded, users can add the photo location, manually add tags, and choose from auto-suggested tags. Users can also opt in to EyeEm Market, where they may sell photos and receive 50% of the sale price.

    It’s no coincidence that EyeEm’s announcement comes on the heels of the news that Yahoo-owned Flickr will soon be owned by Verizon. A post on EyeEm’s blog appeals to those who are ‘concerned about the unclear future of Flickr’, and stresses that easy importing and auto-tagging should ease the pain of making the transition from another photo sharing community. 

    Articles: Digital Photography Review (dpreview.com)

  • Xiaomi Redmi Pro offers dual-cam and OLED technology at budget price point

    Chinese electronics manufacturer Xiaomi has today announced the latest model in its affordable Redmi line of smartphones. Looking at the device’s body materials and specifications it would not look out of place in the company’s flagship Mi series, though. 

    In the imaging department the Redmi Pro features a dual-camera setup that combines a 13MP Sony IMX258 1/3.06″ sensor with a 5MP Samsung depth sensor. The dual-cam does not offer any optical zoom capability, like on the LG G5, nor does it combine the captured image information from both sensors for improved image quality, like on the Huawei P9. Instead, it uses the dual-camera to simulate the bokeh of a fast lens on a large-sensor camera, something we first saw on the HTC One M8. Like on the HTC and several other dual-cam devices, you can change the focus point of the image post-capture in the gallery app. 

    There is also a dual-tone LED flash and at the front the Xiaomi comes with a 5MP selfie-camera. Images can be viewed and composed on a 5.5″ 1080p OLED display with full NTSC gamut. A fingerprint reader is on board for increased security and all the electronics are provided with power by a beefy 4050mAh battery that supports quick charging via a USB Type-C port.

    The components are wrapped up in a gold or silver brushed metal unibody that gives the device a premium look. The Redmi Pro comes comes in several versions that differ in terms of processor power and memory. Pricing starts at approximately $ 225 for the deca-core Helio X20 chipset, 32GB of storage and 3GB RAM and go up to approximately $ 300 for the faster Helio X25 chipset with 128GB storage and 4GB of RAM.

    Articles: Digital Photography Review (dpreview.com)

  • Microsoft Pix aims to capture better people pictures

    Microsoft has released a new camera app that puts its focus on taking better pictures of people. The Pix app is now available for iPhone and iPad, and Microsoft says an Android version is in the works. When active the app is constantly recording and saves 10 frames before and after its shutter button is pressed. A series of algorithms then analyzes the recorded images, evaluating technical quality characteristics, such as sharpness or exposure, but also looking at facial expressions of human subjects.

    Based on those characteristics among others, the app then selects three best shots and presents them to the user. The filtered shots are discarded to save space, but not before the image information contained in them is used to enhance the selected shots. For example, the app can brighten app images that have been captured in very dark conditions. 

    Additionally, Pix converts a bunch of similar images into a moving Live Image, but only if it thinks the motion in the scene is interesting. The app also integrates Microsoft’s Hyperlapse feature. In addition to recording stabilized time-lapses, in its latest incarnation it also allows you to turn existing images into time-lapses or simply stabilize previously recorded video footage. 

    One of the most interesting aspects of Pix is that we can expect the app to get better with time. Anonymized settings data and information on what pictures users delete or favorite is sent back to Microsoft where developers look at the data and fine-tune the app’s algorithms accordingly. Microsoft Pix for iOS can now be downloaded from the Apple App Store.

    Articles: Digital Photography Review (dpreview.com)

  • Fear, Laziness & Change

    Fear Laziness Change – Lazy, slow and un-imaginative industries , companies and people


    Fashion Photography Blog

  • Nikon introduces ultra-fast AF-S 105mm F1.4E ED prime lens

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    Nikon has unveiled the AF-S Nikkor 105mm F1.4E ED, the fastest full-frame lens of its kind with autofocus. Resistant to dust and moisture, the lens uses 14 elements in 9 groups, including 3 ED elements, along with Nano Crystal and fluorine coatings. The lens has 9 rounded aperture blades, and the aperture is electronically controlled, which keeps exposure consistent while shooting high-speed bursts. As you might expect, this is a heavy lens, weighing in at 985g/2.1lbs.

    The 105mm F1.4 is expected to ship in late August with a $ 2,199.95 MSRP.

    Press release:

    GLAMOROUS GLASS: NIKON CELEBRATES 100 MILLION NIKKOR MILESTONE AND THE INTRODUCTION OF THE AF-S NIKKOR 105mm f/1.4E ED LENS

    MELVILLE, N.Y. (July 27, 2016 AT 12:01 A.M. EDT) – Today, Nikon Inc. is celebrating a momentous NIKKOR production milestone as well as the announcement of the AF-S NIKKOR 105mm f/1.4E ED, a premium lens for the most discerning photographers. This luxurious new medium-telephoto lens is engineered to help create flattering images with gorgeous bokeh, while delivering impressive sharpness and beautiful color rendition. As a testament to a lasting legacy of high-caliber lenses, Nikon has also announced that NIKKOR lens production has reached the landmark achievement of 100 million units produced worldwide.

    “Surpassing the 100 million lenses produced milestone is a great honor and a testament to the photographers who both love and rely on NIKKOR glass to get the job done,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc. “The AF-S NIKKOR 105mm f/1.4E ED represents the embodiment of the NIKKOR line of high-quality lenses, giving photographers a robust, well-balanced lens that provides intense sharpness, astounding image quality and background bokeh that is sure to be a favorite among portrait photographers.”

    Captivating Image Quality
    The AF-S NIKKOR 105mm f/1.4E ED is a fast, full-frame (FX-format), medium-telephoto prime lens and is the world’s first1 to strike the impeccable balance of 105mm focal length and large f/1.4 aperture for a truly outstanding optic. This new NIKKOR lens is ideal for professional and advanced enthusiast photographers, especially those capturing portraiture, from in-studio fashion to a golden hour engagement session on the beach. These users will love the precise sharpness from this fantastic glass, which provides a flattering compression to subjects with a sensational, sultry bokeh. Beyond the gorgeous image quality lies stellar resolving power, especially when used with Nikon DSLRs such as D5, D810 or D750.

    The 105mm f/1.4E is a fast lens with endearing character, providing stellar optical performance, even in the peripherals. Sharp rendering is attained for shooting distant subjects throughout the aperture range – from maximum aperture to being stopped down by several stops. Gradual alteration from the focal plane helps render subjects in high-fidelity with a natural depth, giving colorful portraits and landscapes that little bit of extra “pop” to help create a truly distinct image. The AF-S NIKKOR 105mm f/1.4 is also an excellent choice for low-light photography, as its large maximum aperture allows photographers to shoot at the fastest possible shutter speeds. Additionally, this lens can reproduce point light sources faithfully without sagittal coma flare, even on the edges of the frame.

    Masterful Lens Construction
    Decades of precision, knowledge and experience are put forth into every NIKKOR lens, and the AF-S NIKKOR 105mm f/1.4E ED is an exceptional example of brilliant craftsmanship and Nikon technologies merging. Packed with the latest advanced optical innovations, the 105mm f/1.4 features Nikon’s electromagnetic aperture control technology for consistent exposures, even during high speed continuous shooting.2

    On the outside, solid build quality is well-balanced for all-day shooting, while the lens is sealed and gasketed to resist dust and moisture. Additional Fluorine coatings are used on the front and rear elements, so that smudges, dirt or moisture are easily removed. Inside the lens, the optical formula consists of 14 elements in nine groups, which include three ED glass elements. A 9-blade diaphragm further helps to create a circular, pleasing out of focus area. The lens also features Nikon’s Nano Crystal Coat technology to significantly reduce instances of ghosting and flare.

    The new AF-S NIKKOR 105mm f/1.4E ED joins other NIKKOR f/1.4 lenses in the Gold Ring Series, which include only premium primes with Nano Crystal Coat and pro-grade build quality. These other lenses include the AF-S NIKKOR 24mm f/1.4G, AF-S NIKKOR 35mm f/1.4G, AF-S NIKKOR 58mm f/1.4G, AF-S NIKKOR 85mm f/1.4G.

    A Landmark in the NIKKOR Legacy
    Nikon is also pleased to announce that the total production of NIKKOR lenses for Nikon interchangeable lens cameras reached the landmark 100 million milestone in mid-July 2016.

    With a robust line-up of high-quality lenses for all types of photographers, the NIKKOR name has become synonymous with a rich history of superior lenses. Nikon continues to introduce new NIKKOR lenses that further optical technology, utilizing cutting-edge techniques and knowledge from experience cultivated over its long history. Such revolutionary advancements include Nano Crystal Coat, which acts as a powerful anti-reflection coating, and significantly reduces instances of ghosting and flare. More recently, NIKKOR lens technologies such as the use of Phase Fresnel (PF) and Fluorite elements have helped to create smaller and lighter lenses with superb balance and handling. Many NIKKOR lenses now also feature a Fluorine coat that helps repel a variety of contaminants such as dust, dirt, water, oils and grease. The introduction of an electromagnetic diaphragm has also helped to create lenses that provide consistently crisp exposures, even during high-speed shooting.

    Pricing and Availability
    The AF-S NIKKOR 105MM f/1.4E ED will be available in late August for a suggested retail price (SRP) of $ 2,199.953. For more information on Nikon’s latest products including their newest NIKKOR lenses, please visit www.nikonusa.com.

    1: Among AF lenses for digital SLRs compatible with FX-format image sensor; as of July 27, 2016; statement based on Nikon research

    2: The lens incorporates an electromagnetic diaphragm mechanism. The following cameras are compatible with this lens: D5, D4 series, D3 series, Df, D810, D810A, D800 series, D750, D700, D610, D600, D500, D300 series, D7200, D7100, D7000, D5500, D5300, D5200, D5100, D5000, D3300, D3200, D3100, Nikon 1 J1, J2, J3, J4 with FT-1, Nikon 1 V1, V2, V3 with FT-1, Nikon 1 S1, S2 with FT-1 

    3: SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

    Nikon AF-S Nikkor 105mm F1.4E ED specifications

    Principal specifications
    Lens type Prime lens
    Max Format size 35mm FF
    Focal length 105 mm
    Image stabilization No
    Lens mount Nikon F (FX)
    Aperture
    Maximum aperture F1.4
    Minimum aperture F16
    Aperture ring No
    Number of diaphragm blades 9
    Aperture notes Rounded blades
    Optics
    Elements 14
    Groups 9
    Special elements / coatings Three ED elements + Nano Crystal and fluorine coatings
    Focus
    Minimum focus 1.00 m (39.37)
    Maximum magnification 0.13×
    Autofocus Yes
    Motor type Ring-type ultrasonic
    Full time manual Yes
    Focus method Internal
    Distance scale Yes
    DoF scale No
    Focus distance limiter No
    Physical
    Weight 985 g (2.17 lb)
    Diameter 95 mm (3.72)
    Length 106 mm (4.17)
    Sealing Yes
    Filter thread 82.0 mm
    Tripod collar No

    Articles: Digital Photography Review (dpreview.com)

  • Adobe Lightroom launches for Apple TV

    Adobe has announced the launch of Lightroom for Apple TV. The app is available now from the App Store, and is compatible with all fourth-generation Apple TV devices. Users must have an Adobe Creative Cloud subscription to log in and access their photos. Once logged in, photos can be accessed as collections and showcased in slideshows. You can’t do any actual editing in the app – it’s for viewing photos only.

    Via: Adobe Blog

    Articles: Digital Photography Review (dpreview.com)

  • Leica improves Q functionality with firmware 2.0

    Leica’s Q compact camera has been given a functionality boost with a firmware update that adds the option to shoot Raw-only, and extends the longest shutter speed from 30 seconds to 120 seconds. Firmware version 2.0 makes a number of changes to the way the full-frame 24MP camera operates adding some new features and fixing issues that made handling difficult in some cases.

    The AF system functionality has been changed to allow different sized AF selection areas, while at the same time correcting an ability to focus on subjects outside the picture area when shooting in the cropped modes. Face detection also now reverts to multi-area AF when no face is detected in the scene. A useful new feature automatically switches the camera to use the rear LCD to display image review and menu navigation when the EVF is being used – for viewfinder photographers who prefer to see their images and menus in a larger format. Additionally, now user profiles can be accessed via the rather under-utilized Function button.

    Leica Q owners can download the new firmware via the Leica website.

    Press release: 

    Leica releases firmware update 2.0 for Leica Q

    Leica has released firmware update 2.0 for the Leica Q, bringing numerous new features to the highly successful full-frame compact camera. The update is available to download now from the Leica web site.

    Leica works continuously in close collaboration with Leica photographers on the development and optimisation of its products, and, as a result, a number of enhancements in this latest firmware update have been based on specific customer recommendations and suggestions.

    The first of several improvements, DNG format can now be selected as a separate option in addition to JPG and DNG + JPG, allowing photographers to save space on their memory card.

    An optimised EVF mode makes navigation even easier than before. With this firmware update, a press of the Menu or Play button now allows the user to switch straight to menu control / picture assessment on the LCD screen.

    The shutter speed range has been expanded and now includes speeds of up to 120 seconds.

    ‘User Profile’ is now directly selectable via the FN button, facilitating quick and easy access to all functions stored in a particular user profile.

    The spirit level display has also been improved, remaining visible when the shutter release is pressed.

    Three optimised autofocus functions bring further creative freedom:

    • The 1-field autofocus metering area can now be selected in three different sizes: small, medium and large.
    • AF motion in digital zoom mode for focal lengths of 35mm and 50mm has been limited to avoid focusing on objects outside the zoom range.
    • Face Detection has also been optimised: if no face is detected, AF now automatically reverts to multi-field autofocus mode.

    Furthermore, a fourth information screen has been added, with the option to display the lower bar separately. The touch-controlled magnification function in playback mode has been revised, whereby double-tapping calls up the maximum enlargement or reduces the image back to original size.

    Other new additions include a countdown display for long exposures / noise reduction, three modes available for the thumbwheel (Off/Auto/Exp. Comp.) and deactivation (Mode Lock) of the video button, if required. A change to WiFi password setting now allows the characters to remain visible when entered, and flash-unit compatibility has been extended to support the Leica SF 40 and SF 64.

    Leica Q owners can download the firmware update from the Leica web site, or visit their local Leica Store or Leica Customer Care in the UK, for a complimentary firmware update service.

    Articles: Digital Photography Review (dpreview.com)

  • Popular Prisma photo app now available on Android

    Just when we thought filter apps were falling by the wayside, along came Prisma – a wildly popular iOS app now available for Android. Prisma uses a mix of neural networks, artificial intelligence and cloud-based machine learning to apply a range of filter effects, mimicking styles of artists such as Munch or Picasso, to your images. Since its launch a month ago for iOS it has become one of the year’s most popular imaging apps.

    Until now, Android users had been limited to a buggy beta-version app, but today Prisma Labs, the developers of the app, has finally released the production version on Google Play. As on iOS, the app creates dynamic brush strokes and pencil drawings based on your images. Filters are fine-tunable and the final results can be shared in a variety of ways. Prisma for Android is compatible with devices running version 4.1 or newer of the Google mobile OS and can be downloaded and installed for free from the Google Play Store now. 

    Articles: Digital Photography Review (dpreview.com)

  • This is what it looks like when Getty prepares for the Olympics

    Michael Heiman, Getty’s Director of Global Event Operations, has his work cut out for him in Rio. He’s been posting photos to his Instagram account showing the work going on behind the scenes as his team prepares to cover the Summer Olympics. From the not-so-glamorous task of installing cables, to the confusion caused when he wore a green shirt to a local hardware store, his posts have offered a fascinating look at what it takes to cover a colossal event like the Olympics.

    And of course, there’s the gear. Observe:

     

    It takes a lot gear to cover the Olympics. This is just some of our lens…. #mygettyriooffice #rio2016 #cps #thankscanon #lotsofglass

    A photo posted by Michael Heiman (@heiman225) on

    But what about the camera bodies? Glad you asked.

     

    You obviously need some camera bodies to go with all that glass. #rio2016 #mygettyriooffice #gearporn #lotsofcameras #eos1dxmarkii #cps #canon #thankscanon #gettysport

    A photo posted by Michael Heiman (@heiman225) on

    Not surprisingly, the table is loaded with Canon EOS-1D X Mark I and II bodies, with a couple of 5DSR bodies for good measure, and L-series glass as far as the eye can see. Just another day at the office, right?

    Articles: Digital Photography Review (dpreview.com)

  • First impressions review: Lenovo Moto Z Force shows promise

    The Moto Z Force is Lenovo’s brand new, top-of-the-line smartphone. Currently exclusive to the Verizon network in the US as the Moto Z Force Droid Edition, we expect an international launch of the device in the near future. 

    The device packs a 21MP image sensor with a 1.12 µm pixel size, an F1.8 aperture, on-sensor phase detection, laser-assisted AF and an optical image stabilization system into its camera module. The camera app offers full manual control and the Moto Z Force can save DNG Raw files with third party apps, such as Manual Camera.

    The metal and glass body is just under 7mm thin and comes with a shatterproof 5.5″ Quad-HD AMOLED display and a beefy 3,500 mAh battery. The Android 6.0.1 Marshmallow OS is powered by a Qualcomm Snapdragon 820 chipset and 4GB of RAM. Mobile photographers will also appreciate the microSD-slot for easy storage expansion. 

    In addition, Moto Z Force users can select from several Moto Mods accessory modules which connect to the back of the device magnetically and via 16 connection points. So far there are the InstaShare projector, a JBL Soundboost 6 Watt speaker and a 2220 mAh battery pack. The Moto team has promised more Moto Mods for the future and according to rumors, one of them could be a camera grip. For now we’ll have to make do without the latter, but that hasn’t stopped us from shooting with the brand new Moto device. Read on for our first impressions. 


    Image Quality

    In bright light conditions the Moto’s 21MP sensor resolves a good deal of detail. Under close inspection some smearing of fine detail and textures is noticeable, but on the other hand luminance noise is very well controlled. During our brief testing, exposure was reliable but in very bright scenes, such as the one below, the image processing’s strong contrast can results in some clipped highlights. That said, overall the Moto Z Force does well in these conditions.

     ISO 50, 1/760 sec

    Color tends to be quite saturated, but neutral and without any notable casts. This includes bright red tones which many smartphone cameras struggle with, especially under strong illumination.

     ISO 50, 1/452 sec

    At higher ISOs the camera finds a good compromise between noise reduction and detail retention. The ISO 320 shot below was captured in a fairly well-lit interior space and shows very good edge detail. 

     ISO 320, 1/33 sec

    The ISO 500 shot below shows some more luminance noise in the mid-tone areas of the frame but the noise pattern has a fairly fine grain and is not too intrusive. Chroma noise is well under control and the image still shows a very good amount of fine textures and detail.

     ISO 500, 1/25 sec

    The Moto Z Force maintains good exposure and color down to very low light levels. The challenging lighting conditions in the shot below lead to some channel clipping in the illuminated stage area, but overall the scene is captured very nicely. The slow shutter speed of 1/10sec results in some blur on moving subjects but the optical image stabilization does a very good job at counteracting camera shake. 

     ISO 1250, 1/10 sec

    Special modes

    The Moto Z Force comes with Motorola’s usual HDR mode which does an efficient job of protecting the highlights in high-contrast scenes, such as the one below. Using the standard auto exposure mode, some clipping occurs on the light colored elements in the frame. Using HDR mode, image clipping is noticeably reduced. Shadows are lifted very slightly but overall the image still looks pleasantly natural.

     ISO 50, 1/1468 sec, standard exposure
     HDR exposure

    Night mode is not a new feature for Moto devices but the latest incarnation works in a slightly different way than before. In low light scenes the camera automatically triggers multi-frame capture which produces clean images but struggles with moving subjects, which often show pronounced motion blur. On the new device, night mode now saves a standard exposure in addition to the night mode image, allowing the user to pick the version which best suits their purposes.

    The sample images below both report ISO 1000 and a shutter speed of 1/10sec in the EXIF data. However, as you can see at close-up view they look very different. The multi-frame night mode image on the left is cleaner but shows motion blur, even on slow-moving subjects. The accompanying standard exposure shows better edge definition on moving subjects but noticeably higher levels of luminance noise. 

    Night mode Standard exposure
    100% crop 100% crop

    In video mode the Moto Z Force is capable of recording both 1080p Full HD and 4K footage. The combination of digital and optical stabilization keeps things steady and allows for smooth panning. The 1080p video below shows similar tonal characteristics to the still images and decent detail but very occasionally we found the lens refocusing for no obvious reason.

    The 4K video mode offers noticeably better detail for those who need it. It also allows users to grab 8MP video stills for those occasions when the full 21MP still resolution is not needed.

    First impressions 

    With its solid build, large high-resolution screen and metal frame the Moto Z Force looks and feels like a premium device. The Snapdragon 820 chipset under the hood ensures the performance of the Android operating system matches the device’s high-end exterior and the 3,500 mAh battery lets you shoot, edit and share images for a long time away from a power outlet.

    The camera module’s 21MP captures a good level of detail and offers plenty of scope for cropping. There are the usual signs of smearing of fine textures at base ISO, but in low light the camera finds a good balance between noise reduction and detail retention. In addition, night mode lets you pick between a clean multi-frame image that works best for static scenes, and a standard exposure that shows more noise but is capable of freezing at least some motion. 

    Colors are mostly quite saturated and contrast is strong which can lead to some highlight-clipping in high-contrast scenes. However, HDR mode does a very efficient job of protecting highlight detail, and in addition the Moto Z Force allows for the capture of DNG Raw files with third party camera apps, such as Manual Camera. This allows you to apply your very own mix of contrast, saturation, noise reduction and other image parameters in post processing. Add the camera app’s full manual control into the mix, plus the potential of a camera-grip add-on module in the nearer future, and the Moto Z Force is one of the year’s most interesting mobile photography products thus far.

    Articles: Digital Photography Review (dpreview.com)