Category: Uncategorized

  • Mevo Plus is a pro-tier livestreaming 4K camera for Vimeo Live

    Following the finalization of its Livestream acquisition earlier this month, Vimeo has announced a new camera for Vimeo Live called Mevo Plus. This hardware joins the original Mevo camera and is compatible with Vimeo Live, the company’s livestreaming platform. The original Mevo camera will be phased out, according to Venture Beat, as the improved Mevo Plus becomes the main camera product for Vimeo Live.

    Vimeo Live was announced in late September as a livestreaming platform, “specifically meant to address the needs of professional event creators.” Now, those same professional event creators have a dedicated camera that is integrated with this service, although the Mevo Plus also works with Periscope, Livestream, Facebook Live, Twitter, and YouTube.

    Mevo Plus features a 150 f/2.8 glass lens, 12.4MP Sony 4K sensor with a 3840 x 2160 capture resolution, 16:9 aspect ratio, and 30fps frame rate. Video content can be recorded to the device or can be streamed using Ethernet, WiFi, and LTE. Other features include a six-axis motion sensor, forward-facing speaker, magnetic base, 150-degree FOV, and a built-in battery able to power the camera for up to an hour. The full list of tech specs are available here.

    Mevo Plus is priced at $ 500, and the original Mevo model is now discounted to $ 300 as the remaining inventory is sold off.

    In addition to offering Mevo Plus by itself, the company is also offering a Mevo Plus Pro Bundle for $ 800, a $ 100 discount over the bundle’s regular price. The bundle includes the Mevo stand, case, Mevo Boost accessory device, and a tripod. Click here to find out more or order one for yourself.

    Articles: Digital Photography Review (dpreview.com)

  • Rylo 4K 360° camera uses a one-tap app to produce cinematic videos

    Launched today by a company of the same name, Rylo is a 360-degree camera that uses some nifty software to produce “beautiful, cinematic video” that is “impossibly smooth.” You just focus on shooting, and Rylo can just about handle the rest.

    Rylo relies heavily on companion software that makes it possible to transform the raw 360-degree content into smooth videos, including ones that follow specific points of interest or that track a specific object. The camera can also be used to generate stabilized, moving time-lapse videos.

    The portable little camera features integrated horizon leveling and stabilization to produce smooth videos in the absence of a stabilization rig, something possible “no matter the conditions,” according to the company. To capture the raw 360° video it uses a pair of lenses—one on the front and the other on the back—both with a 208-degree FOV and fixed F2.8 aperture. Content is captured as 4K 360° 30fps footage and can be output in a variety of ways: from 6K 360 panoramic photos, to 4K 360° video, to standard 1080p.

    Rylo includes a 16GB microSD card for storage, but supports cards with capacities up to 256GB. Other features include an anodized aluminum alloy body, small OLED display, and a single button for both powering on the device and recording. The internal rechargeable battery supports about 60 minutes of continuous recording.

    But the specs aren’t the key thing here; Rylo really shines when coupled with its related software and all of the features it enables.

    The company bills its product as a way for anyone to shoot and produce cinematic video. “The combination of Rylo’s hardware and software gives anyone the confidence and creative freedom to get the perfect shot every time,” company CEO Alex Karpenko explained in a press release.

    After capturing footage, the user plugs the camera into the smartphone where the companion mobile app automatically offers one-tap options to edit the video. This process reduces the editing time from hours to minutes, according to the company. Whether that final footage is as good as the footage “hours” would have produced is, of course, dependent on your skill as a video editor.

    Here’s a quick intro that shows you how this impressive little camera works:

    Rylo is only available through the Rylo website in the US for now, but will arrive soon on Amazon. The camera costs $ 500 USD and will start shipping next month.

    Articles: Digital Photography Review (dpreview.com)

  • Novoflex introduces electronic lens reversing system for Sony E-Mount

    German accessories manufacturer Novoflex has launched a version of its Retro Reverse Adapters for the Sony E-mount system. The adapter allows users to reverse-mount lenses for macro shooting while maintaining full electronic control of the lens via the body controls.

    The system works by using a pair of cable-connected rings that communicate information from the camera to the rear of the lens, even when it is mounted away from the body.

    Reversing a lens is a quick way of achieving macro and close-up abilities, but Sony E-mount lenses need to be connected to the camera to operate at apertures other than the widest. This adapter, which has been available for Canon EOS users for some years, allows the lens to be mounted in reverse with no loss of control or EXIF information.

    The adapter also allows a bellows unit to be fitted between the camera and any Sony E lens, reversed or not, for extra-high magnification work while still maintaining contact between lens and body.

    The Novoflex NEX-RETRO will retail for $ 440/£309/€350. For more information, visit the Novoflex website.

    Press Release

    Sony Users Now GO RETRO with NOVOFLEX!

    New NEX-RETRO from NOVOFLEX

    Allows users with Sony E-Mount cameras (e.g. Sony Alpha 7/Alpha 9 series, Alpha 6000 series, etc.) to reverse mount their existing lenses to achieve closer focus. NEX-RETRO transfers all electronic functions such as aperture control, EXIF data and autofocus, from the reversed lens to the camera body as if it were mounted directly.

    Look More Closely

    With a 18-105 mm zoom lens in reverse position, you get an image ratio of 1:7 at 105 mm and 2.8:1 at 28 mm expanding the versatility of your zoom lens exponentially. The adapter itself has a 58mm filter thread. Stepping rings are available for other filter sizes.

    The Common Thread

    In addition to reversing the lens on the camera, NEX-RETRO allows the Sony E-Mount system user to incorporate NOVOFLEX bellows systems for even closer focus and greater magnification ratios.

    Highlights

    • Bring to life the finest details: NEX-RETRO allows reverse mounting of Sony E-mount lenses for close focus macro applications.
    • No compromise in flexibility: NEX-RETRO retains complete electronic functionality between Sony E-mount lenses and bodies.
    • Precision engineering: NEX-RETRO is the perfect tool to make the perfect picture even better.

    Articles: Digital Photography Review (dpreview.com)

  • Macphun has changed its name to ‘Skylum’ now that it’s not Mac-only

    Macphun—the Mac-based software company that launched about seven years ago—branched out onto the Windows platform this year with the debut of its HDR and Luminar products for PC. In light of that, Macphun has decided to change its name to the platform-agnostic moniker Skylum, explaining in a blog post that, “we think that this name is a better fit, since we’re no longer a Mac-only developer.”

    The company will fully transition to the Skylum name in early 2018.

    Articles: Digital Photography Review (dpreview.com)

  • Macphun unveils Luminar 2018, takes on Adobe Lightroom CC

    Macphun—the photo editing software company that will rename itself ‘Skylum’ at the end of the year—has just unveiled the latest version of its full-featured photo editing suite Luminar. Meet Luminar 2018: a photo editor and (eventually) digital asset manager that seeks to compete with Adobe’s Lightroom at a time when many Lightroom users are looking for an out.

    Available for pre-order starting today, Luminar 2018 features speed improvements, a dedicated RAW develop module, LUT support, AI-powered filters that can do some strange/interesting things like create intelligent light rays, and a digital asset management system (coming soon) that will allow you to organize your photo library sans subscription.

    Macphun is very much hoping disgruntled Lightroom users will give Luminar 2018 a go:

    Luminar 2018 has been re-built from the ground up for dramatic performance boosts.

    […]

    Instead of stuffing menus with boring effects and old technology, Luminar only puts in filters that photographers want and need. Luminar offers more than 40 filters to correct color, sharpen details, and release creativity. New filters include the ability to enhance color with Brilliance, selectively lighten or darken specific areas of an image with Dodge & Burn, as well as the ability to change the lighting in a photo with Sun Rays.

    Want a whole new way to stylize images? Try the new Lookup Table adjustments, known as LUTs . Creative color, perfect black and white conversions, and even digital films stocks are just a click away. Lightroom users who rely on custom presets created for Lightroom can also easily convert those presets into LUTs (with a free 3rd party tool) and use them inside of Luminar 2018.

    Here’s a closer look at the interface:

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    And a few before and after images to show what Luminar 2018 can do when you put it to work on your images:

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    Most of the features discussed will launch with Luminar 2018 later this month, with the exception of the DAM, which is scheduled to ship “in 2018.” Pre-orders start today at a special discount price of $ 60 for new users (usually $ 70) and $ 40 for users of the current Luminar (usually $ 50).

    To learn more about Luminar 2018, head over to the Macphun (soon Skylum) website by clicking here.

    Press Release

    The new Luminar 2018 takes on Adobe Lightroom

    New Luminar 2018 delivers a breakthrough photo editing experience for photographers on Mac & Windows with new filters, tools, non-destructive editing, major speed boosts, and a digital asset management platform that will arrive in 2018.

    San Diego, CA – November 1, 2017 — Macphun, the California-based software developer today announced Luminar 2018. New users will be able to purchase Luminar 2018 for $ 59, and current users of Luminar may upgrade at a special price of $ 39. Preorders start November 1 at www.macphun.com/luminar.

    Luminar 2018 offers everything a modern photographer needs for photo editing, including new filters powered by artificial intelligence, major speed improvements, a dedicated RAW develop module and a forthcoming in 2018 digital asset management platform. Users will also benefit from the new intelligent Sun Rays filter, LUT support, and real-time noise removal. With adaptive workspaces that match styles of shooting, Luminar adapts to deliver a complete experience that avoids clutter and complexity.

    Luminar 2018 has been re-built from the ground up for dramatic performance boosts. Existing filters deliver richer colors and depth in less time. A brand new streamlined user interface speeds up working with presets, filters, and masks. With full support of pro options like layers, masks, and blending modes, complex repairs and photo composites can be easily accomplished.

    And, importantly, Luminar works on both Mac- and Windows-based desktop computers*.

    “We’ve taken the time to listen to photographers, and what they want is performance and quality. The less time photographers have to spend in front of computers, the more time they have for taking pictures,” said Alex Tsepko, CEO of Macphun. “Our mission is to get Luminar streamlined with just the tools and controls photographers need. The goal is simple: enable the best-looking images with the least amount of effort.”

    Luminar offers a new RAW Engine that can handle high-quality images faster. Plus, it’s easy to solve image problems caused by camera lenses with Lens Correction features that resolve vignette, distortion, and color aberrations. If the photo has unwanted perspective problems, a new Transform tool can quickly solve them.

    Instead of stuffing menus with boring effects and old technology, Luminar only puts in filters that photographers want and need. Luminar offers more than 40 filters to correct color, sharpen details, and release creativity. New filters include the ability to enhance color with Brilliance, selectively lighten or darken specific areas of an image with Dodge & Burn, as well as the ability to change the lighting in a photo with Sun Rays.

    Want a whole new way to stylize images? Try the new Lookup Table adjustments, known as LUTs**. Creative color, perfect black and white conversions, and even digital films stocks are just a click away. Lightroom users who rely on custom presets created for Lightroom can also easily convert those presets into LUTs (with a free 3rd party tool) and use them inside of Luminar 2018.

    Luminar 2018 will become available in November 2017, and in 2018 a free update will provide a new image browser/digital asset manager to help photographers manage their image libraries.

    Photographers will be able to sort, rate, organize, and backup their photos at great speed. The new digital asset management platform in Luminar will work without subscription and will work with any storage (cloud or local). It will also bring a number of unique features, that the current Lightroom library can’t boast.


    * Workspaces, Clone & Stamp, blend modes for layers, luminosity masking, flip and rotate, as well as some other tools and features will be available in the Mac version at launch, and arrive in the PC version with free updates by the end of the year.

    ** Look-Up Table (LUT) – is mathematically precise way of taking specific RGB image values form a source image – and modifying them to new RGB values by changing the hue, saturation and brightness values of that source image. LUTs are used creatively to impose a specific ‘Look’ on a source image.

    Availability

    Pre-order for Luminar 2018 will run from November 1 until November 16.

    Pre-order customers will receive a special price and value-add bonuses such as:

    • A pack of signature presets & textures from a Pro photographer Nicolesy.
    • An exclusive pack of LUTs.
    • 1-year Power plan from SmugMug ($ 72 value). For new accounts only

    Pricing

    Mixed-computer households can share the same product key for Mac and PC which can be activated on five devices.

    Current users of Luminar may upgrade at a special pre­-order price of $ 39

    New users can purchase Luminar at a special pre­order price of $ 59

    The retail price for Luminar 2018 after November 16 will be:

    $ 49 upgrade for current Luminar HDR users

    $ 69 for new users

    The digital asset management platform will arrive in 2018 as the free update for all the users of Luminar 2018.

    Articles: Digital Photography Review (dpreview.com)

  • These are the winners of the UK’s Landscape Photographer of the Year contest

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    The winners of the 2017 “Take a View – Landscape Photographer of the Year” contest have been announced—a competition that aims to find the best images of the UK from photographers around the world. This year’s winner of the top prize and title was Benjamin Graham with a nicely uncomplicated view of the dunes at West Wittering in West Sussex.

    The competition, which is in its 11th year, has a prize fund of £17,000. £10,000 goes to the Landscape Photographer of the Year, £1,000 to the winners of the four adult categories and the youth prize, and £500 to second placed images in the adult categories.

    This year’s winners are:

    Landscape Photographer of the Year
    Benjamin Graham

    Classic view
    Rachael Talibart

    Living the view
    Paul Fowles

    Urban view
    George Robertson

    Your view
    Neil Burnell

    Youth winner
    Andrew Bulloch (15)

    The competition also had prizes from sponsors Network Rail (Jon Martin wins a trip to photograph the Forth Bridge in Scotland) and VisitBritain (Graham Niven), and from Fujifilm for the best print, Lee Filters and The Sunday Times. For a full list of winners and to see all the winning images visit the Take a View: Landscape Photographer of the Year website.

    The winning images and those in the shortlists will form a book as well as a free exhibition that will be held in London’s Waterloo station from November 20th, 2017 through February 4th, 2018.

    Press Release

    Landscape Photographer of the Year 2017

    The Winner is Announced

    A photograph of the UK’s stunning coastline wins the top prize for the third year running, as Benjamin Graham’s image of the dunes at West Wittering in West Sussex becomes the eleventh winner of the overall title: Landscape Photographer of the Year. The judges chose Benjamin’s image from thousands of entries celebrating the richly diverse landscape of the UK.

    Winning the top prize of £10,000, Benjamin was attracted by the ambiguity of the scene:

    “As well as its minimal simplicity, I particularly like the indeterminate scale of the image. The double S-curve could be two metres long or two thousand… It was actually about twenty.”

    Charlie Waite, one of Britain’s leading landscape photographers and founder of the Awards spoke about the winning image:

    “Benjamin’s image has a hypnotic and contemplative quality that acts as an antidote to turbulent times. When at the coast, we often just stand and gaze out to sea and seem to gain some kind of spiritual well-being from doing so. This image suggests the same emotional experience and the composition leads the eye on to infinite calm.”

    From flower fields and land patterns to romantic castles and historic bridges, the winning photographs in the ‘Take a view – Landscape Photographer of the Year Awards’ not only display the talent of their creators but also inspire visitors to explore and discover the wonders of the British countryside.

    The Young Landscape Photographer of the Year title has been awarded to Andrew Bulloch, whose image of an urban skatepark set against a backdrop of the Northern Lights shows a meeting of the man-made world with one of nature’s most fascinating phenomena.

    For the third year, the Awards are being held in association with VisitBritain and the GREAT campaign to showcase the diversity of amazing moments and experiences that can be only be had on a trip across Britain. The VisitBritain ‘Home of Amazing Moments’ Award was offered for the photograph judged to best capture the spirit of the campaign. The winning image, by Graham Niven, of an early morning boat trip on Loch Garten in the Cairngorms is taken from a viewpoint that allows the viewer to feel involved and part of the ‘amazing moment.’

    VisitBritain/VisitEngland Chief Executive, Sally Balcombe said:

    “As Graham’s spectacular image shows, Britain’s diverse and stunning scenery offers a visual feast in which the viewer can imagine themselves at the centre of the experience. It is a fantastic example of how images stir our emotions and fire our imaginations, motivating and inspiring us to explore new locations and landscapes.”

    Congratulations also go to the winners of this year’s other Special Awards. The Network Rail ‘Lines in the Landscape’ Award was won by Jon Martin for his view of a train crossing Barmouth Viaduct over the River Mawddach in North Wales (right) and ‘Poppies in a field of linseed’ by Julian Eales, won The Sunday Times Magazine Award. Will Milner wins the Adobe Prize for his photograph of Durdle Door at night, Mark Cornick receives the Fujifilm Print Prize for his architectural view of a London building and Rachael Talibart’s seascape at Birling Gap in East Sussex is awarded the LEE Filters Prize.

    The exhibition of winning entries will again be held on the Balcony at Britain’s busiest station, London Waterloo, giving thousands of visitors the chance to see the very best of the British countryside in the very heart of the capital. Opening on Monday, November 20th, the exhibition is hosted by Network Rail and will run for twelve weeks, closing on February 4th, 2018, before heading off on a tour of selected stations countrywide. Admission is free.

    All the winning and commended photographs from the competition can be found in the Awards book ‘Landscape Photographer of the Year: Collection 11’ by AA Publishing, which is available now.

    Articles: Digital Photography Review (dpreview.com)

  • CBS sues photographer for sharing TV show screenshots on social media

    CBS Broadcasting is suing photojournalist Jon Tannen for doing something you (and most people you know) have probably done: sharing screenshots from an old television show on social media. The lawsuit is being characterized a ‘retaliatory strike’ by some, since Tannen filed his own copyright infringement lawsuit against CBS Interactive back in February.

    The whole story came to light on Torrent Freak, and serves as a cautionary tale for photographers who are thinking of pursuing infringement claims against the big studios—CBS, ABC, FOX, Warner Brothers, etc.—in court. Often the evidence in these cases is strong and a settlement is reached, but sometimes… the studios fight back.

    That was the case with Tannen, who sued CBS Interactive in February of this year over the unauthorized use of two copyrighted photos on the website 247sports.com (the second time this had happened). But what might have turned into a quick settlement has instead been met with a countersuit by CBS Broadcasting, who found screenshots from the television show Gunsmoke (1955-1975) on Tannen’s social media.

    The CBS lawsuit brands Tannen a ‘hypocrite’ and seeks $ 150,000 in damages for willful infringement—the same amount Tannen wants per infringement of his own work.

    “This copyright infringement action arises out of Defendant’s unauthorized use of Plaintiff’s valuable intellectual property,” reads the CBS complaint. “Tannen hypocritically engaged in this act of infringement while simultaneously bringing suit against Plaintiff’s sister company, CBS Interactive Inc., claiming it had violated his own copyright.”

    It will be a while before these lawsuits sort themselves out, but CBS’ retaliation against Tannen is raising eyebrows because this kind of image use is so prevalent online, and almost always assumed to constitute fair use. Of course, whether or not the countersuit has any legal ground to stand on may be irrelevant… CBS has just laid out a blueprint for other major studios looking for a way to retaliate against potential infringement claims.

    You can read Tannen’s complaint against CBS here, and CBS’ countersuit here.

    Articles: Digital Photography Review (dpreview.com)

  • YI releases much-needed firmware update for Yi-M1 mirrorless camera

    When we got our hands on Chinese camera maker YI’s first mirrorless camera, the YI-M1, we didn’t have a lot of positive things to say. Despite a great sensor, the camera was… unrefined. But the company just released a new firmware version for the M1 that promises to smooth out some of its rougher edges.

    Key updates include (much-needed) improved AF speed, the addition of a RAW+JPG shooting option, exposure control in P, A, S and M modes when shooting video, AF/MF control during video capture, and the addition of a histogram in live view while shooting both stills and video.

    We’ve updated our review model to the latest firmware and are taking it for another spin to possibly update our review, but in the meantime, check out the release notes below to see what all YI has improved and fixed on the M1 with this newest update.

    Release Notes

    {PressRelease}

    Firmware Version 3.0-int Update Logs

    New

    1. Added exposure control in the mode P/A/S/M for video capture
    2. Added AF/MF control for video capture.
    3. Added RAW+JPG format for still capture
    4. Added still image option in Time Lapse
    5. Added the option to shoot 1-3 images when using the self-timer function with an initial 2 second or 10 second timer settings
    6. Added a histogram in live view mode for both still and video capture
    7. Added new focus viewing modes with improved image quality including: 6x, 8x and 10x magnification in MF mode
    8. Added 2 ways to show the Metering mode in the UI
    9. Added the user guide (Restoring factory settings to view)
    10. Added multiple selection of images for deletion.
    11. Added 2 new options for the display grid
    12. AE algorithm optimization
    13. Master Guide template display logic optimized
    14. Improved AF speed

    Fixed

    Fixed some known bugs, and improved the overall stability of the system.

    Changed

    Change the thumbnails in each screen from 9 to 12 images.

    {/PressRelease}

    Articles: Digital Photography Review (dpreview.com)

  • The new BenQ SW271 27″ 4K monitor gives photographers full color control

    BenQ has launched a new monitor designed for professional photographers who need both high resolution and extremely accurate colors: the 27″ SW271. This model builds upon the company’s previous SW2700PT display, offering support for HDR10 alongside a 4K 3840 x 2160 resolution and the maker’s AQCOLOR technology.

    With the AQCOLOR tech, users are given total control over the display’s color via hardware calibration and the maker’s Palette Master Elements software. The inclusion of advanced hardware color calibration helps enable the SW271 to meet strict color accuracy standards, according to BenQ, which says its display is ideal for “color-critical applications.”

    Users have the option of viewing content simultaneously in different color spaces via GamutDuo, plus there’s a Hotkey Puck for toggling between the monitor’s various modes, including: 99% Adobe RBG coverage, 100% sRGB/Rec. 709 coverage, 93% DCI-P3 coverage, plus a Black & White option.

    Monitor connectivity includes DisplayPort 1.4 and HDMI 2.0; there’s also an SD card reader, USB-C, and a USB 3.1 port. The shade featured in the above image is included with the monitor and can be removed. The monitor is available now for $ 1,100 USD.

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    Press Release

    BenQ’s Dynamic SW271 Monitor Offers Professional Photographers Picture-Perfect Performance

    New 4K HDR-Enabled Color-Accurate Display Comes Equipped With BenQ’s AQCOLOR™ Technology and USB-C™ Connectivity

    COSTA MESA, Calif. — Nov. 1, 2017 — BenQ America Corp., an internationally renowned provider of visual display solutions, today introduced a new 27″ 4K UHD (3840×2160) monitor that offers professional photographers unprecedented color accuracy through new AQCOLOR technology, high specifications and picture-perfect performance.

    Building on the success of its award-winning predecessor the SW2700PT, the SW271 sets a new benchmark for image quality. The HDR10-enabled monitor allows users to see their images and videos in a wider dynamic range than a typical monitor. The sleek display is user friendly and offers colors so true that it brings out the fine detail and creative essence of every photo, whether it’s been taken by a seasoned professional or an amateur hobbyist.

    BenQ’s AQCOLOR technology allows users to have complete color control over images. AQCOLOR uses a combination of hardware calibration, BenQ’s signature Palette Master Elements software and Technicolor® Color Certification, which ensures the monitor meets the strict color accuracy standards used in Hollywood and the entertainment media.

    “We are proud to present the SW271, which joins our full line of professional monitors developed for photographers,” said Steve Yang, Senior Director at BenQ America Corp. “The SW271 brings users specialized tools and advanced hardware calibration for color-critical applications. It also has USB-C™ connectivity for transmitting video and data signals using just one cable for convenience.”

    With 99% Adobe RGB, 93%DCI-P3 and 100% sRGB/Rec. 709 coverage, users are given an unrivalled image performance for visual perfection in professional photo editing. The SW271 also features Delta E?2, with its true 10-bit IPS panel and advanced 14-bit 3D lookup table (LUT). GamutDuo enables users to view content simultaneously in different color spaces side-by-side, and a Hotkey Puck allows users to effortlessly switch between a variety of modes, such as Adobe RGB, sRGB and Black & White modes.

    The monitor also features an SD card reader, USB 3.1, USB Type-C, HDMI 2.0, and DisplayPort 1.4 ports. A detachable shading hood is also included to reduce the monitor’s screen glare.

    The BenQ SW271 monitor retails at $ 1,099. For more information on the SW271, see http://www.benq.us/product/monitor/sw271 and to view the full line of BenQ creative class monitors, visit http://www.benq.us/product/monitor/creative_class/.

    Articles: Digital Photography Review (dpreview.com)

  • AI-based upsampling tech creates high-res versions of low-res images

    Upsampling image and video files usually leads to pixelation and soft textures, simply because algorithms are not capable of replacing non-existing image detail. But scientists at the Max-Planck Institute for Intelligent Systems in Germany have come up with a clever solution that is capable of producing better results than anything we’ve seen so far.

    The team has developed a tool called EnhanceNet-PAT, which is capable of creating high-definition versions of low-resolution images, using artificial intelligence. It’s not the first attempt at solving the super-resolution task but the approach is a new one.

    Talking to Digital Trends, Mehdi M.S. Sajjadi, a member of the research team said

    “Before this work, even the state of the art has been producing very blurry images, especially at textured regions. The reason for this is that they asked their neural networks the impossible – to reconstruct the original image with pixel-perfect accuracy. Since this is impossible, the neural networks produce blurry results. We take a different approach by instead asking the neural network to produce realistic textures. To do this, the neural network takes a look at the whole image, detects regions, and uses this semantic information to produce realistic textures and sharper images.”

    To train the technology, large image libraries were fed into the AI-based system to accumulate knowledge of textures. The neural network is then given the task of upsampling previously downsized images. Finally, the research team compares the results to the original high-resolution image and modifies the algorithm to correct for errors or inconsistencies—this way, the algorithm keeps improving and after some time can work without any human help.

    According to the team, photographic applications for the network include upsampling old movies to 4K resolution or restoring old photographs. However, the system could also be used to enhance object detection, for example in image search or mobility applications, such as self-driving cars. It seems that cheesy “Enhance!” trope from CSI is about to become reality…

    To learn more about this technology, check out the full research paper here.

    Articles: Digital Photography Review (dpreview.com)