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  • Nikon SB-700 Speedlight Misses it By This Much

    Nikon just announced a new speedlight designed to complement the flagship SB-900. The Nikon SB-700 Speedlight will cost 9.95, and includes some mouth-watering features.

    But they have excluded a key feature that will make you wanna pull your hair out. Any guesses?

    Deets, the PR and a new camera, too. After the jump.
    __________

    In Sync

    • 2.5 sec recycle w/NiMH (3 w/alkaline)
    • SB-900 control interface (knobs and switches)
    • FX/DX chip size recognition for on-camera beam spread
    • Can be a Master and Remote flash for CLS users (but only controls two groups)
    • Beam shaping, like the SB-900
    • Quick Wireless Mode lets you dial in A:B ratios. Kinda Canon-ish, IMO.

    Out of Sync

    • No PC jack that I can see anywhere.

    (Sound of crickets chirping over the deafening silence.)

    I am at a loss for words. Historically speaking, the PC jack (or lack of one) is how Nikon separates the pro flashes from the ones at the kid’s table. But for over three hundred bucks, I would have loved to see one.

    Jury is out on the SU-4 mode, but one has to assume it is there if the CLS functionality is taking a cue from the SB-900. But given the lack of a PC jack, I am not making any assumptions.

    The PC thing was my biggest knock on the SB-600. And for double the price, still nada. Argh. Looks like I won’t be turning off my RSS’d SB-800 searches on Craigslist any time soon.
    __________

    Oh, Yeah: A Camera, Too.

    The D7000 was also announced: Small chip. Great high ISO. 1080p x 24 FPS video, priced at about a grand. Chase has had one for a few months and uncorked a Full Vincent on it.

    If you are interested in Nikon DSLR video or wanna see sample stills, head on over.
    __________

    And now, your utterly PC-less Nikon SB-700 Speedlight PR release:

    NEW NIKON SB-700 SPEEDLIGHT FEATURES ADVANCED MULTIFUNCTIONAL FLASH TECHNOLOGY IN A COMPACT AND EASY-TO-USE FORM-FACTOR
     

    Nikon’s Newest Speedlight is a Powerful Addition to the Versatile Nikon Creative Lighting System (CLS)
     
    MELVILLE, N.Y. (September 15, 2010)
    – Today, Nikon Inc. introduced the versatile new SB-700 Speedlight, the latest addition to Nikon’s powerful and renowned Creative Lighting System for a wide range of photographers and applications. The SB-700 is a high-performance flash that brings simplicity to on-camera, remote and multiple flash photography. Building on the success of the popular SB-600 Speedlight and the advanced functionality of the SB-900 Speedlight, the SB-700 also incorporates a wide zoom range covering the most popular focal lengths and FX/DX-format identification that optimizes zoom settings based on the user’s camera body. The SB-700 also provides a more efficient use of batteries and flash coverage in addition to three light distribution patterns for flash-to-scene customization. Whether used as an on-camera flash or as a wireless commander or remote, the Nikon SB-700 Speedlight offers dependable and consistent flash exposure even under the most challenging lighting conditions.
     
    Designed for a variety of photographers ranging from amateurs in the field to professionals in the studio, the SB-700 integrates a host of new features designed to make flash photography simple, accurate and creative. The SB-700 is for photographers looking for an on-camera Speedlight offering more power for greater depth-of-field control than the built-in flash, or an additional Speedlight for wireless multiple flash set-ups. This Speedlight will also satisfy the needs of photographers looking for a compact Speedlight that can be set up as a Commander or a Remote as well as those who want to upgrade from their existing or older Nikon Speedlight.
     
    “When designing the new Nikon SB-700, we were sure to incorporate the features that made the SB-600 Speedlight such a popular and well respected flash unit as well as the advanced technology that users of the SB-900 Speedlight have come to know,” said Lisa Osorio, general manager of marketing at Nikon Inc.  “The Nikon SB-700 is a multifunctional Speedlight that combines high-quality with a simple yet sophisticated design.”
     
    The Nikon SB-700 has many new and redesigned features and that make it easy-to-use, yet powerful enough to assist in tough and challenging lighting conditions and settings. The SB-700’s LCD design and layout enables easy-to-remember and intuitive operation, while the multi-step power zoom covers wide 24-120mm angle of view with FX-format cameras. The improved user interface of the SB-700 utilizes a large easy-to-read dot-matrix LCD panel making navigation and usage even easier.
     
    As part of Nikon’s popular Creative Lighting System, the SB-700 includes support for Nikon’s advanced wireless TTL operation and can function as a wireless Commander with control over two separate groups of Speedlights, or as a Remote Speedlight when controlled by the SB-900 Speedlight or the built-in Speedlight set to Commander Mode in most Nikon D-SLR’s. The SB-700 also incorporates a high-speed recycling time of approximately 2.5 seconds for full power with NiMH batteries, and approximately 3.0 seconds with AA Alkaline batteries. The Nikon SB-700 also features a new Quick Wireless Mode with A:B (light ratios) for quick setting of multiple flash units. This makes it easy and quick to control two remote flash units in i-TTL mode.
     
    Additionally, the SB-700 also features enhanced Thermal Cut-Out detection that automatically detects heat build-up due to rapid flash firing. By increasing the recycling time if the temperature of the flash head rises above a certain threshold, the SB-700 protects the flash from damage due to overheating.
     
    For improved durability, heat-resistance and ease-of-use, the SB-700 uses new hard plastic-type color filters for fluorescent or incandescent color temperature balancing. When using the supplied filters, the flash automatically recognizes which filter is being used and adjusts white balance accordingly on select Nikon D-SLR cameras. Additionally, the SB-700’s AF-assist illuminator is compatible with the complete line of AF systems used in Nikon D-SLR cameras*.
     
    Similar to the Nikon SB-900 Speedlight, three illumination patterns (standard, center-weighted and even) can be selected in SB-700 to match each shooting situation. When “even” is selected, the light from the flash will cover a subject from center to edges without light falloff. This pattern is suitable for shooting group photographs indoors. The “standard” pattern will cover all conventional, standard flash coverage. The center-weighted pattern provides larger guide numbers than other light distribution types at the same focal lengths. This illumination pattern is suitable for subjects such as portraits, in which the light falloff at the image edges can be ignored.
     
    Like the Nikon SB-900, when the SB-700 is mounted on a camera compatible with user firmware updates, the SB-700 firmware can be updated using the same procedure as with a Nikon D-SLR camera.
     

    Available accessories

    The SB-700 uses four AA type Alkaline, Lithium or rechargeable NiMH batteries. To enhance the weatherproof ability of Nikon D-SLRs, optional water guards will be available for select cameras to protect the connection between the flash and camera, allowing users to utilize the flash when weather conditions are less than ideal. The SJ-4 Color Filter set provides a Warming, Red, Yellow or Blue filter for adding color to the background, foreground or just to accent the scene.
     

    Price and availability

    The new Nikon SB-700 Speedlight is scheduled to be available in mid-November 2010, and will have an MSRP** of 9.95. The SB-700 will come bundled with the Speedlight Stand, Bounce Adapter, Color Filter Holder, Intelligent Color Filter Kit, Diffuser Dome and soft case.
     

    About Nikon

    ?Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; COOLSCAN® digital film scanners; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics. For more information, dial (800) NIKON-UX or visit http://www.nikonusa.com, which links all levels of photographers to the Web’s most comprehensive photo learning and sharing communities.


    Strobist

  • Lighting Tips For Digital Photography

    When taking photographs outdoors, there's very little that any photographer, digital or film, can do to offset bad effects being caused by the position the sun.

    The usual problem is lens flare, which can be controlled somewhat by using a lens hood. Of course, one can always buy a high priced lens whose elements have been treated with special coatings.

    Even so, there are situations that the best of lenses can't cope with. If the photographer can't figure out a way of dealing …

    Digital Shot

  • Juanele interviews Photographer Eduardo Gil

    we spent a whole afternoon chatting with Eduardo Gil, he shares some of his work and speaks about photography way of working. eduardogil.com http
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  • How can you destroy a Nikkor Lens

    in 25 min…
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  • Photodoto closing down

    I started Photodoto in 2006. In four years, we’ve published nearly 600 articles on a diverse range of topics for beginners to advanced photographers. I’m proud of the work. For myself, and on behalf of all of Photodoto’s contributing writers: thank you for reading and contributing.

    When I started Photodoto, my mission was to try to make photography more accessible to everyone. I believe strongly that anyone can be a good photographer and that photography is not as mysterious or difficult as many people think. I hope that I’ve achieved that goal, at least for some of you.

    Unfortunately, over the past year, I haven’t had the time to dedicate to Photodoto that I think it or you deserves. I’ve got a lot on my plate. I’ve been forced to prioritize and Photodoto just didn’t make the cut.

    Photodoto will not just disappear. There will be no new blog posts. But the content will live on in some form. I intend to reorganize and republish the most popular articles. And all existing links to content here will continue to work.

    There are many great photography blogs out there. Here are three in particular that I think have a similar aim as Photodoto and that I think you will enjoy:

    See you around. 🙂

    -John
    john@photodoto.com


    Photodoto

  • Meet the Robinsons – Making the 3D/Stereo Film

    IGN featurette: The making of Disney’s Meet the Robinsons in Stereoscopic 3D! Pretty cool stuff.
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  • The Sincerest Form Of Flattery

    Tsk Tsk, turns out there are some engineering flaws in Voltron, specifically in the Blue Lion Robot. Makes me think the builder wasn’t properly licensed. Haggar builds Lotor a new bad-ass Robeast to help exploit the weakness. Watch hundreds of free full-length streaming movies and TV shows on www.crackle.com Want to see some more legends? Come check out the Animated Hall of Heroes, free at http TWITTER: twitter.com Tags: minisode voltron defender universe lion zarkon allua keith anime animation 80s cartoon saturday free tv japan Watch Free Video Online Now Streaming
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    OFFICIAL MR BEAN. Mr Bean remembers go-karting as a child and when he first fell in love with green minis!
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  • Leona Lewis album retouched

    When I saw the cover for Leona Lewis’s 1st album I was shocked to see a beautiful woman so close up without all the airbrushing/retouching. So I decided to do it, God I hope this gets me a job airbrushing. I only been doing it since, May I think. It is meant to look over the top BTW. feel free to ask any questions
    Video Rating: 3 / 5

  • Alan Kaufman: Rock Star Tax Accountant – The Meth Minute 39

    UPDATE 2: Now you can get Power Ape’s “Pittsburgh Sons / I Was a Mighty Child” MP3 as featured in the beginning of AK: RSA, Here: www.frederatorblogs.com BAM. Hardrocking. That’s what it is. UPDATE: You Can Get the Michael Mcdonald MP3, “The Power To Feel” here: www.frederatorblogs.com It’s a special Tax day episode of the Meth Minute this week. Syd Barrett’s accountant Alan Kaufman is back and offering his services to all “unintelligible rock stars”. When they aren’t being chased by groupies, these music icons are getting chased by the IRS. Featuring Jimi Hendrix, Neil Young, Cher, Bono, and more. Directed by Dan Meth. Don’t forget to enter Dan’s Contest to make Your Own Meth Minute!!! 3-39 seconds in your own Animation Style! More info can be found here: www.frederatorblogs.com Starring: Alan Kaufman Dan Meth Carlen Altman Marc Boxser Additional Art: Daisy Edwards Josh Weisbrod Joshua Jularbal James Sugrue Music: Dan Meth Michael Karp The Power Apes Sound Design: Mark Vitelli Call our toll-free hotline: 1-866-575-1384 for more Meth Minute check out: www.methminute.com

  • How I take my photos

    yes I have a tendency to ramble 🙂 The other thing I forgot to mention (sorry it was late when I recorded this), I DO edit all of my photos. By editing, I mean Adobe Bridge and sometimes Photoshop. I use CS3. I had issues with the “ethics” of this for the LONGEST time and it wasn’t until I took my photography class that I became “ok” with it. My teacher explained that every single photo in existence whether taken through film or digitally has been edited. Photoshop is a digital darkroom, Even in darkrooms, photos are edited, whether they are burned and dodged to make things darker/lighter or the exposure time is messed with etc. I take all of my photos at the largest possible resolution size and when I use my Rebel, I always shoot in RAW. If you take photos at a resolution of 600×800, they’ll be much more difficult to edit than those with a largest size of say over 2000 pixels in width. No one wants to look at acne, as it’s distracting from the overall feel of a photo. So if I have blemishes, I either burn and dodge the dark/light spots or I use the clone stamp, always with photo at 100% or more. I also sometimes burn areas to make them appear darker. The blur tool, I find, is the most overused and improperly used tool in photoshop and when/if used to edit skin (blemishes), all it does is scream that you’ve edited your photo and there’s probably a pimple beneath that blur. If you don’t know how to use photoshop, there are TONS of tutorials here on youtube. Do your