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  • How to Elevate Your Photography Portfolio With Video Collage Creation in SmartSHOW 3D

    When it comes to photography software, the most common names that come up are Adobe Lightroom, which is often used to work with RAW images, and Adobe Photoshop, which is often used to perform retouching tasks like smoothing out skin, removing blemishes, and fixing exposure. While these programs are fantastic for the editing process, photographers tend to be left to Continue Reading

    The post How to Elevate Your Photography Portfolio With Video Collage Creation in SmartSHOW 3D appeared first on Photodoto.


    Photodoto

  • Fujifilm X100V full-production sample gallery – with Raws

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    The Fujifilm X100V updates the X100 line with a 26MP sensor, redesigned lens and a tilting, touch-sensitive rear screen (among other things). We took delivery of a production-quality X100V recently, and we’ve spent the past few days shooting up and down the coast of the Pacific Northwest.

    Our full review is on the way, but in the meantime check out our gallery of sample images, including Raw files for download.

    View sample images from
    the Fujifilm X100V

    Articles: Digital Photography Review (dpreview.com)

  • Storytelling Newborn Photography Shoot Tips

    Storytelling photography for newborn babies is all about capturing the real life memories of the newborn days for families in a beautiful way, and it’s quickly becoming the most popular style of photography for capturing the newborn stage of life. Not only does it bring out the personalities of everyone and provide specific memories of what life was like during Continue Reading

    The post Storytelling Newborn Photography Shoot Tips appeared first on Photodoto.


    Photodoto

  • Are Professional Photographers Expensive?

    I don’t think there is a professional photographer out there that hasn’t heard a potential client utter the words, “you charge how much?” or “what exactly do I get for that” or even “But all you do is push a button!” Yes, it’s true, any photographer worth their weight will seem expensive at first glance. Even I am guilty of Continue Reading

    The post Are Professional Photographers Expensive? appeared first on Photodoto.


    Photodoto

  • iFixit tears down a Galaxy S20 Ultra to show off the ridiculous camera array

    Repair site iFixit has published its in-depth teardown of Samsung’s new flagship smartphone, the Galaxy S20 Ultra. In addition to the video above, iFixit also shared a detailed account of the autopsy, including close-up shots of the impressive camera array Samsung has packed inside this monster.

    The motherboard assembly, which includes the camera array, is carefully removed from the Galaxy S20 Ultra unit.

    As a quick refresher, the Galaxy S20 Ultra features a camera array consisting of three individual modules: a 12-megapixel F2.2 ultra-wide camera module, a 108-megapixel F1.8 wide-angle camera module and a 48-megapixel F3.5 telephoto camera module, the last of which offers up to 100x zoom through a combination of optical and digital zoom with a little AI and software trickery for good measure. On the front of the S20 Ultra is a ridiculous 40-megapixel front-facing camera as well.

    The 108-megapixel sensor inside the Galaxy S20 Ultra (top) shown alongside the 12-megapixel primary sensor inside Apple’s iPhone 11 Pro.

    First up on the docket was the 108-megapixel (9.5mm x 7.3mm) wide-angle camera, powered by Samsung’s ISOCELL Bright HM1 ‘Nonacell’ image sensor. As iFixit points out, this massive sensor features roughly double the surface area compared to the iPhone 11 Pro’s 12-megapixel primary sensor and uses Samsung’s Nonacell pixel-binning technology to bring the final image down to approximately 12-megapixels.The 12-megapixel F2.2 ultra-wide camera module was glossed over in the teardown, but given a nod in the video as it’s removed from the main camera assembly.

    From there, iFixit took a closer look at the 48-megapixel F3.5 telephoto camera module, which is responsible for the 100x ‘Space Zoom’ advertised on the outside of the camera bump. Similar to other periscope-style zoom lenses seen in past smartphones, Samsung uses an array of zoom lenses behind an optically-stablized prism (which is used to redirect the light 90-degrees) to get up to 4x zoom capability. As noted above, the 100x ‘Space Zoom’ is achieved through a combination of sensor cropping, digital zoom and software.

    The prism (top) redirects the light 90-degrees through the lenses housed within the assembly (black box, above where the tweezers are positioned), which slides back and forth within the guides to offer up to 4x optical zoom.

    Other components onboard the Galaxy S20 Ultra include the 6.9-inch Quad HD+ Dynamic AMOLED Infinity-O Display (3200 x 1440 pixel, 511ppi, up to 120Hz refresh), a Snapdragon 865 processor, up to 16GB of LPDDR5 RAM and a 5,000mAh battery. As you might expect for a smartphone that manages to pack that much tech inside its frame, the device doesn’t score too well on iFixit’s repairability chart. When all was said and done, iFixit gave the Galaxy S20 Ultra a three out of ten.

    You can find more images and read peruse through the entire teardown over on iFixit’s website.


    Image credits: Photos via iFixit, used with permission

    Articles: Digital Photography Review (dpreview.com)

  • Slideshow: Apple reveals the winners of the Shot on iPhone Night mode challenge

    Apple reveals the winners of the Shot on iPhone Night mode challenge

    At the beginning of the year, Apple invited iPhone 11, iPhone 11 Pro, and iPhone 11 Pro Max users to share their best photos taken in Night mode. All 3 iPhone 11 models feature a Wide sensor with 100 percent Focus Pixels. As a result, Night mode automatically activates in low-light environments.

    Thousands of photos were submitted from around the world. The winning photographers, selected from a panel of 10 judges, hail from China, India, Russia, and Spain. The judges, including Malin Fezehai, Tyler Mitchell, Sarah Lee, Alexvi Li, and Darren Soh shared their thoughts on what made the winning photos stand out.

    Winning photos will be featured on apple.com, Apple’s official Instagram account which boasts 22.5 million followers, at select stores, on billboards around the world, and other third-party photo exhibitions.

    Konstantin Chalabov (Moscow, Russia), iPhone 11 Pro

    Location: Sakha Republic
    Phil Schiller says: ‘Konstantin’s photo is a super-dramatic image shot with Night mode. It could be the opening shot of a great Cold War spy movie. It challenges us with intriguing questions — ‘Where is the driver? Where are they going? Why stop out here?’ A cool mist permeates the blue Russian hillside and snow-covered ground, framing the lonely vehicle with bright red lights that hint at an unknown danger.’
    Brooks Kraft says: ‘A movie-like scene that leaves you curious about what happened in this snowy remote setting. Night mode captures the blue light exterior hue beautifully as well as the incandescent lighting inside the cab of the truck and the truck lighting — a wide variety of lighting.’

    Andrei Manuilov (Moscow, Russia), iPhone 11 Pro Max

    Mitsun Soni (Mumbai, Maharashtra, India), iPhone 11 Pro

    Location: Quartiere San Lorenzo

    Darren Soh says: ‘An amazingly well-balanced composition that throws so many questions back at the viewer — ‘Where is this? Who lives here?’ — and perhaps the most important — ‘Why is laundry hanging out to dry at night?’ As an architectural photographer, I am drawn by the image’s one point perspective that leads the viewer into the frame, right smack into the hanging pieces of clothing.’
    Sarah Lee says: ‘I love this and feel it could only have been shot on Night mode. It is beautifully composed, uses symmetry very well, and without cliché to communicate a fascinating story about densely populated urban spaces and the way many people live. This work reminds me of Michael Wolf’s ‘Architecture of Density’ in its theme, but compositionally the photographer has their own take, which is really interesting.’
    Location: Dubai, United Arab Emirates
    Tyler Mitchell says: ‘This one blows my mind. I have no idea where that deep rich red light is coming from on the tree. It almost feels like a UFO sitting above the tree, just out of frame. Absolutely beautiful composition as well.’
    Arem Duplessis says: ‘The rich red color of the tree and ground gives this picture an otherworldly quality. Paired with the night sky, it feels like a still from a sci-fi film.’

    Rubén P. Bescós (Pamplona, Navarra, Spain), iPhone 11 Pro Max

    Location: Sierra del Perdón

    Phil Schiller says: ‘Photography is the art of light, and Rubén’s photo magically uses light to bring this art installation in Spain to life. The color in this Night mode image is a captivating orange, beautifully framing the band of pilgrims in sharp silhouette. The crackly details on the foreground rocks add to the story of the long and difficult journey ahead for these pilgrims before they reach their holy site.’

    Alexvi Li says: ‘Taking great advantage of Night mode with exposure setting, the photographer captured the silhouette of a group of people in the city light backdrop. The ground in the photo reveals beautiful texture when shooting against the light. The simple composition quickly draws viewers into a story, while delivering good image quality.’

    Rustam Shagimordanov (Moscow, Russia), iPhone 11

    Location: Hamnøy I Lofoten, Nordland, Norway

    Kaiann Drance says: ‘A captivating shot of a winter village by the sea, which must feel cold, yet looks warm with the glow against the rocks and lights inside the red cabins, inviting a story about the people inside.’

    Malin Fezehai says: ‘I love how the lights in the red cabins give a sense of warmth in the cold. The layers in the image create depth and give me a sense of cold and warmth at the same time. It’s a beautifully captured landscape image of a winter evening.’

    Yu “Eric” Zhang (Beijing, China), iPhone 11 Pro Max

    Jon McCormack says: ‘This image represents iPhone at its best. Capturing life as it happens, no matter what the light is! The sense of moment, intimacy and place in this image is very good. It really transports the viewer to being right there.’

    Arem Duplessis says: ‘This picture has a very real quality to it. The rising steam, the silhouetted figures backlit from the lamp all align perfectly in this magical caught moment.’

    Articles: Digital Photography Review (dpreview.com)

  • Sample gallery: Sigma 24-70mm F2.8 DG DN for Sony E-mount

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    Sigma’s 24-70mm F2.8 DG DN is a fast and versatile zoom for Sony full-frame E-mount (as well as Leica/Sigma/Panasonic L-mount). It’s well-constructed, with extensive weather-sealing, and reasonably fast to focus. Output appears nice and sharp, corner-to-corner, and aberrations/ghosting are fairly well-controlled. Take a look for yourself.

    See our Sigma 24-70mm F2.8 DG DN
    sample gallery

    Articles: Digital Photography Review (dpreview.com)

  • A Photographer’s Guide to Buying a Drone – Getting it Right the First Time

    The post A Photographer’s Guide to Buying a Drone – Getting it Right the First Time appeared first on Digital Photography School. It was authored by Matt Murray.

    photographers-guide-to-buying-a-drone

    In this photographer’s guide to buying a drone, I’ll share with you some invaluable tips for buying a drone for the first time.

    Seven years ago, my employer wanted a photo of a local lighthouse from an elevated viewpoint. It sounds ridiculous now, but very early on a winter’s morning, I was loaded into a cherry picker with two cameras and hoisted 15 meters in the air to take photos. I’m a little bit scared of heights, so I really had to concentrate on getting the images and not looking down!

    With the introduction in the last few years of many relatively low-cost good quality drones (also known as UAVs – unmanned aerial vehicles), that whole scenario seems laughable.

    So why should you think about buying a drone if you haven’t already?

    Here are some of the key considerations.

    Image: By chance, I saw this boat sailing past when I was taking aerial images of fishing boats in Y...

    By chance, I saw this boat sailing past when I was taking aerial images of fishing boats in Yamba. Taken with the DJI Mavic.

    A photographer’s guide to buying a drone

    Why buy a drone?

    The main reason for buying a drone is the unique viewpoints that it will bring to your photography that you couldn’t achieve easily otherwise.

    Sure, you can take elevated images from buildings, planes, helicopters – or even a cherry picker. However, those options are unlikely to be suitable or cost-efficient, depending on what you’d like to photograph. Having a drone in your kit opens up new possibilities and viewpoints like never before.

    How else would you be able to take images from viewpoints like this? Boats at the seaside taken with the DJI Mavic Pro 2.

    What kind of photographers would benefit from having a drone?

    The short answer is – all kinds of photographers. I’ve seen or heard of aerial images from UAVs used in many industries.

    Travel

    Aerial images have been a stable of Instagram travel accounts for years now. Many Instagrammers take a compact drone with them on their travels to add to the range of shots they can take at a destination. They can use the images for both posting on social media or as deliverables for clients.

    These images are often featured by large national and regional travel accounts to showcase destinations.

    A Photographer's Guide to Buying a Drone

    Real estate photographers

    Drones are widely used amongst real estate photographers and seem to be essential kits these days.

    Aerial images are common on many listings here in Australia to show the boundaries and layout of a property and its location to nearby landmarks and amenities.

    Fine art

    This is a small but very well paid niche. Some photographers make thousands of dollars for breathtaking fine art aerial images taken with UAVs.

    Stock photographers

    There’s been an increasing number of aerial images and videos sold on stock photography sites recently. Using a drone is one way to add to the range of images you have for sale in your portfolio.

    A Photographer's Guide to Buying a Drone

    A stock photography library I shoot for had a call out for images to illustrate bad parking. This is an image I sold them for the campaign.

    Wedding and portrait photography

    Aerial images are becoming increasingly popular for weddings, engagement shoots, and portrait sessions.

    Images for your family archive

    When I’m out and about taking photos for stock or travel, my family often accompanies me. I love taking aerial images of them; it certainly makes for a different type of shot in the family photo archive.

    Tips before buying a drone

    If you’re thinking about buying a drone, it pays to do your research first. Take a look at photos taken by drones on Instagram using hashtags such as #dronephotography, #dronestagram, and #droneoftheday.

    Which make and model of UAV took these images? Looking at the photos will give you a good indication of the quality you can expect from each model.

    Join some drone-related Facebook groups. Have a read through the discussions and ask questions. People will often be happy to share how they took a photo, what equipment they used, and what post-processing they did on the image.

    Image: My daughter taking her board out for a surf in northern New South Wales, Australia.

    My daughter taking her board out for a surf in northern New South Wales, Australia.

    Try before you buy

    Do you know a friend who has a drone? Ask if you can go along with them next time they fly it and learn the basics. You could also see if a local drone Facebook Group has meetups where you can learn the ropes. Maybe you’ll love it, but maybe you’ll hate it. Handy to know before you shell out for such a high cost.

    Buy cheap, buy twice

    I’ve heard many people buy a cheap toy drone to see if they’ll like it. The truth is, many of those cheaper drones are a complete nightmare to fly, and people are put off when it crashes. Typically, the more expensive a UAV, the easier it is to fly.

    I’d recommend the “try before you buy” approach over this.

    Which drone should I buy?

    Ultimately, this is down to two different factors: the first is your budget, the second is what you want to do with your aerial images.

    If you want to sell your images for stock, weddings, or fine art, go with the drone with the best image quality. However, if you want to travel with your drone, take family photos or only post to social media, perhaps you’d value a compact, lighter offering.

    Pros and cons of some popular drone models

    Below are some of the pros and cons of popular drones.

    The Mavic Pro

    The Mavic Pro is one of the best-selling drones of all time. It’s capable of taking photos in both horizontal and landscape orientations, which I found very handy when I owned it. The 12-megapixel camera has a fixed f/2.2 aperture, which compared to newer offerings, is a bit limiting. The good news is, you should be able to pick up one for a good price secondhand.

    Image: DJI Mavic Pro

    DJI Mavic Pro

    Mavic Pro 2

    I sold my Mavic Pro when they released the Mavic Pro 2. It has a significantly better 20-megapixel camera with a 1-inch sensor, which suited me better for taking larger images for stock libraries.

    It also has an f/2.8-11 variable aperture, which gives you the potential to be more creative with your aerial images.

    The one potential downside is that when facing the horizon, the gimbal doesn’t rotate the camera so you can capture vertical images like you can with the Mavic.

    Read a full review of the Mavic Pro 2 here.

    A Photographer's Guide to Buying a Drone

    The Mavic 2 drone.

    Mavic 2 Zoom

    The Mavic 2 Zoom came out at the same time as the Mavic Pro. Its main advantage over the Pro 2 is the ability to zoom the camera. Combined with movement, you can use this to achieve the dolly zoom effect. The downside is that its camera is only 12-megapixel, and the aperture is f2.8-3.8.

    Read a review of the Mavic 2 Zoom here.

    A Photographer's Guide to Buying a Drone

    DJI Mavic 2 Zoom

    Mavic Mini

    The Mavic Mini is a very small and light drone with impressive specifications. The Mavic Mini is the cheapest I’ve covered and would be ideal for many people wanting to take aerial images as they travel. It has a 12-megapixel camera. Unlike the others listed, it is only capable of taking images in JPG format for stills.

    A Photographer's Guide to Buying a Drone

    DJI Mavic Mini

    Also, read a review of the DJI Spark here, and the Mavic Air here.

    What else do I need to consider?

    Is your device up to scratch? To fly a DJI drone, you’ll need the DJI GO app on your smartphone or on a tablet.

    Is your device good enough to support the latest app? You’ll need to look into this before you get started.

    A Photographer's Guide to Buying a Drone

    Make sure your phone or tablet is powerful enough to run the drone app.

    How will you edit your image?

    If you’re a dPS regular reader, no doubt you’ll know all about the various ways you can post-process your images. I use Adobe Lightroom and occasionally Adobe Photoshop to edit my JPG and DNG drone images.

    Insurance

    UAVs are an expensive investment. Make sure that your camera insurance or home contents insurance adequately covers your new kit.

    DJI have their own insurance product – DJI care. Whichever option you go for, make sure you understand the limits of the policies, so you don’t get caught out.

    Flying legally

    This is very important. You don’t want to find yourself on the wrong side of the law, especially if you take your drone overseas.

    It’s good to learn all the rules when you’re considering buying one or while you’re waiting for it to arrive.

    Rules differ from country to country, region to region, so always make sure you know the correct laws to fly at your destination.

    For example, in Australia, you’ll need permission to fly a drone in a National Park in the state of New South Wales, but over the border in Queensland, you do not.

    Image: Early morning view of South Stradbroke Island, Queensland. DJI Mavic.

    Early morning view of South Stradbroke Island, Queensland. DJI Mavic.

    Flying safely

    Investing time learning the rules and regulations is just one part of things. You also need to learn to fly safely.

    A major part of this is learning to identify hazards, whether they be trees, powerlines, buildings, weather, or as I found out once, a swooping bird in my local park.

    It’s always a good idea to have a pre-flight and post-flight-check routine in place.

    Conclusion

    Buying a drone is a fantastic way of adding new viewpoints to your photography. The latest offerings from companies such as DJI have given photographers the ability to capture scenes that were not possible a few years ago without chartering a plane or helicopter.

    However, there are many things to consider before you dive in. Consider what you want to use the images for, which model to buy, and how to edit your images. You also need to learn how to fly safely and legally.

    I hope this photographer’s guide to buying a drone has been helpful if you are currently looking at adding a drone to your photography kit.

    What other considerations do you think are important when considering buying a drone? Tell us below.

     

    The post A Photographer’s Guide to Buying a Drone – Getting it Right the First Time appeared first on Digital Photography School. It was authored by Matt Murray.


    Digital Photography School

  • DPReview TV: Scan film negatives with the Nikon ES-2

    Nikon’s ES-2 film digitizing adapter promises to be an easy way of scanning slides and negatives. We tested it with a bunch of different film stocks and discovered that it works pretty well!

    Subscribe to our YouTube channel to get new episodes of DPReview TV every week.
    • Introduction
    • What's included?
    • The scanning process
    • Sample images
    • Who's it for?

    Sample gallery from this episode

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    Articles: Digital Photography Review (dpreview.com)

  • Free Tools to Easily Remove a Background in Photos

    The post Free Tools to Easily Remove a Background in Photos appeared first on Digital Photography School. It was authored by Ana Mireles.

    remove-a-background-in-photos

    Whether you’re replacing a dull sky, cutting-out a product or creating a collage, sooner or later you’ll need to remove a background in photos. Professionals and amateurs alike need an efficient tool for this task. Fortunately, there are some free alternatives in the market for all levels of expertise. Here, I’ll show you some of them.

    remove a background in photos

    Removing the background is usually very meticulous and tedious work. It is, however, one of the most needed edits. Because of this, developers have come up with different solutions. I’ll show you some of the free tools available, so you can choose what’s best for you.

    Source Image

    It’s easier to remove a background when your image is well exposed and when the subject has defined edges and a contrasting background. To better test the tools, I’ll use an image with these characteristics, but also one that doesn’t.

    The second image will be a simple snapshot with a slightly underexposed subject, some hot points, and a busier background. Let’s see how each tool behaves in both situations.

    images to remove the background

    Image 1 (left): 1/1000; f8; ISO 200.  Image 2 (right): Snapshot in auto mode.

    Edit Photos for Free

    Edit Photos For Free is a website where you can remove the background. It’s free, without having to register for an account and without previous training or knowledge. You just draw the border, then indicate what is the foreground and the background; the program will do the rest.

    remove a background in photos

    Pros

    • It really is free, you won’t be asked to register or upgrade during the process, nor at the end of your work. No tricks as far as I can see.
    • You can download the final version without losing resolution.
    • You don’t need to have previous knowledge or skills – it is very user-friendly.
    • When the source image is well-exposed and has a contrasting background, it will do a very good job drawing the border automatically. Just by adjusting the tolerance value, I didn’t need to do any further adjustments for image number one.

    remove a background with edit photos for free

    Cons

    • It wouldn’t allow me to rotate image number two.
    • You can’t replace the background, you either leave the transparency or color it.
    • If the image foreground is not super clear, you will have to draw the edges yourself. I had to do this for image number two and refining the selection was not very intuitive.
    • The shadow and feather options didn’t do any noticeable changes.

    review to remove a background in photos

    Background Burner

    Background Burner is free to use, however, you do need to register. As soon as you upload the image, it automatically runs the first selection.

    remove a background in photos with background burner

    Cons

    • I start with the cons because it’s the first impression I got. It’s free if you register, which means you are paying with your data. It’s not super invasive as it only asks for email and country. But still, it’s not ideal.
    • You can’t replace the background or color it. You’ll need to use another program if you want to do that. If you save it as JPG, though, it will automatically fill the background with white.
    • The automatic selection is not very intuitive. Here you can see how it did in both of my images. In this case, image number two was better, and it even gave me some choices to pick from.

    remove a background in photos with background burner

    Pros

    • The tools for fine-tuning the first selection are better than the previous website. It has the basic tools for refining easier things and pixel tools to go into details.
    • You can download the final version without losing resolution. You can even choose between JPG or PNG. Remember that to keep the transparency you need the PNG.
    • You don’t need to have previous knowledge or skills – it is very user-friendly.
    • It has the option to upgrade into a paid service if you need more accuracy and tools.

    Background burner selection tools

     

    Photoscissors

    Photoscissors is one of the most popular and known choices out there to remove a background in photos.

    It’s one of the most complete tools. They even tell you that on the first page: “Remove a background and replace it with a transparency, solid color, or background image.” So, it already gives you more options than the past two websites.

    photoscissors

    Pros

    • The auto-selection didn’t do an amazing job, but the touch up is easier because of the slider that gives you more control over the brush size. It also has a good feathering system.
    • It allows you to easily replace the background with another image or color.
    • You can also create a shadow and control opacity and blur.

     

    remove a background in photos

    Cons

    • It’s free to use even without registering, but you can only download a low-resolution version. This is not very evident when you start working on your image, so you might end up losing your work or be forced to pay the upgrade. Unless a low-resolution is enough for your needs.

    Photoscissors down side

    Extra

    • It has a hair selector that is very accurate. If you do many portraits, it may be worth considering a subscription.

    GIMP

    Gimp is a free and open-source editing program.

    remove a background in photos using GIMP

    Pros

    • It has many selection tools that you can use and combine for selecting your background in a controlled and precise manner.
    GIMP selection tools

    For Image 1 (left), I used the Fozzy selection tool and the Rectangle tool for details. For image 2 (right), I used the Scissors selection tool and the Free select for the details.

    • You can keep your background, shadow, and foreground in different layers to work independently and non-destructively.
    • You can do your entire project in it.  Adjustments, collages, etc. without the need to use any other website or software.

    remove background from images for collages

     

    Cons

    • You need to download the program onto your computer – you can’t work online.
    • It does require a learning curve, and it’s not the friendliest of interfaces.

    Conclusion

    To remove a background in photos has become easier and more accessible with technology, but there are no magic tricks. You do need patience, skills and good software, which often costs.

    If you’re going to let the algorithm do most of the work, try different ones to see which one ‘reads’ your image better and saves you more time. If you’re ready to dive in and take charge, go with GIMP. The time you spend learning it becomes a skill that will save you time in a future project.

    Do you have any other websites or tools to remove a background in photos? Let me know in the comments section.

    The post Free Tools to Easily Remove a Background in Photos appeared first on Digital Photography School. It was authored by Ana Mireles.


    Digital Photography School