360Photography

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  • Throwback Thursday: The Olympus Stylus Epic and my love for clamshell cameras

    Bring back the clamshell!

    From left to right: The Olympus Stylus Epic, The Olympus [mju :] II, The Olympus XA. The first two are the same camera (different names for different markets), the latter started my love for clamshell cameras.

    My love affair with the clamshell camera design started with the Olympus XA and ultimately lead me to the Olympus Stylus Epic, also know as the Olympus [mju:] II in the Japanese market (pronounced mew two, like the Pokémon). It’s a funky plastic 90’s style camera that to the untrained eye, looks a little like a piece of junk.

    Both the Olympus XA, released in 1979, and the Stylus Epic, released in 1997, feature excellent fixed 35mm F2.8 lenses and Olympus’ brilliant clamshell design. The XA is an aperture priority-only rangefinder, while the Stylus Epic is a fully automatic camera with a three spot autofocus system and built-in flash.

    Open/On Closed/Off

    Due to its ease-of-use, small size and sharp lens, the Stylus Epic is my go anywhere camera (the XA I use mainly for street photography and travel). I’ve long searched for the perfect camera to slide in my back pocket every time I leave the house and this soap-shaped oddball is the one for me. It’s not as cool looking as a Ricoh R1 (which I also shoot with occasionally), but I’ve found it to be much more reliable.

    If you haven’t figured it out by now, I’m a huge camera nerd and a big supporter of shooting analog. Film photography offers a nice balance to my daily concentration on digital photography for DPReview (my analog site is PopularAmerican.club). It also helps me to slow down and practice decisiveness. Of course the Stylus Epic, being a fully automatic camera, isn’t exactly encouraging me to work on fundamentals, but it does free me up to be more in the moment and act on instinct.

    While these cameras are mostly fully automatic, they feature good metering.

    The major selling points of the Olympus Stylus Epic are as follows: it is a full-frame, 35mm camera with an excellent (and reasonably fast) lens in my favorite focal length, it weighs a mere 5.1 oz and is no larger than a Sony RX100 series camera (which weighs nearly double). It’s also weather-sealed and built extremely tough, despite its plastic appearance. Lastly, its strange curved design makes it easy to slide in and out of a pocket.

    The Olympus Stylus Epic is about the same size as a Sony RX100-series camera and about half the weight.

    But hands down my favorite feature of the Epic is its clamshell. There’s no on/off switch – simply slide it open and it’s ready to shoot. It’s essentially a lens cap that doubles as a power switch, and it’s brilliant.

    “It’s essentially a lens cap that doubles as a power switch, and it’s brilliant.”

    Of course, Olympus didn’t abandon the clamshell design when it moved to digital around the turn of the century. There were plenty of tiny sensor compacts that featured clamshells. But at some point, they were no more. I haven’t pinpointed when the last one was released (if you know, shout it out in the comments,) but it seems by around 2007, the clamshell had been phased out entirely.

    But why? Perhaps aesthetically, the design was too dated-looking. Or perhaps due to the decline in sales of compacts, Olympus moved in a different direction. Whatever the reason, I implore you, Olympus, bring back the clamshell!

    There are, of course, several excellent large sensor fixed lens digital compacts on the market, though only the Ricoh GR and Nikon A can really be considered pocketable (the Fujifilm X70 is just slightly too big IMHO.)

    These cameras are cool, but they suffer from one flaw. Most of them extend their lens when turned on, a design execution made to keep the overall package compact. But what happens when the camera is accidentally turned on in your bag or pocket and the lens attempts to extend with nowhere to go? The point is, I like a lot of the digital fixed lens compacts on the market, but ultimately I find them to be somewhat fragile, an undesirable quality for a take-anywhere camera. Furthermore, none of the pocketable ones are weather-sealed and only the Leica Q and Sony RX1R offer a full-frame sensor to match that of my Stylus Epic. Both are also large (un-pocketable) and expensive.

    The Stylus Epic extends its lens only to focus when the shutter is pressed.

    So is it possible to make a modern camera as small as the Stylus Epic, without an extending lens, while retaining a relatively large sensor? We’ve been following along with Sony’s development of a curved sensor for a while now, and reading back through our coverage got me thinking: perhaps this technology is the key a digital reincarnation of my beloved Stylus Epic.

    Available settings include: flash on, flash off, red eye reduction, slow synchro (night scene flash), slow synchro plus red eye and spot mode (which requires pressing both back buttons simultaneously to engage). I mostly keep it on the default setting. Unfortunately the only mode the camera retains after being turned off and back on is red eye reduction. I’ve read a lot of complaints that the Epic doesn’t recall the “flash off” setting once turned off, which I tend to agree is very annoying.

    As far as designing a 90’s throwback, manufacturers are obviously very comfortable tapping into classic design styles; take the Olympus PEN-F and pretty much every recent Fujifilm X-camera, for instance. But up until now, these throwback designs have all come from cameras released in the 50’s, 60’s and 70’s. I think its about time we had some throwback designs from the 80’s and 90’s and a reincarnation of the Epic seems like the perfect place to start!

    To be fair, the Olympus Stylus Epic does extend the lens barrel, but not until the shutter has been fully pressed. This leads to a very slight shutter delay, but it is hardly noticeable.

    I’m not even asking for a full-framer, but even a 1″-type sensor, fixed lens compact with a fast 35mm-equivalent lens would do it for me. Just make sure it’s pocketable, has a good flash, is weather sealed and is built like a tank. So Olympus, if you’re reading this, please consider a reboot of my dear Stylus Epic. Just don’t forget the clamshell!

    Curvy beauty.

    Is there a classic film camera you’d like to see a a digital reincarnation of? Let us know in the comments!

    *A previous version of this article incorrectly stated the Epic uses a curved film plane.

    Articles: Digital Photography Review (dpreview.com)

  • Instagram profiles reveal user depression in new machine learning study

    A team of researchers with the University of Vermont and Harvard have published a new study detailing Instagram profiles and the hidden clues they may hold about the photographer’s mental state. Using machine learning, the team was able to identify signs of depression based off an Instagram profile’s photos, metadata, and things like facial recognition. The study looked at 43,950 photographs from 166 individual Instagram users, and had a 70-percent accuracy rate when identifying users with clinical depression.

    The artificial intelligence system ultimately proved more capable of detecting depression than general practitioners, which have been found to have somewhere around a 42% accuracy rate. Hints about the photographer’s mental state lie in many things the researchers refer to as ‘markers’: the type of lighting used in the photographs, for example, and the colors of filters applied to photos. 

    Dark and gray colors are often signs of depression, as well as gap in posting frequency which may indicate a depressed mental state. The number of times a photo is ‘liked’ and commented on, as well as the number of faces detected in the photos, are also notable markers. Interestingly enough, the study found that depressed Instagram users are less likely to use any photo filter, but if they do, they tend to go with ‘Inkwell.’

    Via: Digital Trends

    Articles: Digital Photography Review (dpreview.com)

  • Firmware update for Sony a7R II improves stability, adds support for radio controlled flashes

    Sony has released a firmware update for its a7R II full-frame mirrorless camera which improves camera stability while adding support for the company’s new radio controlled lighting system.

    The official list of improvements in version 3.30 include:

    • Support for Radio Controlled Lighting System
    • Improved stability in picture shooting mode (by optimizing temperature control)
    • Allows for HDMI output while using Remote Camera Control software
    • Improves overall stability and operability of the camera

    The firmware is now available and can be downloaded right here.

    Articles: Digital Photography Review (dpreview.com)

  • Throwback Thursday: The Olympus Stylus Epic and my love for clamshell cameras

    Bring back the clamshell!

    From left to right: The Olympus Stylus Epic, The Olympus [mju :] II, The Olympus XA. The first two are the same camera (different names for different markets), the latter started my love for clamshell cameras.

    My love affair with the clamshell camera design started with the Olympus XA and ultimately lead me to the Olympus Stylus Epic, also know as the Olympus [mju:] II in the Japanese market (pronounced mew two, like the Pokémon). It’s a funky plastic 90’s style camera that to the untrained eye, looks a little like a piece of junk.

    Both the Olympus XA, released in 1979, and the Stylus Epic, released in 1997, feature excellent fixed 35mm F2.8 lenses and Olympus’ brilliant clamshell design. The XA is an aperture priority-only rangefinder, while the Stylus Epic is a fully automatic camera with a three spot autofocus system and built-in flash.

    Open/On Closed/Off

    Due to its ease-of-use, small size and sharp lens, the Stylus Epic is my go anywhere camera (the XA I use mainly for street photography and travel). I’ve long searched for the perfect camera to slide in my back pocket every time I leave the house and this soap-shaped oddball is the one for me. It’s not as cool looking as a Ricoh R1 (which I also shoot with occasionally), but I’ve found it to be much more reliable.

    If you haven’t figured it out by now, I’m a huge camera nerd and a big supporter of shooting analog. Film photography offers a nice balance to my daily concentration on digital photography for DPReview (my analog site is PopularAmerican.club). It also helps me to slow down and practice decisiveness. Of course the Stylus Epic, being a fully automatic camera, isn’t exactly encouraging me to work on fundamentals, but it does free me up to be more in the moment and act on instinct.

    While these cameras are mostly fully automatic, they feature outstanding metering.

    The major selling points of the Olympus Stylus Epic are as follows: it is a full-frame, 35mm camera with an excellent (and reasonably fast) lens in my favorite focal length, it weighs a mere 5.1 oz and is no larger than a Sony RX100 series camera (which weighs nearly double). It’s also weather-sealed and built extremely tough, despite its plastic appearance. Lastly, it’s strange curved design makes it easy to slide in and out of a pocket.

    The Olympus Stylus Epic is about the same size as a Sony RX100-series camera and about half the weight.

    But hands down my favorite feature of the Epic is its clamshell. There’s no on/off switch – simply slide it open and it’s ready to shoot. It’s essentially a lens cap that doubles as a power switch, and it’s brilliant.

    “It’s essentially a lens cap that doubles as a power switch, and it’s brilliant.”

    Of course, Olympus didn’t abandon the clamshell design when its moved to digital around the turn of the century. There were plenty of tiny sensor compacts that featured clamshells. But at some point, they were no more. I haven’t pinpointed when the last one was released (if you know, shout it out in the comments,) but it seems by around 2007, the clamshell had been phased out entirely.

    But why? Perhaps aesthetically, the design was too dated-looking. Or perhaps due to the decline in sales of compacts, Olympus moved in a different direction. Whatever the reason, I implore you, Olympus, bring back the clamshell!

    There are, of course, several excellent large sensor fixed lens digital compacts on the market, though only the Ricoh GR and Nikon A can really be considered pocketable (the Fujifilm X70 is just slightly too big IMHO.)

    These cameras are cool, but my biggest beef with them is their design, or rather the weak point of their design. Most of them extend their lens when turned on, a design execution made to keep the overall package compact. But what happens when the camera is accidentally turned on in your bag or pocket and the lens attempts to extend with nowhere to go? The point is, these cameras are great, but ultimately I find them to be a bit fragile, an undesirable quality for a take-anywhere camera. Furthermore, none of the pocketable ones are weather-sealed and only the Leica Q and Sony RX1R offer a full-frame sensor to match that of my Stylus Epic. Both are also large (un-pocketable) and expensive.

    So how then does the Stylus Epic retain its incredibly small size, despite its full-frame ‘sensor?’  By utilizing a curved film plane, of course! This not only helps keep things shrunken, but the curvature of the film plane matches that of the lens. This is also a major reason that the Epic is so darn sharp.

    Available settings include: flash on, flash off, red eye reduction, slow synchro (night scene flash), slow synchro plus red eye and spot mode (which requires pressing both back buttons simultaneously to engage). I mostly keep it on the default setting. Unfortunately the only mode the camera retains after being turned off and back on is red eye reduction. I’ve read a lot of complaints that the Epic doesn’t recall the “flash off” setting once turned off, which I tend to agree is very annoying.

    We’ve been following along with Sony’s development of a curved sensor for a while now, and reading back through our coverage got me thinking: could this new sensor technology make it possible to create a digital reincarnation of my beloved Stylus Epic? Totally. Do I think Olympus should make it happen? Oh, hell yes.

    Camera companies are obviously very comfortable tapping into classic design styles; take the Olympus PEN-F and pretty much every recent Fujifilm X-camera, for instance. But up until now, these throwback designs have all come from cameras released in the 50’s, 60’s and 70’s. I think its about time we had some throwback designs from the 80’s and 90’s and a reincarnation of the Epic seems like the perfect place to start!

    To be fair, the Olympus Stylus Epic does extend the lens barrel, but not until the shutter has been fully pressed. This leads to a very slight shutter delay, but it is hardly noticeable.

    I’m not asking for a full-framer, but even a 1″-type sensor, fixed lens compact with a fast 35mm-equivalent lens would do it for me. Just don’t forget to make sure it’s pocketable, has a good flash, is weather sealed and built like a tank (no extending the lens when turned on). So Olympus, if you’re reading this, please consider a reboot of my dear Stylus Epic. Just don’t forget the clamshell!

    Curvy beauty.

    Is there a classic film camera you’d like to see a a digital reincarnation of? Let us know in the comments!

    Articles: Digital Photography Review (dpreview.com)

  • Samyang AF 14mm F2.8 for Sony E-mount set to ship in September

    Samyang Optics has completed its launch of five new lenses over the summer with the announcement that its full-frame 14mm F2.8 autofocus lens for Sony E-mount is ready to hit stores.

    The Samyang AF 14/2.8 FE, as it is known, includes 14 elements in 10 groups, 3 of which being aspherical and two extra-low dispersion. The lens has nearly a 114° field-of-view when mounted to a full-frame body and about 90° on a crop body. The 14mm has a minimum focus distance of 20cm/7.9in and sports 7 circular aperture blades.

    The lens will be available in September for €699. US and UK pricing was not available at press time.

    Press release:

    Samyang Announces the Release of AF 14/2.8

    August 15th, 2016, Seoul, Korea – The global optics brand, Samyang Optics (http://www. samyanglensglobal.com) today announced the long-awaited release of autofocus lens: 14mm F2.8 for Sony E mount Mirrorless cameras with full frame sensor size. The new Samyang AF 14/2.8 FE is the widest lens in its class offering superb quality images to photographers. This launch follows the recent availability announcement of Samyang AF 50/1.4 FE.

    Optimised Optical Design for Full Frame Mirrorless Camera Lens
    Samyang AF 14/2.8 FE is specifically designed to work in harmony with full frame mirrorless cameras in Sony E mount. The flow of light is devised based on the uniqueness of the distance from glass to sensor in mirrorless cameras to create optimal performance. Along with portability of mirrorless lenses, the 14mm F2.8 is compatible with full frame sensors to deliver the wideness and sharpness of image to photographers.

    The 14mm F2.8 is the widest angle available in the market in its class, broadening the sight of photographers to capture the world. Based on Samyang Optics’ exceptional optical technology, Ultra Multi Coating and three aspherical lenses have been included among 14 glasses in 10 groups to minimise aberration and unnecessary light dispersion, delivering high resolution from the centre to the corners of the image.

    AF Performance and Ergonomic Design Based on Class-Leading Technology
    This new product will be one of the first autofocus lenses in over 40 years of Samyang’s class-leading core optics technologies. Samyang has captured the essence of world leading image technology with their manual focus lenses and reinterpreted it into autofocus lenses. Photographers now can enjoy the prime manual lens image quality and autofocus lens. Samyang AF 14/2.8 FE is compatible with both phase detect and contrast detect sensors to operate fast and accurate focus detection.

    The 86mm of maximum diameter is also the result of years of R&D for best handling, by adding stability. Also the minimal and sleek design and metal-housing solidify the build quality with the internal focus system.

    Available from September 2016
    This launching expands the boundaries of Samyang Optics photo lens line-up from manual focus only, to now include autofocus lenses. With the addition of 14mm to 50mm, Samyang now has two autofocus lenses along with 39 manual focus photo & cine lenses and 6 professional cine lenses, XEEN. The lens will be globally available from September, and the suggested retail price is EUR 699.

    More information will be released soon on Samyang Optics official website (http://www.samyanglensglobal.com), Facebook page (http://www.facebook.com/samyanglensglobal) and Instagram (http://www.instagram.com/samyanglensglobal).

    Samyang AF 14mm F2.8 specifications

    Principal specifications
    Lens type Prime lens
    Max Format size 35mm FF
    Focal length 14 mm
    Image stabilization No
    Lens mount Sony FE
    Aperture
    Maximum aperture F2.8
    Minimum aperture F22
    Aperture ring No
    Number of diaphragm blades 7
    Optics
    Elements 14
    Groups 10
    Special elements / coatings 3 aspherical elements + Ultra Multi Coating
    Focus
    Minimum focus 0.20 m (7.87″)
    Maximum magnification 0.12×
    Autofocus Yes
    Focus method Internal
    Distance scale No
    DoF scale No
    Physical
    Weight 505 g (1.11 lb)
    Diameter 86 mm (3.37″)
    Length 98 mm (3.84″)
    Sealing No
    Colour Black
    Hood supplied Yes
    Tripod collar No

    Articles: Digital Photography Review (dpreview.com)

  • Manfrotto and Benro settle 90 degree center column dispute

    Tripod manufacturers Manfrotto and Benro have settled their patent dispute after Mamiya America Corporation (MAC Group) agreed not to market its GoClassic and GoTravel series of tripods in the USA. The battle between the two brands began when Benro began selling tripods that allow the center column to be lifted out of the collar and held at 90° to facilitate shooting directly downwards, an idea that Manfrotto claims is protected under a collection of patents it filed in December 2000.

    Manfrotto said that the Benro design copied its own for ‘tripod camera supports wherein the column can be housed alternatively and removably either in a seat coaxial with the principal axis or in a second seat perpendicular to the principal axis’ that was first introduced in the Manfrotto Q90 range. Defendants MAC Group denied their products infringed Manfrotto’s protected designs and claimed that Manfrotto’s patent itself is invalid.

    The case was resolved when Benro agreed not to sell the offending products in the USA, though Manfrotto has not agreed that this means Benro hasn’t infringed its rights. In the complaint Manfrotto claimed that MAC Group had achieved a great deal of success with its copied designs which had harmed Manfrotto’s income and market share. The company also accused MAC Group of poaching its employees, and demanded compensation not only for the infringement but also ‘treble damages’ as the Benro continued on its course even after Manfrotto filed its complaint.

    For more information read the complaint and see Manfrotto’s original patent.

    Press release:

    Manfrotto Resolves Patent Infringement Lawsuit with MAC Group and Benro

    Upper Saddle River, N.J. (August 16, 2016) – Manfrotto Distribution Inc., Lino Manfrotto +Co S.p.A., Mamiya America Corporation (MAC Group), and Benro Precision Industrial Co., Ltd. (“Benro”), announced today that they have resolved Manfrotto’s patent infringement lawsuit which has been pending in the United States District Court for the District of New Jersey. Manfrotto and Lino Manfrotto had sued MAC Group and Benro contending that Benro’s GoClassic and GoTravel lines of tripods infringe Manfrotto’s U.S. Patent No. 6,164,843, for a photographic tripod providing support in various axes. MAC Group and Benro had denied that their products infringe and also contend that the patent was itself invalid.

    Manfrotto is dismissing the litigation with prejudice and Benro and MAC Group have agreed not to import or sell the accused product in the United States until the expiration of the ’843 patent on November 12, 2018. The terms of the settlement are otherwise confidential.

    Manfrotto Distribution Inc., and Lino Manfrotto +Co S.p.A., are Italian manufacturers of photographic equipment. Benro Precision Industrial Inc. is a Chinese-based manufacturer of photographic equipment. MAC Group is a New York-based distributor of photographic equipment.

    Articles: Digital Photography Review (dpreview.com)

  • Corel PaintShop Pro X9 arrives with improved workflow

    Corel has launched PaintShop Pro X9, the latest version of its photo editing software. With the X9 version, PaintShop Pro adds seven new features, as well as two enhancements to existing features, including new Interactive Gradients, expanded RAW camera profile support, and new Project Templates. Joining this release is PaintShop Pro X9 Ultimate, which includes the X9 software plus an add-ons collection with AfterShot 3, Corel Live Screen Capture and Athentech’s Perfectly Clear 2 SE.

    PaintShop Pro X9’s new features are comprised of project templates, screenshot capturing and editing, support for Windows Real Time Stylus, a new Guided Tour, edit history exporting, Intel RealSense XDM support and Interactive Gradient fill. In addition to those new features, Corel says X9 brings a few ‘enhanced’ features: support for Windows Server 2016, 15 new camera RAW profiles, and an improved workflow that ‘streamlines many common tasks.’

    PaintShop Pro X9 is available now for $ 79.99 USD/CAN, 69.99 EUR, £59.99, and $ 99 AUD. PaintShop Pro X9 Ultimate is also available for $ 99.99 USD/CAN, 89.99 EUR, £79.99, and $ 129 AUD. The software is offered in the following languages: English, German, French, Dutch, Italian, Spanish, Russian, Japanese and Traditional Chinese. 

    Via: MarketWired

    Articles: Digital Photography Review (dpreview.com)

  • Plane plunged 4400 feet after pilot’s camera became wedged against controls

    Re-creation by UK Military Aviation Authority

    A military pilot in the UK is reportedly facing a court martial after his camera became wedged against a military transport plane’s controls, causing it to plunge 4400ft/1.3km before the captain regained control. The Ministry of Defense is being sued over the matter, which took place in February 2014, by nine soldiers and one civil servant who were in the plane during the incident.

    Per the government’s investigation of the matter, the cause was determined to be the pilot’s Nikon D5300 camera, which at some point during the flight became positioned against the plane’s steering control. When the pilot readjusted his seat position, the seat pressed the camera against the control, causing the plan to drop at a rate up to 260ft/80m per second. 

    According to The Times, the lawyer representing these ten individuals says they suffer PTSD as a result of the plane’s sudden descent; a total of 198 people were onboard at the time of the incident. The pilot has reportedly been charged with negligently performing a duty, perjury, and making a false record.

    Via: Quartz

    Articles: Digital Photography Review (dpreview.com)

  • Nikon unveils AF-P DX 18-55mm F3.5-5.6G and 70-300mm F4.5-6.3G ED lenses

    $ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_9119423548″,”galleryId”:”9119423548″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

    In addition to a new entry-level DSLR body, Nikon has formally announced a total of four DX-format Nikkor lenses. The AF-P DX NIKKOR 18-55mm F3.5-5.6G VR and AF-P DX NIKKOR 70-300mm F4.5-6.3G ED VR are both introduced alongside cheaper versions that lack optical image stabilization (Vibration Reduction, in Nikon parlance.)

    The AF-P 18-55mm F3.5-5.6 and its VR sibling were announced globally in January, marking the first time that Nikon has put stepping motors in its DSLR lens lineup. The AF-P 70-300mm F4.5-6.3 continues the trend, offering a minimum focus distance of 1.1m/3.7ft with a design that uses 14 elements in 10 groups.

    All four lenses will be available in September. The AF-P DX NIKKOR 18-55mm F3.5-5.6G VR will cost $ 249.95, the AF-P DX NIKKOR 18-55mm F3.5-5.6G will cost $ 199.95, the AF-P DX NIKKOR 70-300mm F4.5-6.3G ED VR will cost $ 399.95 and AF-P DX NIKKOR 70-300mm F4.5-6.3G ED will sell for $ 349.95. 

    Press release:

    SHARE THE MOMENTS THAT MATTER: EASILY CAPTURE STUNNING IMAGES OF WHAT YOU LOVE WITH THE NEW LIGHTWEIGHT NIKON D3400

    Alongside the New Nikon D3400 DSLR, Nikon Releases the Compact AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR, AF-P DX NIKKOR 18-55mm f/3.5-5.6G, AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED Lenses to Capture Life in Amazing Quality

    MELVILLE, N.Y. (August 17, 2016 AT 12:01 A.M. EDT) – Today, Nikon unveiled the compact yet powerful Nikon D3400, an entry-level DSLR that enables users to capture and share amazing images easier than ever before. The new D3400 provides a simple and seamless way to share stellar images from nearly anywhere through Nikon SnapBridge1. Through always-on Bluetooth Low Energy (BLE) technology2, Nikon SnapBridge allows photographers to transfer images from the camera to a compatible smart device. For those looking to learn more about photography, the D3400 also features Nikon’s acclaimed Guide Mode, which provides step-by-step assistance when adjusting camera settings to help individuals learn how to capture the best photos possible.

    Nikon also announced four exciting lightweight lens options which are ideal companions for the new D3400, helping budding photographers easily build an all-in-one camera kit3. The AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 18-55mm f/3.5-5.6G, are versatile zoom lenses for everyday shooting, while the new AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED are compact telephoto options for capturing action from afar. Great for travel, these new portable lenses provide fast, smooth and quiet autofocus operation and help users capture life as it unfolds with stunning clarity and detail.

    “Featuring a variety of user-friendly features like Nikon SnapBridge, the new D3400 gives those new to DSLR photography the opportunity to proudly capture what they love and easily share with friends and family,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc. “The introduction of the new series of NIKKOR lenses demonstrate Nikon’s commitment to providing affordable and versatile lens options to DX-format DSLR photographers looking to capture their own unique perspective of the world.”

    Seamlessly Share Life’s Passions
    Transferring photos from the Nikon D3400 is a snap, as the camera makes it easier than ever to share photos wirelessly through Nikon SnapBridge. Using Bluetooth Low Energy (BLE), SnapBridge creates a connection between a camera and a compatible smart device, making it possible to seamlessly upload amazing images. Once paired, the D3400 will remain connected to the smart device and transfer photos automatically, without the need to re-connect the devices each time. Those that want to send photos from their child’s graduation or a gorgeous sunset can either set all images to automatically download as they are captured, or tag individual images for transfer in-camera. Nikon SnapBridge users can also access Nikon Image Space4, a free online image sharing and storage service.

    Easily Capture Vibrant Photos with Stunning Detail
    Life is full of memories that are meant to be captured with rich, vivid image quality, and the Nikon D3400 makes it easy with the high-speed performance and low-light ability that only a DSLR can deliver. The Nikon D3400 features a high-resolution 24.2-megapixel CMOS sensor to help capture images that photographers love, even in tough lighting scenarios. Nikon’s EXPEED 4 image processing engine offers improved image quality at high ISOs, enhanced auto white balance performance for true colors, faster processing speeds and improved battery life. Whether shooting stylish candids or beautiful landscapes while on vacation, the Nikon D3400 is ready to help deliver magnificent stills and impressive Full HD video.

    The Nikon D3400 is loaded with high performance features that help capture images in a variety of shooting situations, including a broad ISO range from 100-25,600, which helps to produce top-quality photos and videos with low noise. This enhanced ISO range makes it easy to capture sharp photos in low-light settings, such as indoor sports, stage performances or festivities that last into the night. An 11-point Autofocus System keeps pace to help create sharp images, whether capturing a backyard soccer game or the most rambunctious toddler. Additionally, the Nikon D3400 is capable of fast continuous shooting at up to 5 frames-per-second (fps), helping to ensure that fleeting moments or precious expressions are not missed. All of these features are incorporated into an extremely compact, lightweight and versatile camera body, ideal for a fast-paced on-the-go lifestyle, and small enough to bring on any family vacation.

    For first-time DSLR users, the D3400 features Nikon’s Guide Mode, an intuitive and informative mode that helps develop photography skills and showcases the best camera settings for any scene. By simply turning the top Command Dial to this mode, users are prompted with a full range of capture options, and the camera guides them through various settings to create the desired image. Additionally, in-camera Scene Modes are an easy way to snap great pictures, without the need to adjust numerous settings. For even more creative shooting options, fun effects modes such as Silhouette and Miniature Photography help photographers make images that define their distinct style. When the moment calls for HD video, the D3400 offers Full HD 1080p video recording capability at the press of a button to tell any story with amazing sharpness and clarity.

    Capturing the World Through a NIKKOR Lens
    Nikon has also announced two new lightweight zoom lenses, the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 18-55mm f/3.5-5.6G. The ideal companion for DX-format DSLR cameras like the new D3400, these lenses are equipped with Nikon’s Stepping Motor technology for quick, smooth and quiet autofocus. Designated AF-P NIKKOR, these new lenses provide faster and smoother AF speed during live view (contrast-detection AF) and allow for whisper-quiet operation during video recording to minimize camera noise. The Vibration Reduction (VR) technology of the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR offers up to four stops of image stabilization*, helping users capture flawless, blur-free images in challenging light or when handheld.

    Affordable Telephoto Lenses Offer Endless Photography Possibilities
    The new AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED are telephoto zoom lenses that provide further reach when users need it most. They are also equipped with a Stepping Motor that helps achieve quick, smooth and quiet autofocus. The adoption of this technology also reduces the overall size and weight of the lens, making it easy to carry on a family vacation or a trip to the zoo. The new AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR also features Nikon’s Vibration Reduction (VR) technology, offering up to four stops of image stabilization*, helping to create sharp images in challenging light, such as an indoor gymnasium or a dusk soccer game.

    Pricing and Availability
    The Nikon D3400 kitted with the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR will be available in early September 2016 for a suggested retail price (SRP) of $ 649.95**. The D3400 will also be available in a two-lens kit option, including the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED, for $ 999.95** SRP. The AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR (SRP, $ 249.95**), AF-P DX NIKKOR 18-55mm f/3.5-5.6G (SRP $ 199.95**), AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR (SRP, $ 399.95**) and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED (SRP $ 349.95**) will all be available around the same time and will be sold separately. For more information on about the new Nikon D3400 and NIKKOR lenses, please visit www.nikonusa.com.

    1. The SnapBridge app is available for compatible iPhone®, iPad® and/or iPod touch®, and for smart devices running the AndroidTM operating system. The app can be downloaded free of charge from Apple’s App Store® and GooglePlayTM. SnapBridge can be used only with compatible cameras.

    2. The camera’s built-in Bluetooth® capability can only be used to connect the camera to a smart device running the SnapBridge app, and to take advantage of SnapBridge features.

    3. Because AF-P lenses incorporate a stepping motor, the number of compatible cameras is limited. Even for compatible cameras, firmware update may be required.

    4. To automatically upload images to NIKON IMAGE SPACE, a Nikon ID must be registered. This is easily achieved via the [Nikon ID registration/change] menu in the SnapBridge app. An unlimited number and volume of images reduced to 2-megapixel equivalents can be uploaded to NIKON IMAGE SPACE only with upload via SnapBridge.

    *Based on CIPA Standard. This value is achieved when DX-format compatible lenses are attached to a DX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.

    **SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

    Nikon AF-P DX Nikkor 18-55mm F3.5-5.6G specifications

      Nikon AF-P DX NIKKOR 18-55mm F3.5-5.6G VR Nikon AF-P DX NIKKOR 18-55mm F3.5-5.6G
    Principal specifications
    Lens type Zoom lens
    Max Format size APS-C / DX
    Focal length 18–55 mm
    Image stabilization Yes (4 stops) No
    Lens mount Nikon F (DX)
    Aperture
    Maximum aperture F3.5
    Minimum aperture F22
    Aperture ring No
    Number of diaphragm blades 7
    Optics
    Elements 12
    Groups 9
    Special elements / coatings Two aspherical elements + super integrated coating
    Focus
    Minimum focus 0.25 m (9.84″)
    Maximum magnification 0.38×
    Autofocus Yes
    Motor type Stepper motor
    Full time manual Yes
    Focus method Internal
    Distance scale No
    DoF scale No
    Physical
    Weight 205 g (0.45 lb) 195 g (0.43 lb)
    Diameter 65 mm (2.54″)
    Length 63 mm (2.46″)
    Materials Composite
    Sealing No
    Colour Black
    Zoom method Rotary (extending)
    Power zoom No
    Zoom lock No
    Filter thread 55.0 mm
    Hood supplied No
    Hood product code HB-N106
    Tripod collar No

    Nikon AF-P DX Nikkor 70-300mm F4.5-6.3 G ED specifications

      Nikon AF-P DX Nikkor 70-300mm F4.5-6.3G VR Nikon AF-P DX Nikkor 70-300mm F4.5-6.3G
    Principal specifications
    Lens type Zoom lens
    Max Format size APS-C / DX
    Focal length 70–300 mm
    Image stabilization Yes No
    Lens mount Nikon F (DX)
    Aperture
    Maximum aperture F4.5
    Minimum aperture F32
    Aperture ring No
    Number of diaphragm blades 7
    Optics
    Elements 14
    Groups 10
    Special elements / coatings 1 ED element + Super Integrated Coating
    Focus
    Minimum focus 1.10 m (43.31″)
    Maximum magnification 0.22×
    Autofocus Yes
    Motor type Stepper motor
    Full time manual Yes
    Focus method Internal
    Distance scale No
    DoF scale No
    Physical
    Weight 415 g (0.91 lb) 400 g (0.88 lb)
    Diameter 72 mm (2.83″)
    Length 125 mm (4.92″)
    Sealing No
    Colour Black
    Zoom method Rotary (extending)
    Power zoom No
    Zoom lock No
    Filter thread 58.0 mm
    Hood supplied Yes
    Tripod collar No

    Articles: Digital Photography Review (dpreview.com)

  • Nikon introduces D3400 with SnapBridge, big battery life claims

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    Nikon has announced the D3400, updating its most beginner-friendly entry-level DSLR. The D3400 is physically smaller than its D3300 predecessor, but continues to offer many of the same specifications including a 24MP APS-C CMOS sensor with no optical low-pass filter. Nikon says the battery is rated to 1200 shots per charge, which is a serious boost compared to the D3300’s already respectable 700 shots per charge.

    SnapBridge is a new addition to this line, enabling connectivity with a mobile device over Bluetooth Low Energy (BLE) – though no Wi-Fi connectivity is offered. The D3400 offers an EXPEED 4 processor, 11-point AF system, 1080/60p video, 5 fps burst shooting and a 3″ 921k-dot LCD, all consistent with its predecessor.

    The Nikon D3400 will be available starting early September for $ 649.99 with the AF-P DX Nikkor 18-55mm F3.5-5.6G VR. A two lens kit also including the AF-P DX Nikkor 70-300mm F4.5-6.3G ED (non-VR) will be offered for $ 999.95.

    Press release:

    SHARE THE MOMENTS THAT MATTER: EASILY CAPTURE STUNNING IMAGES OF WHAT YOU LOVE WITH THE NEW LIGHTWEIGHT NIKON D3400

    Alongside the New Nikon D3400 DSLR, Nikon Releases the Compact AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR, AF-P DX NIKKOR 18-55mm f/3.5-5.6G, AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED Lenses to Capture Life in Amazing Quality

    MELVILLE, N.Y. (August 17, 2016 AT 12:01 A.M. EDT) – Today, Nikon unveiled the compact yet powerful Nikon D3400, an entry-level DSLR that enables users to capture and share amazing images easier than ever before. The new D3400 provides a simple and seamless way to share stellar images from nearly anywhere through Nikon SnapBridge1. Through always-on Bluetooth Low Energy (BLE) technology2, Nikon SnapBridge allows photographers to transfer images from the camera to a compatible smart device. For those looking to learn more about photography, the D3400 also features Nikon’s acclaimed Guide Mode, which provides step-by-step assistance when adjusting camera settings to help individuals learn how to capture the best photos possible.

    Nikon also announced four exciting lightweight lens options which are ideal companions for the new D3400, helping budding photographers easily build an all-in-one camera kit3. The AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 18-55mm f/3.5-5.6G, are versatile zoom lenses for everyday shooting, while the new AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED are compact telephoto options for capturing action from afar. Great for travel, these new portable lenses provide fast, smooth and quiet autofocus operation and help users capture life as it unfolds with stunning clarity and detail.

    “Featuring a variety of user-friendly features like Nikon SnapBridge, the new D3400 gives those new to DSLR photography the opportunity to proudly capture what they love and easily share with friends and family,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc. “The introduction of the new series of NIKKOR lenses demonstrate Nikon’s commitment to providing affordable and versatile lens options to DX-format DSLR photographers looking to capture their own unique perspective of the world.”

    Seamlessly Share Life’s Passions
    Transferring photos from the Nikon D3400 is a snap, as the camera makes it easier than ever to share photos wirelessly through Nikon SnapBridge. Using Bluetooth Low Energy (BLE), SnapBridge creates a connection between a camera and a compatible smart device, making it possible to seamlessly upload amazing images. Once paired, the D3400 will remain connected to the smart device and transfer photos automatically, without the need to re-connect the devices each time. Those that want to send photos from their child’s graduation or a gorgeous sunset can either set all images to automatically download as they are captured, or tag individual images for transfer in-camera. Nikon SnapBridge users can also access Nikon Image Space4, a free online image sharing and storage service.

    Easily Capture Vibrant Photos with Stunning Detail
    Life is full of memories that are meant to be captured with rich, vivid image quality, and the Nikon D3400 makes it easy with the high-speed performance and low-light ability that only a DSLR can deliver. The Nikon D3400 features a high-resolution 24.2-megapixel CMOS sensor to help capture images that photographers love, even in tough lighting scenarios. Nikon’s EXPEED 4 image processing engine offers improved image quality at high ISOs, enhanced auto white balance performance for true colors, faster processing speeds and improved battery life. Whether shooting stylish candids or beautiful landscapes while on vacation, the Nikon D3400 is ready to help deliver magnificent stills and impressive Full HD video.

    The Nikon D3400 is loaded with high performance features that help capture images in a variety of shooting situations, including a broad ISO range from 100-25,600, which helps to produce top-quality photos and videos with low noise. This enhanced ISO range makes it easy to capture sharp photos in low-light settings, such as indoor sports, stage performances or festivities that last into the night. An 11-point Autofocus System keeps pace to help create sharp images, whether capturing a backyard soccer game or the most rambunctious toddler. Additionally, the Nikon D3400 is capable of fast continuous shooting at up to 5 frames-per-second (fps), helping to ensure that fleeting moments or precious expressions are not missed. All of these features are incorporated into an extremely compact, lightweight and versatile camera body, ideal for a fast-paced on-the-go lifestyle, and small enough to bring on any family vacation.

    For first-time DSLR users, the D3400 features Nikon’s Guide Mode, an intuitive and informative mode that helps develop photography skills and showcases the best camera settings for any scene. By simply turning the top Command Dial to this mode, users are prompted with a full range of capture options, and the camera guides them through various settings to create the desired image. Additionally, in-camera Scene Modes are an easy way to snap great pictures, without the need to adjust numerous settings. For even more creative shooting options, fun effects modes such as Silhouette and Miniature Photography help photographers make images that define their distinct style. When the moment calls for HD video, the D3400 offers Full HD 1080p video recording capability at the press of a button to tell any story with amazing sharpness and clarity.

    Capturing the World Through a NIKKOR Lens
    Nikon has also announced two new lightweight zoom lenses, the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 18-55mm f/3.5-5.6G. The ideal companion for DX-format DSLR cameras like the new D3400, these lenses are equipped with Nikon’s Stepping Motor technology for quick, smooth and quiet autofocus. Designated AF-P NIKKOR, these new lenses provide faster and smoother AF speed during live view (contrast-detection AF) and allow for whisper-quiet operation during video recording to minimize camera noise. The Vibration Reduction (VR) technology of the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR offers up to four stops of image stabilization*, helping users capture flawless, blur-free images in challenging light or when handheld.

    Affordable Telephoto Lenses Offer Endless Photography Possibilities
    The new AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED are telephoto zoom lenses that provide further reach when users need it most. They are also equipped with a Stepping Motor that helps achieve quick, smooth and quiet autofocus. The adoption of this technology also reduces the overall size and weight of the lens, making it easy to carry on a family vacation or a trip to the zoo. The new AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR also features Nikon’s Vibration Reduction (VR) technology, offering up to four stops of image stabilization*, helping to create sharp images in challenging light, such as an indoor gymnasium or a dusk soccer game.

    Pricing and Availability
    The Nikon D3400 kitted with the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR will be available in early September 2016 for a suggested retail price (SRP) of $ 649.95**. The D3400 will also be available in a two-lens kit option, including the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED, for $ 999.95** SRP. The AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR (SRP, $ 249.95**), AF-P DX NIKKOR 18-55mm f/3.5-5.6G (SRP $ 199.95**), AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR (SRP, $ 399.95**) and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED (SRP $ 349.95**) will all be available around the same time and will be sold separately. For more information on about the new Nikon D3400 and NIKKOR lenses, please visit www.nikonusa.com.

    1. The SnapBridge app is available for compatible iPhone®, iPad® and/or iPod touch®, and for smart devices running the AndroidTM operating system. The app can be downloaded free of charge from Apple’s App Store® and GooglePlayTM. SnapBridge can be used only with compatible cameras.

    2. The camera’s built-in Bluetooth® capability can only be used to connect the camera to a smart device running the SnapBridge app, and to take advantage of SnapBridge features.

    3. Because AF-P lenses incorporate a stepping motor, the number of compatible cameras is limited. Even for compatible cameras, firmware update may be required.

    4. To automatically upload images to NIKON IMAGE SPACE, a Nikon ID must be registered. This is easily achieved via the [Nikon ID registration/change] menu in the SnapBridge app. An unlimited number and volume of images reduced to 2-megapixel equivalents can be uploaded to NIKON IMAGE SPACE only with upload via SnapBridge.

    *Based on CIPA Standard. This value is achieved when DX-format compatible lenses are attached to a DX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.

    **SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

    Nikon D3400 specifications

    Articles: Digital Photography Review (dpreview.com)