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  • Usman Riaz – FIRE FLY

    EMI Pakistan Presents FIRE FLY A FORWARD MEDIA Production Music By Usman Riaz Directed by: Bilal Khan & Shayan Agha Director of Photography: Bilal Khan Edit & Post: Shayan Agha Official EMI Pakistan website: www.emipakistan.com Official EMI Pakistan facebook page: www.facebook.com Official Usman Riaz facebook page: www.facebook.com Usman Riaz’s EP ‘FLASHES AND SPARKS’ on iTunes: itunes.apple.com
    Video Rating: 4 / 5

  • Dark clouds.

    One training day. – Gup old account its available again. www.youtube.com/galizianurbanproject

    Kelly Maunder of Ground Engineering conducting a standard concrete slump test. www.lastmountainphotography.com

  • Take control sharpening in Photoshop

    Most people who have experimented in Photoshop, especially those who shoot in raw, will have some experience of trying to sharpen an image.  Sharpening increases the contrast between neighbouring pixels resulting in the visual effect of a crisper image.  It is typically the last processing step that should be performed on an image and is often used to enhance already well-focussed images or in desperation to try and rescue elements of a photograph that weren’t captured in-focus when the shutter was pressed.

    There are numerous ways to sharpen images in Photoshop, so much so that there is a whole sub-menu of filters dedicated to sharpening, each offering a different amount of control and different levels of success.  However, one of the most overlooked filters that can help you achieve better results with more control isn’t found in the Sharpen sub-menu, but is in fact found in the, usefully named, Filter -> Other menu: the high pass filter.

    I’ll take you through a step-by-step guide to using high pass filter and hopefully show you how simple and effective image sharpening can be.

    Step 1

    Start by opening the image that you want to sharpen – ideally, the image will have come from a raw file so not to over-sharpen an ‘out-of-camera JPEG’.   Make sure that you have completed all other processing steps that you wish to perform.  Here I’ll use this image of a fox to illustrate the process (feathers and fur often react well to a bit of sharpening).

    HIgh pass sharpening step 1

    Step 2

    In the layers palette, right click the Background layer, select Duplicate and click OK.  This creates a copy of the original layer and is a key step for the application of the high pass filter.

    High pass sharpening, step 2

    Step 3

    With the duplicate layer selected, select Filter -> Other -> High Pass

    High pass filter, step 3

    This will bring up a high pass window with a small preview of the results and a Radius control.  If you can see the whole image behind this window, you will notice that the Duplicate layer has turned grey – don’t panic, it’s supposed to.

    High pass sharpening, step 3

    Step 4

    Set the Radius value and click OK.  The higher the Radius, the more sharpening will be applied to the image.  If you play around with the Radius slider, you will notice that at low values, e.g. 1.0 pixels, only high-contrast edges are visible in the grey layer, whereas if you move the Radius slider up to 10 pixels, you will notice that more edges within the image will be highlighted.

    HIgh pass sharpening, step 4

    The precise Radius value that will result in optimal sharpening will be image dependant, but somewhere in the range 1.0 to 5.0 pixels will suffice.  Generally, 5.0 pixels will be too much, but given that we are performing this action on a duplicate layer gives us the flexibility to be heavy handed with the high pass filter, I’ll explain more shortly.

    Step 5

    In the layers palette, set the blending mode of the duplicate layer to Overlay.

    The Overlay mode ‘multiplies’ the blacks and ‘screens’ the whites of the layer below – that is, makes the dark areas darker, and the light areas lighter.  Up on application of the high pass filter, our image was turned grey (neutral grey in fact), and when setting the Radius value, edges were picked out in light/darker shades of grey.  Therefore, when the blending mode is set to Overlay, the neutral grey areas of the image have no effect, yet the lighter/darker edges screen/multiply the edges of the layer below, increasing the contrast, resulting in a sharper image.

    High pass sharpening, step 6

    Step 6

    Change the Opacity of the duplicate layer to achieve the desired sharpness.  I mentioned that you can be heavy handed with the high pass filter – that is because you can tone back any over sharpening using the Opacity slider.  It is often a good idea to set the Opacity to zero and work your way up to an acceptable level of sharpness so not to over sharpen and introduce artefacts.

    Step 7

    It is advisable to try and print off a section of your image, at the same scale as you intend to print the full photograph, to get a feel for how much sharpening an individual image requires and adjust the Opacity slider as appropriate.

    And that’s it, image sharpened!

    High pass sharpening, before and after

    The benefit of using this method to sharpen your images is that the sharpening effect is applied in a non-destructive fashion, on a duplicate layer, with a very simple to understand parameter (in the Radius value) that controls the magnitude of the sharpening, as well as giving you the ability to fine tune the final effect using the Opacity slider.

    In addition, given that the sharpening is entirely controlled by the duplicate layer, you can have further control for where the sharpening is applied within the image by applying a layer mask to the duplicate layer.

    So there you have it, a quick yet effective method for sharpening your images that gives you full control.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    Take control sharpening in Photoshop



    Digital Photography School

  • NYCTA Bus: M15 Local and +Select Bus Service (D60HF + LFSA) at Water / Wall Street

    Subscribe / Rate Video too =)! NYCTA 126th Street Bus M15 Local & +SBS | South Ferry to East Harlem, Manhattan ENJOY =)! Video Taken: Sept 6, 2011 C550D @1080p

    The unboxing of Sigma’s latest Tele-zoom lens, the 70-200mm F2.8 with an all new Optical Stabilization (OS) system. The lens also has flourite glass elements to increase image quality by decreasing color aberrations. With the EX series logo stamped onto the lens, it is sure to perform at a professional level. Music by – LMFAO ft. Lauren Bennett & GoonRock – Party Rock Anthem (Radio Edit)
    Video Rating: 4 / 5

  • Brown to Green: Ashtray Doubles as an Urban Planner

    [ By Delana in Conceptual & Futuristic & Technology. ]

    Smoking is prohibited in plenty of public places these days, but for folks who just can’t quit, why not do something positive for the environment with the product of that habit? The Cindy ashtray also happens to be a planter – one that uses cigarette ash to fertilize plants.

    (all images via: Mademoiselle Jean-Claude)

    Cindy was created by French design collective Mademoiselle Jean-Claude. The minimalist white planter looks and functions like a regular ashtray for all intents and purposes.

    Cigarette butts are put out in the hole in the top of the planter. The design of the planter allows ash to fall through a pipe all the way down to the bottom of the planter, but not the butts themselves.

    A small, barely noticeable drawer near the top of the planter allows caretakers to remove and dispose of the discarded cigarette butts.

    In theory, the ashes nourish the plant and help it to purify the air in the smoking area. In practice, however, it isn’t clear whether this technique would actually work. It doesn’t seem possible that cigarette ash would contain many useful nutrients. As a conceptual product, the Cindy is a quirky and lovely way to beautify an urban setting.


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    [ By Delana in Conceptual & Futuristic & Technology. ]

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  • BOXXY Extended Interview in 3D at Chronicles of Rick Roll Red Carpet / Comic Con 3DTV

    Catie BOXXY Wayne is one of the most popular internet superstars in the USA. On the Red Carpat, BOXXY talks to Comic Con 3DTV about life, love, the internet, the San Diego Comic-Con, and her role in the upcoming film “The Chronicles of Rick Roll” See all our 3D coverage at: www.comiccon3dtv.com For more info on The Chronicles of Rick Roll go to IMDB: www.imdb.com Find MORE on Facebook: www.facebook.com Contact us at: info@comiccon3dtv.com
    Video Rating: 4 / 5

  • Fuji X100 Hands On Field Test With Tyler Stalman

    The Camera Store’s Chris Niccolls had a chance to use the very exciting Fujifilm X100 for a day. So he grabbed renowned photographer Tyler Stalman (www.stalman.com) and spent a day in the freezing Alberta cold taking photos. Chris and Tyler check out the innovative hybrid viewfinder, camera controls, and test out the amazing sync speed for flash photography. Huge thanks to Stephen Lemmer and Sean Chamberlain for enduring the cold to help us out!

  • Seattle Street Art Graffiti Book Photos

    Some cool visual art images:

    Seattle Street Art Graffiti Book Photos
    visual art
    Image by atto11
    Image from the book SEATTLE STREET ART. A Visual Time Capsule Beyond Graffiti (Volume 2)
    By A. Tarantino
    ISBN-10: 0988272008
    SeattleStreetArt.com

    "The Seattle Street Art Book Series contains over 300 original photos taken within city limits over many years to help preserve the mediums aesthetic in print."

    Seattle Street Art Graffiti Book Photos
    visual art
    Image by atto11
    Image from the book SEATTLE STREET ART. A Visual Time Capsule Beyond Graffiti (Volume 2)
    By A. Tarantino
    ISBN-10: 0988272008
    SeattleStreetArt.com

    "The Seattle Street Art Book Series contains over 300 original photos taken within city limits over many years to help preserve the mediums aesthetic in print."

    Seattle Street Art Graffiti Book Photos
    visual art
    Image by atto11
    Image from the book SEATTLE STREET ART. A Visual Time Capsule Beyond Graffiti (Volume 2)
    By A. Tarantino
    ISBN-10: 0988272008
    SeattleStreetArt.com

    "The Seattle Street Art Book Series contains over 300 original photos taken within city limits over many years to help preserve the mediums aesthetic in print."

  • Expensive DSLR/Lens vs a Speed Light for Indoor Low Light Photography

    photographyequipment.yolasite.com (Budget Equipment) razzi.me www.facebook.com twitter.com In this video I talk about necessary equipment needed for indoor low light photography. I tested sample pictures taken with Nikon D3s and Nikkor 70-200 f2.8 VRII lens and compared it with inexpensive Nikon D7000 and 50mm 1.8 lens and Nikon SB700 to see which picture produces better results. Equipment used in this video. DSLR – Nikon D7000 and Nikon D3s Lenses – Nikon 70-200 f2.8 VRII and 50mm 1.8G lens
    Video Rating: 4 / 5

    www.dslrfilmnoob.com Just upgraded to a Zoom h4n and that it sync perfectly with the canon 7d, I ran this test to get an idea of what microphone configuration I’ll be using on my next project. The zoom h4n has no sync issues at all, and has a time and date stamp on each file which is great for matching up audio it will be replacing my zoom h4 as my most used field recorder. I have the Zoom h4n set in 4 channel mode so that i can use both microphones and the zoom h4n’s on board mic’s at the same time. Shot at 720p at ISO800 2f lens Nikon Nikkor 50mm 1.4f DFocus follow focus adapter and Indisystems square with 15mm rails
    Video Rating: 4 / 5

  • My Cat of an REM Sleep Hiss

    He was dreaming with his eyes open. I didn’t expect him to wake up in such a manner. Perhaps the Aphex Twin gave him a nightmare? Video with Nikon D90 + Nikkor 50mm 1.4G
    Video Rating: 4 / 5