Category: Uncategorized

  • Olympus cleans up at Camera Grand Prix 2017

    The Japanese Camera Journal Press Club has awarded Olympus three out of its four annual prizes after voting by photographic magazine editors and readers. The Olympus OM-D E-M1 ll came away with both the Camera of the Year award and the Readers award, while the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO won Lens of the Year.

    The club, which was established in 1963, has ten member magazines and websites that each test and review camera equipment. The members come together with affiliated magazines to determine the best products released during the period between April and March each year. This year the OM-D E-M 1 ll attracted attention for its high speed AF system and frame rates that exceed those achievable by even top-end DSLR cameras.

    Olympus didn’t wipe the board entirely though, as the Editor’s Award went to the Nikon D500 for its professional AF system and modest price, and the Fujifilm GFX 50S for its resolution and handling as well as for popularizing medium-format again.

    For more information and to read why each of the products was awarded see the Camera Journal Press Club of Japan website.

    Camera GP Japan information

    Camera Grand Prix 2017 / CJPC

    Camera Grand Prix is held by Camera Journal Press Club (CJPC, Japan), a group of representatives from magazines or websites specializing in photos and cameras. CJPC, established in September 1963, has 10 members from the media as of April 2017. The selection committee, organized under the auspices of CJPC’s Camera Grand Prix Executive Committee, deliberates and selects the best products to give the four awards from among those introduced into the market during the previous fiscal year (from April 1 to March 31).

    Camera Grand Prix “Camera of the Year” is granted to a still camera recognized as the best of all released during the period. “Lens of the Year” is awarded to the best lens launched in the Japanese market, while “Readers Award” is determined by general camera users’ vote on a dedicated website. (The voting period in 2017 was from March 18 to April 9.) In addition, CJPC members give “Editors Award” to a camera or another form of photography-related product, excluding the one awarded “Camera of the Year”, in consideration for the product’s popularity, topicality, and innovativeness.

    Camera of The Year
    The award went to the OLYMPUS OM-D E-M1 Mark II
    (production company : Olympus Corporation.)

    Lens of The Year
    The award went to the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO
    (production company : Olympus Corporation.)

    Readers Award
    The Readers Award went to the OM-D E-M1 Mark II (production company : Olympus Corporation.). The award was stablished in 2008, in celebration of the 25th anniversary of the Camera Grand Prix. The winner is selected by general readers’ votes.

    Editors Award
    As the result of a conference of C.J.P.C. members, the D500 (production company : Nikon Corporation,) and the GFX 50S(production company : Fujifilm Corporation.) were selected for Editors Award.

    Articles: Digital Photography Review (dpreview.com)

  • Nikon reshuffles management structure

    Nikon Corporation announced today the reorganization of its corporate structure. Nikon’s Core Technology Division will be closed and replaced by Research & Development Division and Production Technology divisions. As you’d expect, the former is dedicated to research and development, the latter integrates the functions of group production strategy planning and production technology development. The objective of this move is to clarify functions and responsibilities and enhance the efficiency of the production system.

    In addition Nikon is integrating its Medical Business Development Division and Microscope Solutions Business Unit to form a new Healthcare Business Unit with the goal to create business synergies. 

    The Japanese company has also decided to close its Business Support Division and distribute its functions across other divisions. By doing so, Nikon is hoping to optimize functions such as procurement, engineering and logistics, as well as quality- and environmental-management.

    New organization:

    Nikon announces reorganization of corporate structure

    May 19, 2017

    Nikon Corporation (Kazuo Ushida, President, Tokyo) announced today the reorganization of its corporate structure as outlined below, scheduled for June 29, 2017.

    The Core Technology Division is to be closed, establishing the Research & Development Division and the Production Technology Division

    Nikon has decided to close the Core Technology Division and establish the Research & Development Division which dedicates to research and development, and the Production Technology Division which integrates the functions of group production strategy planning and production technology development, etc.
    With this change, Nikon reorganizes the corporate structure in a way that clarifies functions and responsibilities in order to revitalize the group-wide research and development structure and enhance the efficiency of the production system.

    Establishing the Healthcare Business Unit

    Nikon is integrating the Medical Business Development Division and Microscope Solutions Business Unit, to establish a new Healthcare Business Unit. This will enable the company to integrate/optimize organizations and functions rapidly, creating business synergy.
    Nikon will boost existing businesses and accelerate creation/nurturing of new businesses in the healthcare, medical and biological fields, which are anticipated to grow in the future.

    Closing the Business Support Division

    To optimize group-common functions regarding procurement, engineering and logistics, as well as quality- and environmental-management, Nikon has decided to close the Business Support Division and relocate each function formerly handled by it.

    Articles: Digital Photography Review (dpreview.com)

  • Analog gems: 10 excellent, affordable film cameras

    Affordable analog

    Battles rage over whether digital or analog is the better medium. But those shouting on both sides are missing out on the simple truth that the two compliment each other beautifully.

    With digital photography, there is an ability and sometimes a desire to achieve something precise, while happy surprises can be a big part of the analog draw. Keen photographers realize that shooting with both mediums keeps one creatively-focused and balanced: aware that perfection exists, but open to creative serendipity. Moreover, film gives the user a chance to slow down and be decisive, and digital allows the user to quickly see results and learn.

    Of course, many of the readers of our site are digital diehards. But let’s pretend for a moment that we’ve convinced you to dabble a bit in analog. What would be a good camera to run a roll through? What follows is a list of 10 cameras, all of which are easy to find, technically capable, and reasonably priced. These are cameras known for holding up mechanically and don’t require obscure or discontinued batteries, like mercury cells.

    Of course, this list is far from complete – there are many excellent film cameras available that fit our criteria. Which is why we’ll be looking to add more periodically. So if there are any you feel particularly strongly about, let us know in the comments. Happy shooting!

    Canon AE-1

    History: The Canon AE-1 was produced from 1976-1984 and in that time more than a million units were sold. One of the first affordable SLRs on the market to feature TTL auto exposure metering, the AE-1 was also the first SLR to use a microprocessor. It is constructed mostly of injection molded plastic to keep costs down. However, this leads to a comparably lighter body than most metal SLRs of the day.

    ‘From 1976-1984…more than a million units were sold.’

    Why we like it: This camera is a solid choice for beginners, offering both a shutter priority and a manual mode (though sadly no aperture priority mode). Metering tends to be accurate and the camera can be powered by a variety of common drugstore batteries. Canon FD lenses are cheap and readily available for the system.

    Buy one: These cameras are extremely easy to come across in working order for under $ 100. If buying on eBay, you can often pick up an AE-1 with a bunch of FD lenses and other accessories for about the same price as the body.

    Also consider: The Canon AE-1 Program (shown above). The Program was released in 1981 is the follow up to the original AE-1. It is largely the same camera, except for the inclusion of a Program auto exposure mode that sets both shutter speed and aperture.

    Pentax K1000

    History: The Pentax K1000 first debuted in 1976 (same year as the Canon AE-1) and was manufactured continuously for just over two decades. The body is made mostly of metal and the camera is fully mechanical in operation (there is no auto mode). The K1000 has a built-in light meter that runs on generic drugstore camera batteries. Just remember to put the lens cap on to avoid draining the charge!

    Why we like it: The K1000 represents a very different approach to the amateur SLR market than the Canon AE-1. Both are great cameras with redeeming qualities, but we really appreciate the Pentax’s mechanical design, which means it can be operated without batteries (unlike the Canon). And due to its metal build, K1000’s tend to stand the test of time quite well. In short, these cameras have a reputation for being simple, but reliable – great for beginners or purists. And there is also a ton of great glass to be had for the system.

    ‘We really appreciate the Pentax’s mechanical design, which means it can be operated without batteries.’

    Buy one: Not only are these cameras built to last, they were made non-stop for 21 years! So it comes as no surprise that they are easy to find used. Expect to pay between $ 50-$ 175 for one on eBay, depending on the condition. Snagging a deal that includes the body and some Pentax glass is not super likely, but also not impossible. Some collectors claim the bodies with “Asahi” on the prism are more reliable – as they are older and supposedly use fewer plastic components internally – something to keep in mind.

    Photo credit: John Kratz

    Olympus XA

    History:  The Olympus XA is one of the smallest 35mm rangefinder cameras ever made. Sold from 1979 to 1985, this camera manages to tuck a very sharp Zuiko 35mm F2.8 lens (with a 4-blade aperture) behind a protective sliding door. The camera is aperture priority-only, however there is a +1.5 Exp. comp. lever on the bottom of the body. The camera itself is built mostly of plastic, but still feels dense in hand.

    Why we like it: There’s a lot to like about this tiny rangefinder: It’s incredibly quiet, the lens is sharp and the metering is good. It also represents one of the most unusual camera designs of its time. The focusing lever is admittedly a bit small and fiddly, but the focus depth scale makes things a bit easier.

    ‘The Olympus XA is one of the smallest 35mm rangefinder cameras ever made.’

    Buy one: It’s pretty easy to find this camera sold alongside its original accessory flash (which mounts on the side of the body). Expect to pay between $ 50-150 for one in working order, with or without the flash. A note of caution: sometimes these turn up in seemingly working order, but with a dead light meter (bad news for an aperture priority-only camera).

    Also consider: The Olympus XA2. It is essentially a simplified version of the XA, but with a 35mm F3.5 lens and zone focusing. Some people find the XA2 easier for casual pointing and shooting.

    Mamiya M645

    History: The Mamiya M645 was the company’s first 6 x 4.5 format SLR-style camera and was manufactured from 1975-1987. It uses an electronic focal plane shutter and features an interchangeable finder and focus screen, but not interchangeable film backs. The camera uses a generic 6 volt camera battery. There are several different versions available including the M645 1000 and the budget-friendly M645J.

    Why we like it: These are beautiful cameras both to hold and to operate. Not only that, they are also mechanically reliable. And while there are more feature-packed 6 x 4.5 cameras on the market (including many from Mamiya), few are as affordable as the original M645.

    ‘There are more feature-packed 6 x 4.5 cameras on the market, but few are as affordable or reliable as the original M645.’

    Buy one: These cameras are easy to find in working order. You can expect to pick one up on eBay, with a lens, for between $ 250-350. Note: the M645J model (shown in the image above) is a stripped down version of the M645 for slightly less cash (it has a limited shutter speed range, no mirror lock-up, and one shutter release as opposed to two).

    Nikon L35AF

    History: Introduced in 1983, the L35AF was Nikon’s first compact with autofocus capability. Its sharp 35mm F2.8 lens and simple design led it to become a marketplace hit. The camera is fully automatic, but does have a +2EV exposure compensation lever on the front of the body. The metering cell is located directly below the lens and the camera can accept filters. It also has a built-in pop-up flash.

    Why we like it: At first glance, the L35AF looks like a cheap, plastic camera. But looks are deceiving. This camera is in fact a gem (the body is actually metal with a plastic shell). As mentioned, the lens is sharp, and metering is accurate. AF is also surprisingly accurate. Plus, the camera is powered by two generic AA batteries. Technically-speaking, this is an outstanding film point and shoot. The only down side is the camera is a tad chunky.

    ‘The L35AF looks like a cheap, plastic camera. But looks are deceiving because this camera is in fact a gem.’

    Buy one: You can expect to pay between $ 60-150 for one of these cameras, in working order, on eBay. However the L35AF often turns up in thrift store bins and at rummage sales. Spend a little time hunting and you might find one for under $ 10. There is also the Nikon L35AD, which is the same camera as the L35AF, but with an autodate function.

    Minolta Hi-Matic AF2

    History: The Minolta Hi-Matic AF2 first debuted in 1981 and is a fully-automatic fixed lens compact, with the exception of its manual film advanced/rewind (weird, we know). The camera has a fairly sharp 38mm F2.8 lens. And like the Nikon L35AF, the camera’s meter is located directly below the front element, which also accepts filters. The camera runs on two AA batteries and offers a pop-up flash.

    Why we like it: There are affordable film cameras, and there is the Hi-Matic AF2. In terms of lens sharpness-to-price ratio, this camera is hard to beat. And while there is no exposure compensation lever as you’ll find on other fixed lens compacts of its time, the camera will warn you if there is not enough light or if a subject is too close. It does this by emitting an irritating beep. It’s plasticky, light weight and a lot of fun to shoot with.

    ‘There are affordable film cameras, and there is the Hi-Matic AF2. In terms of lens sharpness to price ratio, this camera is hard to beat.’

    Buy one: These camera can be purchased in working order for between $ 10-35 on eBay. And if you are really turned off by the manual film advanced, consider the Minolta Hi-Matic AF2-M instead. It’s the same camera, but with a motorized film advanced.

    Photo credit: Jonathan Mauer

    Olympus Stylus Epic

    History: The Stylus Epic or Mju II, as it was called in European and Asian markets, is a fully automatic, weatherproof compact camera that debuted in 1997. Like the Olympus XA, the Stylus Epic features a sliding door to protect the lens – it also doubles as an on/off switch. These cameras are revered for their sharp 35mm F2.8 lens, good autofocus and compact design. Plus the camera is powered by a long-lasting and easily obtainable lithium battery.

    Why we like it: There’s a lot to like about the Olympus Stylus Epic. While not everyone is a fan of the camera’s odd, rounded design, this writer finds it fits perfectly in a back pocket. This, plus its weather-sealing make it a great take-everywhere-camera. Also, the flash starts charging as soon as the cover is opened, meaning it should be ready to go when it comes time to photograph a decisive moment.

    ‘These cameras are revered for their sharp 35mm F2.8 lens, good autofocus and compact design.’

    Buy one: These cameras are a cult classic and can be a tad tricky to acquire. This is partly due to the fact that Olympus made numerous compacts under the ‘Stylus’ and ‘mju’ names. However the Stylus Epic/Mju II is optically the best and therefore the most coveted. You can generally find one for between $ 150 and $ 250 on eBay – not bad for a camera originally marketed as a budget compact.

    Nikon N90s

    History: The N90s, also know as the Nikon F90x in Europe, first debuted in 1994 and was manufactured until 2001. Geared toward advanced amateurs, this camera sounds quite advanced on paper, for a film SLR. Features like 3D Matrix metering, a top plate LCD, 4.1 fps continuous shooting in AF-C and a 1/8000 sec max shutter speed sound like digital camera specs. But don’t get too ahead of yourself, it has only a single AF point and AF performance does not compare to that of modern DSLRs. Still the camera is quite capable. And it runs on four ubiquitous AA batteries, which is a plus.

    Why we like it: The turn of the century was an interesting time for camera makers: as consumers slowly began to shift from film to digital, a lot of advanced film cameras debuted at a time when the market was drying up. In a sense, the N90s offers nearly the same feel and handling of a modern Nikon DSLR in a film SLR body. If you’re a Nikon digital shooter, there’s simply no reason not to pick one of these up just to try. They are fantastic. 

    ‘The N90s offers nearly the same feel and handling of a modern Nikon DSLR, in a film SLR body.’

    Buy one: It’s kind of crazy how cheap these cameras can be had. On eBay, expect to pay between $ 40-$ 120. Plus, they are easy to find in working order because of how recently they were manufactured. Just don’t expect to find a sweet deal on one with with a lens included. Oh and be aware, the rubberized coating on the body can become unpleasantly sticky with age, especially if the camera was stored in a warm environment.

    Photo credit: Amydet at English Wikipedia

    Minolta X-700

    History: At the time of its release in 1981, the X700 was Minolta’s top tier manual focus camera. A market success, it was manufactured continually until 1999 and was also the final manual focus SLR the company made.  Stand-out features include TTL flash metering, a bright viewfinder and multiple auto exposure modes. Like the Canon AE-1, the body is made mostly of plastic, which keeps the weight (and manufacturing cost) down. It uses generic drugstore camera batteries.

    Why we like it: The X-700 offers both Program auto exposure and Aperture Priority modes as well as full manual mode, making it a good choice for those learning. Plus, Minolta glass is fairly easy to come by on the cheap for this system.

    ‘The X-700 offers both Program auto exposure…as well as full manual mode, making it a good choice for those learning.’

    Buy one: You can expect to pay between $ 75 – $ 150 on eBay for one of these cameras with a lens. And like the Canon AE-1, it’s pretty easy to come across a bundle with camera, extra glass and accessories for around the same price as a single camera and lens. 

    Photo credit: Retired Electrician

    Canon EOS 5

    History: The Canon EOS 5, also sold as the EOS A2 in some markets, is a semi-professional SLR manufactured starting in 1992 and discontinued around the turn of the century. It uses Canon’s latest EF mount, first introduced in 1987. The camera features 16 zone evaluative metering and offers a top burst rate with AF, of 3 fps (5 fps in one shot mode). Other standout features include 5 selectable autofocus points as well as the very first iteration of Canon’s infamous eye-controlled focus. The body is powered by a single 2CR5 lithium battery. These batteries can be a tad pricey, but they’re easy enough to find online. 

    Why we like it: High and mid-range SLRs from the 90’s are strange beasts: retro in format, while offering some modern-DSLR features. The EOS 5 is a great example of this: it’s highly capable despite its lack of a sensor. Canon diehards can learn a lot about of the lineage of their modern DSLRs by spending some time with the EOS 5.

    ‘Canon diehards can learn a lot about of the lineage of their modern DSLRs by spending some time with the EOS 5.’

    Buy one: No need to break the bank. You can pick up one of these cameras body-only for between $ 30 – $ 100 on eBay. But because they use the modern Canon EF mount, picking one up with a decent lens is going to set you back considerably more.

    What cameras should we add?

    Is there a camera you feel strongly should be added to this list? Is it affordable, readily available and technically capable? Let us know in the comments!

    Articles: Digital Photography Review (dpreview.com)

  • Impossible Project launches special edition Two-Tone B&W Polaroid 600 camera

    Impossible Project has announced the launch of a ‘strictly limited edition’ Two-Tone Black and White Polaroid 600 camera. This camera is a refurbished original Polaroid 600 redesigned with a custom two-tone paint job, according to the company, and it is exclusively available via the Impossible Project website.

    In describing its new Polaroid 600 special edition camera, Impossible Project explains, ‘The new camera celebrates the work of the photographers and artists who have perfected the monochrome palettes – names like Robert Longo, Ansel Adams and Eva Rothschild.’ The new model is priced at $ 179; it isn’t clear how many units are available.

    Via: PhotographyBLOG

    Articles: Digital Photography Review (dpreview.com)

  • 2017 Roundup: Semi-Pro Interchangeable Lens Cameras

    What do we mean by Semi-Pro?

    Within this category, you’ll find some of the most capable cameras the industry has to offer. The Semi-Pro name doesn’t indicate that they’re below the consideration of professionals, though. Quite the opposite: it means that their price and performance makes them attractive to a range of enthusiasts, photographers who make some money from their shoots and professionals who earn their livelihood with their camera.

    Due to the fuzzy line between semi-pro and pro, we’ve made the decision to not include very high-end full-frame (e.g. Nikon D5, Canon 1D X Mark II, Sony a9) and medium format (e.g. Pentax 645Z and Fujifilm GFX 50S) cameras in this roundup.

    All of the cameras in this price range use full-frame sensors. And while most of them are DSLRs, there are also several mirrorless options as well. Simply put, there is something here to satisfy just about everyone who is willing to pony up the requisite funds. Read through to see what makes this segment so cut-throat, and what innovations are driving this tier forwards at a remarkable pace.

    The models covered in this roundup are:

      • Canon EOS 5D Mark IV
      • Canon EOS 5DS / 5DS R
      • Leica M10
      • Leica SL
      • Nikon D750
      • Nikon D810
      • Sony Alpha a7R II
      • Sony Alpha a7S II
      • Sony Alpha a99 II

    Read on to see which cameras we chose as best-in-class!

    Articles: Digital Photography Review (dpreview.com)

  • Canon EOS 7D Mark II firmware 1.1.1 removed over communication bug

    Canon has revoked firmware version 1.1.1 for the EOS 7D Mark II, citing a communication bug that appears when using Wi-Fi Adapter W-E1. The firmware was released on April 27 and brought with it a couple of enhancements and bug fixes, including improved communications reliability with the Wireless File Transmitter WFT-E7 B. Unfortunately, 7D cameras updated with the latest firmware from v1.0.5 or earlier aren’t able to shoot remotely with the related Camera Connect App.

    According to Canon, there are two exceptions to the issue, with the first being that cameras updated from firmware 1.1.0 to 1.1.1 won’t experience the bug, nor will cameras that were sold with firmware 1.1.1 already installed. Other cameras, however, must be rolled back to firmware 1.1.0 to remove the bug until a corrected update is released in early June. Canon has re-released firmware 1.1.0 for download.

    Via: CanonRumors

    Articles: Digital Photography Review (dpreview.com)

  • Video: first person view of a spacewalk, shot by an action cam

     
    There’s literally nothing cooler than outer space. And getting to see a first-person view of a spacewalk, shot by an action camera, is both fascinating and exciting. The above video was taken on March 24th by ESA astronaut Thomas Pesquet. It also shows NASA astronaut Shane Kimbrough.

    The two are shown preparing a dock and making repairs to components at the International Space Station. From the Youtube post:

    “The primary task was to prepare the Pressurized Mating Adapter-3 (PMA-3) for installation of the second International Docking Adapter, which will accommodate commercial crew vehicle dockings. The PMA-3 provides the pressurized interface between the station modules and the docking adapter. The pair disconnected cables and electrical connections on PMA-3 to prepare for its robotic move, which took place on Sunday, March 26. PMA-3 was be moved from the port side of the Tranquility module to the space-facing side of the Harmony module, where it will become home for the docking adapter, which will be delivered on a future flight of a SpaceX Dragon cargo spacecraft. The spacewalkers also installed on the starboard zero truss a new computer relay box equipped with advanced software for the adapter.

    The two spacewalkers lubricated the latching end effector on the Special Purpose Dexterous Manipulator “extension” for the Canadarm2 robotic arm, inspected a radiator valve suspected of a small ammonia leak and replaced cameras on the Japanese segment of the outpost. Radiators are used to shed excess heat that builds up through normal space station operation.”

    Articles: Digital Photography Review (dpreview.com)

  • Video: is the Canon EOS M6 good for vlogging?

     
    The Canon EOS M6 features 1080/60p video capture, Dual Pixel AF, a selfie screen and lens-based IS. All of this adds up to what seems like an appealing package for vloggers. But is it? To find out for sure – and as part of our Canon EOS M6 review – DPReview’s Carey Rose put the camera’s vlogging chops to the test in a vlog about vlogging with the M6. Have a watch!
     
     

    Articles: Digital Photography Review (dpreview.com)

  • Sigma offers firmware updates for four Canon mount lenses

    Sigma has released new firmware for Canon mount versions of four of its lenses:

    • 17-70mm F2.8-4 DC Macro OS HSM | Contemporary Canon
    • 18-200mm F3.5-6.3 DC Macro OS HSM | Contemporary Canon
    • 18-300mm F3.5-6.3 DC MACRO OS HSM | Contemporary Canon
    • 24-105mm F4 DG OS HSM | Art Canon

    According to Sigma, the new firmware improves the AF accuracy of the lenses when used with the Sigma Mount Converter MC-11, as well as decreasing the lens diaphragm blades noise when using the aforementioned converter.

    The same AF accuracy improvement and decreased noise also apply to the lenses when they are used with Canon EOS DSLRs while shooting video or while in Live Mode. Finally, Sigma says these lenses are now compatible with the Canon Digital Cinema Camera EOS C300 Mark II. 

    Sigma lens owners with the Sigma USB Dock must first update the Sigma Optimization Pro software to, at minimum, version 1.4.1 (Windows) or version 1.4.0 (Mac) before installing the new firmware.

    The full Sigma changelog is below:

    Benefits of this firmware update

    • It has improved the AF accuracy when the lens is attached with the SIGMA MOUNT CONVERTER MC-11.
    • ?It is necessary to use the SIGMA USB DOCK for Canon ver.1.02 or later to update the firmware.
    • ? For customers who own SIGMA MOUNT CONVERTER MC-11 EF-E, it is necessary to update this to the latest firmware ver. 1.05.
    • It has reduced the operating sound of the lens diaphragm blades when attached with the SIGMA MOUNT CONVERTER MC-11 EF-E and used for video shooting.
    • It has improved the AF accuracy when the lens is used for video shooting as well as with Live View mode of EOS DIGITAL SLR cameras.*1
    • It has reduced the operating sound of the lens diaphragm blades when the lens is used for video shooting on EOS DIGITAL SLR cameras. *1
    • It has become compatible with the Canon Digital Cinema Camera EOS C300 Mark II.
    • *1 The degree of improvement may differ depending on the camera used.

    Via: Sigma

    Articles: Digital Photography Review (dpreview.com)

  • AI-powered Google Lens can identify types of flowers, give info about restaurants

    At Google I/O 2017 the company showed off its new Google Lens technology. This AI-powered capability uses visual recognition to provide information about whatever your smartphone’s camera is pointed at. Examples given by the company include identifying a type of flower or providing reviews and other information about a restaurant.

    You will also be able to point the camera at a concert sign and have the opportunity to buy tickets, or get connected to a Wi-Fi network by aiming at the router’s ID ‘setting sticker.’

    Google Lens will be incorporated into the company’s Photos and Assistant apps, but specific release dates aren’t given.

    Articles: Digital Photography Review (dpreview.com)