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  • These drink coasters look like a camera lens when stacked

    Looking for a stylish way to keep condensation from forming unsightly rings on your desk? Are you a huge photography nerd? Fotodiox has a solution that will keep both parts of your psyche nice and happy: cup coasters that, when you stack them together, appear to form a single camera lens.

    Fotodiox calls the quirky product the CraftMaster LenzCoaster, and offers them in three different varieties.

    A careful look at each LenzCoaster ‘lens’ reveals that it is split into five sections, each section a different drink coaster with silicone padding. Magnets embedded in each coaster keep the pieces together when stacked.

    The lens coasters are offered in white and black, the latter of which comes in a variety with black and red ‘caps.’ Fotodiox is offering all three versions now for $ 25.

    Articles: Digital Photography Review (dpreview.com)

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  • While Waiting for Hyperloop, Sleep Through Long Drives on Cabin Buses

    [ By SA Rogers in Technology & Vehicles & Mods. ]

    Someday, we’ll supposedly be able to zoom from one city to the next in no time flat thanks to the Hyperloop, but that day is not today. Elon Musk’s high-speed transit system Hyperloop One has been successfully tested, and promises to cut the 400-mile trip between Los Angeles and San Francisco down to just 30 minutes, but it’ll take it a while to get off the ground. In the meantime, our options are still limited to air travel, personal vehicles, trains and buses. Buses are easily accessible and cheap, but they cost a whole lot of time and discomfort instead.

    If you’ve ever taken an inter-city bus trip, you know how it goes. More often than not, you’re crammed in with dozens of other people, breathing stale air, hoping the person coughing next to you won’t get you sick. Even worse, inter-city bus travel is notoriously inefficient, requiring a lot of stops and ultimately taking a lot longer than it would if you were driving a car. Ever wish you could just block out your surroundings and sleep through it without drooling on somebody’s shoulder?

    A new service called ‘Cabin’ aims to bridge the gap between bus travel and air travel with comfortable one-person sleeping pods, so you get your own private little area in which to stretch out and lay down during a long drive. The company bills itself as “the dreamiest way to travel between LA and SF,” acting as a hotel on wheels that transports you to your destination while you’re sleeping.

    The company worked with hospitality architects to “completely reinvent the bus as we know it,” outfitting each pod with hotel-like amenities like free wi-fi, fresh bedding, complimentary water, tea, coffee, earplugs and even a melatonin supplement to help you fall asleep.

    With a round-trip cost of $ 230 to get back and forth between San Francisco and LA, Cabin definitely isn’t the cheapest option; you can take a Bolt bus for just $ 50, and many airlines offer routes between the cities for as low as $ 69 each way. But we all know how much comfort airlines have sacrificed in recent years to keep their costs down, and an air trip with a pod this cozy would cost many times that amount. Plus, there’s no dealing with airports, hidden fees or traffic.

    The future of inter-city travel will likely include self-driving vehicles and highway trains, but for now, this seems like a pretty cool option, especially for people who feel particularly stressed about flying. Cabin launched last year as SleepBus, and after a highly successful test run, raise $ 3.3 million to continue, with plans to expand to the East Coast.

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    [ By SA Rogers in Technology & Vehicles & Mods. ]

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  • The Lily Drone is back: Gets a makeover, better features and a new parent company

    The Ill-fated Lily Drone has returned from the grave courtesy of Mota Group, a company that acquired the Lily Drone assets after its original company, Lily Robotics, announced back in January that it was shutting down and then promptly got sued. The new version of Lily drone sports a different design and several new features versus the original model, including quick charging, 4K video recording, support for geo-fences, and the ability to ‘smart hover.’

    Lily drone’s initial launch under startup Lily Robotics had caught consumer attention due to its autonomous technology, which supposedly enabled it to follow its operator while recording video after being thrown into the air. Though that type of feature is no longer atypical among camera drones (the autonomous following, that is), it was enough of a novelty at the time that it earned the company millions in investment dollars and pre-order sales.

    By the time Lily Robotics closed up shop earlier this year, it was being sued by the San Francisco district attorney over claims that it had faked its promotional video for the drone. The company’s assets were sold off at auction and ultimately acquired by Mota Group for $ 750,000.

    That brings us up to today and the launch of ‘Lily Next-Gen,’ an updated version of the Lily Drone that increases the original’s 1080p recording resolution to 4K, its still picture resolution from 12MP to 13MP, and trims its weight down from more than a kilogram to 385 grams/0.8lbs.

    Some sacrifices were made to the drone, at least in comparison to what the original was purported to offer. It is no longer waterproof, and its flight time is now 18 minutes instead of 20 minutes. However, Lily Next-Gen supports an external battery, making it possible to increase that time to 36 minutes and content is stored on an included 16GB memory card.

    Mota Group is currently offering two different bundles for its Lily drone via its online store: the Standard Package for $ 500 USD and the Fully Loaded Package for $ 800 USD. Shipping is available globally.

    Articles: Digital Photography Review (dpreview.com)

  • How to Make Sense of Photography Hardware Terminology

    There are many different pieces of hardware that help to hold camera equipment together and attach things to stands. Here is an overview of some of the photograph hardware you need to understand. It’s not glamorous but having the right parts will help you get things done.

    Tripod connection

    Ever since the early days of photography, the need to keep the camera steady has been a prominent issue. The long exposure times and the size of the equipment in those days made it impossible to handheld the camera with sharp results. So, the tripod was invented and to this day it remains as the go-to solution to stabilize your photographic equipment.

    The tripod is connected to the camera via a thumbscrew that secures both parts. Virtually every camera on the market has a threaded hole on the bottom dedicated to the attachment of a tripod.

    Photography hardware 01

    Tripod mount on the bottom of most cameras.

    As recommended by The Royal Photographic Society and regulated by ISO 1222:2010 these female threads are compatible with one of these two stud sizes used on tripod plates:

    • The 1/4 20 stud that measures 1/4 inch or 6.5 mm in diameter and has 20 threads per inch.
    • The 3/8 16 stud that measures 3/8 inch or 9.5 mm in diameter and has 16 threads per inch.
    Photography hardware 02

    Tripod insert.

    The 1/4 20 thread is the most common and used in the majority of equipment in the market. Meanwhile the 3/8 16 is used for heavier equipment as it is much sturdier and able to stand heavier load. It is fairly easy to convert between the two threads with adapters like this male 1/4 to 3/8 or female 3/8 to 1/4.

    Photography hardware 03

    Connecting light stands to gear

    Even though camera tripod connection is the main use for these threads, there are a lot more uses for them as well. These are the standard size for a vast array of photography accessories connection compatibility.

    The spigot connection complements the threaded system as it is quick and easy to use, and it is not limited by the thread tightness positioning. It is used as a building block for many things around the studio from holding flash heads on a light stand to background and reflectors holding systems.

    Photography hardware 04

    A 3/8″ spigot left, and ¼” one on the right.

    The combination of these two systems allows the mounting of accessories like a flash and umbrella swivel bracket. You can use the spigot system to connect to the tripod and the 1/4 thread for a flash cold shoe.

    Photography hardware 05

    All the female and male thread combinations are possible with a conversion kit. It is composed of three elements, a spigot with 1/4 and 3/8 female thread, a 1/4 to 3/8 male converter and a double 1/4 male stud.

    Photography hardware 06

    Combining this three pieces in different positions allows all the threaded spigot combinations and interlocking of different pieces of hardware. Sets are available that contain all of these pieces.

    Other uses

    There are many other things you can connect using these bits. A good example is the use of a magic arm. It is a really sturdy system for holding things in place and has many thread options on each side.

    Photography hardware 07

    Connecting it to a clamp with a female thread is a great combination for holding reflectors, lights, or positioning production accessories in your photography set.

    Photography hardware 08

    Another great accessory that allows the combination of all these pieces of equipment in the same place is the universal junction sphere. This handy little gadget has multiple 3/8 threads and allows many accessories to be mounted on the same base.

    Photography hardware 09

    Conclusion

    So, here are just a few examples of photography hardware accessories that are not of great use by themselves, but make powerful tools when connected together. It is just a matter of picking the right combination to get the job done!

    Let us know in the comments what combinations you use.

    The post How to Make Sense of Photography Hardware Terminology by Ivo Guimaraes appeared first on Digital Photography School.


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  • DJI releases Mavic Pro Platinum with better battery life and quieter flight

    Like everybody else today, DJI took advantage of IFA in Berlin to announce a few new products. In addition to an ‘Obsidian’ version of the Phantom 4 Pro and a new shooting mode for the DJI Spark, DJI revealed the Mavic Pro Platinum: a longer-lasting, quieter version of the popular foldable DJI Mavic Pro.

    In DJI’s own words, the DJI Mavic Pro Platinum “takes all of the advanced features of the Mavic Pro which revolutionized personal flight and builds on them.” The drone is targeted at travelers, amateur photographers and outdoor sports enthusiasts who want a little bit more performance than the original Mavic can offer.

    To that end, the new Platinum version improves the battery by 11% for a total per-charge flight time of 30 minutes. It also decreases flying noise by a whopping 60% (4 Decibels), making it a little easier to remain inconspicuous while capturing aerial footage. Plus it looks a bit ‘fancier’ than the original too:

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    To learn more about this drone, click here. And if you’re already interested enough to buy, the drone is available to pre-order on the DJI website for $ 1,100.

    Articles: Digital Photography Review (dpreview.com)

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  • Photonicz One is the first ever compact weather-sealed LED strobe light

    Photonicz, a California-based company founded by photographer Alex Munoz, is seeking funding for the new Photonicz One: the first ever compact LED strobe light that is weather-sealed. Due to this weather-sealed design, the Photonicz One can be used outdoors in snow and rain without risking damage… not bad.

    oining that durable construction is a light weight of just 1.5kg / 3.3lbs, and compact size measuring in at just 4.9 x 4.7 x 3.5in (or 124 x 119 x 89mm for you metric types).

    The Photonicz One strobe light offers a maximum power output equivalent of 2500 watts, is capable of speeds as fast as 1/50,000 of a second, and can fire at full power at speeds up to 30fps from battery power. The built-in battery is capable of powering ‘thousands’ of full-power flashes per charge, according to the company.

    Users have two options for controlling the Photonicz One: a built-in touchscreen display, or the remote control with OLED display. The remote control can be paired with an iPhone or Android mobile device for use with an app that lends even more control options. Finally, the Photonicz One can also be wirelessly synced with other lighting devices, or can be triggered individually from distances of up to 0.6 miles / 1km.

    Here’s a quick intro to the new strobe:

    The Photonicz One’s design is still a work-in-progress; the Kickstarter campaign, which is offering backers the chance to get the device at $ 750 USD, offers images of the device prototype. The final design may have a different look.

    Assuming Photonicz is able to successfully fund the strobe, the Photonicz One will begin shipping to backers in March of 2018.

    Articles: Digital Photography Review (dpreview.com)

  • Spekular is a modular LED lighting system you can reshape to suit your needs

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    Spiffy Gear, the company behind the Light Blaster strobe projector, is back with another accessory for photographers and videographers who want a lighting solution that can conform to every shooting situation. It’s called Spekular, and Spiffy is calling it “the Swiss army knife of LED lighting.”

    Spekular consists of four ultra-bright, color-accurate LED strips that can be arranged in whatever configuration suits your shooting needs. Each of the four LED lights boasts a dimmable, flicker-free 14.5 watts of power (~150W halogen) with color accuracy guaranteed (94+ CRI and 96+ TLCI).

    Here’s a quick intro video so you can see the lights in action:

    And here are a few sample shots, all captured with the Spekular arranged in one of its various configurations (Note: the star shape requires an additional four-light ‘expansion kit’ and star adapter):

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    Spiffy is branding the Spekular as ‘the only light you need,’ and while we’re always a bit skeptical of grand claims, the modular design and attention to technical detail certainly make it a unique lighting option.

    You can find out more about Spekular on the Spiffy Gear website, where you can order the standard 4-light kit for $ 650, the 4-light extension for $ 130, a battery adapter (in case the power goes) also for $ 130, and that Star Adapter for, you guessed it, $ 130.

    Press Release

    Spekular from Spiffy Gear is the Swiss army knife of LED lighting for photo and video.

    SUMMARY: Spekular is a modular LED lighting system for videographers and photographers. It is a collection of light bars with high brightness and unparalelled color accuracy. The system drastically reduces the number of accessories needed to create professional lighting setups.

    31 August 2017 – Today, Spiffy Gear launches the $ 650 Spekular, a flexible, modular LED lighting system for videographers and photographers. Spekular adapts into different lighting modifiers, such as light strips, soft boxes or shaped lights for creative effects.. This reduces the amount of gear needed to be carried to shoots. Spekular can be configured as a ring, a square, a strip, a star, a “standard” panel, and many more configurations.

    Using the attachment options in the Spekular kit, discerning lighting artists can configure the light into different shapes to create different looks, adapt to different situations, and add flair to portraits by adding eye-catching catch lights.

    Spekular is extremely bright. Each of the LEDs sections provides 14.5W of light (the equivalent of around 150W of halogen light). And there are four of them. This kit delivers as much power as four “standard” LED panels, so you have to carry less to light more.

    Spekular is fully dimmable for further lighting flexibility, without any of the flickering typically associated with dimmable LED light sources. The LED bars do all of this while maintaining a perfect color rendition to save you time in post-production. (94+ CRI and 96+ TLCI).

    The kit is extremely sturdy and hard-wearing. It can withstand the hard, unrelenting abuse of a typical professional photo or video shoot. Its aluminum sections and tough ABS connectors will keep going, day after grueling day.

    “Spekular will enable photographers and videographers to tell their stories while paying less, carrying less and having more lighting options, says Udi Tirosh, CEO at Spiffy Gear.

    The Spekular Ecosystem

    At launch, Spekular is part of an extendable kit, with accessories to add even more flexibility.

    The Spekular kit is the core kit to get you started with Spekular. It consists of four LED light sections, four hinged connectors and mounting gear, all packed in a handy carrying case. This kit provides more than 5,000 luminous flux of light.

    The optional Spekular Star Adapter enables you to configure the Spekular kit into an eight-section star with a hole in the middle. The hole is big enough to shoot through, making some creative lighting options possible.

    The optional Spekular Extension Kit unlocks even more ways to use Spekular. It enables using one kit as a three points lighting system, create complex lighting schemes, and create long seamless strips.

    The Spekular Battery Adapter makes the Spekular kit usable anywhere in the world. Use any DTAP-enabled battery to power the kit – no need to be plugged into a wall socket. The battery adapter includes a mounting bag that connects to a light stands for easy access.

    Pricing and Availability

    Spekular is available starting today at http://www.spekular.com/ and at selected photography retailers.

    • Spekular kit: $ 650
    • Spekular Star Adapter: $ 130
    • Spekular Extension Kit: $ 130
    • Spekular Battery Adapter: $ 130

    Articles: Digital Photography Review (dpreview.com)