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  • Fujifilm recalls nearly 300,000 camera power adapters due to ‘shock hazard’

    Fujifilm has launched a massive power adapter recall that might affect a good number of readers. If you purchased a Fujifilm XP90, XP95, XP120, XP125, X-A3 or X-A10 camera from June 2016 onward, the wall plug that shipped with your unit might be at risk of cracking and/or breaking, “exposing live electrical contacts and posing a shock hazard” according to Fujifilm USA and the US Consumer Products Safety Commission (CPSC).

    The specific power adapter that is at risk is the AC-5VF, and according to Fujifilm, it was shipped with some XP90 and XP95 cameras sold from June of 2016, XP120 and XP125 cameras sold from January 2017, X-A3 cameras sold from October 2016, and X-A10 cameras sold from February 2017.

    According to the CPSC, Fujifilm is recalling about 270,000 of these power adapters in the US, and another 24,000 in Canada.

    Photo of the affected wall plug. Image: Fujifilm

    As with most recalls of this type, not all cameras were affected. To check if your serial number is affected, grab your XP90, XP95, XP120, XP125, X-A3 or X-A10 camera and find the serial number as shown in the picture below:

    To see if your camera shipped with one of the affected wall plugs, here’s where you’ll find your camera’s serial number to plug into Fuji’s Search Tool.

    Then take that serial number and plug it into Fujifilm USA’s search tool at this link, or reach out to Fujifilm directly via email at productsafety@fujifilm.com or by toll-free number 1-833-613-1200.

    If your camera doesn’t come up in the search tool, you’re safe to keep using the wall plug that came with it. If it does come up, you’ll need to contact Fujifilm via the email or phone number above, at which point they will “arrange to mail you a free replacement wall plug and associated adapter unit.”

    To learn more about this recall, or check your serial number against the database, visit the Fujifilm USA recall page.

    Articles: Digital Photography Review (dpreview.com)

  • This 2018 ‘ecosystem map’ captures the whole photo industry in one massive infographic

    Photolemur, the makers of an AI-powered image editor, have put quite some time and effort into creating a comprehensive “Market Map of the Digital Photo Industry” that includes all sorts of brands, manufacturers, publications and other organizations that are involved in the industry in some shape or form.

    “The aim of this initiative is to become the gate to the digital photo industry and to help photographers, new companies, VCs, entrepreneurs, journalists, and bloggers to understand who the major players in the world’s digital photo industry are,” writes Photolemur in the accompanying text. “Note that some companies work in more than one segment so we decided to link them only to their primary segment on the map.”

    In the map you’ll find anything from camera and lens manufacturers, to Raw image processors, to providers of online education services, all neatly sorted and categorized. The company says it is planning to update the market map over time, adding more entries to existing categories as well as creating entirely new categories.

    On the market map website you can contact Photolemur via an email link if you think they’ve missed out an important player in the industry. If you submit your name and email address, you can also download the map as an Excel file or high-resolution PDF.

    Articles: Digital Photography Review (dpreview.com)

  • Film crew arrested for allegedly trying to sneak a ‘fake bomb’ through airport security

    A Dutch television film crew was arrested last Thursday at the Newark Liberty International Airport in New Jersey after attempting to take what is being called a ‘fake bomb’ through security. The alleged fake bomb was composed of a PVC pipe, wires, and a motor, according to law enforcement sources speaking to ABC News, though the crew’s production house claims it was actually ‘vacuum compression luggage.’

    The arrests involved nine cast and crew members working on an upcoming series called “Staten Island Hustle” for Endemol Shine North America and Left Hook Media, according to a statement released by Endemol Shine.

    You can watch the short news report by ABC News and see a picture of the ‘fake bomb’ from the TSA below:

    Photo: TSA

    In a statement given to NJ Advance Media, the company said the device wasn’t a fake bomb, but rather a prototype for vacuum luggage able to accommodate a larger number of items than ordinary luggage:

    Unfortunately, there appears to have been a misunderstanding, and we regret any inconvenience to TSA and other authorities on the ground for complications that may have been caused.

    However, TSA officials allege that the crew attempted to sneak the contraption past security officials while secretly recording the incident for a TV episode, and that the vacuum luggage system had all the indicators of being an IED. According to NJ.com, all nine individuals have been charged with conspiracy, creating a false public alarm, and interference with transportation.

    Articles: Digital Photography Review (dpreview.com)

  • How to Take Better Sunset Photos

    A beautiful sunset is one of the most desirable subjects for photographers to shoot and can be achieved any time of the year when the light is right. Most outdoor photographers will tell you that this is their favourite time of day to take photos when the landscape is bathed in golden light and the rich colours and last rays of the day can be magical. Photographing these moments can be truly satisfying so here are six useful tips to help you capture better sunset photos.

    1 – Shoot into the light

    Sunset photography tips 3F6A3213 HDRAB

    You are more likely to snap a stronger image of the setting sun during the hour leading up to sunset, known as the golden hour. If you aim to shoot directly into the sun when it is low on the horizon you are more likely to capture a better scene than if you were to shoot into the light earlier in the day when the glow of the sun can be too strong and harsh.

    That is when lens flare is likely to be present in the image due to the sun hitting the front of the lens element directly. It can sometimes, however, be used to your advantage.

    Remember to take care when staring into the sun and don’t do this for too long to prevent damaging your eyes.

    2 – Turn around (and shoot what’s behind you)

    Have you ever been so focused on capturing the scene in front of you with the sun setting before your very eyes, to then notice that the view behind is just as spectacular? Novice photographers often make this mistake when starting out.

    When you’re setting up the camera and composing for the shot in from of you, it is worth turning around to see whether the scene behind you offers any photographic potential. If it does, be sure to capture this alternative view as well.

    Sunset photography tips 3F6A5279Deadvlei Namibia

    3 – Hide the sun

    If you have found a view you like and it is too bright shooting towards the sun, try hiding the sun behind an object to further improve the image. You can experiment by partially shielding the sun behind a tree, rock, or person, for example, to find different compositions.

    This technique can result in striking images where you can create great silhouettes or even sun flares by partially masking the sun.

    Sunset photography tips 3F6A3116 HDR

    4 – Change focal length

    Your focal length setting and choice of the composition will make a big difference to the overall picture. Experiment with different focal lengths and figure out what works well and what doesn’t.

    If you want to photograph the setting sun in isolation and for it to be the main feature, zoom in and take close-ups. If you want to capture a broad and breathtaking landscape, choose a wider field of view to take in a larger area and include more elements that may provide a more visually pleasing scene.

    Sunset photography tips 3F6A0444

    5 – Experiment with the White Balance

    You will find most cameras are set to Auto White Balance where the camera works out the color tone automatically and therefore sets the color of your photographs. This is the simple option and is great for capturing images where color shifts are not required.

    However, if you want to change the color temperature of your image don’t be afraid to experiment with different White Balance settings to create a more interesting and visual image. To add warmth to your image, you will want to select a White Balance such as Cloudy or Shade, whereas if you want to create images with a cooler look and feel, try Tungsten or Fluorescent.

    Sunset photography tips 4X8A4732

    6 – Stick around after sunset

    Once the sun disappears, don’t be tempted to pack up your camera bag and head home as you may get lucky with the light and witness a wonderful afterglow. Stay around after sunset, the sky will usually light up in color 25 minutes after the sun has set below the horizon, which can often give spectacular and colorful light.

    Cloud formations can bring another dimension of beauty compared with clear skies especially when their colors start to pop and ignite.

    Sunset photography tips 3F6A4514

    Conclusion

    Without a doubt, sunset photography can be very enjoyable. Using the techniques above may help you improve your pictures and capture a shot you like. Please share your sunset photos and tips in the comments below.

    The post How to Take Better Sunset Photos by Jeremy Flint appeared first on Digital Photography School.


    Digital Photography School

  • Google Pixel 2 gallery updated

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    The Google Pixel 2 represents truly impressive computational photography output. And while we’re currently hashing out a full review from a photographer’s perspective – to be published in the near future – we wanted to share this enormous update to our original Pixel 2 gallery.

    Note: All images in this gallery have been shot using the stock camera app with auto HDR+, except where noted.

    Articles: Digital Photography Review (dpreview.com)

  • Fujifilm introduces budget-friendly and rugged FinePix XP130

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    Fujifilm has introduced the FinePix XP130, its latest inexpensive rugged camera. The XP130 is largely the same as the XP120 that came before it, with the addition of Bluetooth, Eye AF and an electronic level being the major changes.

    The XP130 has a 16MP BSI-CMOS sensor, 28-140mm equiv. F3.9-4.9 stabilized lens, 3″ LCD and 1080/60p video capture. Bluetooth makes pairing camera and smartphone easier and also allows for instant photo transfer. The XP130 has 96MB of built-in memory plus an SD card slot and a battery that will last for around 240 shots.

    You’ll have five colors of XP130 to choose from: black, blue, green, yellow and white. It will ship in March for $ 229.95.

    Press Release

    FUJIFILM INTRODUCES NEW RUGGED FINEPIX XP130, THE PERFECT COMPANION FOR ANY ADVENTURE

    Featuring the latest Bluetooth® technology, four rugged protection features and versatile shooting functions in a compact, lightweight body

    Valhalla, N.Y., January 24, 2018 – FUJIFILM North America Corporation has announced the FinePix XP130, the newest addition to the rugged XP series. The XP130 is the first in the line to feature the latest Bluetooth® technology for easy to use, instant image transfer, and is also equipped with new shooting functions such as an Electronic Level and Eye Detection to provide even greater versatility. Equipped with a FUJINON lens and four rugged protection features in a lightweight body, the new XP130 is durable and delivers high quality images, making it the perfect companion for any kind of adventure.

    Four-Way Rugged Protection for Worry-Free Use

    The XP130 is waterproof up to 65 feet / 20 meters, shockproof up to 5.7 feet / 1.75 meters, freeze proof to 14°F / -10°C and dustproof, and features a protective, double-locking mechanism for the battery compartment. With a grip design for firm one-handed grip, the new XP130 is designed for ease of use and is tough enough for shooting in all situations.

    Bluetooth® Pairing and Wireless LAN Connectivity for Photo Transfer and Instax Printing

    Now featuring the latest Bluetooth® technology, the XP130 can instantly transfer images to a smartphone or tablet, while syncing time and location information from the camera to the images. Utilizing the free “FUJIFILM Camera Remote” app, users can take advantage of this new feature to quickly and easily share photos and videos with family or friends. Images can even be transferred from the XP130 directly to an Instax SHARE™ Printer.

    Premium Image Quality Achieved with High-Performance Sensor and Lens

    The new XP130 is equipped with a 16.4 megapixel back-illuminated CMOS sensor and FUJINON 5x optical zoom lens that includes a 28mm wide-angle setting and provides unique color reproduction technology and advanced sharpness to deliver outstanding image quality. With Intelligent Digital Zoom technology, the optical zoom range can be doubled to 10x, and, utilizing optical image stabilization, the XP130 minimizes the effects of camera shake even in low light conditions.

    Compact and lightweight with a Large LCD monitor and Ease of Use Design

    Compact and lightweight, the new XP130 features a large 3.0-inch 920K-dot high definition LCD monitor with anti-reflective, enabling users to comfortably check composition and pictures taken in bright daylight or underwater. The operation buttons on the XP130 are of optimal size and positioned to enable smooth operation and ease of use even while wearing gloves or holding the camera with one hand.

    Versatile Shooting Functions for Enhanced Photography

    The XP130 features a new Electronic Level feature that is particularly useful when capturing horizontal subjects such as beautiful landscapes, scenery or architecture. There is also a new Eye Detection feature that is designed to focus on the eyes of the subject, enabling the user to capture portraits with ease. Additional features include Cinemagraph mode that produces still images with moving elements, the Time-Lapse Video function that automatically converts images to video format utilizing the interval timer, the Burst Mode that captures up to 10 fps and smooth HD video recording of 60 fps.

    FinePix XP130 Key Features:

    • 16.4MP back-illuminated CMOS sensor and FUJINON 5x optical zoom lens with 28mm wide-angle setting
      • Intelligent Digital Zoom function extends zoom range up to 10x
    • Four-way protection:
      • Waterproof up to 65 feet/20 meters, shockproof to 5.7 feet/1.75 meters, freeze proof to 14°F/ -10°C and dust proof
    • Compact lightweight design with 3.0 inch 920K dot high definition LCD monitor with anti-reflective coating
    • Bluetooth® Pairing and Wireless LAN connectivity, Smartphone Transfer and the FUJIFILM Camera Remote app
      • Transfer photos and videos from the XP130 to your smartphone or tablet, or directly to the Instax SHARE SP-2 or SP-3 Printer for quick, high-quality prints
    • Scene Recognition Mode quickly determines the scene before optimizing focus, exposure and shutter speed for best possible results
      • Underwater and underwater macro functions available
    • Electronic Level Feature: Can be used to capture a horizontal subjects
      • Eye Detection feature helps to capture portraits easily by automatically focusing on subject’s eyes
    • Remote Shooting function: Allows for wireless connection from the XP130 to a smartphone or tablet for remote camera operations such as releasing the shutter or zooming in and out
    • Interval Timer Shooting: Automatically shoots any number of images in set intervals
      • Interval can be set to either 5 or 10 minutes, or 15, 30 or 60 seconds
    • Burst Mode up to 10 fps, and Advanced Burst Mode capable of shooting at up to 60 fps
    • TimeLapse Video: Automatically converts images taken with interval timer to video
      • Frame rates of 10fps, 30fps or 60 fps can be selected along with three different types of movie size, including full HD. Allows for capturing transitions in nature from a stationary point, such as sunsets or opening flowers
    • Cinemagraph mode: Produces still images with moving elements
    • Motion Panorama 360° function for superb panoramic shots, and the Advanced Filter function to create advanced artistic effects with ease
      • Select from 11 filters when taking pictures or 7 filters during video recording
    • Records smooth Full HD video at 1080/60p with a dedicated movie button
    • Wind Filter Setting: reduces wind noise which is often a problem with outdoor movie recording

    Availability and Pricing

    The FinePix XP130 will be released in March 2018 in the U.S. and Canada for USD$ 229.95 and CAD $ 239.99.

    Fujifilm FinePix XP130 specifications

    Price
    MSRP $ 229
    Body type
    Body type Ultracompact
    Body material Metal, composite
    Sensor
    Max resolution 4608 x 3456
    Image ratio w:h 1:1, 4:3, 3:2, 16:9
    Effective pixels 16 megapixels
    Sensor photo detectors 17 megapixels
    Sensor size 1/2.3" (6.17 x 4.55 mm)
    Sensor type BSI-CMOS
    Color space sRGB
    Color filter array Primary color filter
    Image
    ISO Auto, 100-3200 (6400 available at lower resolutions)
    Boosted ISO (maximum) 6400
    White balance presets 7
    Custom white balance No
    Image stabilization Sensor-shift
    Uncompressed format No
    JPEG quality levels Fine, normal
    File format
    • JPEG (Exif v2.3)
    Optics & Focus
    Focal length (equiv.) 28–140 mm
    Optical zoom 5×
    Maximum aperture F3.9–4.9
    Autofocus
    • Contrast Detect (sensor)
    • Multi-area
    • Center
    • Tracking
    • Single
    • Continuous
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Digital zoom Yes (2x)
    Manual focus Yes
    Normal focus range 60 cm (23.62)
    Macro focus range 9 cm (3.54)
    Screen / viewfinder
    Articulated LCD Fixed
    Screen size 3
    Screen dots 920,000
    Touch screen No
    Screen type TFT LCD
    Live view Yes
    Viewfinder type None
    Photography features
    Minimum shutter speed 4 sec
    Maximum shutter speed 1/2000 sec
    Exposure modes
    • Program AE
    Scene modes
    • Portrait
    • Landscape
    • Sport
    • Night
    • Night (Tripod)
    • Sunset
    • Snow
    • Beach
    • Under water
    • Under water (Macro)
    • Party
    • Flower
    • Text
    Built-in flash Yes
    Flash range 4.40 m (at Auto ISO)
    External flash No
    Flash modes Auto, Forced Flash, Suppressed Flash, Slow Synchro
    Drive modes
    • Single
    • Continuous
    • Self-timer
    • Interval
    Continuous drive 10.0 fps
    Self-timer Yes (2 or 10 secs, group shot)
    Metering modes
    • Multi
    • Center-weighted
    • Spot
    Exposure compensation ±2 (at 1/3 EV steps)
    WB Bracketing No
    Videography features
    Format H.264
    Modes
    • 1920 x 1080 @ 60p, MOV, H.264, Linear PCM
    • 1920 x 1080 @ 30p, MOV, H.264, Linear PCM
    • 1280 x 720 @ 60p, MOV, H.264, Linear PCM
    Microphone Mono
    Speaker Mono
    Storage
    Storage types Internal + SD/SDHC/SDXC card
    Storage included 96MB
    Connectivity
    USB USB 2.0 (480 Mbit/sec)
    USB charging Yes
    HDMI Yes (micro-HDMI)
    Microphone port No
    Headphone port No
    Wireless Built-In
    Wireless notes 802.11b/g/n + Bluetooth 4.0
    Remote control Yes (via smartphone)
    Physical
    Environmentally sealed Yes
    Durability Waterproof, Shockproof
    Battery Battery Pack
    Battery description NP-45S lithium-ion battery & charger
    Battery Life (CIPA) 240
    Weight (inc. batteries) 207 g (0.46 lb / 7.30 oz)
    Dimensions 110 x 71 x 28 mm (4.33 x 2.8 x 1.1)
    Other features
    Orientation sensor Yes
    Timelapse recording Yes
    GPS None

    Articles: Digital Photography Review (dpreview.com)

  • Photoshop CC update adds AI-powered subject selection tool and more

    The AI-powered Select Subject feature that Adobe demoed back in November has finally arrived in Photoshop CC! The feature was officially released just minutes ago in Photoshop CC version 19.1, which also includes the addition of a Decontamination slider to the Select and Mask workspace and some significant compatibility updates for Windows users.

    The major update is, obviously, the arrival of Select Subject to Photoshop CC. When it was first demoed in November, the Photoshop team touted the tool—which is powered by Adobe Sensei AI technology—as a way to “select prominent subjects in an image with one click.” That’s what they hope to deliver today.

    A single click of the Select Subject button in the Quick Select tool should easily isolate your subject in images like the one below:

    Of course, more difficult scenarios where the subject isn’t so obviously delineated against the background will give Select Subject more trouble—the original demo video, embedded below, showed that—but it promises to “let you get started with your selections faster than ever before.”

    In addition to Select Subject, Adobe also added a Decontamination slider to the Select and Mask workspace that allows you to select the amount of color decontamination applied to an image:

    For Windows users, version 19.1 brings much-requested support for Windows High Density Monitors—allowing you to switch between displays of varying resolutions and sizes seamlessly. Jerry Harris, principal scientist on the Photoshop team and himself a Windows user, explains what this means in the Adobe blog post:

    With this release, Photoshop on Windows 10 Creator’s Edition now offers a full range of choices for UI scale factors from 100% through 400%, in 25% increments. This means that the Photoshop user interface will look crisp, beautiful, and the right size no matter the density of your monitor. Photoshop will now automatically adjust itself based on your Windows settings, making it simple to set up.

    […]

    In addition, we worked very closely with Microsoft to provide per-monitor scaling across monitors with different scale factors. This means that a high resolution (HiDPI) laptop now works seamlessly alongside a lower resolution desktop monitor (or vice versa). One monitor can have a scale factor of 175% and another a scale factor of 400%.

    And finally, Windows users also get advanced support for the Windows dial, which can now adjust brush settings while you paint. Before this, you could only adjust settings between brush strokes, but you can now adjust brush size, opacity, and other settings as you draw:

    As of publication, this update should be live and ready to download if you’re already a Creative Cloud subscriber. If you want to learn more about any of the features above, or dive into bug fixes and other minutia, head over to the Adobe blog. Otherwise, just update your copy through the Creative Cloud app and you’re ready to go.

    Articles: Digital Photography Review (dpreview.com)

  • Review of the Nikon D850 DSLR

    The latest addition to the Nikon line up has been a highly anticipated full frame camera. While many other cameras were being updated rumors started circulating 12 months ago that the D810 would be updated. Finally, the news came that the Nikon D850 was being released. It seemed like everyone in the photography industry was looking forward to it. So much speculation – what will it have, and how will it perform?

    Review of the Nikon D850 DSLR

    The Nikon D850 with the 14-24mm lens.

    The Hype

    There was similar hype around 5 years ago when Nikon released the D800. It was almost 12 months before I was able to get one, and when the talk started on this one I knew that I would be getting one. The D800 has been an amazing camera and by far the best I’ve ever owned. But it is showing its age and doing long exposures with it was becoming harder. The logical update was always going to be the replacement for the D810.

    What I needed was a camera capable of taking long exposures without the problem of dead or hot pixels. I wanted a touchscreen as others I’ve used have been fantastic. I had hoped that with Live View it would be possible to see through ND Filters without having to remove them all the time. While it wasn’t necessary, being able to transfer photos from the camera to the phone would be handy as well.

    Once the camera was released and I finally got my hands on one, there was nothing to be disappointed about. It lived up to my expectations, perhaps even more. It is a complicated camera, and the phrase being used, “A game changer” is true. It does a lot and it is going to take some time to learn all that my new camera can do.

    Nikon D850 cityscape

    An early morning image of the city with reflections.

    First impressions of the D850

    For most people, it will seem like a gigantic camera. However, those that have been using the D800 or D810 will not be surprised. It is slightly bigger, but not a lot. The weight is around the same as well. Overall it looks almost the same. As you start to study the D850 you can see how some functions have changed positions. I keep pressing the mode button now to change the ISO.

    Nikon D850 long exposure

    Doing a long exposure on the top of a cliff with the Nikon D850.

    45.7 MP Sensor

    The big thing to test was going to be the massive 45.7-megapixel sensor. In most of the other Nikon cameras Sony sensors have been used, however, Nikon has developed their own for the D850. It is said to be sharp and create very crisp images. That would appear to be true so far. There is a warning about using low-quality lenses on it, which can create a lot of chromatic aberration. So far, I have noticed that.

    Touchscreen

    Nikon has given the D850 a touch screen, and I am so happy. Touchscreens make navigating around the menu so much easier. You can flick through your photos very easily, or change a setting in the menu.

    With the touchscreen activated, you can also focus the camera and take your photos, whether you are using a tripod or not. With the Bulb setting, you can now touch the screen to open the shutter, and then tap again to close it. This means that when you go out to take long exposures you don’t have to worry so much about a remote shutter release or intervalometer. It doesn’t have a timer or display how much time has elapsed, but there are always ways around that, like using your phone.

    Nikon D850 night photography

    Capturing a single light trail from a bicycle along Southbank at night.

    The LCD Screen can be manipulated

    Like other models, you can now manipulate the screen so you can move it to help you take photos in Live Mode, or when using the playback function. If you like taking photos close to the ground you can do that now without having to get on the ground yourself or having to guess at the composition. I’m getting too old to get down on the ground, getting back up isn’t so easy, so this function is one that I’ve been eagerly awaiting.

    Nikon D850

    The front of the D850, set up for a long exposure.

    Using Live View for Long Exposures

    One of the frustrating things about doing long exposures with the D800 was having to constantly remove the filters every time you wanted to recompose your image. They were too dark for the camera to see through. The Canon 5D Mark IV is capable of seeing through the filters in Live View, so I was really hoping the Nikon D850 would have that capability as well. I’m happy to report that it does.

    It doesn’t quite work the same way, you do have to open the aperture up a bit, but you don’t have to remove the filters. If you can open it up to f/2.8 then it is like there are no filters there at all. It will also make it easier to use graduated filters and polarizers when doing long exposure photography.

    Nikon D850 Seascape

    The camera photographing the Dragon’s Head.

    As someone who loves doing long exposures, this new feature is a very welcome addition to the camera. It is something that I will use a lot. My workflow when shooting has changed from never using Live View, to using it constantly.

    One of the major advantages of shooting with Live View is that your mirror is up, so you don’t get those minute vibrations when you are taking an image.

    ISO

    One of the biggest problems with photography is low light. While in most situations you can use a tripod, there are some situations that mean it is just isn’t possible. With an ISO rating up to 25,600, you can take photos easily without a tripod.

    Nikon D850 high ISO

    Capturing Christmas windows using ISO 25600.

    There will be noise in the images, that is one thing you can’t avoid. However, compared with what you got with the earlier models in the D800 series it’s a big improvement. You could comfortably go up to ISO 2000, perhaps even higher and get images that you would be happy with.

    At the other end of the scale, you can go to ISO 64 when you want the best quality images in the right lighting conditions or when using your tripod. Most cameras only go to 100, so having that extra step means finer grain or almost no noise in your images.

    Some of the controls are in different places

    While the basic setup is very similar to all Nikon cameras, there are some things that have changed from previous models (for me, that is compared to the D800). The Mode button is on the left top buttons with the WB and QUAL. ISO is now over near the Shutter button. The Bracket feature is now set where the flash button used to be.

    Overall, the camera is much the same. The menu system remains very similar to previous models and is easy to understand. It is one thing that has always been good with Nikon, you can go from one model to another and still be able to figure out how it works.

    Late afternoon in the city of Melbourne.

    No flash

    One major change from the D800 and D810 is the removal of the built-in flash. For most users, it was not necessary and the flash popping up could create problems. You can still attach an external flash to it, so for most this isn’t going to be a problem as they would use that option anyway.

    3 Different RAW sizes

    One the main concerns with the camera was the 45.7-megapixel sensor. The more MPs it has the larger the images will be. Storage can become a problem, especially when shooting in RAW. The D850 now comes with three different sizes of RAW files. You can choose to shoot RAW images in Large, Medium or Small. The large will take images that are 8256 x 5504 pixels, while the small will take images that are 4128 x 2752 pixels, similar to a cropped sensor.

    Having the choice of deciding how big your image will be is a good function to add. If you know you are going to take a photo for social media, with no intention of doing anything else, then using the small option makes sense. However, if you are going to be taking photos for a client or for printing on a big scale then the large size is the best choice.

    Nikon D850 seascape

    Doing a long exposure of the Dragon’s Head on the Rye back beach.

    Fast frames per second burst mode

    I went from a Nikon D300s, that could shoot 6-7 frames per second to the D800 which was capable of only four. It was a shock and possibly one of the biggest disappointments with that camera. It always seemed clunky when you were taking several images at once, especially for bracketing.

    It’s good to see they have sped up the frame rate in the D850. It will take around 6 images a second, so it is reasonably fast. When you are bracketing there is less chance of a mistake when taking a series of images. It is great to hear how fast it shoots the frames.

    Nikon D850 Bird photography.

    Using the Nikon D850 at the zoo to capture birds.

    The XQD card

    With the release of the Nikon D850, we also see that it has two memory card slots; one for an SD card, and the other for an XQD card. As the file sizes are large, and you can take many images per second, you also need a card that can keep up. The XQD cards are good for writing your images quickly so you shouldn’t have moments where you can’t shoot because the camera is saving your images onto the card.

    These cards are quite expensive. Not many manufacturers are making them, the one I got was made by Sony. You also need to get a memory card reader for these as well. I purchased mine from B&H, it was 128GB and cost almost $ 200.

    Nikon D850 Waterfall

    Capturing a waterfall with a long exposure.

    Wifi and Snapbridge

    Nikon cameras that have Snapbridge allow you to use your phone with the camera. You can download images to it, for easy loading to social media when you are out and about. There is also the option for your phone to capture GPS data for future reference.

    When Snapbridge was first released there was a lot of negative publicity about it. People said it didn’t work properly, and if we are being honest, it wasn’t great. But it has improved a lot. It is now easier to connect your camera to your phone to look at photos. You can have it set up so it automatically transfers the images to your phone. They go into the cloud, so they don’t take up any room on your phone.

    The only downside seems to be that to get your images to your phone you have to shoot in jpeg format. Considering the target market of who will be using the D850 (mostly pros), it is a bit disappointing. Most users will be taking their photos in RAW format and won’t be able to do that.

    To overcome this, I decided to shoot in RAW and basic JPG. You don’t need high-quality JPGs to share, and basic is fine for social media. Once the files are all downloaded to my computer I select all the jpegs and delete them. It does mean that you will be using more memory on your cards, but I have 128GB cards, so it isn’t going to be an issue that often. I would also only use this selection if I knew that I wanted to capture an image to share, otherwise I would choose RAW only.

    Snapbridge will keep the firmware on your camera up to date which is great, otherwise, it only happens if you get it serviced. One thing that is a definitely a plus for someone like me is that the app will also make sure the time and date are correct on your camera by syncing it with your phone. You don’t have to worry about daylight savings and changing the camera settings for it anymore (or when you travel and change time zones).

    Nikon D850 macro

    The D850 with the Lensbaby Velvet 56 photographing macro flowers.

    Battery life

    The experience of other cameras has shown that using Live View can drain your battery. Earlier this year I had an opportunity to try out the Canon 5D Mark IV and when using Live View for long exposures the battery did drain very quickly. You would get maybe three hours with it when using that mode. With the Nikon D850, using Live View it doesn’t drain the battery as quickly.

    A fully charged battery for normal use will last a few days, with heavy use a day or so. The Nikon batteries are very good, and if you want spares, it is advisable to go for regular Nikon ones over third-party options.

    Nikon D850 City image

    An image taken at sunrise with the Nikon D850.

    Conclusion

    Without a doubt, those who described the Nikon D850 as a game changer were not lying. It’s one of the most sophisticated cameras on the market. While hailed as a great camera for landscape photographers, it is also suitable for many other genres of photography as well. One has to wonder what they will do to the next generation of the D5 to make it better than the D850.

    For more information on the specifications, click here to go to Nikon. The camera retails on Amazon for $ 3,295.

    I would give the camera a rating of 9.9 out of 10, maybe even a 10. I love the Nikon D850, it is the best camera I’ve ever used

    The post Review of the Nikon D850 DSLR by Leanne Cole appeared first on Digital Photography School.


    Digital Photography School

  • Nikon claimed the #1 spot in the full-frame camera market for December 2017

    Nikon says the jump to #1 was due to ‘exceptional demand’ for the D850.

    Nikon made a major sales announcement today, revealing that the company achieved the #1 spot in the full-frame camera market for December 2017. More specifically, the company “attained the #1 position for both market share and revenue for December 2017, in the full-frame digital camera with interchangeable lens (DCIL) category in the U.S.” That DCIL term is what we refer to as just ILC here at DPReview, and yes, that includes full-frame mirrorless.

    The numbers come from the US retail tracking group The NPD Group Inc., and the result is due largely to what Nikon calls “exceptional demand” for the Nikon D850 DSLR, which launched in August of last year and went on to be one of the most highly demanded cameras of the 2017 holiday season.

    Admittedly, the result only covers a single month’s worth of sales, but Nikon is quick to point out that it is the most important sales month of the year.

    “December is a significant month for sales because of the large volume of units sold during the holidays,” reads the press release. “Industry-wide, DCIL full-frame unit sales for the month of December 2017 were almost equal to unit sales from January through March of 2017.”

    Interestingly, it’s not just the D850 that propelled Nikon into the #1 spot. According to the Japanese camera giant, the top two cameras in the full-frame ILC segment during December were the Nikon D850 at #1 and the Nikon D750 at #2.

    This announcement comes hot on the heels of the 2018 BCN camera rankings that had Canon users so excited, and less than a year after Sony announced that it had claimed the #2 spot in the full-frame ILC market from Nikon for the period from January to February of 2017.


    Correction: An earlier version of this article said that the D750 probably wasn’t the #2 best-selling full-frame ILC overall, since Nikon specifically used the term ‘DSLR’ in that section of the press release. However, Nikon has since confirmed that the D850 and the D750 were the #1 and #2 best-selling full-frame ILCs for December 2017.


    Press Release

    Nikon Inc. Achieves #1 Spot in full-frame Camera Market During Important 2017 Holiday Selling Season

    Market Bolstered by Exceptional Demand for the Award-Winning full-frame (FX-format) D850 DSLR

    Melville, NY (January 23, 2018) – Imaging leader Nikon attained the #1 position for both market share and revenue for December 2017, in the full-frame digital camera with interchangeable lens (DCIL) category in the U.S.1 The overwhelming success of the powerful new Nikon D850 DSLR as well as the acclaimed D750 DSLR helped contribute to the brand’s strong growth within the full-frame camera segment for December 2017. According to The NPD Group, Nikon achieved double-digit unit and dollar sales growth within the full-frame camera segment in December 2017 vs. December 2016.2

    This market category comprises all full-frame digital cameras with interchangeable lenses (DCIL), including DSLR and mirrorless cameras. December is a significant month for sales because of the large volume of units sold during the holidays; industry-wide, DCIL full-frame unit sales for the month of December 2017 were almost equal to unit sales from January through March of 2017, according to The NPD Group.3

    “Nikon has returned to an emphasis on high-end products for advanced and professional users. These users appreciate Nikon’s full-frame offerings because of their amazing image quality, reliability, low-light capability and high-speed performance,” said Bo Kajiwara, President and CEO, Nikon Inc. “Nikon is an innovative, diversified company with a clear, long-term strategy to thrive into 2018 and beyond.”

    Since the beginning of 2017, the camera industry has seen strong growth in the full-frame segment, with consumers gravitating toward Nikon’s innovative offerings for advanced and professional photographers. The month of December alone saw an overall increase of 69% in units and 59% in dollars compared to the same period in 2016.2 Nikon specifically experienced an 81% increase in units, and 88% growth in dollars for this segment.2

    For the month of December, the top two selling DSLR cameras in this segment were the Nikon D750 and the Nikon D850.4There has been exceptional demand for the extremely versatile, highly acclaimed D850, which is the ultimate combination of speed and resolution. This 45.7-megapixel full-frame DSLR is a tool for serious photographers with robust construction, unparalleled imaged quality and proven reliability. Both the D850 and the D750 have won a myriad of industry and consumer accolades, and both are perfectly complemented by the vast NIKKOR lens system, which offers the best in optical excellence.

    “Premium segments are leading the imaging market, as consumer demand for features like full-frame are on the rise,” said Ben Arnold, executive director, industry analyst for The NPD Group.

    Kajiwara also added, “We want to sincerely thank our customers and our fans for making this achievement possible.”

    1- The NPD Group Inc., U.S. Retail Tracking Service, Detachable Lens Camera, full-frame, Based on unit and dollar sales, Dec 2017
    2- The NPD Group Inc., U.S. Retail Tracking Service, Detachable Lens Camera, full-frame, Based on unit and dollar sales, Dec 2017 vs. Dec 2016
    3- The NPD Group Inc., U.S. Retail Tracking Service, Detachable Lens Camera, full-frame, Based on unit sales, Dec 2017 vs. Jan- March 2017
    4-The NPD Group Inc., U.S. Retail Tracking Service, Detachable Lens Camera, full-frame, Based on unit sales, Dec 2017

    Articles: Digital Photography Review (dpreview.com)

  • Ultra-rare Konica Rokuoh-Sha Type 89 ‘Machine Gun’ camera pops up on eBay

    Photos: eBay

    For you collectors out there, a very rare piece of photographic equipment just popped up on eBay. Officially dubbed the Rokuoh-Sha Type 89 “Machine Gun” Military Training Camera, this camera was made by Konishoruko (which later became Konica) for training Japanese airplane gunners during World War II.

    According to International Military Antiques and Photo Gear-Heads, these cameras would be mounted in airplanes instead of the real thing as a way to train new gunners. When the trigger is pressed, the camera would begin snapping 18x24mm pictures on 35mm cine film loaded in 2.5m strips. The photos captured whatever the “gun” was aimed at, while an optical stopwatch (placed in the yellow tube up top) was recorded onto the photos using a prism. These images would be examined later to help improve the gunner’s accuracy.

    The piece is highly prized by collectors, and there’s a nearly identical model in the permanent collection at the Smithsonian National Air and Space Museum, which would make this a Model 2 with (possibly) the same 75mm Hexar lens.

    Photos: eBay

    The version on eBay looks a bit more beat up than the Smithsonian’s camera, but still in great shape. The seller, Westborn Camera Co, claims the camera “is in overall excellent condition, especially considering it was used during war-time,” and still works as far as they can tell. In the listing, Westborn writes:

    This has been tested to my best ability, and everything seems to check out good: The winder holds firm tension and releases when fired. The shutter can be heard -AND- film transport responds properly.

    The camera is going for a Buy It Now price of $ 4,500, which seems a tiny bit high based on the limited research we’ve done. Then again, the price varies a great deal. Closed eBay listings from the past few years went for anywhere between $ 795 and $ 4,100, and a similar model auctioned in 2014 went for 1,600 Euro (~$ 2,100 USD by the average 2014 exchange rate).

    To find out more about this crazy camera, or if you wanna go ahead and pick up a very rare piece of military and photographic memorabilia, head on over to the eBay auction. And if you have more information about this very interesting bit of kit, drop us a line in the comments.

    Articles: Digital Photography Review (dpreview.com)