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Samyang has announced the AF 85mm F1.4 FE lens for full-frame Sony cameras

16 Mar

Samyang has announced the AF 85mm F1.4 FE, an autofocus prime lens designed for Sony full-frame mirrorless cameras.

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The 85mm F1.4 FE is Samyang’s sixth autofocus lens for Sony full-frame cameras since first unveiling a pair back in 2016. Powering the autofocus is Samyang’s Dual Linear Sonic Motor (DLSM) that uses ultrasonic vibrations to drive the focusing mechanism.

The lens is constructed of 11 elements in 8 groups, including one Extra Low Dispersion (ED) and four High Refractive (HR) elements, and features a nine-blade aperture diaphragm. Its aluminum body is weather sealed to protect against rain and dust and features a Samyang’s Ultra Multi Coating (UMC) on its optical elements.

The minimum focusing distance is 0.9m / 1.95ft and uses a 77mm filter thread. It measures in at 99.5mm / 3.9in long and weighs 568g / 1.25lbs. Below is a sample gallery of images provided by Samyang:

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Samyang claims the AF 85mm F1.4 FE will be available Spring 2019. Pricing information is not yet available.

Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS RP, Nikon Z6 and Olympus E-M1X added to buying guides

15 Mar

We’ve just added a trio of recently released cameras to our buying guides.

The Nikon Z6, for which we’ve completed our full review, can be found in the ‘Best Cameras Under $ 2000’ and ‘Best Cameras for Video’ guides.

The Olympus E-M1X, whose full review is in progress, sits in the ‘Best Cameras Over $ 2000’ and ‘Best Cameras for Sports & Action’.

Finally, you’ll find the Canon EOS RP write-up in the ‘Best Cameras Under $ 1500’ guide. Our review of the RP is being written as we speak, so keep an eye out for that.

Best Cameras Under $ 1500 (EOS RP)

Best Cameras Under $ 2000 (Z6)

Best Cameras Over $ 2000 (E-M1X)

Best Cameras for Video (Z6)

Best Cameras for Sports & Action (E-M1X)


View all buying guides

Articles: Digital Photography Review (dpreview.com)

 
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SLR Magic brings six MicroPrime lenses to Fujifilm X mount, adds a 12mm as well

15 Mar

Cinema lens manufacturer SLR Magic has announced it will offer all of its existing MicroPrime range in the Fujifilm X mount. Designed for full frame sensors, the lenses will attract a 1.5x angle of view shift when fitted on the APS-C Fujifilm X cameras, but the addition of a new 12mm T2.8 aims to provide a good wide angle so Fujifilm users don’t miss out.

While the other six lenses in the MicroPrime range have been available for some time in the Sony E mount, the 12mm is a completely new lens and is designed only for APS-C sensors. All the lenses in the range have the same external design and mostly weigh the same, so switching from one to another is relatively easy when a rig is in use. They have an 82mm filter thread and use the same 0.8 MOD gears.

The inclusion of the Fujifilm X mount is almost certainly a result of the recent attempts by Fujifilm to attract videographers with the advanced movie features of its X-H1 and X-T3 cameras.

The lens line up will consist of:

  • 12mm T2.8
  • 15mm T3.5
  • 18mm T2.8
  • 25mm T1.5
  • 35mm T1.3
  • 50mm T1.2
  • 75mm T1.5

The six previously-existing models will cost $ 599, while the 12mm will cost $ 499. For more information visit the SLR Magic website.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm X-T30, Sony a6400 added to ‘Best Cameras under $1000’ buying guide

15 Mar

We’ve added the Fujifilm X-T30 and Sony a6400 to our ‘Best Cameras under $ 1000’ buying guide. Both of these cameras offer a lot of bang for your buck, with impressive stills and video capabilities for $ 900 body only.

While we’re yet to publish our full reviews of these cameras, we’ve added our initial impressions on both cameras in this updated guide. Look for our final reviews of both cameras in the near future.

Best Cameras under $ 1000 buying guide

Articles: Digital Photography Review (dpreview.com)

 
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Lensbaby announces the Edge 35mm optic, a wide angle tilt lens for its Optic Swap system

15 Mar

Lensbaby has released Edge 35mm Optic, a new wide angle tilt lens for its Optic Swap system.

The lens, which works in conjunction with the Lensbaby composer Pro or Composer Pro II, can be mounted to Canon EF, Nikon F, Sony E, Fuji X and Micro Four-Third systems. It is the third selective focus lens in Lensbaby’s Optic Swap lineup, rounding out the existing 50mm and 80mm options.

The lens features an aperture range of F3.5-F22 and a minimum focusing distance of 18cm / 7in. It has an eight blade aperture diaphragm and can tilt 15 degrees. Lensbaby doesn’t have specific dimensions or weight available at this time.

‘The Composer Pro II swivels and tilts on a smooth metal ball and socket design, providing a fast and intuitive way to switch between traditional straight lens photos and tilt photography,’ says Lensbaby in the press release. ‘Tilting the lens up or down results in a horizontal slice of focus; left or right a vertical slice; diagonally for a diagonal slice. After setting the tilt, rotating the focus ring moves that slice of focus through the image, from one side of the frame to the other.’

Below is a sample gallery of photos provided by LensBaby:

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The Edge 35mm Optic is available for pre-order alone for $ 249.95 or as a kit with the Composer Pro II for $ 449.95. The first lenses and kits will start shipping in early April.

Lensbaby Launches a New, Wide Angle Tilt Lens for their One-of-A-Kind Optic Swap System

Portland, OR — Lensbaby – makers of award-winning lenses, optics and accessories announces today the availability of its new wide angle tilt lens. The Composer Pro II with Edge 35mm Optic is available for use on Canon EF, Nikon F, Sony E, Fuji X, and Micro 4/3 interchangeable lens cameras. The Edge 35mm Optic is also available separately for anyone who already owns a Lensbaby Composer Pro or Composer Pro II lens body. Fans of this style of selective focus photography have been requesting a wider option beyond the company’s existing 50mm and 80mm lenses.

The Composer Pro II with Edge 35 Optic is a 35mm f/3.5 tilting lens designed for those looking for a wider focal length to create unique in-camera shots with a slice of tack-sharp focus and detail. By tilting this lens, users can place a slice of sharp focus through objects in both the foreground and background of an image at the same time, bordered by smooth blur. This in-camera effect helps artists tell their story in an uncommon way.

“Over the past 15 years, we’ve made optical tools to help you discover unique ways of seeing your world. A 35mm tilt lens, despite being our most requested new product offering since we introduced the Edge 80 in 2012, has been elusive and the results of our efforts have paid off in a lens that is far better than we thought possible when starting our design process. It was worth the wait.” said Craig Strong, Lensbaby Chief Creative Officer and Co-Founder.

The Composer Pro II swivels and tilts on a smooth metal ball and socket design, providing a fast and intuitive way to switch between traditional straight lens photos and tilt photography. Tilting the lens up or down results in a horizontal slice of focus; left or right a vertical slice; diagonally for a diagonal slice. After setting the tilt, rotating the focus ring moves that slice of focus through the image, from one side of the frame to the other.

“The Edge 35 has changed my traveling & portrait sessions for the better. I’m able to get into tight spaces and buildings and still be able to show the whole aspect of the story I’m trying to create,” said renowned portrait, travel and lifestyle photographer Stephanie DeFranco. “I find the wider slice of focus makes it easier to find the area I want to draw the viewer’s eye toward. With its 35mm focal length, this optic lets me create the same dreamy feel as the Edge 50 and Edge 80, but because of the wider slice of focus, also allows me to include more of a scene in the story.”

The Composer series of lenses are lenses that tilt to move a spot or slice of focus anywhere in the frame. They feature Lensbaby’s Optic Swap System. Users can simply purchase one lens, made up of a lens body with an included optic, for their camera system, then, swap out the optic that it came with for a new optic to completely change the effect and focal length of their Lensbaby lens.

The Composer Pro II with Edge 35 Optic will be available in April for $ 449.95, and by itself as an Optic for those who already own a Composer series lens, for $ 249.95.

Composer Pro II with Edge 35 Optic Product Specifications

  • 35mm focal length
  • f/3.5 – f/22
  • Focuses from 7” from the front element to infinity
  • Compatible with Full Frame; APS-C; and 4/3rds Sensors
  • Manual Focus
  • Internal 8-blade aperture
  • Up to 15 degrees of tilt
  • Dimensions: to come
  • Weight: to come
  • Mounts: Nikon F, Canon EF, Sony E, Fuji X, Micro 4/3

Articles: Digital Photography Review (dpreview.com)

 
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CFexpress 2.0 cards will be offered in three sizes with different maximum speeds

15 Mar

In February, the CompactFlash Association announced the CFexpress 2.0 specification, a follow-up to the CFexpress 1.0 specification first revealed in late 2016. The new 2.0 spec update brings two more form factors to CFexpress, both targeting industrial and professional imaging markets, according to the association. The two new form factors join the original, ushering in Type A, Type B and Type C cards.

CFexpress 2.0 Type A cards are the smallest of the three form factors at 20mm x 28mm x 2.8mm, which is a bit smaller than a standard SD card. The Type A cards feature a Gen3 PCIe interface with 1 lane and a maximum theoretical performance of 1000MB/s.

The Type B card has the same dimensions as XQD cards at 38.5mm x 29.8mm x 3.8mm; this variety has a Gen3, 2 lanes interface and max theoretical performance of 2000MB/s. Finally, the Type C form factor is largest at 54mm x 74mm x 4.8mm with a Gen3, 4 lanes interface and max theoretical performance of 4000MB/s.

The different form factors offer manufacturers flexibility in choosing which card type their devices will utilize, such as the small card with a priority on compact size instead of transfer speeds, or the largest card with a focus on speed at the expense of compactness. Japanese publication DC.Watch shared images of these different card form factors earlier this month.

According to the CF Association, the CFexpress 2.0 specification is designed for a variety of needs, including imaging, which specifically includes DSLRs, mirrorless cameras, drone cameras and video cameras.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma updates firmware for multiple EF mount lenses, EF-E converter and one F mount lens

14 Mar

Sigma has released new firmware updates for a number of its Canon EF mount lenses as well as its Canon EF-E converter and a single Nikon F mount lens.

For the Canon EF mount lens included in the update, the firmware mainly addresses compatibility with Canon’s in-camera Lens Aberration Correction feature to ensure corrections match the characteristics of each lens and errors don’t appear when the feature is enabled.

The firmware updates also improve functionality with select EF lenses when used on an EOS R camera with Canon’s EF-EOS R adapters. Below is a list of EF mount lenses that have firmware updates; a detailed list of the updated functionality of each lens can be found in the press release below:

  • SIGMA 30mm F1.4 DC HSM | Art for CANON EF Mount
  • SIGMA 24-70mm F2.8 DG OS HSM | Art for CANON EF Mount
  • SIGMA 60-600mm F4.5-6.3 DG OS HSM | Sports for CANON EF Mount
  • SIGMA 120-300mm F2.8 DG OS HSM | Sports for CANON EF Mount
  • SIGMA 150-600mm F5-6.3 DG OS HSM | Contemporary for CANON EF Mount
  • SIGMA 85mm F1.4 DG HSM | Art for CANON EF Mount

Sigma has also updated the firmware for its MC-11 EF-E adapter to improve functionality and compatibility with the aforementioned Sigma EF lenses. Specifically, it improves the image stabilization functionality when used with the Sony a9 and a7 III when the in-camera image stabilization is set to ‘AUTO.’

Lastly, Sigma has updated the firmware for its 150-600mm F5-6.3 DG OS HSM lens for Nikon F mount, improving the stability of the image in the viewfinder for more accurate compositions.

All of lenses can be updated with Sigma’s Optimization Pro tool alongside the Sigma USB Dock.

Press release:

Firmware update for SIGMA’s interchangeable lenses for CANON EF mount

Thank you for purchasing and using our products. We would like to announce that a new firmware update for SIGMA’s interchangeable lenses for CANON EF mount listed below is now available.

This firmware allows compatibility with Canon’s in-camera Lens Aberration Correction function to enable correction matching the optical characteristics of each lens. It also corrects the phenomenon that abnormal images appear or operation errors occur when the function is enabled. In addition, it improves the functionality. Furthermore, there is an improvement to the phenomena particular to some lenses when they are used in combination with the Canon “EOS R” and their “Mount Adapter EF-EOS R”, or “Control Ring Mount Adapter EF-EOS R”. This was previously reported in our announcement of January 16th, 2019.

For customers who own the SIGMA USB DOCK and applicable products listed below, please update the firmware via SIGMA Optimization Pro. Before updating the firmware using the SIGMA USB DOCK, please ensure to update SIGMA Optimization Pro to Ver. 1.5.0. or later..

SIGMA 30mm F1.4 DC HSM | Art for CANON EF Mount Update

  • It has ensured compatibility with Canon’s in-camera Lens Aberration Correction function, which enables correction matching the optical characteristics of the attached lens. *
  • It has corrected the phenomenon that abnormal images appear or operation errors occur when Canon’s in-camera Lens Aberration Correction function is enabled.
  • It has improved the AF accuracy when the lens is used with Live-View mode.
  • When the lens is used in combination with the Canon “EOS R” and their “Mount Adapter EF-EOS R”, or “Control Ring Mount Adapter EF-EOS R”, it has become compatible with EOS R’s “1.6x (Crop)” to be set automatically as well as with “Scene Intelligent Auto Mode”.

SIGMA 24-70mm F2.8 DG OS HSM | Art for CANON EF Mount Update

  • When the lens is used in combination with the Canon “EOS R” and their “Mount Adapter EF-EOS R”, or “Control Ring Mount Adapter EF-EOS R”, it has corrected the phenomenon whereby restarting the camera does not work when the lens is taken off the camera while the lens’s OS function is in operation.
  • When the lens is used in combination with the Canon “EOS R” and their “Mount Adapter EF-EOS R”, or “Control Ring Mount Adapter EF-EOS R”, it has corrected the phenomenon whereby it may stop the focus driving from infinity to closer focus distance while shooting video with AF.
  • When the lens is used in combination with the Canon “EOS R” and their “Mount Adapter EF-EOS R”, or “Control Ring Mount Adapter EF-EOS R”, it has corrected the phenomenon whereby it may occasionally show overexposure when narrowing down the aperture from F8 while shooting.

SIGMA 60-600mm F4.5-6.3 DG OS HSM | Sports for CANON EF Mount Update

  • When the lens is used in combination with the Canon “EOS R” and their “Mount Adapter EF-EOS R”, or “Control Ring Mount Adapter EF-EOS R”, it has corrected the phenomenon whereby restarting the camera does not work when the lens is taken off the camera while the lens’s OS function is in operation.

SIGMA 120-300mm F2.8 DG OS HSM | Sports for CANON EF Mount Update

  • It has ensured compatibility with Canon’s in-camera Lens Aberration Correction function, which enables correction matching the optical characteristics of the attached lens. *
  • It has corrected the phenomenon that abnormal images appear or operation errors occur when Canon’s in-camera Lens Aberration Correction function is enabled.
  • It has improved the AF accuracy when the lens is used with the SIGMA MOUNT CONVERTER MC-11 EF-E.

SIGMA 150-600mm F5-6.3 DG OS HSM | Contemporary for CANON EF Mount Update

  • It has improved the stability of the image in the viewfinder, making it easier to confirm composition, thanks to the updated control algorithm of the Optical Stabilizer.

SIGMA 85mm F1.4 DG HSM | Art for CANON EF Mount Update

  • When the lens is used in combination with the Canon “EOS R” and their “Mount Adapter EF-EOS R”, or “Control Ring Mount Adapter EF-EOS R”, it has corrected the phenomenon whereby it may occasionally show overexposure when narrowing down the aperture from F8 while shooting.

* Compatible Canon camera models:EOS R**, EOS-1DX mark II, EOS 5Ds,EOS 5DsR, EOS 5D Mark IV, EOS 6D mark II, EOS 80D, EOS 8000D(EOS Rebel T6s, EOS 760D), EOS 9000D(EOS 77D), EOS Kiss x8i(EOS Rebel T6i, EOS 750D), EOS Kiss x9i(EOS Rebel T7i, EOS 800D), EOS Kiss x9(EOS Rebel SL2, EOS 200D)

** When the Digital Lens Optimizer is switched [OFF], but “Peripheral illumination correction”, “Chromatic aberration correction” and “Distortion correction”, located within the in-camera Lens Aberration Correction function is switched [ON], the appropriate corrections can be achieved in accordance with the optical characteristics of each lens.


SIGMA Mount Converter MC-11 EF-E Update

  • It has optimized the peripheral illumination correction data when it is used in combination with the SIGMA 18-300mm F3.5-6.3 DC MACRO OS HSM | Contemporary for Canon EF mount.
  • It has become compatible with the SIGMA 30mm F1.4 DC HSM | Art for CANON EF mount, that has the latest firmware Ver.2.00.
  • It has become compatible with the SIGMA 24-70mm F2.8 DG OS HSM | Art for CANON EF mount, that has the latest firmware Ver.2.03.
  • It has become compatible with the SIGMA 60-600mm F4.5-6.3 DG OS HSM | Sports for CANON EF mount, that has the latest firmware Ver.1.01.
  • It has become compatible with the SIGMA 120-300mm F2.8 DG OS HSM | Sports for CANON EF mount, that has the latest firmware Ver.2.00.
  • It has become compatible with the SIGMA 150-600mm F5-6.3 DG OS HSM | Contemporary for CANON EF mount, that has the latest firmware Ver.2.01.
  • It has become compatible with the SIGMA 85mm F1.4 DG HSM | Art for CANON EF mount, that has the latest firmware Ver.2.02.
  • It has improved the compensation effect when it is used in combination with the Sony a9, Sony a7III and specific lenses*, and their in-camera image stabilization adjustment is set to AUTO. It has been set to achieve the same effect as when it is adjusted manually.
  • It has improved the accuracy of exposure when it is used with dedicated flashes manufactured by SONY.

SIGMA 150-600mm F5-6.3 DG OS HSM | Contemporary for NIKON F Mount Update

  • It has improved the stability of the image in the viewfinder, making it easier to confirm composition, thanks to the updated control algorithm of the Optical Stabilizer.

Articles: Digital Photography Review (dpreview.com)

 
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OPPO teases Reno device, shows 10x zoom samples

14 Mar

OPPO has been talking about its 10x periscope smartphone zoom lens for what seems like an eternity but now we are finally seeing some action after all the talk. The Chinese brand will be launching its new OPPO Reno line of devices on the 10th of April and has been teasing some information ahead of the event.

We’ve seen an allegedly official image of the device that shows the triple-camera with 48MP main module and 10 x periscope zoom on the rear posted on the social network Weibo. Other specs are so far largely unknown but it seems there will be models with Snapdragon 710 and 855 chipsets and a large 4,000+ mAh battery.

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The company has also posted a number of images combining an image captured with the wide-angle camera with an inlay from the 10x zoom. The images are not full size, so aren’t any useful for judging image detail, but they do give you a pretty good idea of the range of focal lengths that the camera will be covering. And if the samples are anything to go by 2019 might be the year in which the long range smartphone zoom will be taking off.

Articles: Digital Photography Review (dpreview.com)

 
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Think Tank Photo launches Vision shoulder bags for DSLR and mirrorless gear

14 Mar

Think Tank Photo has unveiled its new Vision series of shoulder bags, including the Vision 10, Vision 13 and Vision 15. The new line is designed to accommodate mirrorless and DSLR cameras alongside ‘pro-sized’ lenses and lens hoods, according to the company. The bags feature a padded divider system that can be customized to meet individual needs, as well as pockets for tablets and laptops.

The Vision 10 bag is the smallest of the series, offering enough interior space for a single standard-size camera body with either a short zoom or wide lens attached alongside another lens or two and a 10-inch tablet; there’s also space for a detached 24-70mm lens. Alternatively, this bag can hold a mirrorless camera kit that includes three or four lenses.

Vision 10 Insert

The Vision 13 offers a bit more space, including enough room for both a 10-inch tablet and a 13-inch laptop, as well as up to a 70-200mm detached lens. The Vision 15 offers the most space with room for a standard size camera body with an attached 24-70mm lens, up to four extra lenses, and a flash, as well as a 10-inch tablet and up to a 15-inch laptop. There’s also room for a 70-200mm detached lens.

All three bags feature exterior fabric with a water-repellent DWR coating and polyurethane underside coating, as well as YKK RC Fuse zippers, 420D velocity nylon, 350G 3D air mesh, 3-ply bonded nylon thread, 500D 2-tone polytech weave nylon tarpaulin, and antique-plated metal hardware. The bags’ interior includes a 200D liner and PU-backed Nylex liner, 3-ply bonded nylon thread, a rain cover, and removable foam dividers.

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Other features include padded non-slip shoulder straps, dedicated phone pocket, luggage handle pass-through, water bottle pocket, and a reinforced top handle.

The Vision bags are available through Think Tank Photo now at the following prices:

  • Vision 10: $ 109.75
  • Vision 13: $ 129.75
  • Vision 15: $ 139.75

Articles: Digital Photography Review (dpreview.com)

 
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Facebook, Instagram goes down for select users around the world

14 Mar

Facebook and its accompanying platform of applications — including Instagram — have been and continue to be down for a number of users around the globe today.

Both Facebook and Instagram load normally for users, but neither platform appears to be updating feeds properly and also won’t allow users to post. DPReview tested its accounts and can confirm both Facebook and Instagram were having issues at the time of writing and posting this article.

Facebook has addressed the issue, ironically enough, on Twitter, saying:

While there have been rumors the attack is due to a DDoS attack, Facebook has said that isn’t the case.

Articles: Digital Photography Review (dpreview.com)

 
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