Download the entire HDSLR 101 series plus a BONUS EPISODE on our store site: store.nextwavedv.com Find more training resources on our website: nextwavedv.com Join our Facebook community facebook.nextwavedv.com Follow us on Twitter twitter.com In Episode 1 of HDSLR 101, we discuss how DSLRs first got video, sensor sizes and how they affect the look of video, and the pros and cons of shooting video on HDSLRs.
Video Rating: 4 / 5
Comments
23 responses to “HDSLR 101 #1: Intro to shooting video on a HDSLR”
Great video series. This is a huge help.
great info thanks
Thanks very much. I enjoyed watching your insights into filmmaking videography. MUCH appreciated! Keep up the great work please. Best to your success… always Kip Jurus Producer-Director-Writer-Filmmaker 🙂
GH1 and GH2 aren’t DSLRs.
fantastic info, thanks!
What type of lenses do you guys use? What lens would you recommend for keeping things in focus for as long as possible ? I currently have a 18-105mm Nikon and my camera is a D7000. I notice very often that my video ends up being very softly out of focus when moving away from my area of focus even at 18mm, obviously DSLR’s do not have auto focus but for example, when you guys had the camera on the jib and were moving how did you maintain a clear focus on your subjects? follow focus? certain lens?
What a great video , extremely informative and very clear to understand , more of the same please !
What is the name of the guy?
Fantastic Videos! Thanks! Subbed
wow u guys are awesome thanks for the info!
this first episode was simply AMAZING! thank you subbed!! lovin it!
also camcorder tax is another reason of the file limit
about the transcoding part : you say that transcoding from H264 to another format can ‘fix’ some of the detail that was lost during the encoding to H264.
i dont beleive that’s correct. what’s lost is lost.
(when using ProRes you keep more detail, but it’s also a lossy compression method, so even there you lose detail)
If only the director of let me in had heard this guys opinion on depth of film… wouldve helped that movie a bit.
i keep getting weird artifacts ive tryed just about every framerate i ways get a weird low quality look from my camera i see others with amazinf quality
Stop moving the camera back and forth, Mr. Camerman! Leave it still on that tripod!
Hey tony, what do you think about the panasonic af100? It seem to be a good compromise between video and DSLR.
awesome beginner video, thanks
very good info. thanks a lot pal!
nice presentation thanks learn alot keep it up
Shouldn’t these videos be entitled HD DSLR and not just H DSLR? Then it would be High Definition Digital Single Lens Reflex…
I don’t know if this is true but heard that the 29 Minute limit (e.g. when shooting 720p) was due to import restrictions. If the SDLR allowed to record longer than that (just like a regular video camera) then they would be classified as video cameras and thus have additional import duties imposed upon them. I wouldn’t put it past our legislatures to have written this into our import laws.
The Meltdownman