360Photography

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  • Apple’s Phil Schiller explains why the new MacBook Pro doesn’t have an SD card slot

    There’s a fair amount of controversy surrounding Apple’s newly unveiled MacBook Pro laptops, with one major criticism from photographers focusing on the removal of the SD card slot. Owners must use an SD-to-USB adapter to physically transfer files from a card to the laptop, otherwise wireless transfer is the only option. When asked about this design decision during an interview with The Independent, Apple’s Phil Schiller explained that SD card slots are ‘cumbersome.’

    When asked why the new MacBook Pro laptops don’t have an SD card slot, Schiller explained:

    “Because of a couple of things. One, it’s a bit of a cumbersome slot. You’ve got this thing sticking halfway out. Then there are very fine and fast USB card readers, and then you can use CompactFlash as well as SD. So we could never really resolve this – we picked SD because more consumer cameras have SD but you can only pick one. So, that was a bit of a trade-off. And then more and more cameras are starting to build wireless transfer into the camera. That’s proving very useful. So we think there’s a path forward where you can use a physical adaptor if you want, or do wireless transfer.”

    During the end of the interview, Schiller admitted that the level of criticism around the new MacBook Pro ‘has been a bit of a surprise.’ He went on to say that he has ‘never seen a great new Apple product that didn’t have its share of early criticism and debate — and that’s cool. We took a bold risk, and of course with every step forward there is also some change to deal with.’

    Via: Independent

    Articles: Digital Photography Review (dpreview.com)

  • Fujifilm launches ‘Pro’ tethered shooting plug-in for Lightroom with live view and remote control

    Fujifilm X-T2 owners will soon be able to shoot tethered to Adobe’s Lightroom image manipulation software application using a new plug-in that will be sold through the Adobe Add-ons website. Tether Shooting Plug-in Pro is an upgrade from the existing version of the company’s Tether Shooting plug-in that is now compatible with the X-T2 as well as the X-T1. The new version brings a Control Panel display that allows users to check their imported images more quickly and to preview the image in live view mode while at the same time being able to control the camera’s settings.

    The plug-in features two shooting modes that allow the user to control settings at the camera or via the computer screen, with both modes allowing the captured images to be transferred directly to the computer by USB connection.

    The X-T1 and X-T2 cameras both need the relevant firmware to be able to operate with the plug-in, and Fujifilm has announced that v1.10 for the X-T2 will be available on 8th November. This firmware also makes the camera compatible with the standard version of Tether Shooting Plug-in and Tethered Shooting Software HS-V5.

    The camera firmware will be free to download, but the Tether Shooting Plug-in Pro will cost $ 79.

    For more information visit the Fujifilm website.

    Press release:

    Tether Shooting Plug-in PRO for Adobe® Photoshop® Lightroom®

    PC tethered shooting support for FUJIFILM X-T1/X-T2

    FUJIFILM Corporation (President: Kenji Sukeno) is pleased to announce the launch of “Tether Shooting Plug-in PRO for Adobe® Photoshop® Lightroom®” to enable tethered shooting of FUJIFILM X-T1(hereafter X-T1) and FUJIFILM X-T2(hereafter X-T2)* to a compatible computer.

    “Tether Shooting Plug-in PRO for Adobe® Photoshop® Lightroom®” is a tethering software plug-in that allows Lightroom users to connect X-T1 / X-T2 to a computer via USB cable for direct saving of captured images onto computer, and controlling the camera from the computer**.

    “Tether Shooting Plug-in PRO for Adobe® Photoshop® Lightroom®” will be available from Adobe Add-ons website*** for US$ 79. The launch of the Mac OS X / macOS Sierra version*4 is scheduled for release around the beginning of November 2016, and the Windows version*5 is scheduled for release around the beginning of December 2016. The detail launch schedule will be informed on this page.

    (1) Featuring the “Camera Mode” and “PC Mode” to control shooting on camera or from computer
    In Camera Mode, the camera is held in hand or set up on a stand. The images taken will be transferred directly and saved onto computer for use in Lightroom. Adjustment of exposure and other shooting settings as well as the shutter release is carried out on the camera. In PC Mode, users can check the viewfinder image of a remotely-setup camera in the LIVE VIEW window, operate the camera and adjust its settings on the computer screen. The user can also take images and have them transferred directly and saved onto a computer for use in Lightroom. Adjustment of exposure and other shooting settings and the shutter releases are carried out from the connected computer.

    (2) Featuring the “Control Panel” to check captured image and to control camera
    In addition to the features of “Tether Shooting Plug-in for Adobe® Photoshop® Lightroom®” (standard version)*6, “Tether Shooting Plug-in PRO for Adobe® Photoshop® Lightroom®” has Control Panel which can check captured images and to control the camera. The Control Panel PREVIEW window allows users to check transferred images in quicker than before.

    The Control Panel also allows users to check shooting angles with LIVE VIEW, to set shooting conditions from computer, to operate interval/bracketing shootings and to backup/restore all the camera settings*7.

    * * X-T1 and X-T2 must be upgraded to the tethering-compatible firmware (X-T1: Ver. 3.10 or later, X-T2: Ver.1.10 or later). Internet connection is required for downloading compatible firmware.
    * ** Adobe® Photoshop® Lightroom® 6 or CC is required.
    * *** https://creative.adobe.com/addons/
    * *4 The compatible OS is same as that of Lightroom. To use on macOS Sierra, Lightroom should be upgraded to 6.7 or later / CC 2015.7 or later.
    * *5 The compatible OS is same as that of Lightroom.
    * *6 The current version (Ver.1.2) of “Tether Shooting Plug-in for Adobe® Photoshop® Lightroom®” (standard version) is compatible only with X-T1. X-T2 will be supported with upgraded version (Ver.1.3) or later.
    * *7 Backup/restore is only compatible with X-T2.

    Articles: Digital Photography Review (dpreview.com)

  • Fast Five: Sony Cyber-shot RX100 V Review

    Introduction

    The Sony RX100 V is the company’s newest addition to its lineup of premium compact cameras. As with the previous two versions, it has a 1″-type sensor, 24-70mm equivalent F1.8-2.8 lens but gains 24fps burst shooting in both JPEG and Raw with full autofocus and autoexposure(!), oversampled 4K video recording, and plenty more. In short, the RX100 V has an incredible amount of technology stuffed into an easily pocketable package – but despite major increases in performance, we find that some of its more peripheral qualities could still use some attention.

    Key Specs

    • 20MP 1″-type stacked BSI-CMOS sensor
    • 24-70mm equiv. F1.8-2.8 zoom lens
    • 24fps burst shooting in JPEG + Raw, with full AF and AE
    • 315-point phase-detection autofocus system
    • Detailed 4K video capture with well-controlled rolling shutter
    • Good quality high frame rate video capture

    Where to begin, besides the original? The first RX100 made quite the splash when it was released back in 2012, and rightly so – it was the first camera to take a reasonably large, 1″-type sensor and place it within a camera body you could easily put into a pocket. There were, of course, pocketable compact digital cameras before it, but the RX100’s much larger sensor was the key here for really allowing it to stand above the crowd.

    The RX100 V’s large sensor allows it to capture far more dynamic range than your typical smartphone and smaller-sensor compact, especially useful in challenging lighting conditions. Processed to taste from Raw using a preliminary build of Adobe Camera Raw. 24mm equiv. ISO 125, 1/500 sec, ISO 125. Photo by Carey Rose

    The original RX100 brought us one significant step closer to the diminutive, high-quality 35mm film compacts of the 1990s. The RX100 V is a fitting member of the RX100 line in this regard, offering very good image quality and impressive capability in a camera that you can easily forget is in your purse or daypack.

    The 24-70mm equivalent lens reach of the RX100 V is something of a standard for professionals with large F2.8 zooms, and is plenty flexible for all kinds of shooting – but some users might be left wanting for even more reach. Straight-out-of-camera JPEG at 70mm equiv. ISO 125, 1/640 sec, F4. Photo by Carey Rose

    The RX100 V becomes the world’s first fixed-lens compact (at least, the first you can actually buy) to offer a 1″ sensor with phase detection autofocus, and it does so across 65% of the frame with a total of 315 points. As far as video, the RX100 V shoots oversampled 4K clips, resulting in impressively detailed footage.

    Sony’s launch presentation for the RX100 V showed that this series of cameras is increasingly being chosen by existing mid-to-high-end DSLR shooters looking for a carry-everywhere compact. The RX100 V works exceedingly well as a capable point-and-shoot camera, but as with previous models, we’ve found ourselves frustrated when trying to take greater control over it for decisive-moment shooting.

    “The RX100 V has the potential to be just about all the camera any enthusiast might ever need.”

    That is, frankly, a shame. For all that Sony has done to make this a worthy upgrade from the Mark IV, it’s also the things they haven’t done that bear mentioning as well. There are still just too few controls on this camera, there still isn’t a touchscreen (to more easily take advantage of that snazzy new PDAF system), the user interface is still unfriendly and the sluggish speed at which the camera reacts (or doesn’t react) to some inputs stands in stark contrast to how unbelievably fast it can pull images off the sensor.

    Specifications compared

      Sony
    DSC-RX100 V    		 Sony
    DSC-RX100 IV    		 Canon G7X
    Mark II    		 Panasonic
    LX10
    MSRP $ 999 $ 899 $ 699 $ 699
    Lens range (equiv) 24-70mm 24-70mm 24-100mm 24-72mm
    Aperture range F1.8-2.8 F1.8-2.8 F1.8-2.8 F1.4-2.8
    Autofocus 315-point phase detection Contrast detection

    Contrast detection

    Contrast detection
    Control dials Lens ring (stepless)
    Four-way/dial    		 Lens ring (stepless)
    Four-way/dial

    Lens ring
    (stepped/
    stepless)
    Exposure Comp
    Four-way/dial

    Aperture ring Command dial Lens ring (stepless)
    Viewfinder 2.36M-dot 2.36M-dot No No
    Rear screen Tilt up/down Tilt up/down Tilt up/down
    Touchscreen    		 Tilt up touchscreen
    Video capability 4K/30p
    1080/120p    		 4K/30p
    1080/120p    		 1080/60p 4K/30p
    1080/120p
    Built-in ND Filter Yes
    (Auto for stills)    		 Yes
    (Auto for stills)    		 Yes
    (Auto for stills)    		 No
    Burst Shooting 24 fps 16 fps 8 fps 10 fps
    Battery life (CIPA) 220 280 265 260

    Here, you can clearly see Sony’s focus for this new model – speed and autofocus (regarding pricing, Sony has recently dropped the cost of the Mark IV to $ 899 from its original MSRP of $ 999, which the Mark V has launched at). However, you can see the extra processing has had a fairly detrimental effect on its rated battery life. More on that later.

    Always at hand – the Mark V is the latest RX100 to feature impressive technology in a carry-everywhere package, but the price you ultimately pay (besides the steep MSRP) is in terms of ergonomics and controls. Processed from Raw using a preliminary build of Adobe Camera Raw at 30mm equiv. ISO 500, 1/500 sec, F2.5. Photo by Carey Rose

    One of our earlier posts stated that the RX100 V has the potential to be just about all the camera any enthusiast might ever need. We still think that rings true, but as usual, there’s some caveats to take into account. Let’s take a closer look.

    Articles: Digital Photography Review (dpreview.com)

  • Voltaic Array and Offgrid solar backpacks charge gear on the go

    Voltaic has launched two new backpacks on Kickstarter, the Array and Offgrid. Both models feature integrated solar panels and removable batteries that charge when the bag is in sunlight. The Offgrid model is the smaller of the two, featuring a 6W solar panel and a 4,000mAh battery, while the Array has a larger 10W solar panel and a 19,800mAh battery. Both batteries can be removed and charged using a wall outlet, as well.

    The Array model includes Voltaic’s V72 Universal Laptop Battery with selectable 12V, 16V, and 19V options for charging ordinary laptops. It also has a USB port for charging USB devices. The battery takes 12 hours to charge via solar or 4 hours to charge from a wall outlet, and it is suitable for charging a DSLR camera between 3 and 6.5 times, a tablet 2.5 to 3 times, a drone one time, a laptop up to 1.7 times, or a smartphone between 4.5 and 8 times.

    The Offgrid bag model is for less demanding devices, featuring a V15 Universal USB Battery with a 5V/1A output. This battery takes 4.5 hours to charge in the sun or 4 hours to charge from USB, and it can recharge a DSLR between 0.7 and 1.5 times. If that’s not substantial enough, however, Voltaic also offers a V44 12,000mAh battery upgrade, enabling it to charge a DSLR between 2 and 4.5 times.

    In addition to the solar panel and battery, both models feature easy access channels for the wires, a padded sleeve for a tablet or laptop, space for a camera and lenses, an attachment for carrying a tripod, and external carry straps for attaching other things (such as a sleeping pad) to the bag. The bags are waterproof and described as ‘rugged.’

    Voltaic is seeking funding for the bags on Kickstarter, where it offers the Offgrid as an early bird unit for pledges $ 119 or higher, and an early bird Array for pledges of $ 219 or more. The company anticipates the early bird models shipping to backers this December, while non-early bird models are estimated to start shipping in March 2017.

    Via: Kickstarter

    Articles: Digital Photography Review (dpreview.com)

  • CMRA band for Apple Watch features front and rear cameras

    If you’re worried that having to pull your smartphone out of your pocket might make you miss the decisive moment, the CMRA band for the Apple Watch could be just what you’re waiting for. The watch band comes with not one but two built-in cameras. An upward-facing 2MP module is meant to be used for video calls, via a dedicated app, and the occasional selfie. The outward-facing camera captures 8MP images or HD-video clips right from your wrist.

    To do so you have to tap a button that is built into the band or long-press it for video recording. A double-tap of the button switches between cameras. The makers of the CMRA claim you can capture ‘hundreds’ of images with one battery charge or record approximately 30 minutes of video footage. 

    Recorded images and videos are accessible via Apple’s stock Photos app, so they can be easily sorted, edited and shared. In terms of storage the CMRA offers 8GB of built-in memory. The band comes with a dual-charging dock that charges Apple Watch and CMRA band at the same time.

    The CMRA band is expected to launch in Spring 2017, but those interested can already put a pre-order in at an early bird price of $ 149 for either the 38mm or 42mm version. The estimated retail price after launch is $ 249. More information is available in the video below or on the CMRA website where you can also order the band.

    Articles: Digital Photography Review (dpreview.com)

  • Adobe announces Reuters partnership, Creative Cloud app updates

     Adobe Stock brings Reuters images like this one straight into Creative Cloud.

    Adobe is teaming up with Reuters in an effort to strengthen its Stock app offerings. The move will bring Reuters entire video and still editorial collection into Adobe Stock, where users can license content directly within Creative Cloud. The company also announces a name for its machine learning and AI-based technologies: Adobe Sensei. Driving features like ‘content-aware face liquify,’ Sensei is also behind a new visual search tool that allows Stock users to search for images with similar content or a look and feel that matches a particular image.

    Photoshop CC users will get a new universal search tool, and updates to Premiere Pro CC aim to make creating VR and 3D content easier. A new social publishing panel in Premiere Pro will facilitate video sharing and data analysis within the application. Design professionals will be most interested in the rest of Adobe’s CC updates introduced leading up to the company’s MAX conference, as Adobe Experience Design brings Photoshop tools like layers to an app for UX designers, and Dreamweaver CC gets an interface update. Photoshop Fix, Photoshop Sketch and Adobe Comp CC apps also see an Android release.

    Articles: Digital Photography Review (dpreview.com)

  • Olympus OM-D E-M1 II will ship in December for $2000 body-only

    Olympus has taken wraps off availability and pricing details for its flagship OM-D E-M1 II. Announced at Photokina, the E-M1 II will cost $ 2000 body-only and is set to ship at the end of December. The E-M1 II’s predecessor was introduced just over three years ago and started at $ 1400 body-only.

    That $ 600 premium buys some notable advancements including a faster processor, 20.4MP sensor with 121 phase-detection AF points and a stabilization system claiming an unearthly 6.5 stops of shake correction. Like the Mark I, the E-M1 II is built to withstand hostile conditions with a dust, splash and freeze-proof design. 

    Read our Olympus OM-D E-M1 II
    Shooting Experience

    Press release:

    REVOLUTIONARY CAMERA PERFORMANCE: THE OLYMPUS OM-D E-M1 MARK II ARRIVES

    The new flagship Micro Four Thirds® camera boasts world’s fastest sequential shooting1, superior autofocus accuracy, and world’s most effective image stabilization performance2

    CENTER VALLEY, Pa., — November 2, 2016 — Olympus announces that its new flagship camera, the Olympus® OM-D E-M1 Mark II, is set to go on sale at the end of December 2016 for the manufacturer’s suggested retail price of $ 1999.99 USD and $ 2499.99 CAD. The OM-D® E-M1 Mark II is the latest addition to the award-winning OM-D series and features incredible speed, outstanding image resolution and a host of new shooting features to meet the needs of the professional photographer.

    The OM-D E-M1 Mark II is equipped with the newly-developed high-speed TruePic VIII Image Processor, which is 3.5 times faster than the previous TruePic processor used in the OM-D E-M1, and a new 20.4 megapixel Live MOS sensor equipped with 121 points of cross-type on-chip phase detection and contrast detection AF. These technologies work together with the camera’s silent electronic shutter to provide full-resolution RAW images at up to an unprecedented 60 frames per second in AF and AE lock, and up to 18 frames per second with continuous AF and AE tracking.

    The OM-D E-M1 Mark II boasts a wide array of shooting features including the new Pro Capture Mode for lag-free shooting that enables the capture of split-second moments, a 50 Megapixel High-Res Shot Mode for images with incredible detail rivaling that of full-frame DSLRs, in-body 5-Axis Image Stabilization that provides up to 5.5 shutter speed steps of compensation performance3, and 5-Axis Sync IS that provides the world’s most effective 6.5 shutter speed steps of compensation2 when combined with the new M.ZUIKO® Digital ED 12-100mm f4.0 IS PRO.

    The OM-D E-M1 Mark II is weather sealed to be dustproof, splashproof and freezeproof (down to 14°F/-10°C) in a compact lightweight design, ideal for shooting in all types of outdoor conditions.

    Main Features

    1. High-Speed Sequential Shooting and Superior AF Performance

    Live MOS sensor and TruePic VIII Image Processor
    The newly developed high-speed TruePic VIII Image Processor and a new 20.4 megapixel Live MOS Sensor works in concert with the camera’s electronic shutter to provide full-resolution images at a maximum 60 frames per second in AF and AE lock, and up to 18 frames per second with continuous AF and AE tracking.

    The TruePic VIII Image Processor boasts a dual quad core system with four CPU cores and four image processing cores to achieve image processing speeds approximately 3.5 times faster than the TruePic VII Processor. Because camera operation and image processing functions are carried out in unison, transfer speeds and menu operations are vastly improved over previous models. 

    Pro Capture Mode
    The new Pro Capture Mode provides lag-free shooting so users can capture high-quality full-resolution images at precise moments with no compromises. Using the silent electronic shutter, Pro Capture buffers a running series of JPEG / RAW images when users press the shutter release halfway. Then, by fully pressing the shutter button, users can capture that moment’s image plus up to 14 previous frames all at once.

    Advanced Dual FAST Autofocus
    The advanced Dual FAST AF automatically chooses between on-chip phase detection AF and contrast detection AF, or utilizes both phase and contrast detection simultaneously. This system boasts 121 cross-type on-chip phase detection focus points in order to dramatically improve accuracy. The simultaneous use of contrast detection and on-chip phase detection AF enables accurate focus in difficult lighting conditions, while a new moving subject tracking algorithm rapidly and continuously measures the subject-to-camera distance to precisely maintain focus. Finally, the in-camera AF Limiter function is included to achieve faster focusing by limiting the focus range of the lens, thus preventing time-consuming focus hunting.

    Autofocus functions such as AF Target Mode4, AF target position and face/eye priority AF are easily set with a single button press. AF operations are enhanced with a new subject-tracking Cluster Display, which illuminates active sensors to assure the user of focus-subject accuracy. The AF Targeting Pad feature allows users to select the AF point by sliding their finger on the rear touch LCD monitor while looking through the viewfinder.

    High-magnification, high-speed electronic viewfinder
    The performance of the 1.48x (35mm equivalent) high-magnification, high-resolution electronic viewfinder rivals those of professional full-frame interchangeable lens cameras. With high-speed operation that includes a maximum refresh rate of 120 fps and a minimum response time of five milliseconds, users never lose track of fast-moving subjects.

    High-speed response
    The significantly improved shutter release lag time, now reduced by approximately 30% from that of the previous model, facilitates response time so users never miss a photo opportunity. In addition, frame-advance speed during playback is approximately three times quicker for faster scrolling and review of images.

    2. Outstanding Portability and Reliability

    A compact, lightweight system with excellent portability
    The OM-D E-M1 Mark II features weatherproof construction in a compact and lightweight design. Coupled with an Olympus M.ZUIKO lens, the OM-D system is extremely compact, providing the ultimate in portability for shooting and transportation. Handheld super-telephoto shooting is possible with the M.ZUIKO Digital ED 300mm f4.0 IS PRO lens (600mm focal length in 35mm equivalent), and this camera and lens combination is compact enough to store in carry-on luggage when flying.

    Weatherproof construction and Super-Sonic Wave Filter dust reduction system
    The OM-D E-M1 Mark II features high-performance weather sealing for excellent dustproof, splashproof and freezeproof (down to 14°F/-10°C) performance so that users can shoot in the harshest of conditions. This weatherproofing is not limited to the camera body alone: it is extended across the entire OM-D system, including the dustproof, splashproof and freezeproof M.ZUIKO PRO lens lineup5. In addition, a Supersonic Wave Filter (SSWF) dust reduction system vibrates the image sensor more than 30,000 times a second to virtually eliminate any dust that may land on the sensor while changing lenses.

    High-performance shutter
    A newly developed shutter is rated for 200,000 actuations6 to withstand consistent daily use in professional environments. Floating shutter construction is employed so that shutter shock is not easily transmitted to the camera body.

    Dual memory card slots
    The OM-D E-M1 Mark II features dual memory card slots to allow simultaneous use of two SD cards for more versatile shooting. The slots are positioned in a staggered layout, making cards easier to insert and remove. Users can select from four settings: Standard Mode records to the specified card; Automatic Switching Mode automatically switches to the second card when the first card becomes full; Dual Independent Mode records to both cards according to the specified image quality setting assigned to each; and Dual Same Mode records identical files to both cards simultaneously. Slot 1 supports UHS-II and UHS-I cards, while Slot 2 supports UHS-I cards.

    High-capacity battery and rapid charger
    The new BLH-1 lithium-ion rechargeable battery has a capacity that’s approximately 37% higher than that of the BLN-1 used in the previous model, providing approximately 440 shots on a single charge (CIPA standards-compliant). The OM-D E-M1 Mark II displays the remaining battery life percentage on the rear monitor so users are not surprised by a depleted battery. Also, the new BCH-1 charger is 50% faster than the previous version.

    3. Exceptional Image Quality

    Higher resolution and improved dynamic range
    The new 20.4 megapixel Live MOS sensor offers 25% higher resolution than the previous model, and the absence of a low-pass filter further enhances image quality. A higher dynamic range7 improves the reproduction of highlight and shadow detail, and an anti-reflective coating on both sides of the sensor’s sealing glass further enhances contrast performance.

    Improved image quality at high ISO settings

    The newly-developed TruePic VIII Image Processor dramatically improves image quality when shooting at high ISO settings, making it possible to capture images with minimal noise. The normal sensitivity ISO (ISO AUTO) range has been expanded to ISO 6400 for greater flexibility in a variety of shooting scenarios, and Fine Detail Processing II ensures that no detail is lost due to oversharpening.

    ISO 64 equivalent ISO LOW setting
    The ISO LOW setting is equivalent to ISO 64, providing greater flexibility to shoot at wider apertures even in brightly lit situations, making it possible to achieve beautiful, shallow depths of field.

    50 Megapixel High-Res Shot Mode
    A High-Res Shot Mode utilizes the Voice Coil Motor (VCM) system of the 5-Axis Image Stabilization System to precisely shift the sensor in half-pixel increments while capturing a total of eight shots. The camera automatically composites the shots into a single 50-megapixel equivalent ultra-high resolution image8. This unique Olympus technology is a benefit for any still life photographer or anyone who requires ultrafine detail reproduction. The TruePic VIII Image Processor effectively suppresses blur due to subject movement, making it possible to utilize High-Res Shot Mode in a wide variety of shooting conditions, such as gently blowing grass, tree leaves or ocean waves. In addition to 80 megapixel RAW and 50 megapixel equivalent JPEG images, it is possible to select a smaller 25 megapixel equivalent file size.

    In-body 5-Axis Image Stabilization
    The Olympus OM-D E-M1 Mark II is equipped with the latest in-body 5-Axis Image Stabilization to compensate for all types of camera shake. An optimized correction algorithm boasts outstanding compensation performance with approximately 5.5 shutter-speed steps of compensation3. Also, when combined with Olympus lenses equipped with in-lens image stabilization, 5-Axis Sync IS provides the world’s most effective 6.5 shutter-speed steps of compensation2 for blur-free handheld shooting of stills and video.

    4. Stunning UHD Video Capture

    Digital Cinema Standard 4K videos
    The OM-D E-M1 Mark II supports Digital Cinema Standard 4K (4096×2060 pixels) video capture9 at a 24P frame rate and a bit rate of up to 237 Mbps for authentic movie production. The 20.4 megapixel Live MOS sensor provides a read speed three times faster than that of the previous model for effective suppression of movement distortion, resulting in sharp, clear image quality. The video-specific picture mode “Flat” is ideal for color grading and finishing the footage exactly as envisioned by the videographer.

    5-Axis Image Stabilization combined with electronic stabilization for video
    With four times the resolution of Full HD, 4K videos are easily affected by camera movement and typically require a tripod, mini jib, crane and other specialized accessories for movie recording. The OM-D E-M1 Mark II pairs its advanced 5-Axis Image Stabilization with electronic stabilization specialized for video (M-IS)10 to effectively reduce camera shake, making handheld 4K video capture possible. This outstanding image stabilization system allows videographers to easily shoot movies with virtually no visible camera shake. The camera’s rear vari-angle LCD monitor can be adjustable to the user’s preferred angle for shooting convenience.

    HDMI monitor connection and recording synchronization
    The HDMI monitor connection provides the ability to view live video output on a larger display while shooting. Users are able to select from Monitor Mode for an external monitor and Recording Mode to capture uncompressed video directly from the HDMI port. The OM-D E-M1 Mark II is equipped with a synchronization signal so that video recording to an external device can start or stop from the camera. A 4:2:2 external output is provided to meet a wider color correction range. An audio synchronization function makes it easy to synchronize audio recording when using Olympus’ Linear PCM Recorder LS-100 while recording video, and a Slate Tone function facilitates the syncing of recorded audio and video.

    5. Advanced Shooting Functions

    Silent Mode
    Silent Mode utilizes the silent electronic shutter to eliminate all mechanical noises while shooting. Silent Mode is especially useful for shooting in situations where noise of any kind is not appropriate, including stage performances, concerts and even sleeping children. Also, it is possible to deactivate the AF Illuminator, AF confirmation beep and flash for virtually silent operation.

    Focus Stacking/Focus Bracketing Modes
    Depth of field is especially shallow when taking macro photos, making it difficult to capture an image that is completely in focus from the foreground to background, even at smaller apertures. Focus Stacking Mode captures eight shots at different focal positions and composites them to form a single shot that is entirely in focus. The depth of field provided by Focus Stacking is far deeper than even the smallest aperture at close distances. Focus Stacking Mode is compatible with seven Olympus M.ZUIKO lenses for a variety of shooting scenes11.

    Focus Bracketing Mode automatically captures up to 999 shots with different focal points, allowing users to choose shots with the optimal focus point or use commercially-available software to composite all images into one picture with stunning depth of field.

    Live Composite/Live Bulb Modes
    Live Composite Mode is available for shooting fireworks and cityscapes against starry backgrounds. While using Live Composite, the exposure of dark areas remains constant, while areas of light that change during the exposure are updated, creating trails of light from stars or fireworks. Live Bulb and Live Composite Modes allow users to easily check the image on the LCD monitor in real time, instead of relying on intuition.

    Keystone Compensation
    The camera is equipped with Keystone Compensation for photographing architecture. Keystone Compensation digitally provides tilt and shift functions with all M.ZUIKO lenses, and because trapezoidal compensation may be applied simultaneously to both vertical and horizontal directions, it is possible to shoot various subjects in a wide range of situations.

    Tethered shooting with Olympus Capture
    Olympus Capture™ is now available in Version 1.2 and supports tethered shooting with the Olympus OM-D E-M1 Mark II. High-speed data processing and transfer via the USB 3.0 Type C port is four times faster than with Olympus Capture Version 1.1. A cable clip is bundled for securing and stabilizing the cable to a strap when the camera and computer are connected.

    Additional features

    • Customizable C-AF tracking sensitivity allows users to choose the best setting for their subject to optimize C-AF tracking performance.
    • AF Scan allows users to adjust the lens scan operation settings in low-contrast environments to prevent unnecessary hunting.
    • Preset MF lets users quickly set a preferred focus distance when using manual focus.
    • AF Home Settings is assignable to a customizable function button. Users are able to program their most frequently used AF target position, AF Target Mode and AF Mode as an AF Home setting.
    • Lowest Shutter Speed Setting on the camera allows users to predefine a minimum shutter speed so that the ISO sensitivity increases in low-light situations rather than slowing down the shutter speed. This is convenient for handheld shooting in low-light environments.
    • Users are able to back up customized camera settings on a computer so that they can be reapplied to the camera whenever necessary, which is especially useful for using the same settings on multiple cameras or maintaining settings after a firmware update.
    • Specify Folder function lets users select a folder as a recording destination and create new folders to make image editing and management easier.
    • Grid settings allow users to set a highly visible grid color for display as a guide when shooting in dark locations such as theaters.
    • The Date/Time/Second display lets users organize images by a second unit. This is an effective feature for high-speed sequential shooting.

    Optional Accessories

    HLD-9 Power Battery Holder
    This dustproof, splashproof and freezeproof power battery holder is specifically designed for the OM-D E-M1 Mark II. With the HLD-9, users have the power of one BLH-1 lithium-ion rechargeable battery in the camera body and a second one in the HLD-9. The rear of the HLD-9 power battery holder is equipped with the same directional pad, two control dials, two function buttons and shutter release, as on the camera body, for identical controls whether the camera is held in a vertical or horizontal position. An optional AC-5 AC adapter can be used for studio photography or other situations when using the camera for long periods of time.

    FL-900R Weatherproof High-Intensity Flash
    This is a high-intensity flash boasting a maximum guide number of 58m. This accessory on-camera flash has the highest sequential shooting tracking performance in its class at 10 fps12. It features a lightweight weatherproof design with a wireless RC mode for simultaneous control of multiple flash units, and supports Multi Flash, High Res Shot, Focus Stacking and Focus Bracketing Modes. The FL-900R is also equipped with a built-in LED light for recording videos. For additional details, please see the FL-900R press release.

    STF-8 Weatherproof Macro Flash
    The STF-8 is the world’s first macro flash built with dustproof, splashproof and freezeproof construction13. The flash heads and controller features a lightweight compact design. When combined with the Olympus OM-D E-M1 Mark II, Focus Stacking and Focus Bracketing modes are supported for flash photography, useful for capturing flowers, insects and commercial photos in the studio. The bundled adapter ring is compatible with the M.ZUIKO Digital ED 30mm f3.5 Macro, M.ZUIKO Digital ED 60mm f2.8 Macro and M.ZUIKO Digital ED 12–40mm f2.8 PRO. When using both flash heads the GN is 8.5m. In addition to a TTL Auto Sync Mode for precision control, users can set the flash in 1/3-step increments on the camera when in Manual Mode and in one-step increments with the flash dial. The main flash can also be used as a commander to control multiple flash units. The flash head angle is adjustable within a range of -60 to 40 degrees.

    RM-CB2 Release Cable
    This release cable with a pin jack terminal (2.5mm diameter) features a bulb lock function convenient for long exposures. The connector terminal features an L-shaped design ensuring a compact form when connected to the camera.

    PT-EP14 Underwater Case
    This compact underwater housing provides water depth resistance up to 60 meters. It provides a clear field of view to each corner of the screen, designed to be easy to hold to frame and zoom your shot easily. In addition, the PPO-EP03 Macro Lens Port provides compatibility with the M.ZUIKO Digital ED 60mm f2.8 Macro and M.ZUIKO Digital ED 30mm f3.5 Macro14.

    1. Sequential shooting speed as of September 2016, when using Silent Sequential Shooting H Mode S-AF.
    2. OM-D E-M1 Mark II with M.ZUIKO Digital ED 12-100mm f4.0 IS PRO, focal length: 100mm (35mm equivalent focal length: approx. 200mm); halfway release image stabilization: OFF; CIPA standard compliant, when correction is carried out on two axes (Yaw/Pitch); as of September 2016.
    3. OM-D E-M1 Mark II with M.ZUIKO Digital ED 12-40mm f2.8 PRO; focal length: 40mm (35mm equivalent focal length: approx. 80mm); CIPA standard compliant, when correction is carried out on two axes (Yaw/Pitch); as of September 2016.
    4. Four modes of AF targeting include the new 5-Point Cross, All Point, Single Point, and 9-Point Group.
    5. Dustproof, splashproof and freezeproof (-10°C) performance applies to the following non-M.ZUIKO PRO lenses as well: M.ZUIKO Digital ED 60mm f2.8 Macro, M.ZUIKO Digital ED 12-50mm f3.5-6.3 EZ and M.ZUIKO Digital ED 14-150mm f4.0-5.6 II.
    6. According to Olympus internal testing.
    7. As of September 2016, according to Olympus internal testing.
    8. In RAW+JPEG Mode, three types of images are saved including 50M JPEG, 80M RAW (ORF) and 20M RAW (ORI). 80M RAW images can be processed to 50M JPEG images on the camera. 80M JPEG images can be processed using Olympus Viewer 3 (64-bit OS). Please use a tripod.
    9. 4K video capture (3842×2160 pixels) also possible.
    10. The angle of view is narrowed when using electronic stabilization for movies (M-IS1).
    11. Lenses compatible with Focus Stacking Mode: M.ZUIKO Digital ED 7–14mm f2.8 PRO, M.ZUIKO Digital ED 8mm f1.8 Fisheye PRO, M.ZUIKO Digital ED 12–40mm f2.8 PRO, M.ZUIKO Digital ED 40–150mm f2.8 PRO, M.ZUIKO Digital ED 300mm f4.0 IS PRO, M.ZUIKO Digital ED 30mm f3.5 Macro and M.ZUIKO Digital ED 60mm f2.8 Macro.
    12. When paired with the OM-D E-M1 Mark II, at a flash ratio of 1/32.
    13. Among ring flashes and twin flashes currently on sale as of September 2016, according to Olympus research.
    14. Any lens with the appropriate diameter may be used with a commercially available step-up ring.

    Articles: Digital Photography Review (dpreview.com)

  • Olympus E-M1 Mark II Iceland sample gallery

    From waterfalls to the Northern Lights, Iceland is full of natural beauty. And, in October, lots and lots of rain. We’ve put together a sample gallery of photos taken over four days with Olympus’ new OM-D E-M1 Mark II on a company-sponsored trip.

    View our Olympus OM-D E-M1 Mark II Iceland gallery

    Articles: Digital Photography Review (dpreview.com)

  • 66 Degrees North: Olympus E-M1 Mark II Shooting Experience

    If there’s one thing I learned about the Olympus OM-D E-M1 Mark II, it’s that it can handle mother nature with the best of them. At an Olympus-sponsored press event in Iceland, the camera got pelted with rain, sleet, snow and hail, all of which occurred over a 20 minute period on more than one occasion. Despite both the camera and the photographer getting soaked, the Mark II kept on going.

    Black Beach near Vik. ISO 200, 1/160 sec, F5.6, Olympus 12-100mm F4 lens @ 100mm equiv. Photo by Jeff Keller.

    In most respects the E-M1 II feels very ‘Olympus.’ The controls aren’t radically different than other recent OM-D models, and the Super Control Panel (which is on by default) and a slightly restyled menu system are both there. The E-M1 II feels great in the hand and is well balanced. The build quality is superb, which I learned firsthand when the camera knocked the front plate off of the electronic lock on my hotel room door (oops).

    Icelandic horses. ISO 200, 1/160 sec, F4.5, Olympus 12-100mm F4 lens @ 132mm equiv. Photo by Jeff Keller.

    The E-M1 Mark II has an impressive 440 shots-per-charge CIPA battery life rating, though the battery drained a lot quicker than that in the roughly 4°C/40°F temperatures. Quite a few of my colleagues used the optional grip full-time, while I saved it for aurora shooting, where I really didn’t want the camera to run out of juice, since (ironically) I found it easier to hold the camera without it.

    Given its spot as Olympus’ flagship mirrorless camera, it should be no surprise that the E-M1 Mark II has two memory card slots, located on its right side. The top one supports UHS-II media, while the bottom one is UHS-I only. The UHS-II slot is noticeably ‘thicker’ than the UHS-I one, which is another way to tell them apart. For this trip, I set up the camera to put all videos onto the UHS-II card – a necessity when shooting at very high bit rates – and all stills to the UHS-I card.

    A break in the hail at Black Beach. ISO 200, 1/400 sec, F10, Olympus 12-100mm F4 lens @ 50mm equiv. Photo by Jeff Keller.

    Something that affected my shooting quite a bit was the Mark II’s overly sensitive shutter release button. This resulted in many unwanted photos and, in one case, my memory card became filled with 2000+ shots while using in the Pro Capture mode, because I was unknowingly shooting the entire time I was waiting for a geyser to erupt. Other members of the press echoed my concerns about the touchy shutter release.

    Skógafoss. ISO 200, 1/400 sec, F7.1, Olympus 7-14mm F2.8 lens @ 16mm equiv. Photo by Jeff Keller.

    While the E-M1 II’s big claim to fame is its advanced autofocus system, the Olympus event in Iceland was essentially all landscape photography. Our journey included a lot of waterfalls and geysers, plus some shooting around Reykjavik, but fast-moving subjects were scarce, so I can’t comment on how well that part of the AF system works. What I can say is that in single AF mode the Mark II was both responsive and accurate, though it did miss focus (in both front and back directions) on a few occasions with the 12-100 and 300mm lenses.

    Two features I got to test out were the Pro Capture and Live Time modes. The former works by buffering shots as you half-press the shutter release, saving up to 14 of them when you fully press it. My plan was to capture the moment a geyser erupted, but as mentioned earlier, I was actually recording images the entire time due to that oversensitive shutter release button. The fact that I chose the wrong geyser didn’t help matters, either. Another member of our group had better luck and got some great shots using Pro Capture, so maybe it was just me.

    Northern Lights over Reyjavik. In-camera Raw conversion (I’ll update when ACR is available). ISO 800, 21 sec, F2.8, Olympus 8mm F1.8 fisheye. Photo by Jeff Keller.

    I used the Live Time feature when shooting the Northern Lights, which unfortunately weren’t as strong as expected. Live Time is a long exposure mode that displays the current image at an interval of your choosing, so you can close the shutter when you’re happy with the result. For aurora shooting I turned on Live Time, set the 12-100mm lens wide-open at F4 and used an ISO value between 800 and 1600, depending on the current auroral activity. Just to be safe, I turned on anti-shock to prevent any shake caused by pressing the shutter release button. While the ‘show’ wasn’t great, Live Time was a valuable feature that made it easy to decide when to press ‘stop’ when the exposure looked right.

    I came back pretty satisfied with the photos I took on the trip, though I had to dump a lot of photos due to water on the lens (did I mention it rained a lot? Every time I wiped it off, more would appear.) I have no complaints about color, though at default settings JPEG noise reduction is higher than I’d like. Normally I’d pop the images into Photoshop and use ACR to tweak that to my liking (and bump up the shadows in a few of my photos,) but the only option at time of publication was converting the Raws in-camera. If you’ve used Olympus’ in-camera Raw conversion, you’ll know that it’s quite confusing, though I appreciate the addition of shadow/midtone/highlight correction.

    While I didn’t take a ton of video, I was impressed with the results. I shot exclusively at Cinema 4K (24p), which maxes out at 237Mbps. The bit rate never got that high, since it varies depending on your subject, but the quality was never in question. Despite Olympus’ claims of 5.5 stops of shake reduction, a few videos seemed a bit shakier than I was expecting. In continuous AF mode there was a bit of ‘hunting,’ but not enough to concern me.

    Gullfoss in Dramatic Tone. ISO 200, 1/100 sec, F5, Olympus 12-100mm lens @ 36mm equiv. Photo by Jeff Keller.

    The one thing that about the E-M1 II that remained a mystery until the very end of the trip was its price. Some of the group were guessing around $ 1500, while I was thinking $ 1800. As it turned out, the E-M1 II is a penny under $ 2000 — a full $ 600 over the MSRP of the original E-M1 and on par with the Nikon D500. That’s a lot of dough for a Micro Four Thirds camera and while my initial impressions of the camera were positive, I want to see how it performs in our tests – especially in terms of autofocus – to see if its worth the price.

    Sample gallery

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    Articles: Digital Photography Review (dpreview.com)

  • This 4K video tour of the International Space Station is probably as close as you’ll get to being an astronaut

    Halloween’s not over yet – NASA has released a 4K treat. The 18 minute UHD video features a fly-through of the International Space Station. Get out your headphones, flip into full-screen mode and pretend your dreams of becoming an astronaut have finally come true.

    Related: NASA astronaut Jeff Williams showcases ISS photography equipment

    Articles: Digital Photography Review (dpreview.com)