Category: Uncategorized

  • Polaroid is back! Unveils OneStep 2 instant camera and i-Type film

    Remember those intriguing teasers Polaroid was scrolling through on its main website last week. Well, yesterday night was when that countdown ended, and it ended with a huge announcement that has the photo industry buzzing. In short: the old Polaroid you knew and loved is back from the dead with a new analog instant camera and a new type of instant film!

    Announced on the 80th anniversary of the Polaroid brand, both products are being unveiled as part of a new brand called Polaroid Originals, which merges the Polaroid of old with years worth of work done by Impossible Project to keep that old Polaroid alive. In fact, the Impossible brand is being replaced altogether.

    In addition to the new film and camera, you’ll now be able to purchase restored vintage Polaroid cameras and traditional Polaroid instant film in a variety of formats straight from the Polaroid Originals website. But first, let’s dive into that sweet new camera!

    The Polaroid OneStep 2

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    The Polaroid OneStep 2 is exactly what it sounds like: the spiritual (and in some ways literal) successor to the famous Polaroid OneStep—you know, the camera Instagram stole its original logo from.

    Inspired by the original OneStep, Polaroid says they’ve updated the OneStep 2 “to create a simple, easy-to-use instant camera that works straight out of the box.” It sports a ‘high quality lens’ that can focus from 2ft to infinity, a ‘powerful’ flash, a rechargeable battery that allegedly lasts 60 days on a charge, a self-timer function, and it’s compatible with both the new i-Type instant film and the old 600 series film.

    The camera is available in white and graphite, and you can already pre-order yours through the Polaroid Originals website for $ 100.

    Polaroid i-Type Instant Film

    Speaking of film, Polaroid Originals also debuted a new film format that will look familiar but is actually a bit different. It’s called i-Type, and it joins Polaroid’s vintage films (SX-70, 600, 8×10, etc.) as the newest kid on the block.

    The “i” stands for “Incredible” … which is really irrelevant. The important bits is that this film is optimized for the OneStep 2—and, we hope, future Polaroid Originals cameras—is battery-free, and comes in Black and White and Color varieties for $ 16 per 8-pack or $ 45 for two 8-packs of color film and one 8-pack of black and white.

    Keep in mind, because this is a battery-free film, it will not work in 600 cameras. That film has its own battery in the film, while the new i-Type OneStep 2 boasts a rechargeable battery of its own.

    To learn more about this film or purchase a pack or two of your own, click here.

    Vintage Polaroid Cameras and Film

    Finally, since the Impossible Project brand is now a thing of the past, the Polaroid Originals website won’t just be a place to buy the new OneStep 2 and i-Type film. You’ll also be able to pick up all of the restored vintage Polaroid cameras and older film formats that Impossible kept going all of these years.

    The old Polaroid 600 cameras start at $ 120, the famed SX-70 foldable model starts at $ 380, and Spectra camera models can be had for $ 120 and up. All of them are available on this product page.

    And if you need film for those old cameras, you can pick up SX-70 film, 600 film, Spectra film, and even 8×10 sheet film here.

    To say this is an exciting announcement for the analog photography world is to undersell this by far. The merging of Polaroid and Impossible project as Polaroid Originals would be big news itself, but add to that a new analog instant film camera and a new type of instant film and you’ve got hipsters, instant photography buffs, and nostalgic shutterbugs like tripping over themselves to support this resurrection.

    To learn more about Polaroid Originals or any of the products mentioned above, head over to the brand’s new website here.

    Articles: Digital Photography Review (dpreview.com)

  • SLR Magic announces CINE 18mm F2.8 lens for Sony E-Mount

    SLR Magic has released a new model in its series of manual-focus lenses for full-frame Sony E-Mount cameras: the SLR Magic CINE 18mm F2.8 wide angle. The optical design of the lens incorporates 10 elements in 8 groups and allows for a minimum focus distance of just 20cm (~7.9 inches).

    The new lens features a black anodized body, a low weight of only 445 grams and compact dimensions, making it an interesting option for use on gimbals and other video-centric camera supports. It also comes with a 62mm filter thread. The aperture features a manually controlled diaphragm and 9 blades, and allows you to stop down from F2.8 to F16.

    The SLR Magic line-up now covers a range from 18 to 75mm, with the latest addition looking like a good option for landscape and architectural photographers, in addition to video-shooters.

    The SLR Magic CINE 18mm F2.8 will be available through authorized retailers starting in October, and will set you back $ 500.

    Articles: Digital Photography Review (dpreview.com)

  • Not your typical superzoom: Sony Cyber-shot DSC-RX10 IV gallery and impressions

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    Immediately after its announcement in New York, we got a chance to shoot with the latest addition to Sony’s RX series, the long zoom, fast shooting, 4K-capable RX10 IV.

    The first thing that becomes apparent is that the addition of phase detection immediately sets right the biggest limitation we experienced with its predecessor. Even across a range of shooting subjects, the autofocus was fast and exhibited vey little in the way of hunting.

    Shooting at 24 frames per second you get used to going a little easy on the shutter button

    Shooting at 24 frames per second you get used to going a little easy on the shutter button: hold it down for too long and, especially if you’re shooting Raw, you can expect to be locked out of the menu for a considerable period of time. Like recent Sony models, you can now enter playback mode while waiting for the buffer to clear, and the camera will show you the images it’s had time to process.

    Intelligently, the camera groups all the shots from a burst together, meaning your card doesn’t become impossible to navigate, even if it’s full of groups of >30 image bursts. As you scroll through, you can hit the center button to expand the group and see the individual images.

    Shooting sports

    Overall, the camera is extremely responsive. The viewfinder doesn’t give you updates quite as immediately as looking through an optical viewfinder but it’s fast enough that, with a bit of practice, I was able to follow the relatively unpredictable action of a football (soccer) game, even when fairly zoomed-in.

    The touchscreen isn’t the most responsive we’ve encountered but felt quicker than the one on the a6500. Tap quickly around the screen and you’ll notice the AF point will sometimes noticeably lag behind your current location, but this lag is much less apparent in touchpad mode. Touching the active region of the rear screen causes the AF point to light up and it follows your finger’s movement around the scene quickly enough.

    We totally forgot we weren’t shooting with a high-end sports camera

    Focus tracking also seemed pretty effective and, between the ability to easily register a default AF point (with a different one selected for each camera orientation) and use the touchpad to move it, it proved to be pretty quick and easy to get the AF point where it was needed before hammering on a button assigned to be AF-On.

    There wasn’t time to completely familiarize ourselves with the full capability of the autofocus system but we’ll be testing it more thoroughly as soon as we get a camera into the office. We’ll also try to post some video samples in the coming days.

    First impressions

    Our first impressions, though, were that anyone getting outraged by the camera’s not inconsiderable price should try shooting with the camera for a while. Even in an initial phase of getting to know the camera, we’d find we totally forgot we weren’t shooting with a high-end sports camera, only to occasionally be surprised when we took it away from our eye and realized it doesn’t have pro-DSLR levels of direct settings control. This isn’t something that tends to happen with a typical superzoom.

    Articles: Digital Photography Review (dpreview.com)

  • DIY: How I built my own super macro rig for less than $250

    Last year I bought a macro lens for the summer—just a normal one with 1x magnification—and I immediately found myself in a beautiful and mesmerizing world of minuscule flowers and bugs. I found that in macro photography, you don’t have to travel to beautiful places to take beautiful photos—you can just walk around in your backyard, and discover a whole new world. Also, you don’t have to wake up at 4 AM to catch the golden hour…

    This year, however, I decided I wanted to take things to the next level. I wanted a super macro lens with 2x or more in magnification, so that I could take closeup portraits of ants and bees. I started Googling around for the right lenses and soon discovered that there are only a couple of them out there. The best known is the Canon MP-E 65, but it costs north of $ 1,000. There is also a 2x macro lens from Venus Optics, but it’s still $ 400 for the lens alone… and then you need to add some kind of flash setup.

    I thought this was way too much money to just try super macro photography, so I decided to look around for cheaper solutions.

    That was when I discovered this excellent article on a Swedish site. It describes how you can build your own super macro rig with cheap parts off Amazon or eBay. This build works with any Canon EF compatible camera, meaning most Canon cameras and also mirrorless cameras with adapters. After some browsing, I was able to find all the parts on Amazon and I ordered them.

    The rig is based around the Canon 40mm f2.8 STM lens. This lens is excellent for this purpose as it is very cheap, small, light, sharp and has beautiful bokeh (possibly more beautiful than the Canon MP-E 65). For this particular setup, the lens is mounted reversed to get more magnification using a Meike reverse adapter. The adapter, in turn, has a cable that allows you to keep control over aperture despite having the lens reversed.

    You will need a 52-58 mm step-up ring to fit the Canon 40mm with the Meike reverse adapter. Then, if you put an extension tube before the Meike adapter, you have a super macro lens! Just add more extension tubes for more magnification.

    I have found that 36mm of extension tube is my sweet spot—it gives me 2.3x magnification, meaning that the subject will be 2.3x bigger on the sensor than it is in real life. So a bug that is 10mm tall will cover all 24mm of a full frame sensor.

    The rest of the parts are the flash and parts needed to mount it in a way that puts it as close to the subject as possible. You should also try to make some kind of diffuser, as shown in the video.

    All essential parts:

    • Canon EF 40mm f/2.8 STM Pancake Lens (around $ 50 used)
    • Meike reverse adapter (around $ 55)
    • Meike MK-300 Flash (around $ 33)
    • Vello CB-600 Straight Flash Bracket (around $ 10)
    • Articulating arm, 7” (around $ 14)
    • Fotga Extension tubes for Canon EF (around $ 40)
    • Vello TTL-Off-Camera Flash Cord for Canon EOS 0.5 m (around $ 20)
    • Goja 52-58MM Step-Up Adapter Ring (around $ 8)

    In total (if you buy the Canon lens used): $ 230 USD

    See the video up top for detailed instructions, and scroll down to see some sample photos. The parts can be put together in a few minutes, as shown in the video.

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    Lastly, a small tip for shooting super macro insect shots with this rig: use a slow shutter speed, such as 1/40s. That way you will get a lot of color and light in your photo, making it more interesting and beautiful. Don’t worry about sharpness, the flash is a lot faster than 1/40, and it will make sure to freeze your subject in most situations.


    Micael Widell is a photography enthusiast based in Stockholm, Sweden. He loves macro and nature photography, and runs a YouTube channel around these subjects. You can also find him on Instagram and 500px.

    Articles: Digital Photography Review (dpreview.com)

  • PETA and David Slater settle copyright lawsuit over monkey selfie

    Photo: David Slater

    PETA has announced that it has settled its copyright lawsuit against photographer David Slater over his iconic “monkey selfie,” a self-portrait allegedly taken by a macaque named Naruto. The image went viral a few years ago, ultimately catching the attention of PETA, who argued that Naruto—not Slater—was the image’s legal copyright holder. This spurred a lawsuit that has dragged on for about two years.

    The legal issues began shortly after the monkey selfie went viral. Various sites used the image without Slater’s permission and refused to cease use on the claim that Slater didn’t own the copyright. The U.S. Copyright Office didn’t prove helpful in the matter, having issued an official guidance stating that copyright could only be granted to a work that was created by a human.

    PETA swooped in soon after, hitting Slater with a lawsuit in 2015 on behalf of Naruto, the macaque it claimed captured the photo (there’s some debate on this topic). The resulting legal spat drained Slater financially, but things began looking up this past summer when courts questioned whether PETA even had the legal standing to bring a lawsuit on Naruto’s behalf, among other things. As anticipated, the courts’ push against the lawsuit has seemingly spurred a settlement.

    According to an announcement posted to PETA’s blog on Tuesday, Slater has agreed to settlement terms that require him to donate 25% of future revenue from the image to charities that protect macaques like Naruto. PETA still maintains that Naruto and other macaques like him are, “worthy of having legal ownership of their own intellectual property and holding other rights as members of the legal community.”

    The settlement was not a victory for the photography community, however. NPR reports that both Slater’s legal team and PETA have jointly requested that the 9th Circuit Court throw out a ruling made by a lower court that found animals incapable of owning copyrights.

    Articles: Digital Photography Review (dpreview.com)

  • Alien Skin unveils Exposure X3 raw editor and organizer, available this fall

    Alien Skin is gearing up to launch Exposure X3, the next installment in its Exposure software line. Exposure X3 is a non-destructive raw image organizer and editor, and it will bring multiple improvements and new features over the previous version. Among the changes will be new “toning enhancements” for B&W and color images, as well as a side-by-side view that allows you to compare two images.

    Though the product hasn’t yet been fully fleshed out for the public, Alien Skin has revealed that X3 users will have the option of creating virtual copies of images so that the same photo can be edited in different ways without using up extra hard drive space. The company also shared that X3 will bring radial and linear brush shapes, plus adjustable borders.

    Alien Skin plans to launch Exposure X3 on both macOS and Windows this fall for $ 150, though existing Exposure users will have access to a $ 100 upgrade option. Alien Skin will also offer a $ 200 bundle that includes X3, Snap Art and Blow Up, and anyone who owns at least one of these apps can get the bundle for $ 120.

    Articles: Digital Photography Review (dpreview.com)

  • HP reveals insane Z8 workstation: Can handle 3TB of RAM and 48TB of storage

    The rise of 4K (and 6K… and 8K) video, not to mention virtual reality and 360° content, means the computers of today need to grow up and they need to do it fast. 16GB of RAM, a decent video card, and 1TB of hard drive space just won’t cut it for many professionals any longer… but even those professionals who need boatloads of power will probably go wide-eyed when they hear the specs of HP’s new top-of-the-line desktop workstations.

    HP revealed its new Z8, Z6, and Z4 workstations today, and the company is not joking when it says the new desktops are equipped with “extreme power.” In fact, the Z8 is being touted as “the most powerful desktop workstation on the planet.” Here’s why…

    Inside this mammoth of a PC you will find dual Intel Xeon CPUs with up to 56 processing cores, which are running your real-time 8K video editing session off of up to 3 terabytes of RAM. That is not a typo. You also have access to 9 PCIe slots (7 full size, 2 ‘personality’ slots), dual 1GbE Ports, Thunderbolt 3 (optional), and USB 3.1 G2 Type C ports as well.

    The fully spec-d out Z8 is probably out of reach for many creatives, which is why there’s also a Z6 and Z4. These workstations can’t handle quite as much in way of raw processing power, speed, and storage, but they’re still extremely capable machines.

    The Z6 also sports dual CPUs, can handle up to 384 GB of system memory, and features dual M.2 slots for HP’s own Z Turbo Drive PCIe SSDs.

    The Z4 is a bit weaker still, housing only a single Intel Xeon W CPU, 256GB of RAM, as well as dual 1GbE ports and dual M.2 slots.

    The Z8 and Z6 will both be available in October, with the Z4 following shortly after in November. You can get the base model Z8 for just $ 2,440 but don’t expect that to be a fully upgraded version… for that you’ll likely need to shell out many thousands more. In contrast, the Z6 will run you $ 1,920 for the base model and the Z4 will cost $ 1,240.

    To learn more, head over to HP’s website and have your bib ready… something drooling this way comes.

    Press Release

    Virtual Reality, Machine Learning and Design Needs Spark Reinvention of HP Z Workstations

    Most Powerful Workstation on the Planet Part of HP’s Next Generation Workstation Portfolio

    AMSTERDAM (IBC 2017) – September 13, 2017 — HP today announced the HP Z8 G4, the most powerful workstation on the planet1 and security features that denote HP as having the world’s most secure and manageable desktop workstations2.

    The reinvention of HP’s most powerful desktop PCs meets the compute power needs demanded by the world’s inventors of change, including product designers, architects, digital creators, scientists, educators, healthcare workers, financial traders and others. The HP Z8, Z6 and Z4 Desktop Workstations are equipped with extreme power, unprecedented security2and innovative design, future-proofed to support the fast growing fields of virtual reality, machine learning and advanced design.

    IT managers in today’s world must make security a top priority. HP’s new powerhouse portfolio includes the industry’s most comprehensive set of security features2 including HP SureStart (the industry’s first self-healing BIOS with intrusion detection), the HP Client Security Suite and more. With the highest security levels in the history of the HP Z Workstations business, this generation performs with extreme power and protects intellectual assets.

    “The stakes for world-class security have never been higher or more important for workstations,” said Xavier Garcia, vice president and general manager, HP Z Workstations, HP Inc. “Workstation users create the most valuable IP for a company and HP is meeting the security needs with the world’s most secure and manageable desktop and mobile workstations. As the most powerful desktop workstation in the world, the HP Z8 Workstation can deliver the extreme power and the security demanded by our customers.”

    HP’s New Desktop Workstations

    Every inch of the new tower workstations was intentionally and thoughtfully re-designed to deliver superb power, style and the inspiration desired by the inventors of change. The ID was completely updated to incorporate advanced manufacturing techniques and materials, and represent the power of the machines, their users and the work that’s completed by creatives.

    The new workstations incorporate Thunderbolt™ 3 (optional) and Dual 1GbE Ports (standard) to support the high bandwidth data transfer demanded by current and future users, as well as Microsoft Windows 76 support for legacy workflows. Each of them offers modular front IO with USB 3.1 G2 Type C™ ports. The Z8 and Z6 models each support up to dual CPUs, and an optional dual 10 GbE network module for high speed networking at half the cost of current HP Workstations, and without consuming a precious PCIe expansion slot.

    HP Z8 G4 Workstation delivers top-of-the-line power to fuel those who reimagine the design of everything from race cars to rockets. As the most powerful desktop workstation on the planet1, the HP Z8 Workstation has the capability to run the most complex simulations and process massive amounts of data. Users can run 3D simulations and edit 8K video in real time with up to 56 processing cores and up to 3 TB of main memory, 3x the capacity of its predecessor4. Certified for serious software, such as ANSYS or After Effects5, users can deliver creative work in less time.

    HP’s flagship workstation has an all new ID with inventive ducting that routes fresh air to the second CPU, rather than recycling warm air expelled from the ducting on the first CPU and state-of-the-art design from world-class computer architecture experts.

    A split chassis architecture enables rear access to the hefty 1700 W power supply with a locking mechanism, 24 DIMMs, and a total of 9 PCIe slots (7 full length, full height PCIe slots and two internal PCIe “personality” slots) to bring this coveted machine to life for specialized workflows. The HP Z8 Tower has 67 percent more memory bandwidth, 27 percent greater processor core count capacity, 40 percent greater PCIe I/O bandwidth and 29 percent greater power supply capability – as compared to the Z840 – for customers running the most demanding workloads.

    The HP Z6 G4 Workstation is designed with the ever-changing needs of VFX artists in mind. Supporting the latest professional graphics, 384 GB of system memory, and dual M.2 slots for HP Z Turbo Drive PCIe SSDs users can experience seamless performance in visual effects and design visualization workloads.

    A future-proof powerhouse, the HP Z6 Workstation also delivers a highly-modular design experience with options like a second processor and memory riser solution so users can quickly and simply double their compute capabilities. The HP Z6 Workstation has up to 1.5x the amount of total system memory, 67 percent more memory bandwidth, 27 percent greater processor core count capacity and 22 percent greater PCIe I/O bandwidth for customers refreshing from the Z640.

    The HP Z4 G4 Workstation is the next generation of HP’s best-selling workstation and redesigned from top to bottom. The system is ahead of its time with more standard features and delivering performance upgrade options never before available in an HP single-processor workstation. Users across a broad range of markets can choose the ideal configuration to meet performance requirements. With the impressive new Intel® Xeon® processor W family, users from CAD to simulation will see extraordinary application performance scaling, giving them the ability to visualize ideas anytime during the design process. The HP Z4 Workstation also features major design improvements for tomorrow’s office environment with a sleek and modern industrial design including ergonomic front and rear handles, a dramatically smaller chassis for cramped workspaces and a new dust filter option for industrial environments.

    The HP Z4 Workstation, a great solution for embedded applications, unleashes new levels of IO bandwidth with dual 1GbE networking and dual M.2 slots for HP Z Turbo Drive PCIe SSDs standard, and the ability to easily upgrade the front USB to include two USB 3.1 G2 Type C™ ports. The HP Z4 Workstation has 11 percent more memory bandwidth, 25 percent greater processor core count capacity and 13 percent greater PCIe I/O bandwidth for customers refreshing from the Z440.

    HP Z Portfolio Pricing and Availability

    HP Z8 Workstation is scheduled for availability in October starting at $ 2,439. The datasheet is available here.

    HP Z6 Workstation is scheduled for availability in October starting at $ 1,919. The datasheet is available here.

    HP Z4 Workstation is scheduled for availability in November starting at $ 1,239. The datasheet is available here.

    Articles: Digital Photography Review (dpreview.com)

  • Kodak will bring back Ektachrome film this year, start selling it in 2018

    Kodak first announced its plans to bring Ektachrome 35mm film back from the dead in January at CES. But if you were worried that the announcement was just a lot of marketing hype, you have nothing to fear: it seems the resurrection of Ektachrome is proceeding apace, with full production scheduled for 2018.

    This news broke over Twitter, of all places, thanks to an inquisitive Kodak fan named Karen Wink. She asked Kodak what the ETA on the Ektachrome comeback was, to which Kodak replied:

    If you’re a fan of the old film, it won’t be long before you can get your hands on a fresh roll of 36 exposures in the 35mm format.

    Articles: Digital Photography Review (dpreview.com)

  • Phase One unveils IQ3 100MP Trichromatic digital back, promises unmatched color quality

    Phase One unveiled its newest IQ3 model today. A 100MP digital back designed in partnership with Sony, it’s called the Trichromatic because of its focus on exceptional color reproduction that supposedly matches the capacity of the human eye. In many ways the photographic foil of the Achromatic digital back, the Trichromatic is the “brain child” of Phase One’s long standing collaboration with Sony.

    Not to put too fine a point on it, Phase One promises the Trichromatic will bring “unsurpassed color quality to the hands of the finest photographers across the globe.” No big deal… just unsurpassed color quality.

    Here’s a quick video introduction to the new camera, and a hands-on look/ad by fine art photographer Tony Hewitt:

    The Trichromatic achieves these color feats thanks to new Bayer color filter technology that has been implemented on the ultra-high res 100MP CMOS sensor. This technology is allegedly “exclusive” to Phase One, and “transforms digital color capabilities to render color more authentically than ever.”

    Phase One also claims that the Trichromatic’s sensor design offers the “absolute lowest digital noise” of any medium format CMOS camera on the market thanks to a new base ISO level of just ISO 35.

    Here are a few high res sample photos courtesy of Phase One:

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    The IQ3 100MP Trichromatic Digital Back is available today at a wallet-shrinking suggested retail price of $ 44,990. Or, if you have an extra five grand and want to get a slightly better deal, you can pick up the Trichromatic alongside an XF camera body, a prime lens of your choice from the Schneider Kreuznach Blue Ring lineup, and a 5-year warranty for $ 49,990.

    To learn more, head over to the Phase One website or read the full press release below.

    Press Release

    Introducing the Phase One IQ3 100MP Trichromatic Digital Back

    The art of expression. The science of color.

    COPENHAGEN, September 13, 2017 – Phase One today announced the Phase One IQ3 100MP Trichromatic Digital Back, based on a new CMOS sensor designed to capture color as perceived by the human eye. The new sensor technology in the IQ3 100MP Trichromatic Digital Back is the brainchild of a longstanding collaboration between Sony and Phase One. The result is astonishing color definition – with which champions of photography are able to create and express their artistic visions more accurately than ever before.

    In this way, Phase One’s latest product brings unsurpassed color quality to the hands of the finest photographers across the globe.

    The 100MP CMOS sensor in the IQ3 100MP Trichromatic Digital Back incorporates new Bayer Filter color technology, the result of Phase One’s close working relationship with Sony. Available exclusively through Phase One, this new technology transforms digital color capabilities to render color more authentically than ever – giving the world’s foremost photographers 101-megapixels of unprecedented creativity.

    Click on the following link to learn more about the Phase One IQ3 100MP Trichromatic Digital Back: www.phaseone.com/trichromatic

    As a photographer, one of the things that excites me the most is having the opportunity to use color to evoke emotion. The Trichromatic Camera System itself becomes a true extension of my vision, and what my eye sees and what my eye wants to express – the camera delivers. – Tony Hewitt, Fine Art Photographer

    This pioneering sensor design has also established the lowest and therefore cleanest base ISO of any medium format CMOS sensor. At an impressive ISO 35, the results of the IQ3 100MP Trichromatic are crisp and clean, providing the absolute lowest digital noise for any CMOS system of its size.

    “The ability to capture an image that reflects exactly what you see the moment you press the shutter button, with little interpretation or conjecture, is a fantastic leap for photography and more importantly, for the integrity of image quality,” said Niels Knudsen, Phase One Image Quality Professor.

    Availability and Pricing:

    The IQ3 100MP Trichromatic Digital Back is available now through Phase One Partners: www.phaseone.com/partners. Contact your local Phase One Partner to arrange a demo.

    The Manufacturer Suggested Retail Price for the IQ3 100MP Trichromatic Digital Back is $ 44,990 USD.

    The Manufacturer Suggested Retail Price for the XF IQ3 100MP Trichromatic Camera System, including XF Camera Body, free Prime Lens choice and a 5-year warranty is $ 49,990 USD.

    All Phase One XF IQ3 Camera Systems are supplied with a free lens of choice from the Schneider Kreuznach Blue Ring Prime Lens range, valued up to $ 6,990 USD.

    Phase One also announced their Feature Update #4 today, which is available immediately for downloaded free of charge for all XF Camera System owners at www.phaseone.com/Feature-Update-4

    For more details, please go to: http://www.phaseone.com or book a demo on: www.phaseone.com/DemoSignup

    Articles: Digital Photography Review (dpreview.com)

  • Aurora HDR 2018 pre-orders go live ahead of September 28 launch

    Macphun has started taking pre-orders for Aurora HDR 2018, giving both Windows and Mac users a chance to purchase the software ahead of its launch later this month. The pre-order period will run from September 12-27 and includes a special lower price of $ 89 for new customers versus the regular $ 249 rate. Existing Aurora HDR customers can update for $ 49.

    The Aurora HDR 2018 pre-orders are bundled with four free bonuses: a travel photo training video by Matt Granger, five sets of HDR Brackets by Pros, a 3-month membership to Zenfolio, and an HDR training video by Trey Ratcliff. According to Macphun, these bonuses have a value of $ 150.

    Head to the Aurora HDR 2018 site to pre-order. The software will be available starting on September 28.

    Via: CanonRumors

    Articles: Digital Photography Review (dpreview.com)