Category: Uncategorized

  • Apple emphasizes iPhone 7 low light capabilities in “One Night” ad campaign

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    Apple’s ‘Shot on iPhone’ ads have been a familiar sight on billboards and on TV for quite some time now. For the latest round of advertising Apple is now focusing on the iPhone 7’s low light capabilities. The campaign’s title is ‘One Night,’ because all images were taken by a group of photographers around the world on the night of November 5th, 2016.

    The group captured life around them from dusk to dawn, only using the iPhone’s camera. Like most smartphone cameras, with its small image sensor the mobile device has a distinct disadvantage compared to DSLRs and other system cameras in low light, but with its fast F1.8 aperture, improved optical image stabilization and a clever multi-frame mode, it’s a step into the right direction and a noticeable improvement over the previous iPhone 6 generation. 

    You can read and view the samples in our own comprehensive review of the iPhone 7 Plus or view a selection of the campaign images in full size in our gallery above. 

    Articles: Digital Photography Review (dpreview.com)

  • GoPro Karma drone goes back up for sale with battery latch fix

    Back in early November, GoPro recalled its newly released Karma drone, citing an issue that caused the drone to potentially lose power while in operation. The company announced the relaunch on its blog today, saying the ‘new’ Karma drone is nearly identical to the original model, with only one exception: the battery latch has been redesigned, solving the power loss issue some owners experienced.

    Karma features a top speed of 35mph / 56kph and a maximum operating distance of 9,840ft / 3,000m. The drone is compatible with the HERO5 Session and HERO4 Black and Silver cameras via a separately offered harness. Karma by itself is available for $ 799.99 USD, while the drone bundled with the HERO5 Black is $ 1,099.99 USD.

    The drone is available now in the U.S., but won’t be arriving for sale in international markets until this upcoming Spring season.

    Via: GoPro Blog

    Articles: Digital Photography Review (dpreview.com)

  • Adorama introduces Canon RT radio controlled TTL studio head and hotshoe flash

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    Camera store Adorama has announced that it is to introduce a new line of monoblock studio heads that are designed to work directly with Canon’s RT radio TTL flash system. The company claims that the Orlit Rovelight RT 610 TTL Wireless Monolight, with its RT system built-in, is the first of its kind. The head can also be used with all Canon and Nikon DSLRs using the Orlit TR-611C and TR-612N TTL Transceivers that have been launched alongside the head. These transceivers allow TTL control of the head even with Nikon cameras.

    The Orilt Rovelight RT 610 TTL is a 600Ws head with a guide number of 201ft/61m @ ISO 100 that features modes for Canon’s ETTL and Nikon’s iTTL metering systems. It is powered by a rechargeable 6000mAh lithium ion battery pack that Adorama claims is good for 450 full-power flashes per charge. The longest recycle time will be 2.5 seconds at full power, but the head offers output settings down to 1/256th in 1/3EV steps across the nine-stop range. There is said to be a variance of only 150 K across the output range from the standard color temperature of 5500 K, and a high speed sync mode allows for shutter speeds of up to 1/8000sec. The modeling bulb is a 20W LED that has a 3200 K tungsten color balance and three brightness levels.

    The head accepts Bowens S-type modifiers and has an integrated umbrella shaft slot. The flash control system can be divided into five groups, while 16 channels are provided to avoid interference with other systems in the vicinity.

    The new studio head can also be controlled by or work alongside the company’s Orlit RT-600C TTL Speedlite. This new flash unit can sit in the camera’s hotshoe to act as a master or it can join a group of other RT flashes as a slave. The unit has a guide number of 160ft/48m @ ISO 100.

    The new studio head, flash unit and transceivers will ship later this month but can be ordered now on the Adorama website.

    • Orlit Rovelight RT 610 TTL Wireless Monolight – $ 699.95
    • Orlit RT-600C TTL Speedlite – $ 169.95
    • Orlit TR-611C Transceiver – $ 69.95
    • TR-612N TTL Transceiver – $ 69.95

    Press release

    Adorama Announces Orlit, and “The First Canon RT Wireless Compatible Monolight”

    Adorama, one of the world’s largest photography, video, audio, imaging and electronics retailers, has announced Orlit, the brand new line of TTL flash solutions for photographers. Available exclusively at Adorama, the line consists of the Orlit Rovelight RT 610 TTL Wireless Monolight, the first monolight to ship with the Canon RT radio system built in; the Orlit RT-600C TTL Speedlight for Canon, ideal for Canon users who want to use the unique Canon 600EX-RT wireless radio system; and the Orlit TR-611C and TR-612N TTL Transceivers, which enable shooters to achieve a more extensive and powerful lighting solution with wireless control for Orlit Canon and Nikon systems.

    Optimized for exceptional, true TTL performance, the all-new Orlit flash lighting line is now available for pre-order, exclusively from Adorama, and will begin shipping in February 2017. The Orlit product line-up includes:

    Orlit Rovelight RT 610 TTL Wireless Monolight: The only 600ws wireless TTL monolight that breaks the Canon RT radio barrier and also works with Nikon wireless systems. The Orlit RT610 TTL brings additional professional radio-based and infrared remote flash options to loyal Canon RT users, who can now use the Canon 600EX-RT as a master and the Orlit RT610 as the slave.

    With an outstanding Guide Number of 201 (ft. at ISO 100), and manual levels from full to 1/256 power with fine 0.1 stop graduations, this monolight from Orlit boasts a bright 20 watt LED modeling lamp with a tungsten 3200K color temperature. The HSS Mode allows sync shutter speeds up to 1/8000, while Freeze Mode achieves an additional reach of 1/19000 to capture split second moments.

    The Orlit Rovelight RT 610 user interface features a large, full-color LCD display, simplified menu system, and a generous power and function control dial. Future technologies and camera sync are firmware updated through the USB port.

    The Orlit Rovelight RT 610 TTL Wireless Monolight is now available for preorder and retails for $ 699.95 USD.

    Orlit RT-600C TTL Speedlite for Canon:

    This versatile Canon RT/ETTL wireless radio-compatible speedlight, which transmits both the Canon RT radio and optical systems, can act as a master to up to five independent groups or slave unit for remote power control. A Guide Number of 160 (ft. @ ISO 100, at 200mm zoom) in combination with the compact and lightweight design of the flash makes the Orlit Speedlite a top choice for professional Canon shooters.

    Using the Orlit Speedlite for Canon is a breeze, with a flash head that rotates 180 degrees in any direction and tilts over 90 degrees for any type of bounce or modifier use. The head zooms automatically or manually from 20-200mm, ensuring the necessary coverage without light spill. The Orlit RT-600C also has a holder to place color balancing gels before the flash head. Like the Orlit Rovelight, the Orlit RT 600C user interface features a clear LCD display with a simplified but extensive menu system, with future technologies incorporated via firmware updates.

    The Orlit RT-600C TTL Speedlite for Canon is now available for preorder and retails for $ 169.95 USD.

    Orlit TR-611C TTL Transceiver & Orlit TR-612N TTL Transceivers:

    Designed for Canon and Nikon cameras, respectively, adding 980ft/300m of remote lighting freedom. Using an Orlit transceiver on the camera’s hot shoe, Canon and Nikon photographers can easily adjust the exposure for the Orlit Rovelight RT610 TTL Monolight, while the Canon TR-611C adds control to the Orlit RT600C Speedlite.

    This TTL wireless flash transmitter from Orlit can trigger one or more receivers for studio flash and speedlights. Featuring direct group access, multi-group triggering, stable signal transmission, and sensitive reaction, photographers can achieve wide flexibility and control over their strobist setups. And with the Orlit TTL Transceivers, high speed synchronization is available for most Orlit camera flashes, with a max speed up to 1/8000s.

    The Orlit TR-611C & TR-612N TTL Transceivers are now available for preorder and will each retail for $ 69.95 USD.

    Designed with Users in Mind
    The Orlit TR-611C and TR-612N Transceivers feature an efficiently designed user interface with a clear LCD display, simplified but extensive menu system, and are graced by soft menu touch control buttons for all options. Future technologies are firmware updated through the USB port.

    The Future of TTL Flash is Now
    Coming soon, the Orlit smartphone app seamlessly integrates the latest in wireless command into studio life. A rich array of screens give touch control to the myriad of Orlit features without going near the set, from the convenience of a smartphone.

    Articles: Digital Photography Review (dpreview.com)

  • Fujifilm Instax Mini 8 teardown reveals what makes the camera tick

    The folks at All About Circuits have published a teardown of the Fujifilm Instax Mini 8 camera, revealing a glimpse at the components found within. Disassembly is simple, and mostly involves removing a series of screws, after which point DIYers are presented with ‘a surprising amount of circuitry.’

    Within the camera, All About Circuits discovered a micro-controller, DC buck converter, and a pulse transformer, as well as a xenon flash tube, a light emitter and sensor, and a couple of transformers. This was a surprise to the publication’s Mark Hughes, who said, ‘I expected to find a flash charging and firing circuit similar to the type found in a disposable camera.’

    We can forgive All About Circuits for calling the camera the ‘Insta- X Mini 8,’ because we love peering into the inner workings of cameras we wouldn’t have the nerve to dissect ourselves. Details about the hardware are available in the full teardown here.

    Via: All About Circuits

    Articles: Digital Photography Review (dpreview.com)

  • This instant camera is made almost entirely of cardboard

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    A Ukrainian startup is looking to fund mass production of Jollylook, a camera made mostly of cardboard and paper that accepts Fujifilm Instax mini cartridges. The camera exists in prototype form now, and contains no electronic parts – a specially designed shutter and hand crank used to start the development process are operated manually. 

    Jollylook folds up into an ordinary-looking cardboard box (a little bigger than the box an iPhone comes in, its developer says) when not in use. To start using it, the front unit containing the lens is extended. Set the aperture, raise the viewfinder, frame your shot and fire.

    Jollylook’s makers state that Kickstarter funds will be used to create molds for the camera’s lenses, organize production and help with marketing efforts. They’re closing in on their $ 15,000 goal fast with a full month to go. Backers who pledge at least $ 35 are promised one Jollylook camera and an Instax mini film cartridge. Shipping is estimated for June 2017.

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    Jollylook – The First Cardboard Vintage Instant Camera!

    Jollylook is a simple fold out camera for analog photos, made entirely from recycled paper and cardboard. No electronics, batteries or chargers – some paper, a pair of lenses and a cartridge for instant mini photos. Environment friendly – Jollylook uses less materials than used in the packaging of a regular camera. The camera body, the shutter and aperture are made of thick paper and laminated cardboard. Jollylook is as dangerous to the environment as a banana peal!

    On January 31st, 2017 – Jollylook, a Ukrainian team of instant photography enthusiasts, starts a 30-days crowdfunding campaign on Kickstarter.com, to bring Jollylook – The First Cardboard Vintage Instant Film Camera to instant photo lovers.

    Oleg Khalip, co-founder and author of the idea: “Once I was showing my son what’s inside the analog camera and how analog photography works, I thought then – “what if the package itself transformed and fulfilled the function of the camera and the picture turned out immediately?!” There was no problem with instant photos technology, people solved this problem long time ago. What remained to create was an analog camera that would be simple and contained in the package, worked properly and allowed to take pictures and get instant results. I had to study the structure of many analog cameras, before being able to make the shutter – the most difficult part in the development was the shutter (no existing structure worked for Jollylook, so I had to invent a new shutter). After picking the right lens and calculating the aperture, we created a folding “accordion” camera body from paper, then the case where the instax cartridge is placed, and we moved to the design, here there where no doubts – it had to be retro with a little steampunk look. Then we had difficulties with the unit for getting the photo out from the cartridge but after testing many options, we achieved a perfect result, photographs are now developed and pulled out with a rotating handle.”

    “When moments of life that we see freeze on paper – it is magic!” – says Oleg.

    The crowdfunding campaign with a goal of $ 15 000 will last for 30 days and the first mass produced Jollylook cameras are expected in June 2017.

    The advantages of Jollylook:

    Vintage Design – retro with a little steampunk.

    Foldout and Compact – a little bigger than an iphone box.

    A Great Gift – can be used immediately and instantly.

    A Great Toy – Jollylook is a great teaching toy for children. Your kid can take it apart and see how it works.

    A Great Souvenir – even after use Jollylook is beautiful on the shelf!

    Fun – entertaining and positive emotions.

    Beautiful Photos – using Instax mini film you get 10 instant classic color or monochrome analog unique photos. (the cartridges can be changed many times easily and quickly )

    Environment friendly – easily recyclable, as dangerous to the environment as a banana peal!

    Specifications:

    • Lens – a meniscus lens with a focal length of 110 mm (4.33 in), allows to take photos from portrait to landscape. Can be moved up to shoot through the pinhole.
    • Viewfinder – a Fresnel lens
    • Aperture – a switchable diaphragm with manual adjustment for the seven values: f/8, f/11, f/16, f/22; f/32; f/45; f/64 + pinhole.
    • Shutter – automatic with shutter speed of 1/250 or 1/160 and manual shutter mode with the possibility to control the exposure time manually.
    • Pinhole – a round hole in a copper foil 0.6 mm (0.023 in) in diameter, located on the diaphragm disk
    • 10 shots per instax mini cartridge (the cartridge can be changed many times)
    • Storage conditions – store in a dry and dark place at room temperature.
    • Conditions of use – use at temperatures between 10 – 35 °C (50 -95 ?) in dry weather.
    • Size when folded 85 x 127 x 48 mm (311?32 x 5 x 157?64 in)
    • Takes Fujifilm “instax mini” instant film cartridge
    • Photo size 46(W) x 62(H) mm

    Articles: Digital Photography Review (dpreview.com)

  • Exclusive interview: Olympus R&D on continued E-M1 Mark II development

    Conference room to conference room: Setting up for a cross-Pacific meeting.

    Over the years, Olympus has steadily released firmware updates to its previous flagship, the OM-D E-M1. It currently sits at firmware version 4.3, and in the interim, updates have added features such as Live Composite and Live Boost II, and also included functional improvements to such aspects as continuous autofocus performance, image display lag time and more.

    Bearing this in mind, it stands to reason that Olympus would be planning a similar treatment with regards to the E-M1 Mark II. Since its surprise reveal at Photokina 2016, and particularly since we’ve published our full review, we’ve emailed back and forth with both feedback and feature requests for Olympus Tokyo to consider in future firmware updates. This all culminated in an international video conference call last week, where we learned a great deal about just what Olympus’ has in store.

    “I would like to promise that we will be improving and evolving [the E-M1 Mark II] with firmware upgrades.” – Mr. Takao Takasu, E-M1 Mark II Product Development

    It’s important to point out that the Olympus engineers we met with are understandably unable to confirm specifics such as when (or if) certain improvements will come to the E-M1 II, but they are at the very least committed to confirming some items that they are ‘working on.’ The most notable of these include:

    • Adding ‘Auto ISO’ capability to manual video shooting
    • Allowing for control of autofocus racking speed while shooting video
    • Clarifying and enhancing customizability of continuous autofocus behavior beyond the current -2 to +2 ‘tight to loose’ scale
    • Working on the AF algorithm to improve tracking performance
    • Enable the ability to enter playback and menus while the buffer is clearing

    To see considerations as significant as refinement of the autofocus algorithm this early in a product cycle is encouraging. Olympus is adamant (and, given what we’ve found in our full review, rightfully so) that the E-M1 II is part of a system that can appeal to professional shooters looking for a more compact kit without sacrificing anything in terms of overall speed. Admittedly the smaller Four Thirds sensor lags behind many cheaper APS-C and Full Frame solutions with regards to low light and noise performance, but no other camera offers 18fps Raw burst shooting with continuous autofocus, and the smaller sensor in the E-M1 II is precisely what allows the camera to do so.

    “We will try to improve playback function during data recording.”- Mr. Katsuhisa Kawaguchi, Continuous Shooting

    In addition to letting us know what they’re working on for future firmware upgrades, Olympus gave us some further insight into some of the E-M1 II’s headline capabilities.

    With regard to autofocus during burst shooting, the camera is able to capture and analyze phase-detection autofocus information of the image that has just been captured to use it in tandem with Live View autofocus information for more accurate prediction of subject movement – this is all meant to improve tracking performance.

    The in-body image stabilization system currently allows around 5.5 stops of image stabilization at 40mm (80mm equiv.) focal length, with shorter focal lengths reducing overall effectiveness, as with shorter focal lengths, you have ever lengthening exposure times where body shake – as opposed to hand shake – becomes dominant (this is true of all IS systems). Smaller amplitude and higher-frequency shaking from hand shake is far easier to engineer for in terms of sensor movement than high amplitude, slow-frequency shake from a photographer’s whole body.

    “Our [image stabilization] becoming very, very sensitive. But we are not satisfied with the current performance and will continue to improve.” – Mr. Hisashi Takeuchi, Image Stabilization System

    There are, of course, reports of users getting sharp shots at shutter speeds ranging from 2-10 seconds, though these users are also bracing against larger body movements by leaning on a wall, or placing elbows on a desk.

    As with its predecessor, weather sealing and durability was a big point of emphasis on the E-M1 Mark II.

    That being said, the engineers stated that they are aiming to push image stabilization technology even farther than the 6.5 stops afforded when the E-M1 II is paired with an image stabilized lens, such as the 300mm F4 Pro or 12-100mm F4 Pro. We asked them how they aim to do this, and were greeted with a wry smile or two – certainly indicative of some confidence in their ongoing development. 

    Olympus was also able to tell us that the E-M1 II was ‘benchmarked’ against competitors’ models, with a concerted effort being made to improve upon them. In this vein, particular attention was paid to speed of image playback (which is blazingly fast, and highly important considering the burst speeds), JPEG tonality, noise reduction and overall quality (important for quickly filing photos on, say, breaking news assignments), and run-and-gun movie capability, especially in terms of movie image stabilization.

    “We have achieved high quality 4K shooting without a tripod or stabilizer.” – Mr. Kazuhiro Haneda, Video

    It’s clear that Olympus is proud of the E-M1 Mark II, and is serious about tackling its shortcomings with firmware upgrades wherever possible. One thing they won’t be able to fix with firmware is one of the E-M1 II’s biggest criticisms: the price remains prohibitively high for many. 

    But given what Olympus is already aiming to tackle, those investing in the Olympus system for the long term are likely to be rewarded. It’s become more common practice over the past few years to bring updates to camera models (particularly flagships) throughout the product cycle. It’s encouraging to see Olympus continue this going forward, not only in terms of usability and technical improvements, but perhaps new features as well – we’ll just have to wait and see.

    Articles: Digital Photography Review (dpreview.com)

  • Unable to recover from failed Kickstarter project, Triggertrap announces it will close shop

    Triggertrap, one of the pioneers in the area of smart camera triggers, has today announced that it will cease operations within approximately a month. Triggertrap was founded in 2011, following a successful Kickstarter campaign. The initial product offered a wide range of trigger options, including, sound and motion sensors and an intervalometer.

    In 2013 the company launched another Kickstarter campaign, this time for the Triggertrap Ada, a modular and expandable follow-up version to the original product line. Despite the campaign being very successful, raising more than $ 500,000, trouble started when the cost of components was higher than originally quoted by some suppliers and in May 2015 Triggertrap had to admit the project had failed and the Ada could not be delivered. 

    The company has never been able to recover from this failure and today one of the founders, CEO Haje Jan Kamps, has posted an article on medium, announcing the closure of the company. 

    “Triggertrap, like any startup, had some big highs and lows. At one point, we employed 15 staff; a team of photographers, coders, support, marketing, logistics, and operations. Ever since we announced that our Triggertrap Ada Kickstarter project failed, we’ve been in a downward spiral. For the past 18 months, we’ve been operating with just a few team members, who have been working their asses off to keep the lights on. But ultimately, we weren’t able to claw our way out of the hole, and the company now owes the company’s founders around $ 60k. With no realistic hope of ever paying that money back, and after ten months in a row of struggling to make payroll for our remaining staff members, we decided it was time to give up.”

    Technical support for Triggertrap products will end with immediate effect. Apps will remain available for download in the respective app stores but are sooner or later likely to run into incompatibility issues with updated operating system . If you are happy to keep using your current mobile OS and rely just on the Reddit-forum for support, you can still buy a Triggertrap device at a hefty discount in the online store.

    Articles: Digital Photography Review (dpreview.com)

  • Canon releases downloadable EOS-1D X Mark II AF Setting Guidebook

    Canon has released a downloadable 100MB PDF guide book for the EOS-1D X Mark II camera’s AF system. According to the company, this guide ‘will clarify many of the details about’ this AF system, including menu settings, the effect of various AF Cases, and more.

    Canon goes on to point out that most of the information found in this guide is also applicable to the Canon EOS 5D Mark IV camera’s 61-point AF system, which features the same AF sensor as the EOS-1D X Mark II. Canon says of the guide ‘We’re confident having access to this file, on your computer or in a mobile device will answer many of the questions which may arise as you use either of these cameras.’

    The PDF can be downloaded directly here.

    Via: CanonRumors

    Articles: Digital Photography Review (dpreview.com)

  • ONA releases new style bags and accessories for mirrorless users

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    Premium camera bag brand ONA has announced a set of new small bags and a wrist strap that are aimed at compact system camera users. The Bond Street is an upright bag designed to hold a single body and a couple of lenses, or three or four lenses while the camera is in use or on a strap. The bag has a large flap-over cover which is secured with a locking clasp, while the padded interior comes with a single adjustable divider. ONA offers the Bond Street in black or ‘antique cognac’ leather, or in a ‘smoke’ grey waxed canvas.

    A second bag, called the Beacon, is shaped more like a tripod case, but features a pair of zip-up compartments for lenses, accessories or small cameras. Three dividers allow the bag to be converted from a single compartment to four, so a small tripod can be accommodated or four CSC-style lenses. The case has a carry handle as well as a removable shoulder strap, and is made from black ballistic nylon with leather trim.

    The company is also to begin sales of a leather wrist strap called Kyoto, which it says is strong enough to support cameras up to 6lbs – though it has been tested to 10lbs. The underside of the strap, which ONA says is made from the same leather as is used for its bags, is suede-lined for comfort. The Kyoto comes in black, ‘dark truffle, and ‘antique cognac’.

    The Bond Street bag is set to cost $ 219, while the Beacon will be $ 149. The Kyoto wrist strap will be priced at $ 49. All will be available from January 31st.

    For more information see the ONA website.

    Press information

    The Leather Bond Street
    Camera Bag and Insert
    Suggested Retail: $ 219

    Handcrafted with full-grain leather and antique brass hardware, the Leather Bond Street is our most compact bag—for your camera, everyday essentials, or both. Designed specifically for mirrorless and instant cameras, the Bond Street adapts the style and function of our popular Bowery bag into a smaller silhouette that comfortably holds a camera and 1-2 lenses. The Bond Street features a closed-cell foam padded interior, a removable padded divider, and a zip pocket on back perfectly sized to fit your smartphone, batteries or other small goods. Like the Bowery, the Bond Street can also be stowed as an insert in a larger bag by detaching the strap.

    Exterior Dimensions: 9”Hx7.5”Wx4.5”D I Weight: 1.7 lbs Colors: Antique Cognac (ONA5-064LBR), Black (ONA5-064LBL). Also available in Waxed Canvas: Smoke (ONA5-064GR)

    The Kyoto
    Leather Camera Wrist Strap
    Suggested Retail: $ 49

    The Kyoto camera wrist strap is handcrafted from full-grain premium leather left over from the material used to make ONA’s premium camera bags. Designed for the photographer who needs their camera at-hand without wanting a traditional strap, the Kyoto wrist strap is lined with suede, reinforced for strength, and padded for comfort. A steel key ring clasp and a leather scratch guard allow for compatibility with most cameras; the strap is intended for camera kits up to 6lbs and has been stress-tested to 10lbs.

    Colors: Antique Cognac (ONA062LBR), Black (ONA062LBL), Dark Truffle (ONAO62LBL)

    The Beacon
    Lens Case
    Suggested Retail; $ 149

    The Beacon lens case is a first-of-its-kind, combining the silhouette of a vintage lens case with the function, style and flexibility of ONA’s camera bags. The Beacon is designed to protect up to four lenses and small accessories, utilizing a close-cell foam interior and customizable padded dividers. For the photographer or creative who needs more flexibility, the Beacon can also hold select camera bodies, 360 and action cameras and small tripods. Highly durable and water-resistant, the Beacon is handcrafted from premium 1050D ballistic nylon and features full-grain leather accents and solid brass hardware. It features two large zippered openings, a small accessories pouch and a removable strap to protect your lenses in a suitcase or attached to a larger bag.
    Exterior Dimensions: 4″Wx18″Lx6″H (with handle) I Weight: 1.7 lbs
    Colors: Black Nylon (ONA5-058NYL)

    Articles: Digital Photography Review (dpreview.com)

  • Sony SLT a99 II first impressions review

    Photokina 2016 proved to us, with the announcement of the a99 II, that A-mount isn’t dead: it was just waiting for the right tech to show up for its next big release, like the 42MP BSI-CMOS sensor that debuted in the a7R II. So much more than an a99 with a new chip, the a99 II’s improved specifications aim to put it in the same company as DSLRs like the Nikon D810 or Canon 5D IV, and full-frame mirrorless cameras like Sony’s own a7r II.

    Key features

    • 42MP BSI CMOS Imaging sensor
    • 399 on-sensor PDAF points + dedicated PDAF sensor with 79 points
    • Dual SD card slots [UHS I]
    • 12fps continuous shooting in Raw with C-AF
    • 4K UHD 100Mbps recording, and 8-bit 4:2:2 4K output over HDMI
    • Picture Profile settings with Log gamma curves
    • 5-axis in body image stabilization
    • Wi-Fi with NFC

    The weather-sealed body features a dedicated PDAF sensor separate from the imaging sensor that has light directed to it via a mirror, like a traditional DSLR. Unlike a DSLR, this mirror doesn’t ever flip out of the way. Instead, it is semi-transparent and sends only part of the light to the dedicated AF sensor, and lets the rest of the light pass through to the imaging chip. The camera can use both of these AF systems where they overlap, creating a Hybrid Cross Type AF system that should deliver both speed and accuracy that Sony hopes will match the best systems out there.

    Also, the fixed mirror means AF readings can be taken with the dedicated sensor even while the shutter is firing, which should result in high ‘hit’ rates even at the maximum 12 FPS burst shooting. The downside is the loss of around 1/2 stop of light, something that the impressive 42MP sensor shouldn’t mind too much.

    The a99 II also boasts some impressive video specs, which should be enhanced both by the camera’s ability to continuously autofocus in video and by its in-body image stabilization.

    All of these features are controlled via a re-worked menu system that color codes sections and categorizes settings by which aspect of the camera they are adjusting, like Flash or Autofocus. Do all of these improvements transcend the inherent pitfalls of SLT technology?

    Review History
    31 Jan 2016 Introduction, Specifications, Body & Design,
    Operation & Controls, and Image Quality pages published.

    Articles: Digital Photography Review (dpreview.com)