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  • Basics of biblical hebrew grammar second edition pdf

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  • Challenge: Shooting portraits using just an iPhone, a flashlight, and a Big Mac box

    Great gear can make a big difference when it comes to the quality of your photographs, but we all know that good gear does not a great photographer make. What’s more, a great photographer can do amazing things using really mediocre equipment.

    Case in point: watch portrait photographer Philippe Echaroux take on what he’s calling “Big Mac Portrait Challenge.”

    Usually Echaroux uses Hasselblad digital cameras, Elinchrom lights and other expensive (for a reason) equipment to capture his professional portrait work. But he was recently asked to make due without any of that; instead, he would be using an iPhone for shooting and retouching, a small flashlight, and a Big Mac box from McDonald’s. Yeah… seriously.

    The final shots benefit from a lot of post-processing, of course. In all, Echaroux used VSCO, Photoshop Fix, and Lightroom Mobile to tease out something that looks a lot more professional than you’d expect from his meager setup. But The basic gear and lighting was all the same: iPhone, flashlight, Big Mac box.

    Whether you’re shooting an astronaut in a darkened Soyuz capsule with a 10-year-old DSLR and an iPhone flashlight, or taking the so-called Big Mac Portrait Challenge, don’t let lack of gear intimidate you. If nothing else, it might lead to a cool story or creative video.

    Articles: Digital Photography Review (dpreview.com)

  • Cellular Urbanism: Analyzing the Anatomy of Functional City Block Designs

    [ By WebUrbanist in Architecture & Cities & Urbanism. ]

    We all understand intuitively that different urban layouts lead to different kinds of cities, but a new book analyzes these on a block-to-block basis to illustrate how this civic anatomy works on a cellular level. In Urban Being: Anatomy & Identity of the City, Robin Renner uses anatomical-style classifications to look at urban landscapes through a kind of giant microscope.

    Overlaying use patterns and transit networks, the reader begins to understand what types of urban “cells” make for functional built environments. Think of it like genome sequencing: through it, planners and architects can learn how to identify problems and, in some cases, address them or head them off in advance.

    A combination of topography, transportation networks and design ambitions go a long way toward shaping cells in global cities, forming grids and networks familiar from satellite views of cities. All this in turn shapes the kinds of buildings and functions one finds within a given city.

    At the most basic level there are “block cells” made up of arterial routes — these tend to be packed with activity, though specific functions vary on long and short sides of a block (shorter are often busier). These are often found in financial centers of major metropolitan areas.

    There are also “linear cells” where two single-direction roads pass one another, which can form the basis of walkable commercial hubs.

    Inside “central cells,” where traffic is pushed to the periphery, pedestrians can dominate, generating demand for things like stores and restaurants. Barcelona, for instance, has been implementing a plan to turn sets of blocks into single superblocks, leaving central zones free of cars.

    In the process of analyzing all of these types and how they work together in neighborhoods, Renner has devised some rules of thumb, like: residential cells should be between 1200 and 2400 feet across. Industrial cells, which often grow up around transit routes (railroads, rivers and lakes) can grow too big and isolated unless located close to worker housing or connected via public transit. These kinds of decisions, says Renner, can help cities keep a healthy balance of livability and functionality.

    “There is a long tradition of comparing cities with organisms as they have similarities in their anatomy, explains the author. “But since cities are brought into life by the presence of people, they are less living beings than urban beings with their own identity. This is based on the behaviors, needs and requirements of the residents. In other words, the anatomy of the city informs its identity.”

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    [ By WebUrbanist in Architecture & Cities & Urbanism. ]

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  • Gitzo reveals three new ‘high-class’ 100th Anniversary camera bags

    Manfrotto-owned Gitzo has announced three 100th Anniversary camera bags under the Century Camera Bag Collection: the Century Traveler Backpack, Century Traveler Messenger, and Century Compact Messenger. All three bags are available for pre-order and are currently listed as Coming Soon on Manfrotto’s website.

    The Century Traveler Backpack and Messenger can both accommodate a DSLR camera and up to three lenses, as well as a 15″ laptop (Backpack) or a 13″ laptop (Messenger). The smaller Compact Messenger, meanwhile, has enough room for a mirrorless camera, three lenses, and an iPad. All three bags also have space for assorted accessories.

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    The entire line is constructed with genuine Italian leather. The Backpack and Messenger are also made with water-resistant nylon, while the Compact Messenger is made with wear-resistant nylon. Padded dividers create compartments within the bags, while various pockets provide space for accessories.

    The bags should be available starting mid-September for $ 300 (Backpack), $ 200 (Messenger), and $ 170 (Compact Messenger). To learn more, head over to Manfrotto’s website.

    Articles: Digital Photography Review (dpreview.com)

  • FOQUS Type-D 200 is a new 35mm black-and-white film from Russia

    The team behind Russian company FOQUS has launched FOQUS 200, a new 35mm panchromatic black-and-white film described as having a fine grain, strong contrast, and
    “pretty good tone range.” The film’s release was made possible by photography enthusiasts in Moscow, according to FOQUS, though it will ship anywhere with orders already available online.

    FOQUS explains that Type-D is made entirely in Russia, and is not a repackaged product from Europe. In a blog post, the team explained that photographers may occasionally experience the presence of small ‘dots’ on their developed prints, something they don’t consider a big problem but hope to address in time. They also explain that Type-D isn’t very forgiving, and so photographers should “know what [they’re] doing” when they use it.

    If you do know what you’re doing, you can get results like this:

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    Because the film is entirely produced within Russia, the price is low for international buyers: at only 230 rubles / $ 4 USD / 3.30 Euro / 3 GBP per roll. Probably as a result, the FOQUS website currently lists the film as out of stock.

    Articles: Digital Photography Review (dpreview.com)

  • Yalom gift of therapy pdf

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  • Lomography unveils foldable Lomo’Instant Square instant film camera

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    Lomography just launched their latest creation on Kickstarter: The Lomo’Instant Square instant film camera. Following hot on the heels of Fujifilm’s Instax Square SQ10, the Lomo’Instant Square uses the same film as the Fuji camera, but puts it in a foldable, fully-analog body. We have a feeling lovers of Lomography’s retro style and shoot-for-the-joy-of-it culture will flock to the Lomo’Instant.

    The Lomo’Instant Square’s tagline is that it’s the “world’s first fully analogue camera to work with Fujifilm Instax Square Film.”

    Featuring a 95mm (45mm equivalent) F10 glass lens for sharper photos than the plastic lenses in some of Lomography’s toy cameras, the Lomo’Instant Square can be used in “advanced automatic mode” for hassle-free perfect exposures, or more creatively through features like unlimited multiple exposures or the 30-second ‘bulb’ mode.

    Here’s a psychedelic intro video to get you acquainted with the new instant camera:

    And here are some sample photos captured on the Lomo’Instant Square:

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    The Lomo’Instant Square has only been up on Kickstarter for a few hours, but already it’s blown past its $ 100,000 funding goal and the number just keeps getting bigger with every reload. In other words: this camera will definitely get made, but there is still a good reason to order yours today if you’re interested.

    Lomo is offering a special 35%-off-retail discount for everyone who orders the Lomo’Instant Square during the first 24 hours of the Kickstarter campaign. That means you can get the White or Black versions for $ 130 instead of the $ 200 it will cost you when it hits shelves early next year.

    To learn more about this quirky camera or put down a pledge of your own, head over to the Kickstarter campaign by clicking here.

    Articles: Digital Photography Review (dpreview.com)

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