Category: Uncategorized

  • Fujifilm unveils Graphite Silver X-Pro2 and X-T2

    As it did with the X-T1, Fujifilm is now offering a new ‘graphite silver’ color for the X-Pro2 and X-T2, produced using a multilayered coating. The X-Pro2 will come bundled with a matching XF23mm F2 R WR lens and hood. 

    The graphite silver X-Pro2 and X-T1 will ship in late January for $ 2299 and $ 1799, respectively.

    New FUJIFILM X-Pro2 Body with XF23mmF2 R WR Lens and Lens Hood Kit, Graphite Edition

    The new FUJIFILM X-Pro2 Graphite Edition boasts an all-new color to the X Series lineup. The X-Pro2 Graphite Edition has a rich, metallic texture due to a specialty multilayer coating. This edition will include the compact and lightweight FUJIINON XF23mmF2 R WR and LH-XF35-2 lens hood in the same unique Graphite color as the body, achieving high resolution performance and a fast and silent AF system. The new FUJIFILM X-Pro2 Graphite Edition maintains the features of the current X-Pro2, adopting an extremely high-grade graphite color created through a multilayer coating process for the exterior of the camera body. By increasing the amount of black pigment component of the top coating, the camera achieves a more rich metallic texture. The package will be released as the FUJIFILM X-Pro2 Body with XF23mmF2 R WR Lens and Lens Hood Kit, Graphite Edition in late January 2017. 

    New FUJIFILM X-T2 Body, Graphite Silver Edition

    Building on the popularity of the elegant Graphite Silver version of the X-T1, Fujifilm introduces the new FUJIFILM X-T2 Graphite Silver Edition which will be supplied with tailor-made accessories including a premium leather strap, aluminum hot shoe cover and matching EF-X8 hot-shoe mount flash. The X-T2 Graphite Silver Edition is treated with a multi-layer coating that is triple baked to produce an elegant and tactile finish. The first layer is a matte black undercoat, applied to the magnesium top cover. This undercoat delivers deeper blacks in shadow areas to make highlights stand out. The second layer uses Thin-film Multilayer Coating Technology to apply graphite silver for an incredibly smooth finish with a luxurious shine. The third layer is a clear varnish for a glossy finish. The new X-T2 Graphite Silver Edition will be released in late January 2017.

    Availability and Pricing

    The FUJIFILM X-T2 Graphite Silver Edition will be released in late January 2017 in the U.S. and Canada for USD $ 1,799.95 and CAD $ 2,199.99.

    The FUJIFILM X-Pro2 Graphite Edition will be released in late January 2017 in the U.S. and Canada for USD $ 2,299.95 and CAD $ 2,899.99.

    Articles: Digital Photography Review (dpreview.com)

  • Open source Lightroom plugin Focus Point Viewer highlights active focus points

    Joshua Musselwhite, an underwater photographer and software developer, has launched a free, open source Adobe Lightroom plugin called Focus Point Viewer. With this plugin, Lightroom users can view the active focus point of their photos, a feature similar to the one offered by now-defunct plugin Show Focus Points. 

    Musselwhite details his new software on Reddit’s photography subreddit, where he explains that Focus Point Viewer was created as a way to easily see whether the focus points in his underwater images were the ones he had intended to use. The software is currently only mapped for his camera, a Nikon D7200, but because it is made freely available anyone can take the time to map the plugin to their own camera.

    Explaining how to perform the mapping, Musselwhite said:

    You’ll need to map each of the focus points. The best way I knew how to was take 51 photos at each focus point and determine the x,y pixel location for each from the top left using photoshop. I searched and searched for a focus point map for my camera but couldn’t find any … The process is a little time consuming, but it only takes a couple of hours, and is described how in the README file in Github.

    The Github README file with the full explanation can be viewed here, and the entire project is available here. Musselwhite has also shared a small gallery showing both the focus points in action and the metadata submenu.

    Via: PetaPixel

    Articles: Digital Photography Review (dpreview.com)

  • Nikon brings its D5600 DSLR to the US

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    Nikon’s D5600 digital SLR, announced globally in November of last year, is now coming to the US. The D5600 builds on the strengths of its predecessor, adding ‘SnapBridge’ (Wi-Fi + Bluetooth + NFC), improved touchscreen operation and a time-lapse feature.

    The D5600 will be sold in several kits. It will be available body-only for $ 699, with the AF-P 18-55mm F3.5-5.6G lens for $ 799, with the 18-140mm F3.5-5.6G lens for $ 1199, and with the 18-55 and AF-P 70-300mm F4.5-6.3G lenses for $ 1149. All of these kits will be available this month.

    IGNITE THE ARTIST WITHIN: CAPTURE CREATIVELY, SHARE EASILY WITH THE NEW NIKON D5600

    The Nikon D5600 is a Compact Creative Companion that Delivers Stunning Clarity, Impressive Performance and the Ability to Share via Nikon SnapBridge 

    LAS VEGAS, NV (January 4, 2017 at 10:01 A.M. EST / 7:01 A.M. PST) — Today, Nikon Inc. announced the U.S. availability of the compact and lightweight Nikon D5600, a connected DSLR camera for those ready to step up their photography and unleash their inner artist by creating captivating images that deserve to be shared. The 24.2-megapixel D5600 features Nikon SnapBridge1, which allows users to easily and automatically transfer images directly from their camera to a compatible smart device, making it simple to share amazing images with friends and family. 

    “The Nikon D5600 is the latest camera in Nikon’s popular D5000 series — a camera line that represents a stepping stone for photographers who want to further explore their creative boundaries,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc. “Now with Nikon SnapBridge, users can easily upload and share images with their friends and family, showcasing what and who they love. With the introduction of Nikon’s D5600, Nikon demonstrates our commitment to providing an attainable and highly capable camera option for photographers of all skill levels.”

    The Nikon D5600 offers users the creativity and performance benefits of DSLR photography, including amazing image quality, the ability to isolate foreground from background, full manual controls, incredible low-light performance and a class-leading autofocus (AF) system. For those looking to travel the world or capture their child’s birthday party, the Nikon D5600 offers a full suite of creative effects, robust features and controls, a touchscreen Vari-angle LCD monitor and enhanced video features.

    • Seamless Connectivity Through Nikon SnapBridge: Nikon SnapBridge makes it easier than ever to share photos wirelessly through Bluetooth® Low Energy (BLE) technology2. By establishing a constant connection between the Nikon D5600 and a compatible smart device, images can be sent from the camera automatically, ready to share. SnapBridge also makes it possible to seamlessly upload images to the cloud (Nikon Image Space) via compatible smart device. Additionally, SnapBridge connectivity allow users to shoot remotely or easily transfer movies to a compatible smart device by leveraging the camera’s built-in Wi-Fi3
    • Performance that Keeps Pace with Creativity: The 24.2-megapixel high-resolution CMOS sensor helps deliver excellent image quality and sharp images with color and clarity that blow away images taken with a mobile device, while the EXPEED 4 image processor offers powerful performance and prolongs battery life. Continuous shooting at 5 frames-per-second (fps) and a 39-point autofocus system helps capture fleeting moments and fast moving subjects with ease. The Nikon D5600 is a great companion for those looking to capture and share life’s special moments, especially when combined with the distinct perspective of NIKKOR lenses.
    • Amazing Low-Light Performance: The Nikon D5600 also provides users the capability to shoot in challenging light with an expanded wide 100-25,600 ISO range. The ability to use higher shutter speeds with minimal illumination gives users the tools to capture brighter, sharper images.
    • Creative Features: From down to a child’s perspective to a shot above a crowd, it’s easy to compose from any angle with the 3.2-inch 1.037k-dot touchscreen Vari-angle LCD. Various in-camera shooting and special effects modes, manual controls and a new time-lapse mode allow users to take creativity to a new level and help capture a special moment with ease.

    Price and Availability

    The Nikon D5600 will be available in the U.S. in January 2017 for the suggested retail price (SRP)* of $ 799.95 with the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR lens. It will also be available in a two-lens kit option, including the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED lenses, for $ 1,149.95 SRP*. Additionally, the Nikon D5600 will be sold as a body only for $ 699.95 SRP* or with a AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR lens for $ 1,199.95 SRP*. For more information on the Nikon D5600 as well as the latest Nikon products, please visit www.nikonusa.com.

    Nikon D5600 specifications

    Price
    MSRP €820 body only, €930/£800 w/18-55 AF-P, €1090 w/18-105, €1140/£990 w/18-140
    Body type
    Body type Compact SLR
    Body material Composite
    Sensor
    Max resolution 6000 x 4000
    Other resolutions 4496 x 3000, 2992 x 2000
    Image ratio w:h 3:2
    Effective pixels 24 megapixels
    Sensor photo detectors 25 megapixels
    Sensor size APS-C (23.5 x 15.6 mm)
    Sensor type CMOS
    Processor Expeed 4
    Color space sRGB, Adobe RGB
    Color filter array Primary color filter
    Image
    ISO Auto, 100 – 25600
    White balance presets 12
    Custom white balance Yes
    Image stabilization No
    Uncompressed format RAW
    JPEG quality levels Fine, Normal, Basic
    File format
    • JPEG (Exif v2.3)
    • Raw (Nikon NEF, 12 or 14-bit)
    Optics & Focus
    Autofocus
    • Contrast Detect (sensor)
    • Phase Detect
    • Multi-area
    • Center
    • Selective single-point
    • Tracking
    • Single
    • Continuous
    • Touch
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Manual focus Yes
    Number of focus points 39
    Lens mount Nikon F
    Focal length multiplier 1.5×
    Screen / viewfinder
    Articulated LCD Fully articulated
    Screen size 3.2
    Screen dots 1,037,000
    Touch screen Yes
    Screen type TFT LCD monitor
    Live view Yes
    Viewfinder type Optical (pentamirror)
    Viewfinder coverage 95%
    Viewfinder magnification 0.82×
    Photography features
    Minimum shutter speed 30 sec
    Maximum shutter speed 1/4000 sec
    Exposure modes
    • Auto
    • Program
    • Shutter priority
    • Aperture priority
    • Manual
    Scene modes
    • portrait
    • landscape
    • child
    • sports
    • close up
    • night portrait
    • night landscape
    • party/indoor
    • beach/snow
    • sunset
    • dusk/dawn
    • pet portrait
    • candlelight
    • blossom
    • autumn colors
    • food
    Built-in flash Yes (Pop-up)
    Flash range 12.00 m (at ISO 100)
    External flash Yes (Hot-shoe)
    Flash modes Auto, On, Off, Red-eye, Slow sync, Rear curtain
    Flash X sync speed 1/200 sec
    Drive modes
    • Single frame
    • Continuous (low, high)
    • Quiet shutter release
    • Self-timer
    • Interval timer
    Continuous drive 5.0 fps
    Self-timer Yes (2, 5, 10 or 20 sec)
    Metering modes
    • Multi
    • Center-weighted
    • Spot
    Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
    WB Bracketing Yes (3 frames in either blue/amber or magenta/green axis)
    Videography features
    Resolutions 1920 x 1080 (60p, 50p, 30p, 25p, 24p), 1280 x 720 (60p, 50p)
    Format MPEG-4, H.264
    Microphone Stereo
    Speaker Mono
    Storage
    Storage types SD/SDHC/SDXC
    Connectivity
    USB USB 2.0 (480 Mbit/sec)
    HDMI Yes (mini-HDMI)
    Microphone port Yes
    Headphone port No
    Wireless Built-In
    Wireless notes 802.11b/g/n with Bluetooth 4.1 LE and NFC
    Remote control Yes (MC-DC2 (wired), WR-1/WR-R10 (wireless))
    Physical
    Environmentally sealed No
    Battery Battery Pack
    Battery description EN-EL14a lithium-ion battery & charger
    Battery Life (CIPA) 970
    Weight (inc. batteries) 465 g (1.03 lb / 16.40 oz)
    Dimensions 124 x 97 x 70 mm (4.88 x 3.82 x 2.76)
    Other features
    Orientation sensor Yes
    Timelapse recording Yes
    GPS Optional
    GPS notes Optional GP-1/GP-1A

    Articles: Digital Photography Review (dpreview.com)

  • Pulse: Extreme weather in black and white

    Mike Olbinski has captured some pretty amazing footage over the past year; you may remember this video that we posted back in October and this one from July. Needless to say, he had a busy 2016. For his latest project, he decided to do something a bit different by presenting the entire 4K time-lapse film in black and white.

    This type of treatment definitely comes with its own set of challenges, but we think it showcases the drama and unpredictability of thunderstorms in a refreshing way. Make sure to enjoy this one in HD with volume turned up and the lights turned down.  

    Song by Tony Anderson: “The Way Home” (Licensed through The Music Bed)

    Articles: Digital Photography Review (dpreview.com)

  • Magic Lantern proof-of-concept shows in-camera DNG shooting

    Magic Lantern, the free software add-on for some Canon cameras, may one day offer in-camera DNG shooting, at least per a proof-of-concept that has appeared on the company’s forums. The proof-of-concept comes from forum administrator ‘a1ex,’ who details a way in which he got Magic Lantern to produce an in-camera lossless 14-bit DNG file that Adobe’s dng_validate accepts. Although most high-end Canon cameras shoot Raw, files are recorded in Canon’s proprietary .CRW and .CR2 formats.

    This proof-of-concept is not a feature currently offered by Magic Lantern, so current users will not be able to access it, and there is no indication at this time whether the software will ever add this feature.

    Magic Lantern forum user ‘Danne’ went on to provide sample DNG images taken using this encoder mod; a direct download is available here.

    Via: PetaPixel

    Articles: Digital Photography Review (dpreview.com)

  • Samsung patent shows dual-camera tracking feature

    2016 was a breakthrough-year for the dual-camera concept on smartphones, with several models being launched. Notably the largest manufacturer of Android smartphones, Samsung, has so far not participated in the dual-camera game. This appears to be changing however, as a patent application has been filed with the South Korean Patent Office suggests that the tech giant is at least considering smartphone models with dual-cameras. The patent suggests that the phone would feature two different focal lengths, similar to what we have already seen on the LG G5 or Apple iPhone 7 Plus.

    The patent application is for a specific dual-camera feature that allows for tracking a moving subject with the preview-image of the wide-angle lens and then capturing it larger in the frame with the tele-lens. In the images included in the patent application the frame lines of the tele-image are superimposed onto the wide-angle image, which should make it easier to follow a fast moving subject. 

    As usual, there is no way of knowing if the concept will ever make it into a final product but the system certainly looks possible to implement with current technologies. We probably should not expect a dual-cam in Samsung’s upcoming Galaxy S8 flagship but after the Galaxy Note 7 disaster the Korean manufacturer could certainly do with a stand-out feature in one of its next models to recover lost market share.

    Articles: Digital Photography Review (dpreview.com)

  • Around the world in 10 videos: 2016 Field Tests

    DPReview’s Carey Rose, doing what he does best. Staring at women. In this case, rodeo Queens at a rodeo in Nyssa, Oregon, during a DPReview Field Test of the Canon EOS-1D X Mark II.

    DPReview has been around the world in 2016, from the deserts of the Southwest to the lush jungles of Mexico’s Yucatan Peninsular. We’ve used everything from enthusiast compacts to high-end professional DSLRs, and along the way we’ve met some amazing photographers. 

    Click here to See our full series of Field Test videos

    You can check out the full series at the ^ link ^ right ^ there ^ but in this article, I want to take you back through the ten videos that we’ve published this year, and hopefully in the process, let you share a little in some of the sights, the sounds and the smells of DPReview’s Year in Field Tests. OK, not the smells, but definitely the other things.

    Before we continue, I am legally obligated to let you know that all of the videos featured on this page are sponsored content, made possible with the support of Amazon and the manufactures featured in the videos. Click here for more information about DPReview sponsored content.

    All clear? OK then – let’s watch some videos!

    February: Sony Cyber-shot RX100 IV in the Yucatan

    Shot at the end of last year, this Field Test, featuring Sony’s Cyber-shot RX100 IV was one of our most ambitious. Mexico’s Yucatan Peninsular is a beautiful place, full of amazing scenery, vivid history, and corner shops that sell antibiotics over the counter to weak-stomached gringos. 

    We took advantage of all of these things during our trip, and as a bonus, you get to see me try to speak Spanish. Just be grateful for what you don’t get to see me doing.

    March: Canon PowerShot G5 X on the Olympic Peninsula

    Even on a grey weekend in early spring, the Olympic Peninsular is still a stunningly beautiful place. In this video, featuring the Canon PowerShot G5 X, DPReview writer Carey Rose spent a couple of days bro-ing down hard with local photographer and keen fisherman Kyle Johnson.

    A little bit of trivia for you – this video actually breaks the world record for most amount of plaid featured in the least amount of screen-time. If you have trouble telling some of the men in this video apart from one another, don’t worry – so do I, and I know all of them.

    April: Claire Bangser and the Olympus PEN-F

    In April, we headed to Mississippi with the Olympus PEN-F, where Editorial Manager Wenmei Hill joined New Orleans-based photographer Claire Bangser on the Blues Trail. Claire and Wenmei spent a couple of days on the trail, photographing the local sights and people of the area. And yes – they used all the Art Filters. 

    May: Shooting stars with the Nikon D810 & D810A

    In May, we cast our eyes skywards. In this Field Test, DPReview’s Dale Baskin joined astrophotographer José Francisco Salgado in Death Valley, for a celestial shoot with Nikon’s D810 and D810A. One of the things I like most about this video is the way that José says ‘stars’. It’s hard to explain – you’ll just have to watch it.

    May: Building a kayak with the Canon EOS 80D

    While Dale was star-gazing in Death Valley, I was closer to home, learning how to make a traditional Greenland-style skin-on-frame kayak, in Seattle. I documented the entire process using the Canon EOS 80D. I’m proud to say that despite the countless mistakes, including several holes drilled in the wrong place, Aril still floats.  

    July: DPReview goes to the rodeo with the Canon EOS-1D X Mark II

    From slow, methodical action to fast, energetic action. In July, we drove down to Nyssa Oregon, with Canon’s professional flagship DSLR, the EOS-1D X Mark II, to cover the annual ‘Nite Rodeo’. This one is worth watching just for the sight of me and Carey wearing cowboy hats. Quote of the trip, from a rodeo spectator: ‘Y’all sure as hell don’t look like cowboys’. 

    September: Shooting Action with the Nikon D5

    DPReview’s Technical Editor Rishi Sanyal is a super-nerd. Given a chance, he’ll talk your ear off about everything from signal-to-noise ratio to smart lightbulbs. But what he’s probably most nerdy about is autofocus. In this video, featuring the Nikon D5, Rishi gets to indulge his AF obsession for almost 15 minutes. You’re welcome, Internet.

    October: Birds in flight with the Nikon D500

    In October, we traveled to Montana with the Nikon D500, to join wildlife photographer and friend to the wolves Ronan Donovan, at a nature reserve. It was a short, packed shoot, the dubious highlight of which was when I got dive-bombed by a hawk.

    Fun fact: this is the only DPReview Field Test to feature a moose.

    Wedding photography with the Fujifilm X-T2

    Guemas Island is a tiny dot on a map of the Pacific Northwest, but it’s one of the most beautiful spots for a daytrip, weekend getaway, or a wedding. In this Field Test, Carey and Wenmei took the Fujifilm X-T2 to Guemas Island to document a very special day. Carey really covered himself in glory on this one, by forgetting to shoot Raw.

    Dog Portraits with the Sony a6300

    They say that dogs are man’s best friend. They also say you should never work with animals. Who are ‘they’ anyway, and where do they get their sayings? We may never know. In this video, Sam Spencer took Sony’s a6300 to a dog adoption shelter, to shoot some professional portraits of their canine residents. I’ll remember this shoot because it was the closest I’ve ever come to adopting an animal. See if you can spot which dog melted my heart.

    Anyway – this video is cute. You should show it to your mum.

    Subscribe to DPReview on YouTube, and never miss a new video


    All of the videos featured on this page are sponsored content, made possible with the support of Amazon and the manufactures featured in the videos. What does this mean?

    Articles: Digital Photography Review (dpreview.com)

  • 2016 DPReview Readers’ Best Shots: Things

    2016 DPReview Readers’ Best Shots: Things

    Collembola (Springtail) under a drop of water. Central Park, Burnaby. Sony A6000, Sigma E60mm F2.8, 42mm extension tube. Photo by Don White

    Picking your favorite image is never an easy task. Nevertheless, our readers were up to the challenge when we asked them to submit their best shots of 2016. We received a huge number of submissions, and it was no small job picking favorites. We didn’t need the reminder, but it underscored just how talented our readership is. Photos were divided into three categories and we settled on a small selection to feature in each.

    This category, ‘things,’ is admittedly a little ambiguous. With apologies to our feathered and furry friends, animals fell into this category, as did just about anything else that isn’t a landscape or a portrait. We tried to include a variety of subjects, and there were many excellent images submitted – check them all out here and here.

    A huge thanks to everyone that participated and gave us a chance to see your work!

    2016 DPReview Readers’ Best Shots: Things

    Brooklyn, N.Y. Olympus E-M1, Lumix G Vario 12-35mm F2.8. Photo by GarySloman

    2016 DPReview Readers’ Best Shots: Things

    Taken on April 1st 2016 in the evening during the Silverstone 24hr Race. I wasn’t accredited so this was taken through the fence. I used an extremely slow shutter speed to blur the unsightly background and add a sense of movement. Fujifilm X-T10 & XF100-400mm F4.5-5.6 R LM OIS WR. 100mm. Shutter Priority @ 1/15sec. Photo by ChrisH37

    2016 DPReview Readers’ Best Shots: Things

    Photo was taken in aviashow near Mazeikiai city, Lithuania. Sony Alpha a7R II, Sony FE 70-200mm F4 G OSS. 1/6400sec, 70.0mm, F4, ISO 200. Photo by Razabaitas

    2016 DPReview Readers’ Best Shots: Things

    A warehouse emergency exit shot in Reze, France, On July 6th this year. Nikon D5500, 16-80mm F2.8-4. Shot at 16mm, ISO 100, F6.3, 1/1600sec. Photo by UneVache

    2016 DPReview Readers’ Best Shots: Things

    Taken in San Ignacio Lagoon, Baja California, Mexico. In this lagoon a few mother and calf grey whale pairs will come up to the fishermen’s boats to play which normally means getting you wet. I took this shot with a Panasonic FT5 waterproof compact (as I said, you get wet!) which I held over the side as a calf surfaced on its side alongside the boat. The camera was at maximum wide angle. Photo by Chris Ryan

    2016 DPReview Readers’ Best Shots: Things

    Memories of summer 2016 taken with a Panasonic kit lens 12-32mm on a Olympus Pen E-PL7. Photo by mjdundee

    2016 DPReview Readers’ Best Shots: Things

    I made this photo during a late-August visit to northern Arizona’s Mormon Lake. This was one of four juvenile red-tailed hawks riding the summer breeze above the east rim overlooking the lake. This one was quite curious and soared in, close, to size me up for a late-day snack. When I got home and started going through the exposures, I was hoping this one didn’t cut off any tail feathers. As it turned out the framing was just about perfect and the result is the uncropped image above.

    Nikon D610 with Nikkor 200-500 F5.6E VR at 500mm, F5.6, ISO 1100, 1/2000sec, with +2/3-stop exposure comp. Photo by Bill Ferris

    2016 DPReview Readers’ Best Shots: Things

    After decades in front of the main Hamburg Art Gallery, this Sculpture has found it’s new place inside the halls. I took this photo with my Canon 6D, a Sigma 24mm art lens. 1/30sec, F8.0, ISO 1000. Photo by moehh

    2016 DPReview Readers’ Best Shots: Things

    A kind of beetle when it was about to fall off the corner Nikon D90, Nikkor MF 50mm F1.4, Hama closeup filter. 1/20sec, F5.6, ISO 100. Photo by Netmsm

    Articles: Digital Photography Review (dpreview.com)

  • Fog waves: photographer Nick Steinberg captures nature in motion

    Fog Waves: Capturing Nature in Motion

    Imperial Flow by Nick Steinberg

    As you can see the fog kind of arcs up in that one spot. What amazes me most about fog is the fact that no two shots are ever the same. This is what I call, “subtlety of movement” where there are small windows of opportunity with fog as it evaporates, moves in, and undulates. This requires decisive action, tests your skills, and requires one to be “present” in the moment, and “ride” along with it.

    Landscape and cityscape photographers have a love/hate relationship with the fog that inundates the San Francisco Bay area. It can make for some spectacular and moody photos, but it can also leave the area un-shootable – that is unless you seek higher ground. Nick Steinberg and other photographers in the Bay Area have formed a group that they call the “Fogaholics”.

    The group consists of around 20 photographers that watch forecasts religiously and seek out the best foggy shooting conditions possible. When the fog rolls in, they make their way to Mt. Tamalpais, which sits at 2,572ft above sea level. This unique vantage point gives them the opportunity to photograph some amazingly beautiful conditions. With the help of an ND filter and exposure times sometimes exceeding two minutes, Nick is able to capture the fog waves as they make their way inland.

    To see more of Nick’s work be sure to visit his website and Instagram.

    Fog Waves: Capturing Nature in Motion

    Fog Waves by Nick Steinberg

    This was my original shot entitled fog waves. I couldn’t believe my eyes when I discovered how, when the fog was at the perfect height and density, it would create wave-like movements as it contoured the land. On this particular evening, not only did we have amazing fog flow, but a nice vibrant sky to match.

    Fog Waves: Capturing Nature in Motion

    Wavy Gravy by Nick Steinberg

    I would say the fog on this summer evening was purely magical. It had the perfect consistency that was so delicious. You can even see the Transamerica pyramid sticking out of the fog in the distant San Francisco skyline. An evening to remember!

    Fog Waves: Capturing Nature in Motion

    Awake in Dream by Nick Steinberg

    Mt. Tamalpais is one of my favorite places on earth! On this night I went up there on a whim. I didn’t expect much, but to my surprise, there wasn’t a single person in sight and the fog rolled in perfectly. It truly felt like I was in a dream world!

    Fog Waves: Capturing Nature in Motion

    Fire Waves by Nick Steinberg

    Out of almost daily trips to Mt.Tam in the summer of 2016, I would say that this was by far the best flow i’d seen. Normally the rangers kick everyone out around sunset, but on this evening they came really late and allowed me to get some rare footage of fog coming in at twilight. What I loved about this one was the layers of fog coming through the trees. The beautiful and vibrant red sky was unfortunately lit up due to a nearby fire.

    Fog Waves: Capturing Nature in Motion

    Candy Land by Nick Steinberg

    On this night I was going for a little different feel to add some foreground interest to the fog waves. I can’t help to think that the fog looked like fluffy marshmallows flowing across the land during my long exposure.

    Fog Waves: Capturing Nature in Motion

    Lunar Fog Waves by Nick Steinberg

    On this evening me and about 4 friends decided to get some different vantage points by hiking “off the beaten trail” to get some moonlit fog flowing in. At first, the fog wasn’t flowing, but within no time it was spilling over and creating, “the wave.” While it was a pretty tough hike, it was by far one of the most magical experiences shooting up there that evening.

    Fog Waves: Capturing Nature in Motion

    Heaven on Earth by Nick Steinberg

    There’s something about being up there and experiencing the fog flowing like this that is somewhat of a spiritual experience.

    Fog Waves: Capturing Nature in Motion

    Fog Sweep by Nick Steinberg

    This is a little bit of a closer, intimate view of the fog waves flowing through the nearby town of Mill Valley and the little houses down there. I wonder if the people who live there understand how beautiful it is from above.

    Fog Waves: Capturing Nature in Motion

    Rip Curl by Nick Steinberg

    Another close up, intimate view of the extreme fog waves as it contours the land. Shooting Fog is a study and each day is a little bit different flow. On this day, it was particularly active.

    Fog Waves: Capturing Nature in Motion

    Summer Waves by Nick Steinberg

    A typical summer evening up on the mountain. By typical I mean amazing and magical!

    Articles: Digital Photography Review (dpreview.com)

  • 2016 DPReview Readers’ Best Shots: People

    2016 DPReview Readers’ Best Shots: People

    Photo by Michal Herrmann

    The old man and the sea. Old and hard working, most elderly still need to work to make a living. You can look into his eyes and read his story.

    FUJIFILM XT10 with 58MM Helios 44/2 at 58mm, 1/100 sec, ISO 640, F2

    Picking your favorite image is never an easy task. Nevertheless, our readers were up to the challenge when we asked them to submit their best shots of 2016. We received a huge number of submissions, and it was no small job picking favorites. We didn’t need the reminder, but it underscored just how talented our readership is. Photos were divided into three categories and we settled on a small selection to feature in each.

    For this category, ‘people,’ we looked for photos that tell a story about the human side of this world we inhabit. There were many beautiful and compelling images submitted – be sure to check out all of the submissions here and here.

    A huge thanks to everyone that participated and gave us a chance to see your work!

    2016 DPReview Readers’ Best Shots: People

    Photo by Pavel Matousek

    From a photo essay on Kenya children AIDS care program.

    Nikon D600 with 50mm at 50 mm, 1/250 sec, F4, ISO 200

    2016 DPReview Readers’ Best Shots: People

    Photo by Ahnaf Akeef

    The Weary Way Back Home. This was taken on a boat on our way back from a waterfall we went to see in Bandarban, Bangladesh.

    Canon 6D with 24-70 2.8L II at 70mm, 1/1250 sec, F2.8, ISO 100

    2016 DPReview Readers’ Best Shots: People

    Photo by Gabriel Jakab

    Photo taken in a rainy day or, as I like to say, the Golden Hour for rugby.

    Nikon D750 at 200mm, 1/1000 sec, F2.8, ISO 1250

    2016 DPReview Readers’ Best Shots: People

    Photo by Michel Hébert

    Here is a candid portrait shot I took in May 2016 during the Lag BaOmer celebration in the Mile-End neighborhood of Montreal, where there is a quite large Hasidic Jewish community. The contrast between the lighting of some faces (provided by the bonfire in the middle of the street) and the darkness of others reminds me of the clair-obscur/Chiaroscuro style of some dutch painters like Rembrandt. What do you think?

    Olympus E-M5 Mark 2 with Olympus 75mm F1.8 at 75 mm, 1/10 sec, F2, ISO 1600

    2016 DPReview Readers’ Best Shots: People

    Photo by Richard Caughey

    Pat McManus live at the Corn Market Blues event at the Raven in Corby, UK. First time out with my Fuji XT2. 

    FUJIFILM X-T2 with 18-55mm F2.8-4 at 46.3mm, 1/250 sec, F4, ISO 4000

    2016 DPReview Readers’ Best Shots: People

    Photo by Myrgjorf

    Masai warrior – the lion killer, with a traditional hat from the lions fur. Masai village, Mara North Conservancy.

    Canon 7D Mark II with 70-200mm F4 at 150 mm, 1/250 sec, F4, ISO 320

    2016 DPReview Readers’ Best Shots: People

    Photo by Afzal Khan

    The best cook.

    Sony A99 with Minolta 50mm F1.7 at 50mm, 1/60 sec, F3.5, ISO 1000

    2016 DPReview Readers’ Best Shots: People

    Photo by Al Downie

    Storytime for sleepyheads

    FUJIFILM X-Pro2 with 35mm F2 at 35mm, 1/125 sec, F2, ISO 400

    2016 DPReview Readers’ Best Shots: People

    Photo by Rick Jacobi

    Golden Eagle Festival in Western Mongolia Oct 1st as Kazakhs are entering the parade ground.

    Sony A7R-II with 70-300mm at 300mm, 1/250 sec, F10, ISO 200

    Articles: Digital Photography Review (dpreview.com)