Category: Uncategorized

  • Gallery: Shooting a music festival with the Nikon D7500

    The Nikon D7500 uses the same sensor and processor as the APS-C flagship D500, as well as the same high-res metering sensor. Though the 51-point AF system is unchanged from the D7200, the camera is seriously capable when it comes to photographing quickly moving subjects: It can shoot as fast as 8 fps with continuous autofocus and has an impressive buffer of up to 50 continuous Raw files.

    We brought it along to an all day music festival in Seattle’s SoDo neighborhood where challenging lighting coupled with lively musicians thrashing around gave us the perfect chance to push the camera’s abilities. We mostly shot using 3D tracking in various auto exposure modes and initial impressions are positive.

    Of course, these images could benefit from a little time in ACR. Once we get Raw support, we’ll add conversions as well as more samples.

    See our Nikon D7500 sample gallery

    Articles: Digital Photography Review (dpreview.com)

  • New Sony a9 firmware fixes overheating warning

    Over the last few days we have seen reports from photographers who had an overheating warning icon appear on the camera display when shooting with the Sony a9 in warmer weather or indoors. It appears that in none of the reported cases the camera actually overheated and shut down and it’s Sony’s overheating warning function that is a little bit overzealous.

    Sony has now fixed the problem with firmware version 1.01 for the Sony Alpha A9. In the change log it simply says ‘This utility updates the camera firmware to version 1.01 and improves the overheating warning functionality.’ You can select your operating system and download the firmware from the Sony support website now.

    Have you had issues with the a9’s overheating warning? Has the problem been solved by the new firmware? Let us know in the comments.

    Articles: Digital Photography Review (dpreview.com)

  • Long Shot 2017 is Saturday, June 10th. Will you be shooting?

    Here in Seattle, we are pretty excited when summer arrives. Granted, the warm weather doesn’t actually get here until sometime in mid-July, but that doesn’t stop us from leaving the socks at home and heading out without a raincoat (and then complaining about the inevitable rain and hashtagging all of our Instagram photos with #junuary).

    One of the ways we celebrate the coming of summer is with the Photographic Center Northwest’s (PCNW) Long Shot – a global 24-hour photo shoot that is open to anyone, anywhere, with any camera (yes, including your phone). Long Shot isn’t a competition; it’s an opportunity to take a day to focus on photography, share what you capture and see what other photographers are doing. It’s also a way PCNW raises awareness and funds to support its photographic mission.

    Photo by Luke Peterson | Long Shot 2016

    This year’s Long Shot is on Saturday, June 10th. Between 9AM Pacific on Saturday and 9AM Pacific on Sunday, participating photographers around the world ‘chase the light’. You photograph whatever you want, wherever you are. If you register (there is a $ 20 suggested donation), you can submit up to 5 favorite images from the day and a jury will pick one of your images to include in the annual Long Shot slideshow and pop-up exhibit in Seattle on June 17th. You don’t have to attend the pop-up to participate, and you don’t have to participate to attend the pop-up.

    “Ode to 18th Century” by Anna Ream | Long Shot 2016

    If you choose not to register, you can still take photographs and share them on social media using the hashtags #longshot2017, #photocenternw and #pcnw. Your images won’t be included in the slideshow or exhibit, but you’ll still be part of a worldwide community of photographers taking part in a fun event.

    Take a look at the Long Shot 2016 slideshow to see what last year’s participants photographed. (Note: There are a lot of beards.) What will you photograph this year, if you participate?

    Articles: Digital Photography Review (dpreview.com)

  • Hasselblad knocks 30% off price of the H6D-50c

    Swedish medium-format manufacturer Hasselblad has dropped the price of its flagship camera by a third in its latest promotion. The 50MP H6D-50c medium format DSLR camera has been reduced from $ 25995/£22,680 to $ 17995/£15,900 making a saving of $ 8000/£6780.

    Hasselblad has announced the price drop in a newsletter, describing it as a promotion, but in the past such promotions that have appeared to be temporary have actually marked the moment the product price changed permanently. Previous promotions of the H5D-50c came around the Christmas period and offered similarly dramatic permanent price reductions, and there is no end-date for the promotion mentioned in the communication.

    For more information on the H6D-50c see the Hasselblad website.

    Hasselblad newsletter information

    H6D-50c Special Promotion

    The H6D-50c is the latest generation of our integrated digital cameras and has been painstakingly redesigned from the ground up to incorporate the very latest technologies. The tried and tested 50MP sensor has been further developed with an increased ISO range and performance in data throughput. With close to 14 stops of dynamic range, subtle details are rendered beautifully in crisp, breathtaking detail. As a special promotion the price for the H6D-50c has been reduced to £13,250 + VAT.

    Articles: Digital Photography Review (dpreview.com)

  • This USB flash drive looks like a miniature Leica M10

    Eager to get your hands on a Leica M10? While the camera itself hasn’t yet started shipping, a smaller, much cheaper rendition of it has appeared online: a 16GB USB flash drive in the shape of a tiny M10. The dongle is made from molded rubber and includes a keyring. Several online retailers are listing the USB drive, including B&H Photo, the Leica Store in Miami, Amazon, and Adorama. The unit is priced at $ 45.

    Via: LeicaRumors

    Articles: Digital Photography Review (dpreview.com)

  • Sandmarc launches Kickstarter for smartphone polarizer and ND-filters

    Sandmarc, a company that is primarily known for its range of GoPro filters among other action camera accessories, is taking its know-how to the smartphone sector. It has launched a crowdfunding campaign on Kickstarter in order to fund final development and mass production of a new smartphone polarizer and a range of ND filters.

    The filters are attached to the phone via a clip holder as it is often used with add-on lenses. The actual filter ring is then screwed onto the holder. Filters are stackable and according to the makers compatible with iPhone 4 and newer, including the dual-camera iPhone 7 Plus. They also work with Android phones, such as the Samsung S8 and S7 models, the Google Pixel or the LG G6. However, looking at the design there is no obvious reason why the clip would not work with most other phones as well.

    Sandmarc calls its polarizer Drama Filter. The kit includes a filter, clip mount and a filter case. The set of ND filters has been christened Scape Filters. Apart from clip and case it includes 2-stop, 3-stop and 4-stop ND-filters. A pledge of $ 25 currently secures you the Drama Filter. For the Scape Filters you’ll have to invest $ 49. Delivery is planned for August 2017. More information including sample shots is available on the Sandmarc Kickstarter page.

    Articles: Digital Photography Review (dpreview.com)

  • Triggertrap open-sources mobile app code

    Following the demise of the company, Triggertrap has first open-sourced the mobile dongle hardware of its innovative remote camera control system. Now it has also published the source code of the accompanying Android and iOS apps on Github. This means there is a good chance the apps will be updated to work with future mobile OS versions and current owners of the Triggertrap hardware will be able to use it for a lot longer.

    Triggertrap founder Haje Jan Kamps said “I am so excited that even if the company doesn’t continue, that the software we made has a chance to live on and survive future iOS updates and changes in Android. Between that, and open-sourcing the hardware component of Triggertrap, I hope that the app is able to continue to help photographers for many years to come.”

    You can read Triggertrap’s full announcement on Medium and download the app code for iOS and Android from Github now.

    Articles: Digital Photography Review (dpreview.com)

  • Firmware update improves AF performance of Sigma 100-400mm F5-6.3 DG OS HSM lens for Canon

    Sigma has released new firmware for its 100-400mm F/5-6.3 DG OS HSM lens for Canon mount. According to Sigma, firmware version 1.01 improves the AF performance of the lens. When attached to the Sigma mount converter MC-11 AF performance will be improved as well. In addition the optical image stabilization mechanism can operate at faster speeds.

    As usual, Sigma lens owners with the Sigma USB Dock must first update the Sigma Optimization Pro software to, at minimum, version 1.4.1 (Windows) or version 1.4.0 (Mac) before downloading and installing the new firmware.

    Articles: Digital Photography Review (dpreview.com)

  • Platypod Ultra compact camera support launches on Kickstarter with more features than Pro model

    Platypod, the company behind the compact camera support of the same name, has launched a new product on Kickstarter called Platypod Ultra. This latest model is designed for mid-size and mirrorless cameras, unlike the larger Max model and original Pro model. Ultra is compatible with the majority of pro-tier tripod ball heads, according to Platypod, though the device itself is only about the size of a smartphone, making it ultra-compact.

    Platypod Ultra is thicker (4.6mm vs 4.0mm) and 10% wider than the original Platypod Pro, making it sturdier, according to the company. The Ultra model comes with four spiked, threaded feet with rubber tips on one end, enabling the device to be used at a variety of angles on both rough and smooth surfaces. The Platypod Ultra also features five threaded holes for greater balancing and positioning options.

    The company has also added three new openings to the Ultra plate so that it can be transported on bags using bungie cords or carabiners; there are also three countersunk holes for screwing the plate to a surface, such as a wood post. Finally, the plate also has two belt slots for strapping the tripod to irregularly shaped or vertical surfaces. The company is including a Velcro cinch strap with the kit.

    The company is also launching a multi-accessory kit with accessories for both the Ultra and Max models. This kit includes a non-slip pad, 36-inch cinch strap, 3-inch spigot adapter, and a riser for certain tripod ball heads.

    The Kickstarter campaign has exceeded its funding goal with more than two weeks remaining. The company is offering backers who pledge at least $ 49 a single Ultra unit, while a $ 69 pledge will also include the multi-accessory kit. Shipping to backers is estimated to start this upcoming July.

    Via: Kickstarter

    Articles: Digital Photography Review (dpreview.com)

  • Shiftcam for iPhone 7 Plus review

    The selection of accessory lenses for most iPhone models is pretty overwhelming. However, there is one exception: the iPhone 7 Plus dual-cam with its new 28 and 56mm equivalent lenses makes design and engineering of accessory lens solutions somewhat more complex than on the standard models. As a result, there still aren’t a lot of add-on lenses to choose from. Some time ago we tested the Kamerar attachment which adds more tele reach, macro capability and a fish-eye lens to the 7 Plus camera.

    Now, you can get behind a new option on the Kickstarter crowdfunding platform. The Shiftcam camera lens case offers a similar concept to the Kamerar but aims to take things one step further by adding even more lens options. The current prototype design includes the following three lens pairs that slide over the iPhone’s dual-camera lenses:

    • 120-degree Wide-angle / 2X Telephoto
    • 10X Macro / 20X Macro
    • 180 Degree Fisheye Lens / 2X Telephoto

    The makers of the Shiftcam are currently collecting funds for finalization of the design and mass production on the Shiftcam Kickstarter page, but got ahold of a prototype unit. Read on to find out how it performed in our testing.

    Operation and build quality

    The Shiftcam system consists of two parts: a protective case and the lens module that slides into a guide rail on the case. The module can be removed if you aren’t planning to use the lenses for a while and want to keep them in a safe place. The build quality is a far cry from the premium look and feel of the iPhone, but the Shiftcam’s plastic material feels solid and the design is functional. The lens module moves noticeably smoother than on the Kamerar, but still slots into place with reassurance. A small camera grip allows for comfortable holding and the corrugated surface ensures a safe grip. You can also attach a camera strap.

    As with the Kamerar, it is advisable to use a camera app that allows you to force the camera to use the tele-lens in lower light, such as Camera+ or Manual Camera for example. In dimmer conditions, the iPhone 7 Plus stock camera app will digitally zoom the wide-angle rather than using the telephoto lens, which means the Shiftcam lenses don’t line up properly with the iPhone’s camera modules anymore.

    Image quality

    As you can see in the samples below the add-on lenses only have a minimal impact on color response and exposure. Both wide-angle and fisheye are sharp at the center of the frame but fall off towards the edges. As you would expect, this fall-off is more drastic on the fisheye. Some vignetting is noticeable when photographing bright scenes on the wide-angle but the effect is within acceptable limits.

    Overall the optical quality of the Shiftcam wide-angle and fisheye is not outstanding, but decent for smartphone add-on lenses in this price range. Both lenses are useful for those situations when you want to squeeze more of a scene into your frame.

    iPhone 7 Plus wide-angle, ISO 20, 1/754 sec
    Shiftcam wide-angle, ISO 20, 1/2037 sec
    Shiftcam fisheye, ISO 20, 1/2179 sec

    The Shiftcam comes with two tele lenses, one combined with the wide-angle, the other comes in a pair with the fisheye. The two lenses offer an identical focal length multiplier but having two of them simply means you don’t have to change the position of the Shiftcam lens slider so often.

    However, on our prototype unit the image results of the two tele lenses were quite different. One lens showed a very noticeable softness across the frame while the other was much sharper. If Shiftcam manages to get the optical quality for both tele lenses on the same high level as our second telephoto sample shot below, it offers a great way of getting closer to your subject when shooting with an iPhone.

    iPhone 7 Plus tele lens, ISO 20, 1/2128 sec
    Shiftcam telephoto lens 1, ISO 20, 1/643 sec
    Shiftcam telephoto lens 2, ISO 20, 1/736 sec

    The Shiftcam case also comes with 10x and 20x macro lenses which are located next to each other on the lens slider. The 10x uses the iPhone’s wide-angle lens, the 20x is in front of the tele. Both lenses are capable of producing good sharpness in the focal plane and very useful levels of magnification.

    That said, depth-of-field is minimal and putting the focus where you want it is a real challenge. As you can see in the sample below, shooting handheld I did not quite manage to do so with the 10x lens, despite several attempts. My hit rate with the 20x was better and with the right subject it’s possible to capture very nice macro images. You’ll have to get very close to the subject though, so living creatures might be scared away. You also have to be careful to not shade the scene with your phone.

    Shiftcam 10x Macro, ISO 20, 1/1140 sec
    Shiftcam 20x Macro, ISO 20, 1/479 sec

    Conclusion

    The optical quality of the Shiftcam lenses is pretty much in line with typical add-on lenses in the lower price bracket. The wide-angle and fisheye are fine at the center of the frame but get pretty bad towards the edges. One of the tele lenses is pretty sharp, but the other one on our test unit appears to be slightly misaligned. The macro lenses can produce decent quality if focused correctly.

    However, the Shiftcam’s unique selling proposition is not optical quality but the fact that it combines all those lenses in a very easy-to-use lens case. Switching lenses is really quick and much less fiddly than with individual add-ons or even the Kamerar, which, despite a similar concept to the Shiftcam, uses 2 lens sliders instead just one.

    If you own an iPhone 7 Plus, the Shiftcam is a very affordable and convenient way of experimenting with add-on lenses and expanding the focal range of your built-in camera. Given that we were using a prototype unit, there is also a chance that optical quality will be further improved for production lenses. You’ve still got a few more hours to secure a Shiftcam case by pledging $ 59 on Kickstarter. The Shiftcam makers have also modified the original August shipping date and are now envisaging the first units to ship by the end of June.

    What we like:

    • Easy operation
    • Useful hand grip and good ergonomics
    • Good selection of lenses

    What we don’t like:

    • Strong corner softness on fisheye and wide-angle
    • One of the tele lenses is soft
    • Macro lenses difficult to focus

    Sample gallery

    There are 17 images in our Shiftcam for iPhone 7 Plus samples gallery. Please do not reproduce any of these images on a website or any newsletter / magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review), we do so in good faith, please don’t abuse it.

    Unless otherwise noted images taken with no particular settings at full resolution.

    $ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_4825250164″,”galleryId”:”4825250164″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });
    Articles: Digital Photography Review (dpreview.com)