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We’re hiring! DPReview is looking for a Software Development Engineer and Senior Product Manager

13 Jun

We’re looking to add a Software Development Engineer and a Senior Product Manager to our team! Each role is uniquely positioned to help shape the future of the site. The Senior Product Manager will own DPReview’s product roadmap, working closely with our engineering and editorial teams. The Software Development Engineer will help build the next generation of web and mobile experiences for DPReview, shaping products from concept to delivery.

If you’re passionate about photography and ready to help build the future of DPReview, take a look at the full job descriptions linked below and learn how to apply.

Apply now: Senior Product Manager

Apply now: Software Development Engineer

Articles: Digital Photography Review (dpreview.com)

 
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Shiftcam returns to Kickstarter with a 12mm aspherical smartphone lens

13 Jun

Most current high-end smartphones come with multi-camera modules with integrated ultra-wide-angles that typically offer an equivalent focal length of approximately 16mm, but if you need something even wider, or are using an older single-camera phone, Shiftcam’s latest offering could be worth a closer look.

The company, which has previously completed several successful smartphone lenses on Kickstarter, is back on the crowdfunding platform, this time with a 12mm ultra wide aspherical lens.

Like other lenses in the Shiftcam Pro line, the 12mm can be attached to iPhones via a specific case or to all other phones with a universal lens mount. The company also offers a counterweight for use on gimbals and a filter adapter.

The lens itself features six elements in four groups. The body is made from aluminum, the front element comes with a nano-coating to reduce flare and Shiftcam says the lens is practically distortion-free.

Pledges start at $ 89 for the early-bird lens and mount and go up all the way to $ 299 for the entire Shiftcam Pro lens kit. The funding goal has already been exceeded multiple times, so the project will go ahead. Delivery is estimated for August 2019. You can find more information including a full list of compatible device’s on the project’s Kickstarter page.


Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition

Articles: Digital Photography Review (dpreview.com)

 
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Google confirms that Pixel 4 will offer multiple rear cameras

13 Jun

Leaked renderings of the upcoming Pixel 4 seem to have prompted Google to get ahead of its own story by tweeting an image of the device well ahead of its expected fall launch date. Prominently featured is a square “bump” that appears to house two rear-facing cameras, a flash and two smaller sensors, one of which is visible if you raise the image’s shadows.

We imagine that the small sensor to the right of the flash is a spectral + flicker sensor, something that helps avoid banding with flickering light sources and also helps the auto white balance algorithm estimate the dominant illuminant for better color reproduction. The Pixel 3 has one of these sensors next to its flash, too.

The fourth sensor, positioned above and centered between the two main cameras, appears too small to be another camera unit. We’ve often wondered about the future inclusion of a Time-of-Flight (ToF) camera in the Pixel lineup. Competitors like Huawei and Samsung have been adding these sensors to their devices to help with depth mapping. The Pixel 3’s portrait mode images were already among the best from current mobile devices, so we’re interested to see what the addition of a secondary camera – and whatever that additional sensor is – might add up to.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm Instax Mini LiPlay can play sound that’s printed onto its instant images

13 Jun

Fujifilm’s next Instax mini model has a 5MP sensor, saves images to a memory card and allows users to record a ten-second audio clip that can be played when the printed picture is viewed. The Instax mini LiPlay, Fujifilm’s smallest and lightest Instax to date, produces the usual credit card sized prints but can print a QR code in the corner that links to the audio that was recorded to go along with the picture.

The idea is that users can record a message to a friend with whom they will share the picture taken with the camera. The friend scans the QR code using Fujifilm’s Instax mini LiPlay app and the audio clip plays through the phone. The audio could be a spoken message or the sounds from the place the picture was taken – Fujifilm suggests the sound of the sea to accompany pictures from the beach.

The camera uses a 5MP sensor and allows users to review images before deciding to print them or not. Images can also be saved to internal memory or to a removable MicroSD card, and images taken with other devices can be printed on the camera via a smartphone with a Bluetooth connection. The camera’s lens has an angle of view to match a 28mm lens on a full frame system and has a maximum aperture of F2. The lens has an AF system and shutter speeds run from ¼ – 1/8000sec, while the auto ISO feature moves between ISO 100 and 1600.

The Instax mini LiPlay will come in three colors and textures, and will begin shipping immediately depending on your region. It will cost $ 159.99/£149.99. For more information see the Fujifilm website.

Press release:

Hybrid instant camera “Instax mini LiPlay”

  • New-generation instax with sound-recording capability!
  • Capture memories in an instax print with audio message
  • Mini-format film “CONFETTI” and square-format film “Star-illumination” with metallic frame also available to add a touch of flamboyance to your pictures

FUJIFILM Corporation (President: Kenji Sukeno) has announced that it will release a hybrid instant camera “instax mini LiPlay” (hereinafter “LiPlay”), which supports credit-card-size film, on or after June 14, 2019 on a market-by-market basis. The model is a new addition to the lineup of “instax” instant cameras, which allows you to enjoy photo prints on the spot. The camera’s main unit is the smallest and most lightweight in the history of the instax series for outstanding portability. Yet, at the same time, the camera is packed with new features such as the “Sound” function* to convey a voice message or other audio data in the form of a QR code** included in a photo print, and the “Direct Print” function*1 to print images in your smartphone on instax film — broadening the scope of situations the camera can be enjoyed.

Fujifilm has also announced new metallic instax mini film “CONFETTI” and instax square film “Star-illumination,” available in two designs, adding a touch of creativity to your photos.

Overview of the instax series

The “instax” series of instant cameras, launched in 1998, is affectionately called “Cheki” in Japan, where it has enjoyed wide popularity for over 20 years. Today, it is sold in over 100 countries around the world, including Europe, Americas and Asia Pacific, with the cumulative number of shipments topping 45 million worldwide. It has been particularly loved by the digital-native generation in their teens and young adults who have embraced it as a communication tool, saying “It is fun to share those precious moments in life in the form of photo prints. When I hand photo prints to my friends, it gives me a real sense of connection with them.”

Overview of the new product, “instax mini LiPlay”

The new “LiPlay,” is a hybrid instant camera that allows you to review photos captured on the device via the LCD monitor on the back of the camera and choose images you want to print. The camera’s “Sound” function is capable of recording up to ten seconds of audio. The function converts the audio data into a QR code and adds it to a photo to be printed out together. The audio can be replayed*** by scanning the printed QR code with a smartphone*4. This allows you to give a photo together with your description about the pictured scene. The camera also features the “Direct Print” function, which transfers a photo taken with your smartphone to the LiPlay for printing. You can print your favorite picture in your smartphone easily on instax film and share it with your friends. To make it easy to take a group photo, the camera also offers the “Remote Shooting” function so that you can use a smartphone operation to release the shutter while standing away from the camera itself.

The camera body boasts a streamlined and stylish design. Its compact and lightweight form factor makes it easy to carry. Buttons and dials for basic operations such as shutter release and “Sound” function are laid out for advanced operability. Extra attention has been paid to perfect the camera’s texture. The camera comes in three colors, each of which has different surface processing, such as embossed or smooth finish.

Fujifilm will continue to broaden the world of the “instax” instant photo system for on-the-spot photo printing.

* * The free “instax mini LiPlay” app must be downloaded and installed on your smartphone to use the Sound and Direct Print functions.
* ** QR Code is a registered trademark of Denso Wave Inc.
* *** Recorded audio data is stored for one year from the time it is uploaded to the server together with its linked photo image via a special smartphone app.
* *4 Smartphones with the QR Code scanning capability are required to read the QR code.

1. Product Name

(1) Hybrid instant camera “instax mini LiPlay”

(2) Mini-format film “CONFETTI”

(3) Square-format film “Star-illumination”

2. Release Date

On or after June 14, 2019, on a market-by-market basis

3. Price

Open price

4. Main features

(1) “instax mini LiPlay”
1. Smallest and most lightweight hybrid instant camera in the history of the instax series
The LiPlay is a highly-portable hybrid instant camera that incorporates digital technology. Featuring a 2.7-inch LCD monitor at the rear, the camera allows you to shoot photos while checking the monitor and choose pictures to print. The camera also offers brightness adjustment capability based on exposure compensation as well as six filters for processing photos, e.g. in sepia tone or in monochrome, to create a different impression.

2. New “Sound” function
The camera’s audio-recording capability means you can record up to 10 seconds of sound. The function converts sound data into a QR code and prints it on your photo. Scan the QR code with a smartphonoe’s QR Code reader and replay the audio message. Printing a photo with a recorded message allows you to convey your sentiments to the person receiving the photo, making the scene more memorable. Alternatively, photograph a beach and attach the sound of waves, for example, to create a print that reminds you of the photographed situation, so that your memory of the precious moment stays vivid.

3. “Direct Print” function to use the camera as a smartphone printer
Images stored in a smartphone can be transferred to the camera via Bluetooth*5 for printing. You can enlarge or rotate images before transferring them.
4. “Remote Shooting” function for taking pictures while standing away from the camera
This function allows you to release the shutter with a smartphone operation while standing away from the camera. Remotely-taken images can be also printed on the spot. This function is particularly useful for a group photo or when you want to achieve a dynamic effect by taking photos from high or low angles.
5. Wide variety of design frames on offer
The camera comes pre-installed with ten design frames, which can be selected during or after taking a picture so that they are incorporated into the image for printing. Download the “instax mini LiPlay” smartphone app (free) to enjoy 20 additional design frames, bringing the total number of design frames available to 30.

6. Stylish camera body design
The streamlined shape of the camera body is complemented with a different surface finish for each of the three color variations in a design approach that even pays close attention to your tactile sense. The Stone White version has a rough, stone-like surface achieved with a special spray coating. The Elegant Black version features an eye-catching embossed finish on the camera surface, while the Blush Gold version dazzles with a smooth lustrous finish. Metallic parts are used for the lens ring, etc. for a premium look.

(2) New instax film
1. Mini-format film “CONFETTI”

  • Compatible with all “instax mini” series models that support the mini format
  • Colorful metallic frame that adds a touch of flamboyance to your photo
  • 10 prints per pack

2. Square-format film “Star-illumination”

  • Compatible with all “instax SQUARE” series models that support the square format
  • Elegant design of the night sky scattered with colorful stars to make your photo look stylish
  • 10 prints per pack

* *5 Bluetooth® work mark and logo are registered trademarks of Bluetooth SIG, Inc. FUJIFILM Corporation uses these marks based on a license agreement.

Articles: Digital Photography Review (dpreview.com)

 
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Shutterfly acquired for $2.7B, set to be merged with Snapfish

13 Jun

Apollo Global Management LLC (AGM), an American private equity firm, has agreed to acquire online photo hosting and printing platforms Shutterfly and Snapfish in a multi-billion dollar deal.

According to a report from Reuters, AGM is shelling out $ 2.7 billion for Shutterfly, which includes approximately $ 900 million in debt, some of which is likely to be from Shutterfly’s $ 825 million acquisition of school and family portrait franchise Lifetouch last year. The report further specifies Apollo is paying ‘$ 51 per share in cash for Shutterfly, a 13% premium to the company’s value on Feb. 5, the last trading day before it announced it would explore a sale.’

No specific financials were given on the acquisition of Snapfish, but Reuters reports Apollo plans on merging the two companies together.

A screenshot from Shutterfly’s homepage at the time of writing this article. It shows mugs, photobooks and graduation cards that can be made with the service, in addition to dozens of other trinkets and stationary items.

Both Shutterfly and Snapfish are online platforms that allow consumers to publish images online and create various objects and stationary with their photographs. In addition to basic editing tools in the browser, both Shutterfly and Snapfish allow images to be printed into books, calendars, cards and more, as well as printed on mugs, glasses, tiles and more.

For the time being, both the Shutterfly and Snapfish websites are up and operating as usual. There doesn’t appear to be a timeline for when the merge will happen or how it will go down.

Articles: Digital Photography Review (dpreview.com)

 
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MS Optics unveils new Vario Prasma 50mm F1.5 and ISM 50mm F1.0 Leica M lenses

13 Jun
MS Optics Vario Prasma 50mm F1.5 lens

MS Optics, the niche lens manufacturer based in Japan, has released two new lenses for Leica M-mount cameras: the Vario Prasma 50mm F1.5 and the ISM 50mm F1.0. The new Vario Prasma lens is described as ‘a modern interpretation’ of the Kino-Plasmat, whereas the ISM 50mm F1.0 is an ultra-fast lens that’s also exceedingly small and light.

The MS Optics Vario Prasma 50mm F1.5 lens is based on the Plasmat lenses designed in 1918 by Paul Rudolph. In what is referred to as a modern interpretation, Miyazaki san’s rendition includes ‘unique improvements,’ including improved focus dampening, separate aperture, and the inclusion of an adjustable spherical aberration ring.

Below are a few sample images captured with the MS Optics Vario Prasma 50mm F1.5 lens:

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The lens features 6 elements in 4 groups, 0.8m to infinity focus, multi-coating on all surfaces, a 52mm focal length, and both Silver Chrome and Black Chrome finishes. According to Japan Camera Hunter, the lenses are currently in production with anticipated shipping in ‘weeks.’ The model can be pre-ordered now for $ 1,200 USD.

MS Optics ISM 50mm F1.0 lens

‘Miyazaki wanted to challenge himself to make an ultra fast lens in the same range as the greats such as the Noct, Xenon and Angenieux,’ Japan Camera Hunter explains. The result is the new ISM 50mm F1.0 lens for Leica M-mount, the creator’s fastest lens to date.

The ISM 50mm F1.0 lens is small and lightweight with a length of 40mm, diameter of 50mm, and a 178g (6.2oz) weight. The lens features 7 elements in 5 groups, 16 rounded aperture blades, 55mm filter size, and a reversible hood with an O-ring for storage.

Below are a few sample images captured with the ISM 50mm F1.0 lens:

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In describing the lens’ performance, JCH explains:

At full aperture there is a drop in contrast due to flare, but resolution is high. At f1.25 flare in the center goes away, and at f1.4 contrast out to midframe increases dramatically. At f2-f2.8 coma flare quickly decreases, and apart from the corners you can expect high imaging performance with sufficient contrast. While spherical aberration of 0.15 is a bit high, the S-M astigmatic planes line up perfectly resulting in very good image quality. From f4 onward both contrast and sharpness need no excuses.

The MS Optics ISM 50mm F1.0 M-mount lens can be ordered in Black Chrome and Silver Chrome for $ 1,700 USD.

Articles: Digital Photography Review (dpreview.com)

 
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Video: A BTS look at how Fujifilm’s GFX 100 was brought to life, from concept to reality

12 Jun

In September 2018, Fujifilm made the official announcements that it was working on a 100-megapixel medium format mirrorless camera—the Fujifilm GFX 100. Since then, we’ve had exclusive hands-on time with the behemoth, published our first-impression video review and shared pre-production photo samples.

We’re yet to get our hands on a fully-reviewable version of the GFX 100, but to tide you over in the meantime, we’re sharing a little documentary from Cinema5D that takes a behind-the-scenes look at the development process of Fujifilm’s latest medium-format mirrorless camera system.

A screenshot from the mini-doc showing how the IBIS is pieced together in the factory.

Titled ‘Birth of a Camera: Fujifilm GFX 100,’ this 17-minute video is part one of a two-part series that takes an exclusive inside look at the development process of the GFX 100. Throughout the video, Cinema5D co-founder Johnnie Behiri travels to various Fujifilm locations in Japan to talk with the executives, engineers and designers that had a part in bringing the GFX 100 to life.

The video addresses how the development process took place, from the initial conception to the final mock-up. Little by little, Behiri follows the vague chronological timeline of the creation process, from talking with the initial Fujifilm ‘CLAY’ designers who sketched up the original form of the camera to the engineers who created countless mock-ups to ensure the required components could fit inside the frame of the camera.

A screenshot from the mini-doc that shows how testing is done on the face-detection autofocus.

It’s a bit of a long watch, but well worth it if you have some free time over your lunch break or before bed.

Behiri notes in the accompanying blog post for this video that while Fujifilm does run a paid banner campaign on its website, the project was initiated and its production costs entirely self-funded by Cinema5D.

Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS Rebel SL3 review

12 Jun

Introduction

Silver Award

79%
Overall score

The Canon EOS Rebel SL3 (also known as the EOS 250D) is the the latest in the company’s lineup of ultra-compact DSLR cameras, and comes with a 24MP APS-C sensor that has accurate and easy-to-use Dual Pixel autofocus.

Not only does the SL3 have one of the best beginner-friendly ‘guide’ modes we’ve seen on a camera (the same as Canon’s very similar, but bigger Rebel T7i), but it’s capable of taking great images under a wide range of circumstances. It’s also fun to use, comfortable to hold, and has insane battery life: provided you use the optical viewfinder.

Key specifications:

  • 24MP APS-C sensor with Dual Pixel on-sensor Autofocus
  • Optical viewfinder with secondary 9-point autofocus system
  • 4K video recording (with 1.7x crop)
  • Fully articulating rear touchscreen
  • Excellent ‘guide’ mode for beginners
  • Wi-Fi with Bluetooth for image transfer and remote camera control
  • Impressive 1,070 shot battery life (CIPA rating) using optical viewfinder
  • Passable 320-shot battery life (CIPA rating) in live view with Dual Pixel AF

Even as the ‘compact’ DSLR model, the Rebel SL3 shares its sensor, processor and much of its feature set with Canon’s existing (and much smaller) EOS M series of mirrorless cameras. So why would you opt for the SL3 over, say, the Canon EOS M50, which will offer almost identical image quality? It comes down to a handful of personal preferences, particularly when it comes to viewfinders. The SL3 has an optical viewfinder, compared to mirrorless cameras’ electronic ones.

Put simply, an electronic viewfinder allows you to easily preview your exposure settings, but some people prefer the more ‘natural’ and immediate view of the world that an optical viewfinder provides. We’ll look at the differences in more depth in just a bit.


Features that matter

Why should you buy the Rebel SL3 over so many other options? Well, let’s take a look.

Read more

Using the Rebel SL3 on vacation

Turns out the SL3 makes for a pretty great vacation camera – provided you can look past a few caveats.

Read more

Conclusion

The Rebel SL3 is a fine photographic companion, if not an absolute standout in today’s marketplace.

Read more

Sample gallery, image quality, lens quality

Click through to look at some pretty pictures from New Orleans, or get the details on the SL3’s image quality in our studio test scene.

Read more

Articles: Digital Photography Review (dpreview.com)

 
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Sony FE 600mm F4 GM OSS sample gallery

12 Jun

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It’s no secret that Sony aspires to dominate in the pro sports photography market, and this new stabilized 600mm F4 is about as professional as it gets. It’s well-built, fast-to-focus, weather-sealed and lighter than any other 600mm in its class (albeit barely).

While 600mm may not be a focal length we shoot at very often, we definitely walked away impressed after putting it through its paces at a Sony-sponsored event.

See our Sony 600mm F4 GM FE OSS gallery

Articles: Digital Photography Review (dpreview.com)

 
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Sony FE 200-600mm F5.6-6.3 G OSS sample gallery

12 Jun

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If Sony’s new 600mm F4 is a bit too much lens/cash for you, not to worry, the FE 200-600mm F5.6-6.3 G OSS is here for all your tele needs. We recently tested it out at a Sony-sponsored event during some high-speed, high-adrenaline activities. Check out the samples.

View Sony FE 200-600 F5.6-6.3 G OSS gallery

Articles: Digital Photography Review (dpreview.com)

 
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