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  • Easy Photoshop tools

    Easy Photoshop tools.Retouching,Finishing,Color Correction without using any photoshop command or filters……..
    Video Rating: 5 / 5

    Project requested by: user/MrSilentPrince23 user/HappySlovenianGirl The famed second wife of Henry VIII and mother to Elizabeth I began her rise to the throne as lady-in-waiting to her predecessor, Queen Catherine of Aragon: Henry VIII’s first wife. Catherine’s inability to provide Henry with a male heir began to get on Henry VIII’s nerves, and his eye started to wander. Anne was a well-bred, cordial, and yet vivacious and exotic character whose dark eyes seemed to possess a power all their own. Anne’s intelligence and sophistication made those eyes all he more powerful, and she knew very much how to use them. King Henry VIII was soon hooked on the dark, alluring, fashionable fireball of Anne, who was also a skilled musician, dancer, and singer. She was not a “contemporary” beauty, which at that time was white skin, fair hair and blue eyes, but there was something formidably desirable in her long oval face, high cheekbones, and dark hair and eyes that often found Anne being followed by a number of eager suitors. Henry VIII decided that his marriage to Catherine was worthy of annulment, since her duties of providing him a son were not fulfilled, so as Anne Boleyn was gradually introduced into the public eye, Catherine was overthrown. The public was not at all thrilled about the divorce, as they felt that Anne was a “homewrecker” whose meddlesome ways deranged the King’s mind into divorcing the Queen THEY loved. The description of Anne Boleyn’s appearance would forever be
    Video Rating: 5 / 5

  • Indian Mythological Stories – Lord Rama Meets Hanuman

    Watch Indian Mythological Short Stories – Lord Rama Meets Hanuman – Shri Ram Hanuman Milan. Lord Rama meets Hanuman during Rams 14 year exile in the forest. To watch more entertaining & educating videos on animation stories nursery rhymes learning series & school poems SUBSCRIBE NOW at www.youtube.com . To watch more kids animation videos in high quality log onto www.youtube.com
    Video Rating: 0 / 5

  • Pentax announces Optio VS20 20x zoom with twin shutter buttons

    pentax_optiovs20.png

    Pentax has announced the Optio VS20, possibly the first compact camera with a second shutter button and zoom lever for portrait-orientation shooting. Beyond that it’s a pretty well-specified 20x compact superzoom, featuring a 28-560mm equivalent zoom lens with sensor-shift image stabilization for its 16MP CCD. It’s not the smallest 20x zoom camera we’ve seen but it manages to include a anti-glare-coated 460k dot 3.0″ LCD and costs $ 249/£199, so it’s not uncompetitive.

    News: Digital Photography Review (dpreview.com)

  • Giovanni Savino

    I am not vegetarian.

    I occasionally eat meat, although it has never been one of my favorite meals and, for personal health reasons I try to limit as much as possible its consumption.

    Anyway, this book is not about my alimentary habits but rather about my personal, visual meditation on the condition of living beings, people and animals, a meditation about life and death.

    I shot these photos in a rather primitive slaughterhouse in the south of the Dominican Republic, where, perhaps due to the lack of strong social movements against cruelty to animals, a photographer is still being allowed to enter such place and freely document it.

    Despite a lack of all those humanitarian implications that such a place would provoke in “the modern world”, here, the only concern in letting me photograph the slaughterhouse was the obvious lack of hygiene, which could jeopardize business even in the Dominican Republic, should these photos be published locally.

    My reassurance that it was not my intention to do so, quickly gave me access all areas to photograph “business as usual” in the slaughterhouse.

    All along, while shooting, and later, while editing these photos, a question was in my mind: who is suffering more and longer over here? The animals or the people? The killers or their victims?

    Of course these cows and these pigs are being killed in a very violent and inhuman way, a knife shoved into their heart to then let them bleed till they die, but what about the killers? In this pre-industrial world they don’t even wear the rubber boots, the face mask, the gloves and the white apron their American colleagues are issued (as per FDA rules) in order to preserve a certain degree of hygiene and as a pretence for a more professional and perhaps detached approach to their license to kill.

    No, here the killers walk barefoot in the blood of their victims, they plunge their bodies inside the carcasses to extract their innards, they struggle, man versus pig, sweating, screaming as loud as the pig, while searching for the deadly spot, right above the heart, to give a painful, yet almost instant death.

    And while the animal dies, they don’t. They continue to live in this gory theater of guts and blood and screams, killing animals day after day. In a paradoxical way, the life sentence to the executioner can be perceived as crueler than the death sentence of the victim.

    And then you think: how can they do it?

    They kill to earn a living.


    Giovanni Savino is a photographer based in New York City and in the Dominican Republic, specialized in editorial, documentary and portrait photography. See more: 

    http://magneticpic.com/
    http://magneticpic.posterous.com/?
    http://about.me/magneticpic?
    http://www.flickr.com/photos/magneticart/

    dslrBlog

  • University of Maryland Arts and Humanities Dean James Harris Resigning After 14 Years

    Some cool visual art images:

    University of Maryland Arts and Humanities Dean James Harris Resigning After 14 Years
    visual art
    Image by University of Maryland Press Releases
    Caption: Arts and Humanities Dean James Harris will resign his post after 14 years on June 30, 2011.

    Legacy of Innovative Approaches and Initiatives

    COLLEGE PARK, Md. – James F. Harris, dean of the University of Maryland’s College of Arts and Humanities, will resign his post on June 30, 2011, marking 14 years on the job.

    The dean says he is not retiring and will remain on the history faculty. He made the announcement at the annual faculty staff convocation.

    "It’s time," Harris explains. "In the past decade we have seen a tremendous upsurge in the quality of the student body, our faculty, and our offerings, significantly raising the College’s profile. It has been a wonderful period of growth, and I’ve had the pleasure of leading a phenomenal group of faculty, staff and students."

    Harris came to the University of Maryland in 1967. He became history chair in 1993 and dean of the college in 1997. As dean, he has worked to raise the visibility and impact of the college by implementing a series of innovative programs responding to social and academic challenges.

    "He has been an outstanding and dedicated member of our community, leaving the College in a much stronger position than the one he inherited," says Nariman Farvardin, acting president and senior vice president for academic affairs and provost.

    "Jim has put Arts and Humanities on a trajectory for achieving even more significant accomplishments in the years to come," Farvardin adds."I want to thank him for his thoughtful and visionary leadership of the College of Arts and Humanities and for being such a wonderful member of the leadership team. We are also happy that he will remain at Maryland as a distinguished faculty member."

    SIGNATURE INITIATIVES

    LANGUAGE: Among the signature initiatives launched under Harris’ leadership are a major reorganization and expansion of language education and research. This has led the university to national leadership in the field.

    Harris folded the various language departments into the present School of Languages, Literatures, and Cultures. This interdisciplinary approach proved to be a creative boon.

    In the post-9/11 years, the College has taken a lead in developing innovative approaches to foreign language acquisition, including:

    *Two of the 23 National "Flagship" programs in the country – in Persian and Arabic – offering cutting-edge, advanced foreign language instruction;
    * UM Center for Advanced Study of Language and the National Foreign Language Center, which conduct major research and development for the nation;
    * Added majors in Persian and Arabic;
    * National Science Foundation IGERT, Integrative Graduate Education and Research Traineeship, a program aimed at creating new interdisciplinary approaches to language that draws on strengths across the university.

    ARTS: Dean Harris oversaw the creation and growth of the Clarice Smith Performing Arts Center into a national model for university-based academic and performance integration.

    A major regional performance venue, the Center has become a vibrant community of artists, students and audiences, where great work happens both on- and off-stage. The Center presents approximately 1,000 events each year spanning all performing arts disciplines.

    Also, Dean Harris applied an interdisciplinary approach to the arts to create the School of Theater, Dance, and Performance Studies. Along with the Clarice Smith Performing Arts Center, the programs have become what Harris describes as major contributors to the creation of new works of art.

    The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, established in 2001, provides an intellectual home for artists, museum professionals, art administrators and scholars, who are committed to collecting, documenting and presenting African American art.

    MIDDLE EAST STUDIES: Under Dean Harris’ leadership, the University of Maryland has developed an integrative approach to Middle East studies. The program has expanded with the creation of the Gildenhorn Institute for Israel Studies and the Roshan Center for Persian Studies – the first autonomous, interdisciplinary U.S. center in the field.

    DIGITAL HUMANITIES: Another area of innovative, interdisciplinary growth is the field of digital humanities, media and cultures. The College, in collaboration with the Libraries and the Office of Information Technology created the Maryland Institute for Technology in the Humanities. In the past decade, it has become a leading intellectual hub and national center.

    Last year, the school used a "cluster search" approach to hire top faculty specialists in the field, where various departments competed against each other to fill three slots. The final appointments were in the fields of Art, American Studies and Women’s Studies. "The addition of talent to an already strong field has been extraordinary," Harris says. "If we always appoint the best, we will soon be the best."

    Harris credits the accomplishments to Arts and Humanities’ administrative council, faculty and staff, "who have painstakingly labored to help advance the work of the college."

    In addition to his leadership in the College, Dean Harris has had a significant university-wide impact, including his contributions to the institution’s strategic planning effort and coordination of the 150th anniversary celebration marked in 2006.

    BY-THE-NUMBERS

    Among the advances during Harris’ administration:

    * The College’s enrollment increased from about 2,300 majors to over 4,000;
    * Sponsored research revenue rose from approximately 0,000 to million per year; and
    * The College exceeded its million Great Expectations capital campaign fundraising goal, then increased it to million and is on track to exceed this new amount by the campaign’s conclusion. This represents a 300 percent increase over funds raised by the College during the last campaign.

    Farvardin will appoint a committee in the near future to begin a national search to fill Harris’ position.

    MEDIA CONTACTS:

    Neil Tickner
    Senior Media Relations Associate
    University of Maryland
    301-405-4622
    ntickner@umd.edu

    Nicky Everette
    Communications Director
    College of Arts and Humanities
    301-405-6714
    meve@umd.edu

    A piece by Bruce Conner and Double Cross by Edward and Nancy Kienholz, 1988
    visual art
    Image by Steve Rhodes
    museum.stanford.edu

    His obituary

    www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2008/07/08/BAKA…

    more at

    newsgrist.typepad.com/underbelly/2008/07/bruce-conner-19….

    www.mcnblogs.com/mcindie/archives/2008/07/bruce_conner.html

    A 1972 oral history

    www.aaa.si.edu/collections/oralhistories/transcripts/conn…


    visual art
    Image by Steve Rhodes
    museum.stanford.edu

  • SHOT SHOW 2012: The Nikon P-223 Rifle Scope

    Jon LaCorte from Nikon shows us their new P-223 Rifle Scope in 3×32 and 3-9x40mm. Want more new product videos from the 2012 SHOT Show? Visit www.gunsandammo.com for all the latest!

    Every component has it’s own story. This is the inside story of an innovative lens coating ?Nano Crystal Coat.

  • The eternal life of a photographer

    We live at a time when cameras are omnipresent as much as cell phones. But despite mass enthusiasm, photography still exists as a refined art. What makes the true art different from mass photo production? We’ll talk about this with someone who knows all about the art of photography.
    Video Rating: 5 / 5

    Who will watch the watchers? In a world of ubiquitous, hand-held digital cameras, that’s not an abstract philosophical question. Police everywhere are cracking down on citizens using cameras to capture breaking news and law enforcement in action. In 2009, police arrested blogger and freelance photographer Antonio Musumeci on the steps of a New York federal courthouse. His alleged crime? Unauthorized photography on federal property. Police cuffed and arrested Musumeci, ultimately issuing him a citation. With the help of the New York Civil Liberties Union, he forced a settlement in which the federal government agreed to issue a memo acknowledging that it is totally legal to film or photograph on federal property. Although the legal right to film on federal property now seems to be firmly established, many other questions about public photography still remain and place journalists and citizens in harm’s way. Can you record a police encounter? Can you film on city or state property? What are a photographer’s rights in so-called public spaces? These questions will remain unanswered until a case reaches the Supreme Court, says UCLA Law Professor Eugene Volokh, founder of the popular law blog The Volokh Conspiracy. Until then, it’s up to people to know their rights and test the limits of free speech, even at the risk of harassment and arrest. Who will watch the watchers? All of us, it turns out, but only if we’re willing to fight for our rights. Produced by Hawk Jensen and Zach
    Video Rating: 4 / 5

  • Lytro meeting suggests Apple looking beyond conventional photography

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    Steve Jobs met Lytro founder Ren Ng to discuss the photographic aspects of Apple products, according to a new book about the company. Details are understandably sparse but, according to Adam Lashinsky’s book ‘Inside Apple,’ Jobs asked Ng to prepare a list of three things he’d like Lytro to do with Apple. If nothing else, the story is interesting as it suggests Jobs was as excited by the Lytro and its effect on photography as the rest of the tech community has been. It also suggests Apple’s approach to mobile photography might overlap with Lytro’s aim of creating something fun, shareable and engaging, rather than attempting to replace conventional photography. Such an approach would certainly be in keeping with Apple’s ‘disruptive’ approach to technology. (from 9-to-5Mac) [Updated with response from Lytro]

    News: Digital Photography Review (dpreview.com)

  • Similar, but not copied, image found to breach copyright

    Routemaster.jpg

    Amateur Photographer magazine has published an interesting story about a copyright infringement case of similar, but not directly copied, images. The issue of copyright is thorny, contentious and often misunderstood but this case sheds some light on the current attitude of courts in the UK. Despite significant differences between the two images (there was no implication that the second image was a duplicate of the first), the court found that the second image copied substantially from the ‘creative expression’ of the first (that is the elements that can be protected by copyright in the original image, including a consideration of the composition, lighting and processing of the image).

    News: Digital Photography Review (dpreview.com)

  • Photoshop tutorial – black and white portrait with color gradient – English subtitles

    www.flashstudioimmagine.com labottegadellafotografia.noiblogger.com Turn your photo into black and white, add a touch of color and you will be surprised with the result. Produced by Luciano Boschetti, photographer
    Video Rating: 4 / 5