RSS
 

Archive for the ‘Uncategorized’ Category

Xiaomi Mi MIX 3 launches with tele-camera and night mode

26 Oct

Chinese manufacturer Xiaomi today announced its new flagship smartphone, the Mi MIX 3. The new device features a 6.4” AMOLED display with Full HD+ resolution and only minimal bezels. Unlike most current high-end phones, the Xiaomi doesn’t come with a display notch. Instead the rear of the phone slides upwards, revealing a front dual-cam setup with 24MP main module and a 2MP depth-sensing camera.

Rear camera hardware specs have not changed compared to the Mi 8 and Mi Mix 2S which were both released earlier this year. The rear dual-camera comes with a 12MP wide-angle primary camera that uses a 1/2.55 Sony IMX363 sensor with 1.4µm pixel size, F1.8 aperture and OIS.

The secondary 2x tele-camera comes with smaller 1.0µm pixels and an F/2.4 aperture lens. Software-wise the Mi MIX 3 offers a new Night Mode for hand-held long-exposure shots and AI-powered scene recognition.

Other specs are in line with the current crop of top-end Android phones. The device is powered by a Qualcomm Snapdragon 845 chipset and 6, 8 or 10GB of RAM. You can choose between 128GB or 256GB of internal storage but there are no expansion slot headphone jack.

Pricing starts at $ 475 (CNY3,299) for the 6/128GB version and goes up to $ 720 (CNY4,999) for the 10/256GB model. Preorder is starting today and the device will actually be available November 1.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Xiaomi Mi MIX 3 launches with tele-camera and night mode

Posted in Uncategorized

 

DxO PhotoLab 2 arrives with new haze removal tool and PhotoLibrary

26 Oct

DxO has released PhotoLab 2, an update to its PhotoLab image processing software. The updated version brings new features and improvements, including ClearView Plus, a new version of its haze removal and local contrast tool, as well as a new data and image management feature called DxO PhotoLibrary, and support for DCP color profiles.

DxO presents its new ClearView Plus as a “revolutionary tool” that can strip haze from an image while enhancing local contrast. According to the company, this improved version of the tool enables the user to create “dramatic adjustments” without producing unwanted halos.

PhotoLibrary, meanwhile, offers a variety of features, including the ability to search for, select, sort, and display images. The feature offers dynamic search, which presents the user with suggests as they type the search query. Users can search for content based on various criteria, including name, extension type, and shooting parameters.

DxO is now offering PhotoLab 2 for both Mac and PC through its online shop. The software is offered at introductory prices until November 18, after which point the regular rate is applied. PhotoLab 2 Essential is $ 99.99 USD and will be $ 129 USD after the introductory pricing ends; PhotoLab 2 Elite is $ 149.99 USD currently and will be $ 199 USD after the promotion ends.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on DxO PhotoLab 2 arrives with new haze removal tool and PhotoLibrary

Posted in Uncategorized

 

Google promises software fix for Pixel 3 image saving issues

25 Oct

It’s not unusual to see one or two software bugs on a newly released smartphone, but it looks like some Google Pixel 3 and 3 XL units are infected with a particularly nasty camera-related problem. Many early adopters have reported a bug that occasionally prevents photos from saving after capture in the camera app.

The technical details behind the problem are not quite clear, but looking at discussions on Reddit appears older Pixel phones, and even Nexus devices, have had similar issues in the past.

The good news is that Google is now reacting and addressing the issue. A spokesperson talked to Android Police and provided the following statement:

“We will be rolling out a software update in the coming weeks to address the rare case of a photo not properly saving.”

The company has also confirmed that the bug will not only be fixed on the latest Pixel 3 devices but also on older Google Pixel 1 and 2 generation phones that are affected.

Even if it only happens rarely, a lost photo in an important moment is every photographer’s nightmare. So it’s good to see Google’s is taking steps to fix the issue across all affected models.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Google promises software fix for Pixel 3 image saving issues

Posted in Uncategorized

 

‘White Stripes’ Jack White opens film lab in Nashville

25 Oct

Jack White, the lead singer of the band The White Stripes, has opened a lab in his Nashville recording studio to process and print film. The building that houses Third Man Records, White’s record label, now has the facilities to process black and white, color negative and transparency film, as well as hand-printing services.

According to the price list, Third Man Photo handles 35mm, 120 and 220 roll film as well as 110 cassettes. Photographic prints are also available in sizes up to 20x24in. The lab also makes negatives from digital files, scans film, and offers cross-processing.

Customers can drop off film in person or mail it to the lab. Workshops can be booked for customers who are feeling a little more adventurous and fancy processing their own film.

For more information see the Third Man Photo website.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on ‘White Stripes’ Jack White opens film lab in Nashville

Posted in Uncategorized

 

Ricoh WG-60 rugged camera adds FlashAir card compatibility

25 Oct

The Ricoh WG-60 is a waterproof camera with solid rugged credentials. It’s waterproof to 14m (45ft), shockproof from 1.8m (11ft) and freezeproof to -10°C (14°F). It has a 16MP BSI-CMOS sensor, 28-140mm equivalent lens, 2.7″ LCD and a built-in LED ring light.

The WG-60 is the replacement to the WG-50 and, from what we can tell, is nearly identical. The only difference appears to be support for FlashAir Wi-Fi SD cards, which is the camera’s only way to connect to mobile devices. If we discover other differences between the WG-60 and its predecessor, we’ll update this article.

The WG-60 will be available next month for £250 and will come in red or black. The camera will not be sold in the U.S.

Press Release:

Digital compact camera for underwater photography down to 14 metres, with waterproof, shockproof performance; available in two colours

London, 24 October 2018 ?RICOH IMAGING EUROPE S.A.S. is pleased to announce the launch of the RICOH WG-60 digital camera. This new model features a compact, lightweight body design, with exceptional waterproof and shockproof performance.

The superb waterproof design of the WG-60 means the user can easily take pictures outdoors with confidence. Despite a compact lightweight body, the outstanding specifications of the WG-60 means that it outperforms ordinary digital cameras and smartphones in demanding outdoor conditions. It is waterproof to a depth of 14 metres, shockproof against a fall from a height of 1.6 metres and freeze-proof down to temperatures as low as -10°C. It also comes equipped with an outdoor-friendly LCD monitor so you can instantly adjust its brightness to the lighting level in a particular shooting situation.

Main Features

1. Heavy-duty construction for underwater shooting down to 14 metres, for up to two hours.
Featuring a solid, airtight body waterproof down to a depth of 14 metres for up to two hours of continuous operation (equivalent to IPX 8 or JIS Class 8). Shockproof against falls from a height of 1.6 metres,* dustproof (equivalent to IPX 6 or JIS Class 6), freeze-proof to temperatures as low as -10°C, and crush-proof against weights up to 100kgf (kilogram force). ** Its heavy-duty construction ensures that the WG-60 performs superbly and dependably even in harsh, demanding outdoor conditions.
* Measured under RICOH IMAGING-original testing standards — from a height of 1.6 metres, onto a surface of 5cm-thick plywood — conforming to Method 516.5-Shock of the MIL-Standard 810F.
** Measured under RICOH IMAGING-original testing standards.

2. Exceptional image quality
The WG-60 comes equipped with a back-illuminated CMOS image sensor, which delivers excellent high-sensitivity and low-noise characteristics and high-speed read-out of image data signals. Coupled with a high-performance imaging engine, this image sensor delivers a top sensitivity of ISO 6400 and super-high-resolution images with approximately 16.0 effective megapixels. This model also provides advanced image processing functions, made possible by the latest super-resolution technology for sharp, clear, high-resolution images. It also offers such innovative features as Handheld Night Snap mode, which automatically captures several images of the same nighttime scene to produce a single, blur-free composite image.

3. 5X optical zoom lens with a 28mm wide-angle coverage
The WG-60 features a high-performance, five-times optical zoom lens with a focal-length coverage from 5mm to 25mm (equivalent to approx. 28mm to 140mm in the 35mm format) to accommodate a wide range of scenes and subjects, including landscapes. It also provides other convenient shooting functions, such as macro mode to capture dramatic close-up images from a minimum focusing distance of a mere one centimetre. An Intelligent Zoom function extends the zoom range to approximately 36 times (equivalent to 1008mm in the 35mm format) without compromising image quality, for superior telephoto photography and an interval-shooting mode, which comes in handy for fixed-point observation.

4. Six Macro Lights to assist close-up shooting, and a Self-Portrait Assist mode
By selecting the Digital Microscope mode, six LED Macro Lights ideally positioned around the circumference of the lens barrel for macro shooting, allow the WG-60 to provide bright, uniform illumination on a subject. ***The Macro Lights enable the user to clearly see a magnified view of the microscopic world undetectable by the naked eye on the camera’s LCD monitor, and effortlessly capture eye-catching close-up images. In order to minimize camera and subject shake, the Instant Illumination Enhance function allows the use of a higher shutter speed by automatically raising the discharge level of the Macro Lights at the moment of shutter release. The Macro Lights also provide other useful functions, such as a Self-Portrait Assist mode, which uses the blink of an LED lamp to check if the subject’s face is captured within the picture frame, and the LED Lighting mode, which uses the Macro Lights as a lighting device in the dark.
*** When this mode is selected, the image size is fixed at 2.0 megapixels (at 16:9 proportions).

5. Underwater shooting mode
Specifically designed for underwater photography, the Underwater and Underwater Movie shooting modes optimize colour and contrast, based on the data of images actually captured under the water. These modes deliver sharp, true-to-life images by enhancing shades of red, which are lost in underwater photography, while effectively compensating for the loss of contrast caused by the diffusion of light in water. During Underwater mode, the Flash Off + Flash On option, allows the user to capture two images consecutively — with a single shutter release — one without flash and another with flash.

6. Full HD movie recording for extended shooting of high-quality movies
The WG-60 provides Full HD movie recording employing the H.264 recording format. Users can capture high quality extended movie clips (1920 x 1080 pixels, 16:9 proportions) at a frame rate of 30 frames per second. To add some creative touches to movie recording, it also features a high-speed camera function**** for slow motion playback of captured movie clips and an interval movie function. A micro-HDMI terminal (Type D) is also on the camera body for simultaneous output of Full HD movie clips and sound to external audio-visual devices.
**** When this function is selected, the recorded size is fixed at 1280 x 720 pixels.

7. Triple anti-shake protection to prevent blurred images in all applications
(1) Pixel Track SR mechanism
When recording still images, this advanced shake-reduction mechanism effectively compensates for camera shake by digitally processing affected images.

(2) Digital SR mode
When the camera detects low-lighting conditions in still-image shooting, this mode automatically raises the sensitivity up to as high as ISO 6400, making it possible to use a higher shutter speed and effectively minimize the adverse effects of camera shake and subject shake when dealing with poor lighting conditions.

(3) Movie SR mode
During movie recording, this mode effectively compensates for the misalignment of images caused by camera shake with exclusive software to produce beautiful, blur-free movie clips.
8. 2.7-inch LCD monitor with the Outdoor View Setting mode
The WG-60 comes equipped 2.7-inch LCD monitor with horizontally extended 16:9 proportions and approximately 230,000 dots. The monitor’s AR (Anti-Reflection) coating minimizes annoying glare and reflections for a sharp, clear on-screen image even in bright sunshine during outdoor shooting. It also comes equipped with such convenient features such as the Outdoor View Setting mode, which easily sets the optimum monitor brightness level for a given lighting situation.

9. Other features
· A range of WG-series mount accessories (optional) to accommodate a range of shooting situations
· Compatibility with FlashAirTM wireless LAN SD memory cards
· Two remote control receptors (one in front and another in the back) to widen signal coverage
· Macro stand (included) to maintain a minimum focusing distance of one centimetre to the subject during extended observation and shooting of macro images
· High-speed Face Detection function to capture as many as 32 faces in focus in approximately 0.03 seconds (minimum); Smile Capture function to automatically release the shutter when the subject’s smile is detected
· Outdoor-friendly Style Watch function to display the time on the LCD monitor, using an extended push of the OK button when the camera’s power is turned off
· Delay-free, push button start of the playback mode, using an extended push of the playback button
· Auto Picture mode to automatically select the most appropriate shooting mode from 16 different scene modes
· A choice of 12 digital filters

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Ricoh WG-60 rugged camera adds FlashAir card compatibility

Posted in Uncategorized

 

DJI updates geofencing system to better protect airspace around airports

24 Oct

DJI has announced Geospatial Environment Online Version 2.0 (GEO 2.0), a geofencing update for its drones that improves their ability to avoid restricted airspace near airports. The improvements are “based on a more finely-tuned evaluation of risks associated with aircraft approaching and departing different types of airports,” according to Brendan Schulman, DJI VP of Policy & Legal Affairs.

The update will arrive in phases starting in November for airports and airspace in the US. DJI indicates similar upgrades will arrive in other regions, but doesn’t provide a timeline, saying only that they “will follow in due course.”

DJI explains that its new system enables Geospatial Environment Online to create a 3D “bowtie” safety zone around airport runway flight paths; the update also adds complex polygons for placement around non-runway facilities deemed sensitive.

The update also adds restrictions for the final approach corridor of active runways, which are designated as “runaway exclusion zones” by the FAA Reauthorization Act. DJI has dropped AirMap and selected PrecisionHawk as its new North America data provider. The company collaborated with the American Association of Airport Executives (AAAE) and the Aircraft Owners and Pilots Association (AOPA) to get guidance on GEO 2.0 from general aviation pilots and airports.

DJI drone owners will need to update their drone firmware and the DJI GO 4 flight control app to access the changes.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on DJI updates geofencing system to better protect airspace around airports

Posted in Uncategorized

 

Apple to fix ‘beauty filter’ issue with iOS 12.1 update

24 Oct

Apple’s iOS 12.1 software update will fix a bug causing the “beautygate” scandal impacting the iPhone XS and XS Max, according to The Verge. Critics have complained about overly smooth skin in selfies taken with the front-facing camera on the iPhone XS, believing it to be the result of a beauty filter akin to what Samsung uses on some of its phones.

Earlier this month, Sebastiaan de With, developer of iOS camera app Halide, had placed blame for the issue on excessive noise reduction, but The Verge reports that Smart HDR is to blame. The feature may incorrectly choose a base frame captured with a longer shutter speed, using this frame for preserving detail in the selfie.

The lack of optical image stabilization for the front camera may result in a slight blur on the frame that smooths out some details, this producing the “beauty filter” look some users have complained about. According to the report, iOS 12.1, which is currently in beta, will fix Smart HDR so that it chooses a frame captured with a short shutter speed, eliminating the issue.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Apple to fix ‘beauty filter’ issue with iOS 12.1 update

Posted in Uncategorized

 

This lens only existed for a minute and was made from a crystal clear iceberg

24 Oct

French photographer and YouTuber Mathieu Stern is known for his look at rare, vintage glass, but his latest lens might just top it all. While on Iceland’s famous “iceberg beach,” Stern fulfilled his dream of shooting photos and videos with a lens made of ice.

“Shooting photos using an ice lens [has been] my dream for almost 2 years. After some research I saw that almost no one ever tried this crazy idea, mainly because it’s hard as hell to find pure ice, and even harder to get a clear image,” says Stern in the video’s description. “So I had the choice to give up on my idea because it was too hard, or to just level up in the craziness […] If it’s hard to find pure ice in my city, maybe I should go where I could find some 10 000 year old pure ice — Iceland’s famous iceberg beach.”

The night before Stern and his friends were supposed to go to the beach, a “huge” storm went through and took all of the icebergs away from shore. So, they waited a few days and eventually went back three days later at 5am in the morning to get a chunk from one of the icebergs that had made its way to shore.

Stern says it took nearly six hours to create a single working ice lens, after four of them had broken inside of the housing. Every iteration, each of which took 45 minutes to make, was done so with the help of a Japanese cocktail ice ball maker, which Stern had hacked to form the piece of iceberg into a half-sphere.

The housing of the lens he created was 3D-printed, which held the continuously-melting piece of ice in place in front of Stern’s camera. As you could imagine, shooting with the lens was less than ideal. The lens lasted only a minute or so after it was completed and trying to focus as it was melting proved to be a challenge.

According to Stern, no cameras were harmed in the making of the video. As to whether or not he was happy with the result, Stern says “This project is a scientific, artistic and poetic project — I never imagined the result would look like the photos that comes from an ultra modern lens, but I was amazed by the strange beauty of the images I made with the first ever 10,000 year old lens.”

You can read Stern’s detailed account on the creation of the lens and see more of his work on his website.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on This lens only existed for a minute and was made from a crystal clear iceberg

Posted in Uncategorized

 

ONA teams up with Tutes, Adorama to release new capsule camera bag collection

24 Oct

Camera bag manufacturer ONA has partnered with Adorama and Bronx-based photographer Jose “Tutes” Tutiven to create a pair of camera bags for a new capsule collection.

The collection consists of ONA’s most popular camera bag and backpack, the Bowery and Camps Bay, with a new green and orange colorway that ONA says was “inspired by the classic MA-1 bomber jacket, a reference to Tutes’s personal style and Bronx roots.”

“Known for his trend-setting urban portraiture, Tutes has partnered with both ONA and Adorama since his early days as a full-time photographer,” reads ONA’s press release. “Most notably as one of the first photographers featured in Adorama TV’s popular “Through The Lens” web series.

The bags are constructed of 1000D Cordura material and include pebbled black leather accents around the zippers and compartments. Gunmetal solid brass hardware is used throughout both bags.

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_7999827709″,”galleryId”:”7999827709″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

You can purchase the “ONA X Tutes” Bowery bag and Camps Bay backpack on ONA’s website for $ 179 and $ 419, respectively.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on ONA teams up with Tutes, Adorama to release new capsule camera bag collection

Posted in Uncategorized

 

Canon USA revives CarePAK Plus, free accidental damage repair on EOS R, most DSLRs

23 Oct

Canon USA has reintroduced its CarePAK Plus service as a promotional incentive for most of its recent DSLR cameras, as well as for the new EOS R full frame mirrorless body. The service plan offers 13-months’ worth of free accidental damage cover, as well as two Canon Maintenance Services during that period.

The offer covers 10 of the company’s DSLR and the EOS R, and will also be accessible for those buying one of 13 lenses from the L professional series. Customers have a month to register their products for the service, and Canon boasts that it handles everything from calls and emails, to the actual servicing, so you’ll never have to deal with a third party. Below is a complete list of the participating products:

EOS R EOS 6D Mark II EF 24-70mm F2.8 II USM
EOS 1D X Mark II EOS 80D EF 70-200mm F2.8 IS II USM

EOS 5D Mark IV

EOS 77D EF 70-200mm F2.8 IS III USM
EOS 5D Mark III RF 28-70mm F2 L USM EF 50mm F1.2 L USM
EOS 5Ds RF 50mm F1.2 L USM EF 85mm F1.2 L USM
EOS 5Ds R EF 16-35mm F2.8 L II USM EF 85mm F1.2 L II USM
EOS 6D EF 16-35mm F2.8 L III USM EF 100mm F2.8 L Macro IS USM
EOS 7D Mark II EF 17-40mm F4 L USM EF 100-400mm F4.5-5.6 L IS II USM
EOS 6D Mark II

The offer applies to products purchased from authorized dealers from now until 5th Jan 2019. See the Canon website for more information.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Canon USA revives CarePAK Plus, free accidental damage repair on EOS R, most DSLRs

Posted in Uncategorized