Category: Uncategorized

  • Lucid’s new LucidPix AI app turns ordinary images into 3D photos

    AI vision startup Lucid has introduced an upcoming app called LucidPix that transforms ordinary images into 3D photos. The app is currently in development but has been made available to some users as part of a private beta. LucidPix is made possible using a contextual artificial intelligence that replaces the need for depth of field sensors or multiple cameras.

    Generally speaking, special high-end camera hardware including select expensive flagship smartphones are required to capture 3D images. Unlike old school red-cyan stereoscopic 3D images, this newer type of 3D image doesn’t require special glasses to view. Instead, the effect is generated in the image based on depth-of-field data. Users can perceive the depth of different elements in the images by tilting their phones while viewing them, giving the images a 3D effect.

    The LucidPix app will make it possible for anyone to create 3D photos, including ones generated from existing 2D images, using any iPhone or Android smartphone model. The transformation happens entirely through software. The LucidPix app includes 3D effect frames and will be offered in both standard and for-pay Premium versions.

    3D photos generated with LucidPix can be shared within the photo app, as well as on social media platforms that support 3D images, including Facebook. According to Lucid, more than 250,000 people are using the LucidPix beta app through the Google Play Store’s early access program. Lucid recently demonstrated the app at CES 2020; the product will officially launch in the second quarter of the year.

    Additional examples of 3D photos generated with LucidPix can be found on the app’s official Facebook Page.

    Articles: Digital Photography Review (dpreview.com)

  • Canon announces Image Connect, a new photographer matching service for the U.S.

    In addition to its Robotic Camera System CR-S700R and Photo Culling plugin for Adobe Lightroom Classic, Canon has also announced it will be launching a new photographer matching service in the United States.

    The service, called Image Connect, will use Canon’s RAISE photo community platform to connect customers with professional photographers. The process will go as follows, according to Canon:

    • Through the platform, customers can provide basic details for the job, such as event type, location, and date
    • Once photographers are matched with the customer through the platform, customers review photographer profiles and invite those they like to bid on the job
    • Photographers create an offer which allows them to set their own price (rather than adhering to standardized pricing) and allows them to communicate their rates and value to customers
    • Once an offer is accepted, the job is booked through the platform
    • Following the event, images are delivered electronically to the customers through a Canon customer portal

    The service will be brand agnostic, so even if you’re not a Canon shooter, you’ll still be able to use the service. The service is expected to go live in a limited number of markets starting in Q1 2020. At the time of launch, the service will be limited to residents of the following states: Connecticut, Florida, New Jersey, New York, Pennsylvania and Texas.

    There’s no word yet on whether Image Connect will be available outside the United States. We have contact Canon for clarification and will update this article accordingly when we hear back.

    Articles: Digital Photography Review (dpreview.com)

  • Canon issues firmware update to fix front-focusing issues for RF 70–200mm F2.8 lenses

    A month after the first reports came out that a number of RF 70–200mm F2.8 lenses were having issues with front-focusing, Canon has released a firmware update to address the issue.

    As promised two weeks ago, firmware version 1.0.6 fixes the issue wherein certain units would focus in front of the active AF point, especially at longer focal lengths. The firmware changelog reads:

    ‘Fixed a phenomenon when performing AF shooting to capture a subject at close-range with the focus distance approximately set to the Tele-end (200mm), the image may become slightly front-focused.’

    Firmware version 1.0.6 is available to download for both macOS and Windows computers. If your lens already has firmware version 1.0.6 installed, there’s no need to update. You can check your lens’ firmware in your camera’s menu system.

    Articles: Digital Photography Review (dpreview.com)

  • 4K sample reel: The Canon EOS-1D X Mark III goes to the blacksmith

    When we learned that the Canon EOS-1D X Mark III would be one of the most capable stills and video hybrid cameras around, we knew we wanted to do some shooting and see for ourselves what it’s capable of. So we made some calls and wound up at Lawless Forge, a blacksmith shop in south Seattle, and got to work.

    All footage was shot on a pre-production camera in Canon Log using the full width of the sensor at 4K/60p or 4K/24p, using IPB compression (CFexpress cards don’t yet grow on trees). Aperture and shutter speed were controlled manually, with Auto ISO gaining up or down as necessary, and ISO values varying from 800 to 6400.

    Check out more on the EOS-1D X Mark III’s video specs here

    Footage was compiled and edited in Adobe Premiere Pro, using a Canon-supplied Lut and minor tweaking beyond that. Lighting in the space was a mix of cool flickering fluorescents and tungsten (in other words, not good), so keep that in mind as you watch.

    Also, if you don’t like guitars, I personally apologize for the music.

    You can check out a ton of out-of-camera JPEG still images from this same shoot if you scroll a little ways through our pre-production sample gallery below.

    $ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_0876082058″,”galleryId”:”0876082058″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

    Read our Canon EOS-1D X Mark III
    initial review

    Articles: Digital Photography Review (dpreview.com)

  • ShutterGrip 2 wireless smartphone grip aims to offer camera-like ergonomics

    The team behind smartphone accessory ShutterGrip is back with an updated version of the product called ShutterGrip 2. The new iteration of ShutterGrip has been refined to offer improved ergonomics and appearance, adding a metallic finish and a non-slip grip.

    In addition to its built-in selfie stick, the ShutterGrip 2 features a threaded 1/4-inch tripod mount, integrated hex wrench for tightening the hinge, a cold shoe for mounting accessories, support for both right- and left-hand usage, as well as vertical and landscape modes for different shooting styles.

    ShutterGrip 2 is compatible with Android smartphones and iPhones using Bluetooth 4.0. With an assumed average of 500 button presses per day, the ShutterGrip 2’s battery will last for six months of continuous use or 18 months in standby mode using a CR2032 button battery. Despite its various features, the device is compact at 190mm x 76mm (7.49in x 2.99in).

    The ShutterGrip 2 is compatible with the iPhone 5 and newer models, as well as the Samsung A6+ through the flagship Galaxy S10 and Note 10 handsets. Eary bird units are being offered to Kickstarter backers who pledge at least $ 35; shipping is estimated to start in February 2020.


    Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

    Articles: Digital Photography Review (dpreview.com)

  • SanDisk reveals 8TB SSD prototype and Ultra Dual Drive Luxe 1TB flash drive

    SanDisk has introduced a sleek new flash drive that features an appealing metal body and a very practical dual-connector design. The new SanDisk Ultra Dual Drive Luxe thumb drive will arrive later this year, offering users a large storage capacity in a small form factor.

    As its name suggests, the Luxe drive features both USB-C and USB-A connectors, making it possible to use the drive with the majority of newer smartphones, tablets and laptops on the market. In addition to its high level of durability due to the metal build, SanDisk’s new drive has a slot for attaching the device to a keychain or securing it within a bag using a lanyard.

    According to Engadget, SanDisk will release this model toward the end of 2020; the price hasn’t been revealed at this time.

    In addition to the upcoming flash drive, SanDisk also showcased a prototype portable SSD with a massive 8TB capacity capable of 20Gbps transfer speeds. According to Engadget, the drive is slightly larger than the SanDisk Extreme External SSDs, though it’s still small enough to stuff in a pocket.

    Though it would be the highest capacity portable SSD if it were to come to market, it only exists as a prototype at this time. It’s unclear when SanDisk anticipates launching the product and how much it will cost, though it’s likely to be quite expensive. The company’s existing 2TB Extreme Portable SSD model costs $ 270, for comparison.

    Articles: Digital Photography Review (dpreview.com)

  • Canon Europe confirms its focus is on RF, not EF lenses unless the ‘market demand[s] it’

    Although Canon’s flagship 1DX Mark III DSLR is still on the horizon, it seems as though Canon has stopped research and development efforts for new EF lenses.

    In an interview with Digital Camera World, Canon Europe pro product marketing senior manager, Richard Shepherd, said that while Canon will continue to support EF lenses, the plan is to focus on RF lenses, unless the ‘market demand[s] it.’ Below is the full quote, shared by Digital Camera World:

    ‘As you know, last year we launched the RF mount and EOS R system […] To date we’ve launched ten critically acclaimed lenses, and as it’s a new system we plan to continue this, launching more RF lenses while still fully supporting the EF lens system. And of course, should the market demand it, we are ready to create new EF lenses. But for now, our focus is on RF.’

    While this is the first time we’ve seen detailed confirmation about Canon ceasing development of new EF lenses, it shouldn’t come as a surprise. Canon’s EF mount was released 33 years ago when it replaced the FD mount in 1987. Since then, we’ve seen the rise of digital cameras, the fall of point-and-shoot cameras and now the rise of mirrorless cameras. Canon’s RF system is clearly the future for the company and as such it makes sense Canon would be more interested in investing its capital looking forward rather than behind.

    As of October 12, 2017, Canon said it had surpassed production of more than 130 million EF-series interchangeable lenses—just shy of four million per year since the mount’s inception. The number has inevitably gone up by millions since and you can count on it continuing to rise for many years to come, even long after production has stopped.

    Articles: Digital Photography Review (dpreview.com)

  • Apple’s 2020 iPhone photography contest seeks best Night mode shots

    Shot on iPhone 11 Pro Max in Night mode by Eric Zhang.

    Apple has announced another iPhone photography contest, this one soliciting photos shot using the company’s Night mode feature found on the iPhone 11, iPhone 11 Pro and iPhone 11 Pro Max. This new contest follows the first ‘Shot on iPhone’ competition announced by the company in January 2019. The new contest is open to submissions through January 29.

    The 2020 iPhone Night mode photography contest opened to submissions on Wednesday, January 8; the five winning images will be announced by Apple on March 4.

    Interested iPhone 11 owners can submit their favorite shots on Twitter and Instagram using the hashtags #NightmodeChallenge and #ShotoniPhone, as well as on China’s Weibo service using the tags #NightmodeChallenge# and #ShotoniPhone#.

    Shot on iPhone 11 Pro in Night mode by Austin Mann.

    Apple is also giving competitors the option of emailing a high-resolution version of their images to its shotoniphone@apple.com; in this case, photographers must use the following file naming convention: ‘firstname_lastname_nightmode_iPhonemodel.’

    Social media submissions should include a note about which iPhone model was used to capture the image in the caption. Apple says contestants can use third-party and Photos app editing tools to edit the images. Submissions must be submitted by 11:59 PM PST on January 29 to be eligible. As well, contestants must be at least 18 years old.

    The company has offered multiple tips on using the Night mode feature, including paying attention to the capture time displayed in the Night mode icon and using a tripod to keep the shots steady. Winning images will be showcased in a gallery on the Apple website, Apple Newsroom and Apple Instagram account; they may also appear in Apple’s digital campaigns, among other promotions.

    The full list of judges and other details can be found in Apple’s announcement.

    Articles: Digital Photography Review (dpreview.com)

  • HP Envy 32 all-in-one PC with built-in wireless charging is an NVIDIA RTX Studio system

    During its time at CES 2020, HP has unveiled its new Envy 32 all-in-in PC with built-in wireless charging and a 31.5-inch 4K HDR600 display. This PC AiO model is offered with up to a 9th-gen Intel Core i7 processor and the NVIDIA GeForce RTX 2080 graphics card, as well as up to 1TB of storage and 32GB of RAM. The Envy 32 has the widest display available in an all-in-one system.

    According to HP, its Envy 32 is the first all-in-one PC to join the NVIDIA RTX Studio program, which means that it is capable of running more than 40 design and creativity apps that feature RTX-accelerated ray tracing and AI-based features. This is particularly useful for filmmakers who engage in real-time high-resolution video editing and photographers who deal with large quantities of high-resolution images.

    In addition to its considerable graphics capabilities, the HP Envy 32 is the first all-in-one PC to feature Advanced Audio Stream and the loudest volume level among AiOs, according to HP. A pair of integrated front-firing tweeters and subwoofers with Bang & Olufsen tuning offer audio even when the PC is turned off, eliminating the need to use an external speaker.

    Other features include an aluminum stand with built-in wireless charging, edge-to-edge display glass, an included multi-device keyboard, heathered acoustic cloth, Nightfall Black matte finish and Dark Ash woodgrain accents. The HP Envy 32 AiO is available from HP, Amazon, Best Buy and other retailers with a starting price of $ 1,599.99.

    Articles: Digital Photography Review (dpreview.com)

  • The Insta360 One R is a super-versatile action/360 camera system

    After teasing a modular action/360 camera system last week Insta360 has officially launched the ONE R at CES in Las Vegas today.

    The One R consists of a ‘CPU’ with built-in miniature touchscreen and a battery pack which can be combined with one of three camera/lens units:

    • A 360-degree camera that records at 5.7K resolution
    • A GoPro style action camera with 16.4mm equivalent focal length that can record 4K footage at 60fps and 1080p video at up to 200 fps.
    • A wide-angle module with 1-inch sensor and 14.4mm equivalent focal length that records 5.3K footage at 30fps , 4K at 60fps or 1080p at 120fps. This module was developed with the help of camera company Leica.

    All three modules can record in Raw format and make use of Insta360’s FlowState stabilization, which has been improved for use in low light, as well as H.265 video encoding. They are attached to the CPU and battery ‘lego-style’ via connector pins. Depending on use case the touchscreen can face forward or backwards and installed in the included mounting bracket any of the combos is fully waterproof down to 5m.

    The 360-degree module can be used with lens protection filters which are, like we’ve already seen with selfie-sticks in previous Insta360 models, automatically removed from the footage by software.

    The touchscreen can be used for framing or image/video review and alternatively lets you adjust a range of settings including manual exposure parameters. Most special features are provided through the mobile app or desktop application, however.

    One R users have the choice of letting the app create shareable clips automatically, or dive deep into the controls and edit footage manually.

    The Auto Frame feature automatically frames 360 content using AI-powered image recognition and tracking technology. It lets you pick from a selection of pre-framed shots and all you need to do is trim and export the clips you like best.

    In addition you can create automatically reframed hyperlapses which works best with video of a few minutes in length walking outside in a varied environment. You can choose the landmarks you want to include from a menu or let the app decide for you.

    A new AI-powered tracking algorithm lets track a subject in your 360-degree video either in the app when editing, or in real time by locking onto a target at the start of recording.

    In addition Insta360 has improved the app over previous versions by implementing editing via WiFi without downloading footage to your mobile device, and background downloading which lets you continue working in the app while video files are being transferred.

    First impressions

    We’ve had a chance to play with the new hardware and app before launch and the package looks pretty impressive, especially when considering we were using a pre-production unit.

    Video output quality is not quite there yet (which is why Insta360 has asked us to not post any samples) but the build quality of the hardware looks excellent and gives the system a premium look and feel. Swapping camera modules is easy and fast and despite the small size of the built-in display it allows for easy modification of settings and changing of modes, thanks to a responsive touchscreen.

    The updated mobile app comes with an abundance of features and modes and should cater to anyone, from casual users who want automatically generated highlight-clips delivered to their phone, to advanced videographers who know how to reframe their 360-degree and edit action cam footage manually.

    $ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_8744661357″,”galleryId”:”8744661357″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

    If the Insta 360 One R will be able to deliver on image quality it’s an extremely attractive option for any creative video maker. It offers the resolution of a high-end action camera and the versatility and ability to reframe clips after shooting that you can only get from a 360-degree camera at a price point that is very close to high-end action cameras.

    Those who want the dynamic range and low light performance of a 1-inch sensor have the option to further expand the system with the optionally available 1-inch module, offering one of the currently most versatile consumer video solutions available.

    The Insta360 ONE R Twin Edition includes the Dual-Lens 360 Mod and 4K Wide Angle Mod and will set you back $ 479.99. The Insta360 ONE R 1-Inch Edition comes standard with the premium 1-Inch Wide Angle Mod and retails for $ 549.99. The Insta360 ONE R 4K Edition comes with CPU, battery and 4K action cam and is $ 299.99. More information is available at Insta360.com.

    Press Release:

    Insta360 ONE R Is an Adaptive Action Cam Co-Engineered with Leica

    AI-powered Auto Frame makes editing 360 video easy.

    Innovative camera maker Insta360 today announced ONE R, an adaptive action cam whose unique interchangeable-lens design enables 360-degree capture, standard 4K wide-angle capture, and use of a groundbreaking 5.3K 1-inch sensor — all with a single device.

    The concept is simple — one battery, one processor and a selection of quick-swapping lens Mods. In an instant, ONE R transforms from a dual-lens 360 shooter to a standard action cam. ONE R currently offers three ways to shoot with three available lens Mods — the Dual-Lens 360 Mod, the 4K Wide-Angle Mod and the 1-Inch Wide Angle Mod co-engineered with Leica.

    The 1-Inch Wide Angle Mod achieves the best performance ever in an action camera, combining a 1-inch sensor with the legendary optical expertise of Leica and 5.3K resolution — in a compact, rugged body backed by Insta360’s signature FlowState stabilization.

    ONE R is available to order today via Insta360.com and select retailers worldwide, including Best Buy.

    The right tool for every job.

    ONE R is designed to give creators, athletes and adventurers a single tool that can adapt to any shoot.

    In terms of creative freedom, nothing beats a dual-lens 360 camera. It unlocks the ability to reframe shots after the fact, ensures that users never miss the action, and enables unique techniques such as drone-like aerial angles. But for scenes in which action is concentrated in one direction, a reframed shot from a 360 camera still doesn’t achieve the same level of quality and resolution as a specialized single-lens shooter.

    These two camera formats have unique strengths and tradeoffs — just as telephoto and wide-angle setups on an SLR camera have equal but opposite strengths. The only way to take advantage of both formats is with an easy, efficient way to switch from one to the other on the fly. ONE R is just that.

    Best quality ever in an action cam.

    ONE R redefines what’s possible with an action cam. Each of its three available Mods unlock breakthrough imaging and quality.

    Dual-Lens 360 Mod: This Mod supports 5.7K capture on two lenses that cover every direction at once. It enables a real-time 360-degree preview on ONE R’s touchscreen, while innovations like Color Plus, HDR video and Night Shot achieve the best color accuracy and low-light performance in any consumer 360 camera.

    4K Wide Angle Mod: Ready for 4K@60fps, this Mod captures crisp, vibrant, stabilized action and supports up to 8x slow mo. Its reversible design lets you flip the touchscreen from back to front in a snap — perfect for getting real-time feedback when filming yourself.

    1-Inch Wide Angle Mod co-engineered with Leica: This Mod achieves a level of quality never before seen in an action cam. The 1-Inch Wide Angle Mod uses a best-in-class 1-inch sensor to capture brilliant 5.3K video and 19MP photos even in complex lighting conditions. Premium performance in a device that’s ready to go anywhere — the 1-Inch Wide Angle Mod is a game-changer.

    Leica worked closely with Insta360 on the optical engineering and industrial design of the 1-Inch Wide Angle Mod, and contributed its unmatched expertise in image quality and color reproduction.

    Smooth moves. Even in the dark.

    The ONE R uses a fully upgraded FlowState stabilization algorithm to achieve gimbal-like stabilization whether you’re shooting in 360 or with a standard wide angle. Using a smart scene-detection algorithm, ONE R outclasses the competition with stabilization that holds steady even in low-light scenes.

    Waterproof whenever.

    ONE R is IPX8 waterproof to depths of 5 meters (16.4 feet) straight out of the box. For those who want to go deeper, a Dive Case enables descents of up to 60 meters (197 feet).

    Voice control.

    Voice control lets you control ONE R with a few simple commands. If ONE R is mounted on a helmet or out of reach, just give it a shout.

    Auto Frame changes the game.

    The best thing about shooting 360 video is that you capture an infinite number of possible angles and edits. The worst thing about shooting 360 video is that you capture an infinite number of possible angles and edits. If only there were some kind of artificial intelligence that could analyze a scene in every direction at once to find the most interesting moments and angles.

    Enter Auto Frame. Insta360 has developed its own computer vision algorithm to identify the best parts of any 360 video and recommend them to creators. There’s still plenty of choice, but the ONE R app’s Auto Frame feature helps you quickly narrow down the shots worth considering and does the reframing for you.

    Deep Track.

    AI-powered computer vision also enables ONE R’s mind-blowing tracking capabilities. When editing 360 video, creators can simply select a subject to follow with a tap. The ONE R app will automatically keep it locked in center-frame. Even if a subject is obscured by an obstacle, ONE R’s algorithm will remember it and start tracking again as soon as it reappears.

    And if you don’t want to wait for post-production to choose your subject, you can also use Deep Track in real time. ONE R’s unique “Point to Track” feature lets you lock onto a subject with the voice prompt “Mark that!”. The next time you connect to your camera, you’ll get an automatically reframed shot that follows your chosen subject — it’s like having a cameraman with you wherever you go.

    No drone. No problem.

    ONE R brings back Insta360’s endlessly fun and versatile Invisible Selfie Stick feature. Easily capture aerial angles and video-game-style third-person views by making your camera grip invisible. Invisible Selfie Stick is only supported when using the Dual-Lens 360 Mod.

    Low light. Done right.

    ONE R offers a range of both hardware and software upgrades to achieve best-in-class low-light performance. New Night Shot mode captures low-light photos that pop, while automatic de-noising preserves detail in low-light video.

    ONE R also supports HDR modes for both photos and video, and creators can take advantage of Color Plus to do an automatic, one-touch color grade that brings out brighter, more vibrant hues.

    When it comes to color reproduction and low-light performance, the 1-Inch Wide Angle Mod co-engineered with Leica is in a class of its own. Its 1-Inch sensor brings out highlights and shadows in vivid detail. Vloggers will be tempted to leave the rest of their kit at home.

    Sounds good.

    Every ONE R build comes standard with two onboard mics and an automatic wind-reduction algorithm that achieves great sound straight off the camera. However, its USB Type-C port and top-mounted Accessory Shoe also allow for easy third-party 3.5mm mic connection.

    Infinite possibilities.

    The ONE R app comes with a range of new editing features designed to help creators take advantage of all its capabilities. The TimeShift hyperlapse effect popularized by ONE X can now be completed with a couple taps, and a new pose-detection algorithm lets creators instantly identify and extract every frame of a clip in which they strike a similar posture — enabling mind-bending stop-motion effects that used to take hours of work.

    New Starlapse mode automatically calibrates exposure settings to capture stunning time-lapses of the night sky — creators just pick a time and a place and hit record. The ONE series’ signature Bullet Time effect has also been upgraded with a smart horizon-leveling algorithm.

    FlashCut auto-editing.

    FlashCut is the ONE R app’s content-aware editing algorithm. First, it finds shots based on a theme set by the creator — like food, travel or pets. Then it combines them on beat into a stylish edit. FlashCut can filter and combine footage captured by any ONE R build — 360 or standard.

    More Mods.

    ONE R doesn’t stop at three Mods. Its unique design enables a huge range of efficient add-ons and upgrades. The standard Battery Base can be swapped for a double-size Boosted Battery Base for extended shooting.

    Meanwhile, Insta360 today also announced the groundbreaking Insta360 ONE R Aerial Edition, which offers a specialized mounting system to make supported drones completely invisible and captures an unobstructed, airborne 360-degree view.

    An Edition for every mission.

    ONE R is all about choice. Creators can purchase exactly the combination of gear that suits their needs. However, Insta360 also offers a range of prepackaged Editions that give creators everything they need to get started with some of the most powerful combinations of Mods.

    Insta360 ONE R Twin Edition brings together two great ways to shoot — the Dual-Lens 360 Mod and 4K Wide Angle Mod — in one convenient package for $ 479.99 USD; Insta360 ONE R 1-Inch Edition comes standard with the premium 1-Inch Wide Angle Mod co-engineered with Leica, and retails for $ 549.99 USD; and Insta360 ONE R 4K Edition offers creators all they need to enjoy the versatile 4K Wide Angle Mod for $ 299.99 USD.

    More details on ONE R can be found at Insta360.com.

    Articles: Digital Photography Review (dpreview.com)