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Nikon announces US pricing, availability of its CoolPix W150 point-and-shoot

16 Aug

Four months after Nikon announced its CoolPix W150, Nikon has released availability and pricing information for the version set to retail in the United States.

As a refresher, the CoolPix W150 features a 13.2-megapixel 1/3.1” CMOS sensor with an electonically-stablized Nikkor 3x zoom lens (30-90mm 35mm equivalent) in front of it. The camera also features a built-in flash and a built-in two-stop ND filter for shooting in bright environments.

As with Nikon’s past W-series cameras, the W150 is waterproof (IPX8), shockproof (from 1.8m/5.9ft) and freezeproof (down to -10°C/14°F, or 0°C/32°F during underwater use).

On the rear of the camera is a 2.7” 230K-dot LCD display used to navigate the menu and compose/review images captured with the camera. Nikon has included 18 different scene modes with the camera in addition to dedicated underwater and underwater face framing features that will automatically correct color casts caused by shooting underwater.

The W150 features Bluetooth and Wi-Fi for wirelessly transferring images to mobile devices via SnapBridge to a connected smartphone or table. Charging is done via the onboard Micro USB port.

The CoolPix W150 is set to ship in September 2019 and is currently available pre-order starting today for $ 169.95 (Adorama, B&H). Nikon is offering a white, blue, orange, pink floral and tropical variations, but U.S. customers are limited to the white model.

Press release:

The New CoolPix W150 – The Waterproof and Shockproof Camera the Whole Family Can Enjoy

From beach vacations and pool-side getaways, to hiking trips and camping expeditions, the family- friendly COOLPIX W150 was made to capture one-of-a-kind moments on every adventure

MELVILLE, NY (August 14, 2019 at 9:00 a.m. EDT) – Today, Nikon Inc. announced the U.S. retail availability of the COOLPIX W150, the latest rugged yet family-friendly compact digital camera. Thanks to being both waterproof and shockproof, the COOLPIX W150 allows users to easily capture and share unforgettable moments on every adventure, vacation or get-together. The W150 boasts an extremely easy-to-use design, sharp image quality and variety of unique scene modes, making it a great travel camera for the whole family.

With a 13.2-megapixel image sensor, 3x optical zoom and full HD video recording, the COOLPIX W150 offers the flexibility to easily capture both stunning still images and Full HD videos, wherever life takes a person. Even those who have never used a camera will immediately be comfortable snapping shots due to the simple menu system, 2.7-inch 230-k dot LCD screen and Target Finding autofocus, which allows for easy detection and focus on the primary subject.

Built to capture memories, the COOLPIX W150 is waterproof up to 10m (33 feet), shockproof from 1.8m (6 feet) and freezeproof up to -10°C (14°F). Additionally, the COOLPIX W150 is equipped with a variety of scene modes and editing functions, allowing users to explore their creativity and create fantastic photos, even underwater. Users can also seamlessly upload to their phone wirelessly for sharing, all with the Nikon SnapBridge app.

Price and Availability

The COOLPIX W150 in white will be available in the U.S. in early September 2019 at a suggested retail price (SRP)* of $ 169.95. For more information on the latest Nikon products, including the new COOLPIX W150, please visit www.nikonusa.com.

Articles: Digital Photography Review (dpreview.com)

 
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Report: The next GoPro will shoot 4K 120fps video, offer screen, light and mic accessories

16 Aug

Photo Rumors, citing sources based in China, is reporting a number of specs for the next generation of GoPro action cameras and has a set of purported images of the unreleased device.

According to Photo Rumors’ information, the action camera — expected to be called the GoPro Hero 8 — will be announced in September 2019.

The updated action camera is said to feature a new design with an optional housing that features cold-shoe mounts on the top and side for attaching accessories. Photo Rumors specifically mentions microphone, LED light and screen accessories. The leaked renderings show off the LED light and screen accessory, the latter of which appears to have a USB-C port on the side of it.

In terms of specs, Photo Rumors is reporting the action camera will be able to shoot 4K video at 120 fps and Full HD at 480 fps, all powered by a 12-megapixel sensor and GoPro-designed GP2 chipset. It’s also said the camera will feature an improved lens design for better image quality.

As with all rumors, the specifications should be taken with a grain of salt, but the renderings look identical to past product images from GoPro and the specifications do align with the incremental improvements GoPro has made over the years to its action camera lineup.


Image credits: Image via Photo Rumors, used with permission

Articles: Digital Photography Review (dpreview.com)

 
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Leica announces APO-Summicron-SL 50mm F2 L-mount lens

16 Aug

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Leica has announced its APO-Summicron-SL 50mm F2 lens, which is designed for the L-mount system. The lens is smaller, lighter and, as you’d expect, cheaper than Leica’s F1.4 variant.

The 50mm F2 has twelve elements; three are aspherical and eight use an anomalous partial dispersion (APD) design to reduce chromatic aberration. Dual stepping motors can move the focus elements from their minimum focus distance to infinity in 250ms, according to Leica. The minimum focus distance is 0.35m (13.8″), with a 0.2x maximum magnification.

The lens is sealed against dust and moisture, and an ‘Aquadura’ coating prevents water from collecting on the front element.

The APO-Summicron-SL 50mm F2 lens is now available for $ 4495.

Official sample photos

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Press Release:

The Leica APO-Summicron-SL 50 mm f/2 ASPH. Brings Ultimate Image Quality and Versatility to the SL Lens Portfolio

The newest, all-purpose Leica lens and next milestone for the 50 mm focal length

August 15, 2019 – Leica Camera sets an even higher benchmark for the Summicron-SL family with another top-flight lens: the Leica APO-Summicron-SL 50 mm f/2 ASPH. Often seen as the standard focal length for full frame cameras, this new 50 mm promises a level of performance high enough to demand a spot in the gear bag of any photographer looking to take advantage of the L-Mount system. Whether the task at hand is travel photography, studio work, architecture, landscape, portrait or documentary photography, the Leica APO-Summicron-SL 50 mm f/2 ASPH. is the new go-to L-Mount lens, delivering results that satisfy even the most discerning photographer.

The new APO-Summicron-SL 50 mm f/2 ASPH. consists of twelve expertly designed lens elements – three of which have aspherical surfaces for correcting optical aberrations – arranged in 10 groups, to achieve ultimate image quality. This lens allows photographers to seamlessly capture natural skin tones, smooth bokeh, outstanding contrast and consistent sharpness from corner-to-corner of its distortion-free images. The APO-Summicron-SL 50 mm f/2 ASPH. keeps chromatic aberrations in check by utilizing apochromatic corrections, where it earns its “APO” designation. This ensures that all colors of the light spectrum are accurately passed through the lens and fall on the same focused point on the camera’s sensor, so the photographer can know that they will get maximum detail in all situations without optical artifacts like distracting green or purple color fringing. To accomplish this, nearly all elements used in the construction of the lens are made from specially formulated, high-quality glass types for the highest possible light transmission. The end result marks an advancement in imaging performance with the venerable “Leica look” and signature rendering.

The thoughtful construction of all Summicron-SL lenses pays special attention to the prevention of stray light and reflections. The optical and mechanical design coupled with high-quality lens coatings serve to maintain the exceptional quality expected from a Leica lens. With their effective weather sealing against dust, moisture, and water spray, combined with an Aquadura coating of the exposed lens surfaces preventing water from beading, the Summicron-SL lenses can be confidently used in most extreme weather conditions.

The autofocus drive of all Summicron-SL lenses employs powerful and robust stepping motors with DSD® (Dual Syncro Drive™). The entire focus range of the lens – from close-up to infinity – can be fully traveled in just about 250 milliseconds to ensure spot-on focus that keeps up with moving subjects. Summicron-SL lenses also take an innovative approach to manual focusing technology, featuring a totally new focus ring construction. With this new method, a ring magnet with alternating polarization is embedded in the manual focusing ring along with a sensor that monitors the status of the magnetic field. The magnetic field changes its polarity when the ring is turned, and the sensor transmits the pinpoint details of user input that drives the focus. This intricate process happens near-instantaneously at the simple turn of the focus ring, enabling even faster and more precise manual focusing with a nicely dampened and weighted feel. The photographer can quickly access the finest manual focus micro-adjustments when they need it, right at the reach of their fingertips

Thanks to the L-Mount standard, the new APO-Summicron-SL 50 mm f/2 ASPH. is also fully compatible with cameras manufactured by partners of the L-Mount Alliance who use the lens mount developed by Leica. The APO-Summicron-SL 50 mm f/2 ASPH. is on sale now at Leica Stores, Boutiques and Dealers for $ 4,495.00.Leica has announced its APO-Summicron-SL 50mm F2 lens, which is designed for the L-mount system. The lens is smaller, lighter and, as you’d expect, cheaper than Leica’s F1.4 variant.

The 50mm F2 has twelve elements; three are aspherical and eight use an anomalous partial dispersion (APD) design to reduce chromatic aberration. Dual stepping motors can move the focus elements from their minimum focus distance to infinity in 250ms, according to Leica. The minimum focus distance is 0.35m (13.8″), with a 0.2x maximum magnification.

As one would expect from Leica, the lens is sealed against dust and moisture, and an ‘Aquadura’ coating prevents water from collecting on the front element.

The APO-Summicron-SL 50mm F2 lens is now available for $ 4495.

Articles: Digital Photography Review (dpreview.com)

 
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Z Cam launches budget E2-F6 and E2-F8 6K and 8K cinema cameras for pre-order

16 Aug

Chinese company Z Cam has launched its new full-frame 6K E2-F6 and full-frame 8K E2-F8 cinema cameras for preorder. The models, which were first introduced during NAB 2019, follow the previously launched E2 4K, offering consumers budget-tier high-resolution versions of the company’s professional cinema camera. Both models will start shipping in October.

The Z Cam E2-F6 and E2-F8 are cube-shaped cinema cameras sold without accessories, making the total cost to set up a fully workable cinema camera higher than the models’ respective $ 4,995 and $ 5,995 prices. Both the E2-F6 and E2-F8 are available with EF / PL lens mounts, and both models likewise feature Gigabit Ethernet connectivity, ZRAW support and full-frame CMOS sensors.

The E2-F6 model can shoot 4K / 120fps and 6K / 60fps footage with 15 stops of dynamic range, whereas the E2-F8 model can shoot 4K/6K/8K at 30fps with a claimed 14 stops of dynamic range. Both models feature 5G and 802.11n WiFi with an external antenna port, built-in stereo microphone, 3.5mm audio-in and audio-out stereo sockets, HDMI 2.0 Type-A, USB-C, two serial ports and aluminum alloy construction.

The E2-F6 is slightly smaller than the E2-F8 at 91.2 x 99.2 x 89.1mm (3.5 x 3.9 x 3.5in) versus 91.2 x 99.2 x 99.1mm (3.5 x 3.9 x 3.9in) — the company hasn’t disclosed the weight of either camera model. Both models can record in 8-bit H.264 and 10-bit H.265 with a max 300Mbps bit rate and 24-bit 48kHz audio. Likewise, both models are compatible with Sony NP-F series batteries, but they’re not included with the cameras.

Both the Z Cam E2-F6 and E2-F8 are available to order through B&H Photo.

Articles: Digital Photography Review (dpreview.com)

 
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Meike adds Canon RF, Nikon Z mount options to its manual focus 85mm F2.8 macro lens

16 Aug

Hong Kong-based company Meike has launched new Canon RF and Nikon Z mount options for its full-frame 85mm F2.8 macro lens. The lens — which is currently available in Sony E, Fuji X, MFT, Canon EF and Nikon F mount systems — is a manual macro lens with an F2.8 to F22 aperture, 55mm filter size, 0 to 1.5x magnification, and 25cm (9in) minimum focusing distance.

The lens is constructed of 11 elements in 8 groups and comes in at just 500g (1.1bs). Like its previous full-frame counterparts, the is features an all-metal body alongside three manual adjustment rings for focus, macro focus, and aperture.

The 85mm F2.8 macro lens for Nikon Z and Canon RF is currently listed on the Meike website. No pricing information is available for these two new models, but the current versions currently retail for $ 269.99.

Articles: Digital Photography Review (dpreview.com)

 
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Nitecore announces ‘world’s first’ smart battery for Sony full-frame mirrorless cameras

15 Aug

Nitecore has announced the NFZ100, the world’s first ‘smart battery’ for Sony full-frame mirrorless cameras, including the a7 III, a7R III and a9 systems.

Like most ‘smart’ electronics, the unique feature of the NFZ100 is the ability to manage and monitor the battery with an accompanying smartphone app. Nitecore NNERGY, as it’s called, is available to download for free on both Android and iOS devices.

Once installed and connected to the NFZ100, the NNERGY app will let you monitor the battery health, battery level, battery voltage and other real-time battery information. Nitecore even offers a dedicated ‘Storage Mode’ within the app that will discharge the battery to 70% to help maximize its lifespan if it won’t be in use for some time.

Individual batteries can be labelled with three-digit identifiers to ensure you can tell them apart inside the app. There is even an option to upgrade the firmware of the batteries as Nitecore further develops its technology. Yes, you read that right, you might soon need to update the firmware of your camera batteries, not unlike you do your camera itself.

The NFZ100 batteries feature 2,280 mAh capacity, which Nitecore estimates is good for 500 still photos when shooting with the Sony a9. Voltage is 7.2V, giving it a power rating of 16.4Wh.

Other features include overcharge protection, over-discharge protection, overcurrent protection, over voltage protection and short-circuit protection. The batteries weigh 82.5g (2.91oz) and measure 52 x 38.7 x 22.5mm (2.05 x 1.52 x 0.89in).

The Nitecore NFZ100 doesn’t appear to be available to purchase through any online retailers as of now and no current pricing information is available. DPReview has contacted Nitecore and will update this article with more information if we get a response.

In the meantime, you can find out more information on Nitecore’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Tamron 35-150mm F2.8-4 Di VC OSD sample gallery

15 Aug

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The Tamron 35-150mm F2.8-4 is being marketed as a dedicated portrait lens, offering focal lengths appropriate for both traditional long lens portraiture as well as wider-angle environmental portraits and lifestyle shots.

It’s the kind of lens that might find a place in the kitbag of a wedding shooter as well as a street photographer. We’ve been shooting the 35-150mm on the Canon EOS R for a few days, and we’re pretty impressed. Check out our sample gallery via the link below.

Take a look at our Tamron 35-150mm F2.8-4 sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Photographer creates an exact replica of The Apollo 11 Hasselblad used by NASA

15 Aug

Photographer and self-described ‘space nerd’ Cole Rise has detailed his creation of a replica of the Hasselblad camera used by NASA’s Apollo 11 astronauts. The model is precise down to the finest details, including the camera’s serial number and labels. The creation process, as explained by Wired, was a lengthy one, involving the acquisition of a Hasselblad Apollo camera prototype, NASA archival photos and more.

NASA engineers had heavily modified a Hasselblad 500 EL camera for the Apollo 11 mission, including adding motors, removing the focus screen and mirror, and adding heat-resistant aluminum paint, among other things. Rise spent four years working on his replica of this camera, a process that involved machining many of the components himself, in addition to salvaging select parts from a broken Hasselblad MK-70 camera.

In addition to the modified Hasselblad 500 EL camera, the Space Camera Co. website also shows his replica of NASA’s Hasselblad 500C camera, which had been modified by NASA engineers in collaboration with an RCA contractor. Rise worked on his 500C replica before the Apollo 11 camera, saying on the Space Camera Co. website:

By going through the tedious process of remaking this camera, you begin to uncover its secrets and the thought processes that went into making it space-worthy. It was the seed that eventually cemented Hasselblad’s relationship with NASA as the de facto space camera maker. And it was the project that taught me the skills required to eventually make a functional lunar camera.

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Rise is making multiple 500C replicas for private collectors and creating a documentary that details his work. Rise’s website lists the Apollo 11 Hasselblad camera replica as currently on display in Le Marais, Paris.


Photo credits: Photos by Cole Rise, used with permission

Articles: Digital Photography Review (dpreview.com)

 
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Skylum teases AI Sky Replacement filter for Luminar 4.0

15 Aug

Skylum plans to launch Luminar 4 this Fall, an upgrade for its popular photo editing software. The company recently announced that one of the major features that will be included in the latest version of the software is the AI Sky Replacement Tool. Skylum has been developing its artificial intelligence technology for years and is confident in the accuracy they provide photo editors.

The video above, published yesterday, walks us through the user interface. However, their Director of Education hosting the short clip warns that the feature is still in beta version and the layout may look different when it is released for public use. The AI Sky Replacement Tool takes photos with basic, bland skies and makes them more interesting with a variety of templates including moody clouds and majestic sunsets.

Enhancing the sky on a photo is a pretty straightforward process. Photo editors simply select the AI Sky Replacement filter from the filters catalog on the right-hand side, adjust the camera amount slider, and next use the texture slider to select different skies. One user in the videos comment section pointed out that using the same selection of skies could create a repetitive effect for photographers across the board. Fortunately, Skylum will allow users to upload their own sky files.

As the video clip illustrates, the AI Sky Replacement Tool automatically detects the sky, identifies its angle, and applies a replacement to make the photo more dynamic while maintaining a realistic look. The software is able to detect exactly where the sky begins and ends. The author walks through a few examples where the artificial intelligence employed can detect columns on a building and semi-transparent areas found with trees and shrubbery. Accent AI can be used to life foreground shadows as well.

The AI Sky Replacement tool is one of the many AI tools that will be released with Luminar 4 this Fall. For those who want to be the first to know about updates, and when it’ll be released, email sign up is available here.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Max Lowe takes the Panasonic Lumix DC S1R to Hawaii

14 Aug

Aloha! In this video, award-winning photographer Max Lowe goes to Hawaii to meet adventurer and educator Austin Kino. Austin has sailing in his blood, and on this trip he takes Max out onto the water, on a photographic journey around the Orchid Isle.

To capture the experience, we gave Max a Panasonic Lumix DC-S1R, and the entire video was shot with its companion camera, the Lumix DC-S1. Check out our video to see how Max – and the cameras – got on.

Sample gallery

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This is sponsored content, created with the support of Amazon and Panasonic. What does this mean?

Articles: Digital Photography Review (dpreview.com)

 
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