Category: Uncategorized

  • DPReview on TWiT: How to take macro photographs

    DPReview has partnered with the TWiT Network (named after its flagship show, This Week in Tech) to produce a regular segment for The New Screen Savers, a popular weekend show hosted by technology guru Leo Laporte.

    On this week’s episode of The New Screen Savers, the hosts discussed emojis, action cameras and Macro photography. DPReview editor Barney Britton spoke to Leo Laporte and Jason Snell about how to get great closeup pictures, without breaking the bank. We’d recommend watching the whole episode, but if you’re especially interested in macro photography tips (or if you’re Barney’s mum) jump to 43:00 for the beginning of our segment.

    You can watch The New Screen Savers live every Saturday at 3pm Pacific Time (23:00 UTC), on demand through our articles, the TWiT website, or YouTube, as well as through most podcasting apps.

    Articles: Digital Photography Review (dpreview.com)

  • Leica releases TL2 firmware update, fixes critical Visoflex bug

    Last week, Leica confirmed that the newly-released Leica TL2 had a serious issue: when used with the company’s Visoflex electronic viewfinder, the camera could simply stop working… permanently. Fortunately, the company has come up with (and rigorously tested) a firmware update that will fix the issue.

    The new firmware, version 1.1, is available to download from Leica’s website now, and it fixes the ‘defect’ the company described in its original notice to customers. If you own a TL2 and Visoflex viewfinder, consider this update mandatory, not optional.

    Here is the official statement from Leica:

    Important Information for Leica TL2

    The fault when using the Leica TL2 together with the external electronic viewfinder (Visoflex) has been identified.

    In order to rectify this defect, an updated Firmware can now be downloaded now from the Leica Corporate Website and at your local authorized Leica Dealer. With the new Firmware 1.1 the Leica TL2 is fully functional; camera and viewfinder can be used without any restrictions.

    We thank you for your continued trust.

    Articles: Digital Photography Review (dpreview.com)

  • Former Google SVP prefers iPhone over Android for mobile photography

    Vic Gundotra was an SVP of engineering at Google for almost eight years before leaving the company in 2014, and heavily involved in running Google’s mobile initiatives. However, despite being one of the main drivers behind Android from 2007 to 2010, Gundotra appears to prefer Apple’s iPhones over Android devices, at least for photography.

    In a Facebook post, Gundotra called the results of the background-blurring iPhone 7 Plus portrait mode “stunning” and “the end of the DSLR for most people”. When replying to comments on the post he went on the say that, in terms of imaging, Android phones were years behind the iPhone:

    Here is the problem: It’s Android. Android is an open source (mostly) operating system that has to be neutral to all parties. This sounds good until you get into the details. Ever wonder why a Samsung phone has a confused and bewildering array of photo options? Should I use the Samsung Camera? Or the Android Camera? Samsung gallery or Google Photos?

    It’s because when Samsung innovates with the underlying hardware (like a better camera) they have to convince Google to allow that innovation to be surfaced to other applications via the appropriate API. That can take YEARS.

    Also the greatest innovation isn’t even happening at the hardware level – it’s happening at the computational photography level. (Google was crushing this 5 years ago – they had had “auto awesome” that used AI techniques to automatically remove wrinkles, whiten teeth, add vignetting, etc… but recently Google has fallen back).

    Apple doesn’t have all these constraints. They innovate in the underlying hardware, and just simply update the software with their latest innovations (like portrait mode) and ship it.

    Bottom line: If you truly care about great photography, you own an iPhone. If you don’t mind being a few years behind, buy an Android.

    Apple’s portrait mode doesn’t come without its limitations, but it’s probably fair to say among all the various incarnations of depth or bokeh effects we have seen so far it is the best performing. On the other hand some Android smartphones, such as the Google Pixel or HTC U11, offer an advantage over the latest iPhone models in terms of detail resolution and textures.

    So, like with so many things, the smartphone camera that is best for you depends a lot on your personal requirements. Vic Gundotra definitely seems to have made his mind up, though. In another post he says he “would NEVER buy an Android phone again if I cared about photography.” Do you agree? Let us know in the comments.

    Articles: Digital Photography Review (dpreview.com)

  • This is the first photo of a total solar eclipse ever taken, shot in 1851

    The first successfully captured photograph of a total solar eclipse, this daguerreotype was shot on July 28, 1851, by Prussian photographer Johann Julius Friedrich Berkowski.

    Here’s a little history lesson to help you pass the time between now and the next total solar eclipse on August 21st. The photograph above, a daguerreotype captured almost exactly 166 years ago, is the first successfully-captured photograph of a total solar eclipse.

    The photo was captured by master daguerreotypist Johann Julius Friedrich Berkowski, a Prussian photographer who was commissioned by the Royal Prussian Observatory at Königsberg to do what nobody else had managed up until that point: capture an appropriately-exposed photograph of a total solar eclipse.

    Up until that point, every photograph taken had been over or under-exposed, and/or didn’t capture sufficient contrast between the bright corona and the obscuring disk of the moon.

    According to a paper in the journal Acta Historica Astronomiae, the photograph was captured using a small refracting telescope attached to the hour drive of the 15.8-cm Fraunhofer heliometer. Berkowski began exposing the image shortly after totality, and the final daguerreotype took 84-seconds to capture.

    To learn more about this photograph, click here. And if you want to learn how to capture the August 21st eclipse for yourself (and why you should maybe put the camera down for this one…) check out our own eclipse how-to.

    How to photograph the August eclipse, and why you probably shouldn’t try.

    Articles: Digital Photography Review (dpreview.com)

  • Sample gallery: Tamron 10-24mm F3.5-4.5 Di II VC HLD

    The Tamron 10-24mm F3.5-4.5 Di II VC HLD is an ultra wide angle lens for crop sensor DSLRs. It offers a 15-36mm equivalent field of view on Nikon DX and a 16-38.4mm equivalent field of view on Canon’s APS-C format DSLRs.

    We’ve been out and about with the 10-24mm recently in and around Seattle, shooting on the Canon EOS 80D.

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    Articles: Digital Photography Review (dpreview.com)

  • Nikon and Canon both announce delays for upcoming DSLRs

    Both Nikon and Canon have warned users that forthcoming DSLRs will be hit by delays: The 100th anniversary edition of the Nikon D5 and the Canon 6D Mark II kit with the EF 24-70mm F4L lens are both going to arrive at your door later than expected.

    According to a statement on Nikon’s website, the 100th anniversary edition of Nikon’s D5 has been put back by a couple of weeks from July 28th to ‘early August’ while final adjustments are made. The company promises to inform users of the new release date once it is determined.

    More seriously perhaps, Canon has issued a statement letting hopeful shoppers know that demand for the EOS 6D Mark ll kit with the Canon EF 24-70mm F4L IS USM lens has exceeded expectations, and that orders will take some time to fulfill. The kits were supposed to ship on August 4th, but Canon has not revealed when it will be able to satisfy the initial demand.

    The EOS 6D ll is also offered body only and as a kit with the 24-105mm F3.5-5.6 IS STM lens, so those desperate to buy the camera do have other options.

    Articles: Digital Photography Review (dpreview.com)

  • Video: See exactly how a mechanical DSLR shutter works

    Have you ever wondered what exactly happens when you press your DSLR’s shutter button? Many of us know the theory, we may have even seen (or made) diagrams and GIFs showing how the standard mechanical shutter works. But for this video, YouTuber Chris Marquardt actually yanked the shutter out of a Nikon D500 to show you the mechanism IRL.

    The demonstration is pretty simple, showing you how the two spring-loaded curtains move across the frame, and revealing the electromagnets that keep them in place when the curtains are cocked.

    “The first and second curtain are both cocked against spring tension and held back by electro magnets,” explains Marquardt. “When it’s time to fire the shutter, the electronics release the first curtain, then after the exposure time is up, the second curtain.” It’s definitely an interesting demo if you enjoy these kind of tear downs, although you might want to turn the volume down… or off. As our own Richard Butler put it, the music “makes me want to rip my sound card out of my computer and destroy it.” Okay then…

    Once you’ve watched the video (sound card intact, we hope), click the button below to read our more comprehensive dive into all things shutter related.

    Electronic shutter, rolling shutter and flash: what you need to know.

    Articles: Digital Photography Review (dpreview.com)

  • Japan Camera Hunter StreetPan 120 Black & White film is now available for preorder

    Bellamy Hunt of Japan Camera Hunter has just launched the JCH StreetPan 120 Black & White film for preorder through the company’s online shop. Hunt first released a 35mm version of the StreetPan film in 2016, and he has now launched this 120 version in response to popular demand.

    According to Hunt, “It is the same old StreetPan you know and love, just in a larger size” for medium-format photographers.

    Hunt goes on to explain that, while the film is available for preorder now, it is still in production; if everything goes as planned, the film will launch in mid-to-late August with shipping starting in early September. The film is offered in various quantities starting at a 3-pack for ¥3900 / $ 35 USD and ranging up to a 10-pack for ¥13,000 / $ 118 USD. Shipping is available globally.

    As with the original StreetPan film, the 120 version offers a very fine grain alongside ‘excellent penetration’ through atmospheric conditions like fog and haze. Japan Camera Hunter explains that this high-speed film is sensitive to red light and has “near IR sensitivity.” Full details on its properties, including development times, are available here.

    Articles: Digital Photography Review (dpreview.com)

  • Behind the scenes: Shooting a $2.5 million car with a $50,000 camera

    Photographer Richard Thompson recently had the chance to shoot one of the most advanced (and expensive) cars in the world with one of the most advanced (and expensive) camera systems in the world. Fortunately for those of us who enjoy salivating over both camera gear and gorgeous cars, there’s a behind the scenes video for us to enjoy.

    The car in question is the Pagani Huayra BC, and the camera a Phase One XF 100MP medium format—an appropriately advanced camera system to capture such an advanced piece of automotive machinery.

    The behind the scenes video was created by Phase One, which (of course) means that it feels a bit ad-like at several points. But Thompson throws in plenty of information about the photo shoot, why he captured the car the way he did, and showing off some of final images to make you salivate freely on your keyboard.

    Check out the full BTS video above, and then click here to see the final composites on Thompson’s website.

    Articles: Digital Photography Review (dpreview.com)

  • Photographer finds film in 1929 Zeiss Ikon camera, here are the developed photos

    When photography enthusiast Martijn van Oers stumbled upon an original 1929 Zeiss Ikon 520/2 medium-format camera at a second-hand store, he didn’t expect to find an old roll of used film inside. The film, marked only with the word ‘EXPOSÉ,’ was made between the 1940s and 1970s, and the roll didn’t provide any clues about what lay hidden inside.

    As Oers explains in a recent post on Bored Panda, the roll of film was successfully developed with the help of his friend Johan Holleman. Only four of the resulting photos contained enough detail to discern anything about the film’s history, but it was proven enough. Operating on a tip from a contact, Oers compared the photos to Google Street View imagery and determined that they were likely taken in the French city Biarritz.

    Oers shared scans of the photos with the public; two elderly individuals, one man and one woman, are visible in them, though both people remain unidentified.

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    He also shared photos of the folding camera itself, and the process by which the shots were developed:

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    We spoke to Oers briefly, and he seemed thrilled by his find and all of the attention the photos were getting. And while you might think he plans to put the camera on a shelf as a memento, that’s not actually the case. He tells us that, while he normally prefers to shoot Nikon, he plans to start using the 1929 Zeiss Ikon camera as well.

    Check out the final images and behind the scenes shots in the galleries above, and then head over to Instagram to see more of Oers work.


    All photos courtesy of Martijn van Oers and used with permission.

    Articles: Digital Photography Review (dpreview.com)