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  • Canon EOS 5D IV: What you need to know

    Canon EOS 5D IV: What you need to know

    It’s been more than four years since the launch of the Canon EOS 5D Mark III, and just head of this year’s Photokina trade show in Cologne we finally have a successor: the EOS 5D Mark IV.

    While externally similar to the 5D III, and the higher-resolution 5DS/5DS R, the new EOS 5D Mark IV offers some significant internal improvements. We got our hands on a pre-production camera recently, and in this slideshow we’ll be giving you a quick overview of the key features. 

    The EOS 5D Mark IV will come in three kits: body only ($ 3499), with the 24-70 IS USM lens ($ 4399) or with the 24-105 IS II USM lens ($ 4599).

    Canon EOS 5D IV: What you need to know

    The Canon EOS 5D Mark IV offers a roughly 30% increase in pixel count over its predecessor, and sits midway in terms of resolution between the EOS 5D III and the EOS 5DS/R, currently ‘best in class’ at 50MP. Nikon’s current ‘resolution’ flagship, the 36MP D810, offers a few more pixels but practically speaking the difference between 30MP and 36MP is likely to be pretty much academic.

    The 5D Mark IV’s native ISO sensitivity span extends a touch higher than that of the EOS 5D III, covering ISO 100-32000. Its extended ISO sensitivity span, however, is identical to that of its predecessor, at 50-102400. Both cameras offer greater nominal low light sensitivity than the Nikon D810, which is capped at ISO 12800 natively, and can be extended to 51200.

    Canon EOS 5D IV: What you need to know

    New (and currently exclusive) to the EOS 5D IV is what Canon is calling ‘Dual Pixel Raw’. This mode uses the sensor’s Dual Pixel photo sites (more on that below) to effectively create two 30MP files from a single exposure. The resulting file can be adjusted in Canon’s Digital Photo Professional Software to slightly shift the point of critical focus.

    The technology behind this feature is complex – it isn’t light field imagery, although the user experience is similar – and we’ll be digging into it more when we receive a fully reviewable camera.

    Canon EOS 5D IV: What you need to know

    Something old, something new, something borrowed… the EOS 5D Mark IV’s AF system is very closely related to that of the EOS 5D III, which itself inherited the 61-point AF array from the (then) flagship EOS-1D X. New in the EOS 5D IV is the addition of Canon’s iTR (Intelligent Tracking and Recognition) system which incorporates data from a 150,000-pixel metering sensor, to assist subject recognition.

    In theory this should make the 5D IV better at identifying and maintaining focus on moving subjects, but from our (admittedly limited) use so far it seems to offer roughly the same performance as the EOS 5DS/R. Which is to say: not bad, but not great. The EOS 5D IV might prove somewhat more useful for fast action photographers than its predecessor, but when it comes to tracking, the Nikon D810 probably still offers the most capable autofocus system in this class. Obviously though, this is something we’ll be testing as soon as possible.

    Canon EOS 5D IV: What you need to know

    One key area where the EOS 5D IV outshines the D810 is autofocus in live view and video. The Mark IV’s Dual Pixel AF system brings rapid and consistently reliable focus in both modes, and unlike the flagship EOS-1D X II, the 5D IV can offer continuous tracking in live view mode, in addition to the incredible capable movie servo AF during video recording. Based on the time we’ve spent with preproduction Mark IV’s, we are very impressed with just how responsive the Dual Pixel system is.

    By comparison, the EOS 5D III’s contrast-detection live view and video AF system is slow, prone to hunting, and cannot offer any kind of continuous focusing. The same applies to the D810, which offers a similarly basic contrast-detection autofocus system in these modes.

    Canon EOS 5D IV: What you need to know

    As far as handling is concerned, the EOS 5D IV offers a broadly similar experience to its predecessor. This is simple common sense on Canon’s part, but the new camera isn’t just a re-heated version of the same old 5D-series ergonomics. For one thing, the 5D IV features a touch-sensitive, 3.2″ rear screen which, unlike the EOS-1D X II, is tightly incorporated into all key areas of the camera’s feature set. 

    From touching to focus in live view and video to quickly tapping to zoom into images after a shoot, the EOS 5D IV’s touchscreen makes a real – and very positive – difference to the camera’s handling compared to both the EOS 5D III and also competitive cameras like the Nikon D810 and Sony a7R II.

    Canon EOS 5D IV: What you need to know

    In classic Canon style, for all of the brand new features that the EOS 5D IV brings to the table, it inherits a few, too. One of the more welcome additions is an EOS 7D II-style AF area selection button, just below and to the right of to the AF joystick on the rear of the camera. As with the 7D II, this button can be customized to fulfill one of various other functions, depending on the preferences of the photographer.

    Canon EOS 5D IV: What you need to know

    Hiding inside that comfy grip are dual slots for SD and CompactFlash media. As usual, media can be configured so that when two cards are installed, one acts as overflow storage, backup storage, or can be dedicated to either stills or video. 

    That molding line on the EOS 5D Mark II’s pentaprism might look like the camera boasts a built-in flash, but it doesn’t. The very top of the pentaprism is polycarbonate, to accommodate the requirements of built-in WiFi and GPS. The EOS 5D IV is fully weather-sealed, and when paired with one of Canon’s L-series lenses, it should withstand shooting in tough conditions.

    Canon EOS 5D IV: What you need to know

    There are plenty of holes in the EOS 5D IV, but fortunately they’re physical, not figurative. As well as microphone and headphone monitoring sockets you’ll also find HDMI out, USB 3.0 and a conventional flash sync socket. Just under our hand model’s thumb is the port for a wired remote shutter release.

    Speaking of video, the EOS 5D Mark IV becomes only Canon’s third DSLR to offer 4K video capture, in addition to a solid HD video feature set. As we’ve come to expect from 4K-capable DSLRs there is a crop factor at play in 4K video mode, though, and it’s fairly aggressive at around 1.7X – somewhat more aggressive than Super 35mm format.

    Canon EOS 5D IV: What you need to know

    Neither the EOS 5D III nor Nikon D810 offer 4K, of course, and the EOS 5D IV’s combination of high-resolution video, full-time touchscreen interface and Dual Pixel AF make it – at least on paper – the most capable full-frame DSLR for video at this point in time.

    Clean HDMI out is possible, not for 4K. Like the EOS-1D X Mark II, 4K recording is only possible in the highly inefficient Motion JPEG format, but according to Canon, this is deliberate, as it offers easy stills extraction from a 4K timeline – essentially enabling 30 fps 8MP capture (assuming favorable shooting conditions).

    The Canon EOS 5D Mark II uses the very familiar LP-E6N battery, rated at 900 shots per charge (CIPA).

    Canon EOS 5D IV: What you need to know

    A new dedicated grip, known as the BG-E20 ($ 349), doubles your battery life and offers additional controls for shooting in the portrait orientation.

    Canon EOS 5D IV: What you need to know

    The EOS 5D IV is launched alongside a brand new 24-105mm F4 IS L II USM kit zoom, and a Mark III version of the 16-35mm F2.8 (pictured above). These lenses retail for $ 1099 and $ 2199 respectively, and both are scheduled for October availability.

    Canon EOS 5D IV: What you need to know

    Compared to its predecessor, the EOS 5D IV is improved in virtually every way. Compared to the EOS 5DS/R, while the Mark IV can’t quite match their resolving power, it outpaces them in terms of speed, and of course a much richer video feature set.

    Nikon’s D810 is the EOS 5D Mark IV’s most obvious competitor, but although it’s been on the market for quite some time, it’s still very competitive in several areas. Where the EOS 5D IV scores over the D810 is video specification (obviously) and some aspects of handling. Thanks to Dual Pixel AF, the EOS 5D IV much more fun to use in video and live view modes, but the addition of a touchscreen makes some operations – like image review – quicker and easier than they are with the D810’s more traditional button-based ergonomics. 

    Let us know what you think of Canon’s new EOS 5D Mark IV in the comments.

    Articles: Digital Photography Review (dpreview.com)

  • Drone footage of aurora over Iceland is just what your weekend needs

    Maybe it’s unreasonably hot where you live, like it is here. Maybe you just smashed your phone screen on a sidewalk (and you KNEW you should have paid for that Apple Care). It’s none of our business why, but if your troubled mind needs soothing, we found just the thing for it: this video of the Northern Lights shot from a drone soaring over Iceland. 

    The footage comes from OZZO Photography and a Sony a7S II with Sigma 20mm F1.4 strapped to a DJI Matrice 600 (that’s a $ 4600 pro-grade drone, for those keeping score at home). It all adds up to one sweet, nerve-calming minute and a half.

    Articles: Digital Photography Review (dpreview.com)

  • Canon EOS M10 real-world samples

    The Canon EOS M10 is the most beginner-friendly camera of that manufacturer’s mirrorless family, doing away with many physical controls and embracing touchscreen functionality. Its 18MP APS-C sensor, built-in Wi-Fi and compact size help make it a compelling go-everywhere camera, especially when you add Canon’s svelte 22m F2 to the mix.

    We’ve had it on hand for strolls through the neighborhood, shows in dim bars and in the stands watching some world-class tennis. Take a look at the samples we’ve gathered so far.

    Canon EOS M10 real-world samples

    Articles: Digital Photography Review (dpreview.com)

  • Don’t get ahead of yourself: Canon EOS 5D Mark IV rolling shutter test

    Much of the initial concern about the EOS 5D Mark IV’s video has been about its substantial 1.64x crop (relative to the full width of the sensor, 1.74x compared to the 3:2 region) and its use of the inefficient Motion JPEG compression system (which limits the ability to use SD cards with any dependability).

    However, upon shooting with the camera we found it to have significant rolling shutter. We’ve demonstrated the effect alongside the EOS-1D X Mark II, which reads out its sensor fast enough to exhibit pretty low levels of rolling shutter, and the Sony a6300, which shows a relatively high level of rolling shutter.

    Obviously we’ve panned faster than you ever sensibly would, to make the difference clearer. If you’re careful with the way you move the camera, this rolling shutter effect may not be too apparent however, for some kinds of shooting, it can be distracting.

    Articles: Digital Photography Review (dpreview.com)

  • Google uses neural networks to improve image compression

    A research team at Google has developed a way to use neural networks to compress image files in a more efficient way than current methods, such as the JPEG standard. The team built an artificial intelligence system using Google’s open source TensorFlow machine learning system, and then used 6 million random reference photos from the internet that had been compressed using conventional methods to train it.

    The images were split into small pieces measuring 32 x 32 pixels each. The system then analyzed the 100 pieces with the least efficient compression; the idea being that it could learn from looking at the most complex areas of an image, making compression of less complex sections much easier.

    After the initial training process the AI system is then able to predict how the image would look like after compression and then generates that image. What makes this method really stand out from others is that the network can intelligently decide which is the best way to compress individual areas of a given photo for the best overall result. The method still needs some work, as final results can sometimes look unpleasant to the human eye and the system are not yet capable of testing for this. Nevertheless, the project looks like an important step into the right direction and if the algorithms can be further refined you might soon be able to save even more images on your memory card or built-in device storage.

    Articles: Digital Photography Review (dpreview.com)

  • ‘The Darkroom’ bar for photographers to offer a photo studio, functional darkroom… and booze

    via Google Street View

    A new bar called ‘The Darkroom’ is planned for construction on Florida Ave. in Washington D.C., according to a local news report, and it’ll cater specifically to photographers. The bar’s nature was revealed in a liquor license application submitted to the Alcoholic Beverage Administration in D.C.

    According to the application, ‘The Darkroom’ will include a functional darkroom, photo studio, bar, and art gallery. The application also indicates the bar would be used to host classes, lectures, screenings and art shows. Those classes would be ‘designed to preserve the history and explore the future of the medium.’ The individual who filed the application, however, hasn’t issued any comments on the plan.

    Via: PetaPixel

    Articles: Digital Photography Review (dpreview.com)

  • ‘Ansel made photographs, he didn’t take them’: Jeanne Adams interview

    Ansel Adams’ name is synonymous with landscape photography, but a new interview with Adams’ daughter-in-law Jeanne reveals more about a lesser known side of his work. The long-time CEO of the Ansel Adams Gallery talks with Advancing Your Photography’s Marc Silber, discussing the legendary photographer’s portraiture and architectural imagery, and shares some stories of Adams’ interactions with his workshop participants. 

    Articles: Digital Photography Review (dpreview.com)

  • Canon offers SD card-shaped Wi-Fi adapter, EOS 7D II bundle

    Canon has introduced a Wi-Fi adapter shaped remarkably like an SD card, designed to bring wireless connectivity to dual card slot cameras like the EOS 7D II and 5DS/R. The W-E1 adapter will be sold bundled with the EOS 7D II as well as separately, and will work with previously purchased 7D II and 5DS/R models once a firmware updated is applied.

    Though it looks like an SD card, the W-E1 doesn’t include any storage, so the camera’s available CF card slot will need to be used. When used with the EOS 7D II the card can transfer stills and MP4 video files; with the EOS 5DS/R only still images can be transferred. 

    The W-E1 will be available in early September for $ 50. A new Canon EOS 7D II kit with the W-E1 and the EF-S 18-135mm F3.5-5.6 IS USM lens will go on sale in October for $ 2,449; a body-only kit with the adapter will cost $ 1,849. Firmware to enable use of the card with previously purchased 7D II units will be available in early September, followed by one for 5DS/R owners will in November.

    Press release:

    CANON ANNOUNCES NEW CANON EOS 7D MARK II KIT FEATURING NEW WI-FI® ADAPTER FOR THE EASY SHARING OF IMAGES AND VIDEOS

    New Bundle Also Includes Canon EF-S 18-135mm f/3.5-5.6 IS USM Lens

    MELVILLE, N.Y., August 25, 2016 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the new Canon EOS 7D Mark II Kit, featuring the new SD card-sized Wi-Fi® Adapter W-E1. This new Wi-Fi adapter, when placed in the camera’s SD slot, provides the EOS 7D Mark II with Wi-Fi capabilitiesi like easy transferring of images and MP4 videos as well as use of the Canon Camera Connect App for remote capture of still images via a compatible smartphone or tablet.ii

    The Wi-Fi Adapter W-E1 will be sold with the EOS 7D Mark II body as well as sold separately, and can also be used with the EOS 5DS and 5DS R as well as previously purchased EOS 7D Mark II camerasiii. When used with EOS 5DS and 5DS R cameras, the Wi-Fi Adapter W-E1 functionality is limited to the transfer of still images only. The W-E1 will support 802.11 b, g and n using the 2.4 GHz band.

    Additionally, for the first time the EOS 7D Mark II camera will be conveniently bundled with the Canon EF-S 18-135mm f/3.5-5.6 IS USM lens. This lens has been optimized for high-speed autofocusing when shooting stills and quiet and smooth zoom when shooting video. This is the first Canon lens equipped with Nano USM technology providing high-speed autofocus for shooting stills and silent, smooth autofocus when shooting video. The Canon EF-S 18-135mm f/3.5-5.6 IS USM Lens also provides up to four stops of optical image stabilization.

    The new Canon EOS 7D Mark II Lens Kit is currently scheduled to be available in October 2016 for an estimated retail price of $ 2,449.00*, with the body-only version also currently scheduled to be available in October 2016 for an estimated retail price of $ 1,849*. The Wi-Fi Adapter W-E1 is scheduled to be available in early September 2016 for an estimated retail price of $ 50.00*. A firmware update to enable compatibility with the W-E1 for previously purchased cameras is currently scheduled to be available in early September 2016 for the EOS 7D Mark II camera and November 2016 for the EOS 5DS and 5DS R cameras.

    For more information: http://www.usa.canon.com/

    i The Wi-Fi Adapter W-E1 must be inserted into the available SD card slot. The W-E1 does not have storage and is not designed to record images. To record and store images, a CompactFlash card must be used in the dedicated CF card slot.

    ii Compatible with iOS® versions 8.0/8.1/8.2/8.3/8.4/9.0/9.1/9.2/9.3, Android™ smartphone and tablet versions 4.1/4.2/4.3/4.4/5.0/5.1/6.0. Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

    iii EOS 7D Mark II, EOS 5DS and EOS 5DS R cameras that have already been purchased separately require a firmware update to utilize the Wi-Fi Adapter W-E1.

    * Availability, prices and specifications are subject to change without notice. Actual prices are set by individual dealers and may vary.

    Articles: Digital Photography Review (dpreview.com)

  • Canon introduces EF 16-35mm F2.8L III USM and EF 24-105mm F4L IS II USM L-series glass

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    Coinciding with the announcement of the 5D Mark IV, Canon has introduced updates to two L-series lenses: the EF 16-35mm F2.8L III USM and EF 24-105mm F4L IS II USM. The 24-105mm F4L II offers improved image stabilization, claiming four stops to its predecessor’s three, and adds air sphere coating for better resistance to ghosting and flare. Two aperture blades have been added, totaling 10 now – arguably one more than it should have for pleasing sunstar rendition.

    The third iteration of Canon’s 16-35mm F2.8L uses a large diameter GMO (glass-molded) dual surface aspherical lens. Like its predecessors the lens is water- and dust-resistant, and Canon claims the new lens boasts improved durability. We’ve seen some initial comparisons vs. the Mark II, and the Mark III clearly addresses one of its predecessors largest shortcomings – poor off-center performance – while arguably improving upon one of its most revered qualities: beautiful sunstars, now with 18 rays.

    The EF 16-35mm F2.8L III USM will cost $ 2,199 and the EF 24-105mm F4L IS II USM will sell for $ 1099. Both lenses are scheduled for October availability.

    From the press release:

    New Canon EF Lenses and EOS Accessories
    In addition to the new EOS 5D Mark IV DSLR, Canon is also introducing two EF-Series L-series lenses as well as a variety of EOS accessories. The new EF 16-35mm f/2.8L III USM Ultra-Wide Zoom Lens features a large diameter GMO dual surface aspherical lens and ground aspherical lens, f/2.8 aperture throughout the entire zoom range, fluorine coating, improved durability and is dust and water resistant. The new EF 24-105mm f/4L IS II USM Standard Zoom lens features an improved four-stop image stabilization as well as ghosting and flare reduction with air sphere coating. The Canon EF 16-35mm f/2.8L III USM Ultra-Wide Zoom Lens is scheduled to be available late in October for an estimated retail price of $ 2,199.00†† and the EF 24-105mm f/4L IS II USM Standard Zoom Lens is scheduled to be available in late October for an estimated retail price of $ 1,099.00††.

    Additional EOS accessories include the Canon Battery Grip BG-E20, Canon Rain Cover ERC-E5S/E5M/E5L and Canon Protecting Cloth PC-E1. For more information about all these products and accessories, please visit: https://www.usa.canon.com/5D4Legend

    ††Availability, prices and specifications are subject to change without notice. Actual prices are set by individual dealers and may vary.

    EF 16-35mm F2.8L III USM / EF 24-105mm F4L II USM specifications

      Canon EF 16-35mm F2.8L III USM Canon EF 24-105mm F4L IS II USM
    Principal specifications
    Lens type Zoom lens
    Max Format size 35mm FF
    Focal length 16–35 mm 24–105 mm
    Image stabilization No Yes (4 stops)
    Lens mount Canon EF
    Aperture
    Maximum aperture F2.8 F4
    Minimum aperture F22
    Aperture ring No
    Number of diaphragm blades 9 10
    Optics
    Elements 16 17
    Groups 11 12
    Special elements / coatings 1 dual-surface aspherical, 1 aspherical + fluorine, Air Sphere, Sub-wavelength Structure coatings Fluorine and Air Sphere Coatings
    Focus
    Minimum focus 0.28 m (11.02″) 0.45 m (17.72″)
    Maximum magnification 0.25× 0.24×
    Autofocus Yes
    Motor type Ring-type ultrasonic
    Full time manual Yes
    Focus method Internal
    Distance scale Yes
    DoF scale No
    Physical
    Weight 790 g (1.74 lb) 795 g (1.75 lb)
    Diameter 89 mm (3.48″) 84 mm (3.29″)
    Length 128 mm (5.02″) 118 mm (4.65″)
    Sealing Yes
    Colour Black
    Zoom method Rotary (internal) Rotary (extending)
    Power zoom No
    Zoom lock No
    Filter thread 82.0 mm 77.0 mm
    Hood supplied Yes
    Hood product code EW-88D EW-83M
    Tripod collar No

    Articles: Digital Photography Review (dpreview.com)

  • Canon announces full-frame EOS 5D Mark IV with 30MP sensor and Dual Pixel AF

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    Canon has officially announced the EOS 5D Mark IV, the fourth generation of its full-frame DSLR for enthusiast and professional photographers. Built around a 30MP Dual Pixel AF sensor, it significantly extends the still and video capabilities the series has become known for.

    The 30MP Dual Pixel CMOS sensor allows for fast phase-detection autofocus in video and—for the first time in a Canon full-frame body—continuous focus for stills shooting in live view. Video can be captured in the DCI (4096 x 2160) 4K format at up to 30p (and up to 60p in 1080, and 120p in 720). 4K video is captured in the high quality but inefficient Motion JPEG format.

    The camera’s AF coverage, sensitivity and lens compatibility has been expanded in-line with the EOS-1D X Mark II and the maximum frame rate boosted to seven frames per second. The 5D IV also becomes the first model to capture separate data from the dual photodiodes that make up each pixel, enabling some innovative post-processing options to correct for minor focus errors or remove lens ghosting.

    The EOS 5D Mark IV will go on sale in early September with an MSRP of $ 3499. Kits with the 24-70mm F4L IS will ship at around the same time for $ 4399, while a 24-105mm F4L IS II USM kit follows in late October for $ 4599.

    Press Release

    It’s Finally here: Canon u.s.a. announces the highly anticipated EOS 5D Mark IV DSLR camera and new L-Series Lenses

    Developed for Professional Wedding, Portrait, and Nature/Wildlife Photographers as well as Filmmakers, the EOS 5D Mark IV Delivers Excellent Image Quality and 4K Video Recording

    MELVILLE, N.Y., August 25, 2016 – Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce the EOS 5D Mark IV DSLR camera, the next generation of the popular and versatile 5D series of Canon professional DSLR cameras. Building on this legendary legacy, the EOS 5D Mark IV propels the series forward with a fusion of features and enhancements targeted to please even the most discerning creative eyes. The camera’s 30.4 megapixel 35mm Full Frame Canon CMOS sensor offers stunning image quality while the DIGIC 6+ Image Processor delivers 4K 30P video and up to and seven frames per second (fps) continuous shooting. To make video shooting even easier, the camera also features Canon’s propriety Dual Pixel CMOS AF, even when shooting 4K to help ensure sharp focus and subject tracking.

    In addition, Canon is also introducing two new L-series EF lenses – the Canon EF 16-35mm f/2.8L III USM Ultra-Wide Zoom Lens and EF 24-105mm f/4L IS II USM Standard Zoom Lens– offering fantastic edge-to-edge sharpness across the imaging plane, as well as improved durability and performance.

    “Canon’s EOS 5D series of DSLR cameras has a history of being at the forefront of still and video innovation. And today, we add to this family of cameras the EOS 5D Mark IV– the first in our 5D series to offer 4K video and built-in Wi-Fi and NFC connectivity,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “In developing this new DSLR camera, we listened to the requests of current EOS users to create for them a modern, versatile camera designed to help them create and share beautiful still and video imagery.”

    “Outdoor photographers will really appreciate the new EOS 5D Mark IV, as it offers more resolution, better detail in the shadows, and improved speeds in autofocus and frame rate,” reported acclaimed nature photographer and Canon Explorer of Light George Lepp. “With the fabulous resolution of 4K video and the ability to make beautiful prints from a frame of that video as an added bonus, this camera sets a new mid-range standard for nature photography.”

    EOS 5D Mark IV DSLR Camera Specifications:

    • New 30.4 Megapixel full-frame CMOS sensor for versatile shooting in nearly any light, with ISO range 100–32,000; expandable up to 50–102,400.
    • 4K Motion JPEG video (DCI cinema-type 4096 x 2160) at 30p or 24p; in-camera still frame grab* of 4K 8.8-Megapixel images; multiple video options include Full HD up to 60p, and HD up to 120p.
    • Superb Dual Pixel CMOS AF for responsive and smooth AF during video or Live View shooting; LCD monitor has full touch-screen interface, including selection of AF area.
    • Excellent performance — up to 7.0 fps** continuous shooting speed with high performance DIGIC 6+ Image Processor for improved speed and excellent image quality.
    • 61 AF points with expanded vertical coverage with 41 cross-points, and AF possible at all 61 AF points with many lens + extender combinations effective at f/8.
    • 150,000-pixel RGB+IR metering sensor helps provide precise exposure metering, helps detect flickering lights and allows for enhanced scene recognition and face detection capabilities.
    • Dual Pixel RAW***, in-camera Digital Lens Optimizer during JPEG shooting and Diffraction Correction technologies.
    • Built-in Wi-Fi®1 and NFC2 connectivity provide easy sharing to compatible smart devices, select social media sites and the Canon Connect Station CS100 device.
    • Built-in GPS3 provides geotag information including auto time syncing with Universal Time Code (UTC) via satellites.

    “I have owned every camera in the 5D line, so the new EOS 5D Mark IV feels like an old friend in my hands, only better” exclaimed renowned wedding photographer and Canon Explorer of Light Clay Blackmore. “It has everything a professional photographer needs to create outstanding, quality images every time. Between its ability with still images and video capture, it is the complete package and—in my opinion—the best wedding camera on the planet.”

    “When working with macro beauty photography, I need fast and precise autofocus. With each breath of the subject I need to be able to check the exact placement of focus, whether on the tips of the eyelashes, the pupils or other detail of her face. The EOS 5D Mark IV gave me exactly the speed and precision required to capture the detail and stunning color that is a signature of my beauty work,” remarked celebrated fashion and beauty photographer and Canon Explorer of Light Lindsay Adler. “I’m always looking for ways to create visuals that help me stand out from the competition. Cinemagraphs, also known as ‘living images,’ allow me to combine still frames and video to create captivating images. Because of the EOS 5D Mark IV’s 4K and slow motion capabilities, I now have the ability to create high quality and visually compelling cinemagraphs without having to invest in an expensive cinema camera!”

    The Next Generation of EOS 5D Cameras

    In addition to the new Full Frame sensor, the new EOS 5D Mark IV includes a 61-point High-Density Reticular AF II system, similar to the one found in the flagship EOS-1D X Mark II, with all AF points selectable by the user (and up to 41 cross-type points depending on the lens in use). The AF system, improved over previous Canon 5D series models, includes expanded coverage across the frame that supports AF at maximum apertures up to f/8 with all 61 points for high-precision autofocus even when using EF super-telephoto lenses with an EF extender. Standard ISO range for the EOS 5D Mark IV is ISO 100-32,000 and is expandable to 50-102,400.

    The EOS 5D Mark IV also introduces a new 150,000 pixel RGB+IR metering sensor with enhanced precision and performance compared to its predecessor, improving upon facial recognition and tracking as well as nature and sports scenes with fast-moving action. AF sensitivity in low light is EV-3 and EV-4 when in Live View mode. The EOS Scene Detection System can detect and compensate for flickering light sources that are often used in gymnasiums and swimming pools. When enabled, this anti-flicker system automatically adjusts shutter release timing to help reduce disparities in exposure and color especially during continuous burst shooting.

    Following the groundbreaking video recording capabilities introduced in the EOS 5D Mark II and EOS 5D Mark III, the EOS 5D Mark IV takes the next leap forward offering DCI 4K video recording. Adding to the versatility of capturing 4K video, is Canon’s Dual Pixel CMOS AF. This proven autofocus system allows for continuous focus tracking of subjects, and can be customized by the user for optimal performance. Dual Pixel CMOS AF technology not only enhances 4K video recording, but also helps create crisp focus for 4K Frame Grab extraction of 8.8 megapixel still JPEG images, all done in camera.

    Mobile Connectivity

    For the first time in an EOS 5D series DSLR camera, the EOS 5D Mark IV features built-in Wi-Fi®1 and Near-Field Communication (NFC)™1 providing for the easy transfer of images and MP4 movies to compatible mobile devices, as well remote shooting when using the Canon Camera Connect App2. The EOS 5D Mark IV also includes a built-in GPS3 receiver with compass for precise geo-tagged information of latitude, longitude, and elevation. This is especially valuable to wildlife photographers and photojournalists who need to track their locations, as well as providing sports and wedding photographers the ability to sync a multiple-camera setup with extreme accuracy and precision. The camera’s built-in GPS can also be used to sync the camera’s time to the atomic clock, an invaluable feature when multiple photographers are covering the same event.

    Pricing and Availability

    The Canon EOS 5D Mark IV DSLR is currently scheduled to be available in early September 2016 for an estimated retail price of $ 3,499.00 for the body only††. It will also be sold as part of body-and-lens kits with the EF24-70mm f/4L lens ($ 4,399.00, scheduled to be available early September)†† and the EF24-105mm f/4L IS II USM lens ($ 4599.00, scheduled to be available late October)††.

    For an exclusive, hands-on preview, the camera will be available at the customer support centers shown below. Visitors can experience the camera firsthand while Canon technical experts demonstrate new product features, answer questions, and spotlight the benefits of Canon products and service.

    Footnotes

    1Compatible with iOS® versions 7.1/8.4/9.0, AndroidTM smartphone and tablet versions 4.0/4.1/4.2/4.3/4.4/5.0/5.1. Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

    2Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

    3In certain countries and regions, the use of GPS may be restricted. Therefore be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.

    * Saving a still image from a single movie frame does not result in the same image quality as a normal still image.

    ** Continuous shooting speed may vary depending on the shutter speed, the aperture, the lens being used, the battery charge and various camera settings.

    *** When lens diaphragm setting is fully open, adjustment volume and compensation effect are emphasized. Sufficient adjustment volume and compensation effect may not be achieved, depending on lens in use and shooting conditions. Adjustment volume and compensation effect vary depending on camera position (landscape or portrait). Sufficient adjustment volume and compensation effect may not be achieved depending on the shooting conditions.

    ††Availability, prices and specifications are subject to change without notice. Actual prices are set by individual dealers and may vary.

    Canon EOS 5D Mark IV specifications

    Price
    MSRP $ 3499 (body only), $ 4399 (w/24-70 F4L lens), $ 4599 (w/24-105 F4L IS USM lens)
    Body type
    Body type Mid-size SLR
    Body material Magnesium alloy
    Sensor
    Max resolution 6720 x 4480
    Image ratio w:h 1:1, 4:3, 3:2, 16:9
    Effective pixels 30 megapixels
    Sensor photo detectors 32 megapixels
    Sensor size Full frame (36 x 24 mm)
    Sensor size notes sRaw suppoorted in all aspect ratio. Size between 5 and 7.5 megapixel.
    Sensor type CMOS
    Processor Digic 6+
    Color space sRGB, AdobeRGB
    Color filter array Primary color filter
    Image
    ISO Auto, 100-32000 (expands to 50-102400)
    Boosted ISO (minimum) 50
    Boosted ISO (maximum) 102400
    White balance presets 6
    Custom white balance Yes
    Image stabilization No
    Uncompressed format RAW
    JPEG quality levels Fine, normal
    File format
    • JPEG (Exif v.2.3)
    • Raw (Canon CRW, 14-bit)
    Optics & Focus
    Autofocus
    • Contrast Detect (sensor)
    • Phase Detect
    • Multi-area
    • Center
    • Selective single-point
    • Tracking
    • Single
    • Continuous
    • Touch
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Manual focus Yes
    Number of focus points 61
    Lens mount Canon EF
    Focal length multiplier 1×
    Screen / viewfinder
    Articulated LCD Fixed
    Screen size 3.2″
    Screen dots 1,620,000
    Touch screen Yes
    Screen type TFT LCD
    Live view Yes
    Viewfinder type Optical (pentaprism)
    Viewfinder coverage 100%
    Viewfinder magnification 0.71×
    Photography features
    Minimum shutter speed 30 sec
    Maximum shutter speed 1/8000 sec
    Exposure modes
    • Program
    • Shutter priority
    • Aperture priority
    • Manual
    • Bulb
    • Scene Intelligent Auto
    Built-in flash No
    External flash Yes (via hot shoe or flash sync port)
    Flash X sync speed 1/200 sec
    Drive modes
    • Single shooting
    • Continuous hi/lo
    • Silent single shooting
    • Silent continuous
    • 2/10 sec self-timer / remote control
    Continuous drive 7.0 fps
    Self-timer Yes (2 or 10 secs, custom)
    Metering modes
    • Multi
    • Center-weighted
    • Spot
    • Partial
    Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
    AE Bracketing ±3 (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV steps)
    WB Bracketing Yes
    Videography features
    Resolutions 4096 x 2160 (29.97p, 24p, 23.98p), 1920 x 1080 (59.94p, 29.97p, 24p, 23.98p), 1280 x 720 (119.9p)
    Format MPEG-4, Motion JPEG
    Videography notes 8.8MP stills can be grabbed from 4K video; camera supports ALL-I, IPB and IPB Light compression.
    Microphone Mono
    Speaker Mono
    Storage
    Storage types CompactFlash + SD/SDHC/SDXC card (UHS-I enabled)
    Connectivity
    USB USB 3.0 (5 GBit/sec)
    HDMI Yes (mini-HDMI)
    Microphone port Yes
    Headphone port Yes
    Wireless Built-In
    Wireless notes 802.11b/g/n + NFC
    Remote control Yes (wired, wireless, or smartphone)
    Physical
    Environmentally sealed Yes
    Battery Battery Pack
    Battery description LP-E6N lithium-ion battery & charger
    Battery Life (CIPA) 900
    Weight (inc. batteries) 890 g (1.96 lb / 31.39 oz)
    Dimensions 151 x 116 x 76 mm (5.94 x 4.57 x 2.99″)
    Other features
    Orientation sensor Yes
    GPS Built-in

    Articles: Digital Photography Review (dpreview.com)