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Archive for the ‘Uncategorized’ Category

Photographer Brendan Barry creates a giant camera obscura using a customs house

02 Oct

Photographer Brendan Barry was commissioned by the Exeter Canal and Quay Trust to turn a room in the Custom House in Exeter, U.K. into a large camera obscura.

Barry had a residency at the Custom House in Exeter and during his time, he used a variety of analog cameras to capture images of Exeter Quay. Of his work, Barry says, ‘My work aims to challenge our understanding of what a camera is, what it can do and how one can be constructed, taking the whole notion of what a camera might be, unpicking these preconceptions and creating new ways of inviting an audience into having a transformative experience in a space.’

Image credit: Brendan Barry

Brendan continues, ‘During my residency at the Custom House I will be transforming a number of rooms in the building into giant cameras and using them to capture images of Exeter Quay using a range of analog photographic processes and techniques.’ Barry created a very informative video of the experience, which can be seen below. In his video, Brendan shows the entire process, from his approach to building a camera obscura and the equipment he uses to create large prints.

As you can see, Brendan required a lot of equipment for his project. After getting his equipment into the upstairs room, he must create a large frame with a backboard to hold the photographic paper. Next is setting up the lens holder in the room’s window, blacking out the rest of the window and setting up a holder for a graduated neutral density filter to ensure a balanced exposure.

Image credit: Brendan Barry

This is not Brendan Barry’s first foray with making a large analog camera. You can check out Barry’s previous projects in which Barry turned his shed into a camera, as well as an older project wherein he turned a skyscraper into a camera obscura.

If you’d like to see more videos from Brendan Barry, be sure to check out his YouTube channel. To see more of his work, visit his website and follow him on Instagram.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Six techniques to help you nail manual focus

02 Oct

Autofocus has gotten very good. Scarily good, even. But some situations call for good old fashioned manual focus, whether you’re shooting macro, video or channeling your inner Cartier-Bresson on the street. For these occasions, Chris and Jordan have a few quick tips that will help you nail your manually focused shot every time.

  • Introduction
  • Punch in focus
  • Peaking
  • Hyperfocal distance
  • Focus marks
  • Focusing with camera movement
  • Snapping into focus

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

Articles: Digital Photography Review (dpreview.com)

 
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Google Photos Android app gets update with Portrait Light mode, one-tap editing and UI overhaul

01 Oct

Google has released an updated version of the Google Photos app for Android, bringing with it a few new features, including an after-capture Portrait Light mode, a one-tap editing feature and a slightly revamped editing interface.

As Google briefly demonstrated during yesterday’s Pixel 5 event, the new Portrait Light mode will edit the image to appear as though there’s light coming from a light source not actually in the image. While limited to Google’s new Pixel 4a 5G and Pixel 5 devices for the time being, this feature lets you apply ‘lighting’ in post-production by editing the image to appear as though it’s coming from a specific direction.

As noted by PetaPixel, it’s possible this new adjustable lighting technology is derived from a research project Google participated in back in 2019. Google says this feature will be coming to other Pixel devices, but doesn’t specify which ones or a definitive timeframe.

Also included in this Google Photos update is a one-tap editing feature that uses ‘machine learning to give you suggestions that are tailored to the specific photo you’re editing.’ In its current form, only three suggestions are available: Black and White, color Pop and Enhance, but Google says more options for landscapes, portraits and more will be available ‘in the coming months.’

Google has also changed the user interface (UI) of the manual editing tools. There’s now a scrollable toolbar at the bottom with round buttons and icons, akin to the interface of Apple’s Photo app, VSCO and others. This updated interface, in theory, makes it easier to quickly find the settings you need and make the appropriate adjustments.

This update will go live in the Google Play Store this week. If you don’t already have the Google Photos app, you can download it for free; if you do, be sure to keep an eye out for updates. Google hasn’t specified whether or not we’ll see these new features and redesign make their way to the iOS version of the app.

Articles: Digital Photography Review (dpreview.com)

 
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Skylum shows how new Templates feature in upcoming Luminar AI update can save you time

01 Oct

Ahead of Luminar AI’s release this holiday season, Skylum Software has shared additional information about how Templates will work in the upcoming all-in-one photo editing software and how Templates can be used to save photographers a lot of time and energy when processing many images.

In many traditional photo editors, users must adjust different sliders to get the desired results when processing images. There are often available presets, which will speed up the editing process, but presets have limitations, and photographers are often left feeling like their creativity has been removed from the editing process. Ideally, many of us want to save time without sacrificing creative control. Skylum believes that Luminar AI’s Templates will remove the frustration and overcome the limitations of presets in other photo editors.

Photo credit: Elia Locardi

The artificial intelligence in Luminar AI has been integrated throughout the entire editing process and has been trained with ‘expert input from artists, photographers, colorists and scientists.’ Alex Tsepko, Skylum’s CEO, says, ‘With Luminar AI, we wanted to ensure that AI not only was easy to use, but that it also provided creatives a way to express themselves. Through our unique 3D depth-mapping and segmentation technologies, we’re able to recognize the contents of a photo, recommended edits and then allow creatives to refine every aspect of that recommendation. Doing this lets creatives retain their unique style in their edits without tedious, manual work. Professional results, but in a fraction of the time.’

Artificial intelligence starts operating as soon as you open an image in Luminar AI. The software identifies the contents of an image, analyzes potential problem spots, and evaluates the depth of the image. Luminar AI then offers a list of carefully selected Templates for users to select from.

Users can test out different Templates and see how they impact their image. Skylum states that a preview is created in less than a second. When you evaluate a specific Template you can even see which AI tools were utilized in the Template. For beginners, it should prove useful to see which tools are used to create different images and how each tool changes the look and feel of a photo.

Photo credit: Javier Pardina

Templates will offer novices a variety of ideas to help choose the direction they want to take an image. For advanced photographers with more editing experience, they can choose when and how they want more advanced manual control over their image edits. They can pick and choose which AI tools they want to utilize and then create their own templates for future use on single images or when batch editing. Skylum states that utilizing templates will allow photographers to save ‘up to 90% of their time spent editing.’

You can learn more about Luminar AI here. For a list of Frequently Asked Questions about Luminar AI, click here. Luminar AI is available for preorder at a special price, which you can learn more about here. As the release of Luminar AI approaches this holiday, stay tuned for more information, including a planned hands-on preview ahead of the full public release of Luminar AI.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma 105mm F2.8 DG DN Macro for E- and L-mount arrives in October

01 Oct

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Sigma has unveiled an all-new 105mm F2.8 macro lens, which will provide 1:1 reproduction and will be offered for E-mount and L-mount mirrorless cameras. It features a new optical formula comprising 17 elements in 12 groups, including one SLD (Special Low Dispersion) element.

The 105mm F2.8 DG DN Macro features a 14cm (5.5″) working distance, an aperture ring that functions either clicked or de-clicked, and a three-zone focus limiting switch. The lens is dust- and splash-proof, and the L-mount version is compatible with Sigma’s 1.4x and 2x teleconverters.

The Sigma 105mm F2.8 DG DN Macro Art lens will ship in late October for $ 800.

View our sample gallery

Press release

Sigma Announces the 105mm F2.8 DG DN Macro | Art Lens, Redefining Mirrorless Macro Performance

  • Life-sized magnification (1:1) short tele macro for full-frame mirrorless
  • Dust and Splash-proof construction
  • Completely new optical formula for exceptional sharpness and pleasing bokeh
  • Hypersonic Motor optimized for both contrast and phase detection autofocus
  • Clicked and de-clicked aperture ring with Aperture Ring Lock Switch
  • Focus Limiter switch for macro, portrait, or full range autofocus
  • Available in L-Mount and Sony E-Mount
  • MSRP: $ 799
  • Anticipated Shipping Date: Late October 2020

Ronkonkoma, NY – September 30, 2020 – The SIGMA 105mm F2.8 DG DN Macro | Art lens is the first prime macro lens designed by Sigma exclusively for full-frame mirrorless cameras, as the DG DN in the name indicates. Announced today by Sigma Corporation, this lens offers 1:1 magnification (life-sized) at a 5.5-inch working distance with internal focusing, and it is available in Sony E-Mount and L-Mount formats.

Exceptional focal plane sharpness with minimal aberration is achieved through a new optical formula featuring 17 elements in 12 groups with one SLD element. The lens design also features excellent peripheral brightness for pleasing bokeh, complemented by nine rounded aperture blades. The L-Mount version of the 105mm F2.8 DG DN Macro | Art lens is compatible with the SIGMA Teleconverter TC-1411 and TC-2011, increasing the maximum magnification to 1.4:1 and 2:1, respectively.

“In order to capture the minute details of small subjects, macro lenses must meet an extremely high standard of optical precision, and the new SIGMA 105mm F2.8 DG DN Macro | Art lens truly delivers,” says Mark Amir-Hamzeh, President of Sigma Corporation of America. “Whether you are shooting images of flowers, insects or just interesting objects around the house, the sharpness, bokeh quality and practical functionality of this lens will exceed the expectations of professionals and hobbyists alike.”

The Hypersonic Motor delivers smooth, quiet, confident autofocus in both close-up and portrait-distance settings, and the three-zone focus limiter switch allows for even swifter response when focusing exclusively in either the macro or more distant range.

The Sigma Art line has been consistently redefining both imaging excellence and satisfying handfeel, and this new lens continues that journey. The dust and splash-proof design, aluminum and TSC (Thermally Stable Composite) construction, a brass bayonet mount, plus well-damped switches and rings demonstrate the level of build quality that the Art name represents. The Aperture Ring can be clicked or de-clicked by flick of a switch, and the lens also includes an Aperture Ring Lock Switch function. Additional benefits include a programmable AFL button on the lens barrel, and compatibility with face and eye-detection autofocus.

The lens will begin shipping late October 2020. / MSRP: $ 799

Sigma 105mm F2.8 DG DN Macro specifications

Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 105 mm
Image stabilization No
Lens mount L-Mount, Sony FE
Aperture
Maximum aperture F2.8
Minimum aperture F22
Aperture ring Yes
Number of diaphragm blades 9
Optics
Elements 17
Groups 12
Special elements / coatings 1 super-low-dispersion element, Super Multi-layer coating
Focus
Minimum focus 0.30 m (11.81)
Maximum magnification 1×
Autofocus Yes
Motor type Ring-type ultrasonic
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 715 g (1.58 lb)
Diameter 74 mm (2.91)
Length 134 mm (5.28)
Materials Magnesium alloy
Sealing Yes
Colour Black
Filter thread 62 mm
Hood supplied Yes

Articles: Digital Photography Review (dpreview.com)

 
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TTartisan releases an $80 35mm F1.4 lens for APS-C mirrorless camera systems

01 Oct

TTartisan is back with its latest lens, an ultra-affordable 35mm F1.4 lens for APS-C mirrorless camera systems.

The fully-manual TTartisan 35mm F1.4 lens retails for just $ 80 and is available for Canon EOS M, Fuji X, Micro Four Thirds and Sony E mount camera systems. It’s constructed of seven elements in six groups, has an aperture range of F1.4-F16, uses a ten-blade aperture diaphragm and has a minimum focusing distance of 28cm (11”).

The front filter thread is 39mm and the lens measures in at 44mm (1.73”) long, 56mm (2.2”) diameter and weighs just 180g. Below is a sample gallery of images captured with the lens, provided by Photo Rumors, an authorized retailer of TTartisan gear.

Sample photos from the TTartisan 35mm f/1.4 APS-C mirrorless lens for Sony E, Canon EOS M and MFT mounts

You can purchase the lens over on Photo Rumors’ online shop or any other authorized TTartisan retailer.

Articles: Digital Photography Review (dpreview.com)

 
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Google unveils its budget-friendly Pixel 4a 5G and flagship Pixel 5 smartphones

01 Oct

Today, at its ‘Launch Night In’ event, Google unveiled the details of its new Pixel 4a 5G and Pixel 5 devices.

Pixel 4a 5G

The Pixel 4a 5G is, as its name suggests, a 5G variant of the budget-friendly phone released last autumn. But it’s not just an improved cellular modem that’s been added to the 5G variant.

The Pixel 4A now has a larger OLED screen — 6.2” over the 5.8” on the 4a — as well as a slightly faster Qualcomm Snapdragon 765G processor (compared to the 730g found in the 4a). All of these upgrades together have increased the starting price of the 5G variant to $ 499, $ 150 more expensive than the base Pixel 4a at launch.

Pixel 5

Compared to the improvements the Pixel 4 brought over the Pixel 3, the Pixel 5 feels like a much smaller update. While the specifications haven’t improved dramatically, Google has added a number of new and improved features, particularly in regards to the camera software.

Starting with internals, the Pixel 5 is powered by a Qualcomm Snapdragon 765G processor with an X52 5G modem that supports both sub-6GHz and mmWave 5G. This is a bit of an interesting move as more flagship devices are beginning to use the Snapdragon 865 or 865 Plus, but using a slightly older chipset means the price of the Pixel can keep it below more top-tier Android devices.

The Pixel 5 features 8GB of RAM, starts with 128GB of internal storage, uses a 4080mAh battery. Other notable details include reverse wireless charging, IPX8 water-resistance and the newest version of Corning Gorilla Glass.

The 6” screen is a 2340 x 1080 OLED display with a 90Hz refresh rate and 19.5:9 aspect ratio. Although it retains the 8MP hole-punch front-facing camera, the lack of the Motion Sense array means the screen now stretches the full width of the device.

As for cameras, the Pixel 5 has an optically-stabilized 12.2MP main camera with a 77-degree field-of-view (FOV) as well as a 16MP ultrawide that covers a 107-degree FOV. To make the most of the humble hardware, Google is, as it has for years, relying on its software to get the best image quality possible.

New shooting modes include the inclusion of a Night Sight Portrait mode, improved HDR+ capture and a new AI-powered Portrait Lighting mode that will automatically adjust the lighting on subjects captured in Portrait mode. Also new are three new image stabilization modes: Locked, Active and Cinematic Pan. The new Cinematic Pan setting is designed specifically for capturing gimbal-like footage, complete with slow-motion capture.

The Pixel 5 will be available on October 15 through Google Fi, Verizon and unlocked starting at $ 699 for the 128GB version — a $ 100 drop from the $ 799 the Pixel 4 retailed for at launch. AT&T will also offer the Pixel 5 later this autumn. Pre-orders are available starting today.

Articles: Digital Photography Review (dpreview.com)

 
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Astropad announces Luna Display for Windows, turning your iPad into a wireless display for your PC

01 Oct

Astropad successfully funded Luna Display for Mac on Kickstarter in late 2019. The company is back with another project, Luna Display for Windows. The new project was fully funded in its first hour on Kickstarter. Luna Display for Windows allows iPad owners to turn their Apple device into a wireless PC display.

Astropad states that Luna Display for Windows is the only hardware solution available to turn any modern iPad into a wireless second display for a PC or Mac. You can connect your iPad via Wi-Fi or with a wired connection. For a physical connection, you can select between USB-C or HDMI Luna Display units. Astropad promises ‘lag-free lightning-fast speeds’ and compatibility with any Windows or Mac application

Luna Display for Windows boasts many features, including support for iPad touch gestures. Image credit: Astropad

Luna Display for Windows is fully compatible with external keyboard and mouse peripherals, full iPad touch gestures and supports Apple Pencil pressure sensitivity. Astropad promises low latency and a ‘crystal clear’ display.

When working on a single display, especially a smaller notebook display, it can be difficult to fit your entire workspace. With a second display, you can instantly and easily expand your workspace, allowing additional flexibility when working. If you don’t need a second display but would like to be untethered from a desktop computer, you can use Luna Display wirelessly to work on your iPad anywhere you can connect to your Wi-Fi network, such as in a more comfortable room in your home or maybe even outside.

In order to ensure a low-latency and clear wireless image, Luna leverages its own custom video compression technology, LIQUID. The rendering system adjusts in real-time to prevailing network conditions to ensure fast performance. Luna Display promises latency as low as 16 milliseconds, which is considerably faster than the 204ms of Windows Connect and 64ms performance when using Apple’s Airplay technology. Further, LIQUID uses GPU acceleration when available to ensure stable performance.

Luna Display requires the use of a small device, which you can plug into an HDMI port (Windows compatibility only) or USB-C (compatible with Windows and Mac). The device’s size varies slightly with the selected port type, but in either case, it weighs a little over an ounce.

Once your Luna Display is inserted into your computer, you will need to open a dedicated Luna Display app on your computer and your iPad. As soon as the applications are running, you’re good to go.

Luna Display for Windows requires Microsoft Windows 10 64-bit, Build 1809 or later. It requires an Intel or AMD processor with 64-bit support that is 2 GHz or faster. As for RAM, Luna Display requires at least 4 GB. Luna Display for Windows is compatible with Intel HD Graphics 520, AMD Radeon RX Vega 3, NVIDIA GeForce 820m or later; or an equivalent DirectX 11 compatible GPU. On the iPad side of the equation, nearly any iPad will work. Luna Display is compatible with iPad Mini 2 (2013 or later), iPad Pro (2016 or later), iPad 5th generation (2017 or later) and iPad Air (2013 or later). Your iPad must be running iOS 9.1 or later and 32-bit devices are not supported.

Image credit: Astropad

You can pledge $ 49 USD to support Luna Display for Windows and save up to $ 31 off retail price. Luna Display for Windows is scheduled to begin shipping in May 2021. For additional information and full pledge details, head to Luna Display for Windows Kickstarter project page.


Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon Z5 review: the best value stills-oriented full-framer

01 Oct

Introduction

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Gold Award

89%
Overall score

The Nikon Z5 is an entry-level full-frame mirrorless camera that looks and handles almost exactly like its higher-end Z-mount siblings, the Z6 and Z7. It’s built around a stabilized non-BSI 24MP CMOS sensor, which is likely more closely related to the generation of chip found in Nikon’s D750 DSLR, rather than the newer BSI sensor in the Z6.

Slightly stripped down and more stills-focused, the Z5 shares the same 273-point hybrid AF system, Expeed 6 processor and 3.69M-dot OLED viewfinder as the Z6. But niceties like a top plate display are absent. Likewise, the Z5’s max burst rate and video capabilities are considerably less than that of the Z6: 4.5 fps vs. 12 fps and heavily cropped 4K vs. un-cropped, oversampled 4K. But from an image quality and handling standpoint, the two cameras are quite similar.

Key Specifications:

  • 24MP full-frame CMOS sensor (not BSI)
  • Hybrid AF system with 273 phase-detect points covering 90% of the frame
  • 4.5 fps continuous shooting with AF
  • 5-axis in-body image stabilization
  • 3.69M-dot OLED viewfinder
  • Dual UHS-II SD cards
  • 4K/30p video capture (with 1.7x crop)
  • 1080/60p video capture (no crop)
  • Headphone and microphone ports
  • Dust and moisture sealed

The Nikon Z5 sells for $ 1399 body-only, $ 1699 kitted with the new 24-50mm F4-6.3 lens and $ 2199 kitted with the 24-200 F4-6.3 VR.


What’s new and how it compares

The Z5 is essentially a stripped down Z6. Here’s what Nikon changed in the camera to keep the price down.

Read more

Body, handling and controls

The Z5 is the same exact size, weight and shape as the Z6. But there are a few small differences between the two bodies.

Read more

First impressions

DPR’s Dan Bracaglia has been busy shooting with the Z5. Here’s why he thinks it’s such a tempting camera – and why he may buy one in 12 months’ time.

Read more

Image quality

How does the Z5’s 24MP sensor stack up against the latest BSI chips? Quite well, in fact.

Read more

Autofocus & Video

Autofocus performance from the Z5 is quite good, whether shooting moving or static subjects. But video performance is not the camera’s strong suit.

Read more

Conclusion

The Nikon Z5 is arguably the best bang-for-your-buck stills-oriented camera on the market, which is why it’s earns our gold award.

Read more

Sample gallery

Pups, mountains and summertime vibes. Check out our initial Z5 sample gallery.

View gallery

Articles: Digital Photography Review (dpreview.com)

 
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Olympus finalizes deal with JIP to sell its Imaging business

30 Sep

In a press release shared today, Olympus has confirmed it’s come to a finalized agreement with Japan Industrial Partners Inc. [JIP] to transfer the Olympus Imaging business at the beginning of 2021.

In the announcement, Olympus says it’s transferring its Imaging business to a new wholly-owned subsidiary called the ‘New Imaging Company.’ On January 2, 2021, 95% of this company will be transferred to OJ Holdings, Ltd., a company created by JIP specifically for this transfer.

The acquisition includes all of Olympus’ global Imaging business, including all research and development, as well as manufacturing facilities. Sales, marketing and R&D operations will be relocated to a new headquarters located in Hachioji, Tokyo, Japan, while production will continue at Olympus’ Vietnamese factories in the Dong Nai province.

Olympus says the ‘New Imaging Company will continue to provide high-quality, highly reliable products’ and notes the ‘Zuiko and OM brands, which are grounded in optics and digital imaging technologies cultivated by Olympus over many years […] will be appropriately positioned to further pursue new developments.’

Once the deal is complete, Olympus will focus on its Medical and Scientific Solutions with a mission to ‘making people’s lives healthier, safer and more fulfilling.’

Press release:

Olympus Agreed on Transfer of Imaging Business with JIP

Tokyo, September 30, 2020 – Olympus Corporation (“Olympus”) today concluded a definitive agreement with Japan Industrial Partners Inc. (“JIP”) regarding the transfer of the Olympus Imaging business. Under the agreement, Olympus will transfer its Imaging business to a newly established wholly-owned subsidiary of Olympus (the “New Imaging Company”), through an absorption-type split. This is to be followed by transferring 95% of the shares of the New Imaging Company on January 1, 2021, to OJ Holdings, Ltd., a special purpose company established by JIP.

Olympus began the manufacture and sale of cameras using the Zuiko lens in 1936 and became one of the world’s leading camera makers. Olympus was among the first companies to make small, lightweight compact cameras with professional quality, such as the award-winning Olympus ‘OM’ and ‘Pen’ series. Driven by the desire to make people’s lives more fulfilling around the world, the company applied innovative technology and unique product development to distinguish itself in a highly competitive industry.

In recent years, however, the market has shrunk rapidly due to the evolution of smartphones, leading to a significant downturn for the digital camera market globally. Despite taking various steps to improve its cost structure and efficiency, Olympus’ Imaging business recorded operating losses for three consecutive fiscal years up to March 2020.

Under such circumstances, Olympus concluded that, by carving-out the Imaging business and operating the business under JIP, its business structure would become more compact, efficient, and agile, and it is the most appropriate way to realize self-sustainable and continuous growth. With a loyal following and long history of innovative products, the New Imaging Company would be committed to building on Olympus’ accumulated expertise and to continue providing customers with innovative, high quality cameras under the new business structure.

“I would like to express my heartfelt gratitude to all our customers for their patronage and support of Olympus products, and for their passion devoted to photography. I have the utmost confidence that this transfer is the correct step forward in sustaining the value of our products and services,” said Yasuo Takeuchi, President and CEO of Olympus Corporation.

“At the same time, I am certain that this opportunity is the best choice for our long-time patrons, new customers and photography enthusiasts. Under the new company, the development, manufacturing, sales and service functions will continue tight collaboration to introduce new products that will satisfy customers,” Takeuchi added.

The agreement applies to Olympus’ global Imaging business, which includes all R&D and manufacturing facilities currently dedicated to its Imaging business. The New Imaging Company will continue to provide high-quality, highly reliable products. Built on a solid foundation, including the Zuiko and OM brands, which are grounded in optics and digital imaging technologies cultivated by Olympus over many years, the New Imaging Company will be appropriately positioned to further pursue new developments.

Head of sales and marketing, R&D and designing departments for imaging products will be relocated to the headquarters of the New Imaging Company in Hachioji, Tokyo. Production will continue at the location in Dong Nai province, Vietnam, where imaging products are currently manufactured. The New Imaging Company will continue to provide customer support for the imaging products which have been manufactured and sold by Olympus.

Following the transfer of the Imaging business, Olympus will concentrate on Medical and Scientific Solutions, in our ongoing efforts toward making people’s lives healthier, safer and more fulfilling.

Information on the New Imaging Company is as follows. Company name: OM Digital Solutions Corporation Location: Hachioji, Tokyo Representative Director: Shigemi Sugimoto Business operations: Operations involving the manufacture and sale of digital cameras (primarily mirrorless interchangeable lens cameras), interchangeable lenses, IC recorders, and other audio products Capital: Not fixed

For the details about the company split and the transfer of shares, please refer our corporate disclosure “Signing of Definitive Agreement for Divestiture of Imaging Business.” (https://www.olympus-global.com/news/ir/2020/)

Articles: Digital Photography Review (dpreview.com)

 
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