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  • Hands-on with the Sigma 85mm F1.4 DG DN Art

    Hands-on with the Sigma 85mm F1.4 DG DN Art

    The Sigma 85mm F1.4 DG DN Art is the latest in the company’s ‘DN’ (Digital Native) lens lineup, designed specifically for use with mirrorless interchangeable lens cameras. Like previous DN-series lenses, the 85mm F1.4 is available in two mounts: L (Sigma, Leica and Panasonic), and Sony E-mount.

    Click through this article for a closer look at Sigma’s latest portrait prime lens.

    New optical formula

    The Sigma 85mm F1.4 DG DN Art might share a focal length and maximum aperture with the older 85mm F1.4 DG HSM Art (released in 2016) but the similarities end there. This is a completely new optical design, comprising 15 elements in 11 groups, with five SLD (super low-dispersion) elements and one aspherical element.

    Sigma claims that this combination results in excellent sharpness at all apertures, and very well-controlled flare and ghosting: claims that appear to be born out in our initial shooting. Like all of the lenses in Sigma’s ‘Global Vision’ line (Art, Contemporary and Sport) each copy of the 85mm is tested using Sigma’s proprietary ‘A1’ MTF measuring system prior to shipping.

    Smaller and lighter than previous 85mm F1.4 Art

    Despite its ambitious optical construction, the new 85mm F1.4 is more than an inch shorter (94mm/3.7″, compared to 127mm/5″) and more than a pound lighter (635g/1.4lb), compared to 1.1kg/2.5lb) than the previous-generation 85mm F1.4 Art. Many of Sigma’s Art-series primes have felt rather heavy and bulky, but the new 85mm gives an impression of compactness and light weight, helped by its tapering barrel.

    Build quality has not been sacrificed for the sake of weight though, and construction is in-line with what we’d expect: a mixture of aluminum and Sigma’s TSC (Thermally Stable Composite), complete with a brass mount. The lens is rated as ‘dust and splash-proof’.

    Physical aperture ring

    All of Sigma’s ‘DN’ lenses have been designed with video, as well as stills, in mind. As such, the new 85mm features a ‘clicky’ physical aperture ring, which can be ‘de-clicked’ if desired, for video use. If you’d rather adjust aperture via the camera, this ring can be locked in the ‘A’ position using a dedicated switch, to avoid accidental inputs.

    This image also shows the lens’s ‘AF-L’ button, which locks autofocus by default, but can be customized via the menu system on a compatible camera.

    Stepping motor for autofocus

    The 85mm F1.4 is optimized for use with both contrast detection (Leica, Sigma and Panasonic) and phase detection (pretty much everyone else) autofocus systems, and uses a stepping motor, coupled with a small, lightweight focusing group. Unlike some other fast 85mm lenses we could mention, autofocus is fast, and it’s also quiet enough for use during video shooting. Although we haven’t been able to perform a side-by-side test, our impression is that focus is a little faster than the previous-generation 85mm F1.4 Art.

    77mm filter thread and included hood

    With the generously-sized hood attached, the 85mm F1.4 suddenly looks a whole lot bigger, but it can be reversed on the lens when you’re not shooting. The front filter ring is a very reasonable 77mm.

    Sigma is aiming this lens at enthusiast and professional portrait photographers, and as such, it is equipped with 11 rounded aperture blades, to ensure circular apertures at wide-to-medium F-stops. Don’t plan on many closeups though: Much like its peers, minimum focus is 85cm (33.5″) and the maximum magnification ratio of 1:8.4 (0.12x) means you’re not going to be using the Sigma 85mm F1.4 DN for macro photography.

    Compatible with Sigma USB DOCK UD-11

    The L-mount version of the Sigma 85mm F1.4 DG DN is compatible with Sigma’s UD-11 USB dock (not pictured). This mounts like a camera body onto the lens, and provides an easy way to update lens firmware and customize some aspects of operation.

    The Sigma 85mm F1.4 DG DN will be available later this month, in L and E-mounts, for $ 1199.

    Articles: Digital Photography Review (dpreview.com)

  • Nikon releases beta Webcam Utility for Windows with support for select DSLR, mirrorless cameras

    Today, Nikon has announced the release of a beta version of its Webcam Utility software for numerous Nikon DSLR and Z series mirrorless cameras.

    Similar to the webcam utility software released by Canon, Nikon and others, Nikon’s Webcam Utility makes it possible to use the live view from your camera as a webcam feed for use with video conferencing programs such as Skype and Zoom, as well as livestreaming production programs such as OBS Studio.

    For now, Nikon’s Webcam Utility is available only for computers running 64-bit versions of Windows 10. Below are the Nikon DSLR and mirrorless cameras currently supported:

    • Z7
    • Z6
    • Z5
    • Z50
    • D6
    • D850
    • D780
    • D500
    • D7500
    • D5600

    Being this is a beta (version 0.9.0 — not even a version 1.0 product), don’t be surprised if you come across a bug every once in a while. You can find out more information and download the beta Webcam Utility for free from Nikon’s website.

    Articles: Digital Photography Review (dpreview.com)

  • Weekly Photography Challenge – Darkness

    The post Weekly Photography Challenge – Darkness appeared first on Digital Photography School. It was authored by Sime.

    This week we’re focussing (see what I did there) on the dark areas in a photograph. Shadows, but intentional shadows. Using shadows and darkness to focus in on your subject – The three examples below are all photographed in the daylight or generally light scenes, In two cases I positioned myself so there was enough shadow around the subject that the only light was used to highlight the subject. The third is a self-portrait while I was shaving, I liked the way the shadow fell, creating some interest in the image. Happy to dig into the details of each image if you’d like, leave a comment and we can work through them ?

    Weekly Photography Challenge – Darkness
    Mel Ghionis on stage
    Weekly Photography Challenge – Darkness
    Bola Bee on a Tamron product shoot
    Weekly Photography Challenge – Darkness
    Me, shaving haha

    Shadow, darkness, lack of light is imperative in photography, it defines edges and shapes images, so get your camera out, look at things around you with a critical eye and find some interesting shadows or better still, create some!

    Great! Where do I upload my photos?

    Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see. Or, if you’d prefer, upload them to your favourite photo-sharing site and leave the link to them. We’re interested to see how you revisit the images that you’ve taken before now in this re-edit challenge!

    Share in the dPS Facebook Group

    You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

    If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSDarkness to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

    The post Weekly Photography Challenge – Darkness appeared first on Digital Photography School. It was authored by Sime.


    Digital Photography School

  • The first trailer for the Pete Souza documentary, ‘The Way I See It,’ has been released

    The first trailer for the forthcoming Pete Souza documentary, The Way I See It, has been released, providing a glimpse into what we can expect from the feature-length documentary.

    Pete Souza has served as Chief Official White House Photographer under two presidents, Ronald Reagan and Barack Obama. Between his tenure at those positions, as well as his time as a photojournalist, he’s captured some of the most iconic shots of life in and beyond the Oval Office, with unrivaled access to two of the most iconic presidents from either party.

    The official movie poster for The Way I See It

    The Way I See It documentary is based on the New York Times #1 bestseller book of the same name. It provides ‘an unprecedented look behind the scenes of two of the most iconic Presidents in American History, Barack Obama and Ronald Reagan, as seen through the eyes of renowned photographer Pete Souza,’ as shared in the trailer’s description. ‘As Official White House Photographer, Souza was an eyewitness to the unique and tremendous responsibilities of being the most powerful person on Earth. The movie reveals how Souza transforms from a respected photojournalist to a searing commentator on the issues we face as a country and a people.’

    The film is due out in theaters September 2020, but we’ll see if that comes to fruition amidst the COVID-19 pandemic. You can find out more about the film by visiting The Way I See It website.

    Articles: Digital Photography Review (dpreview.com)

  • DPReview TV: Panasonic S1H ProRes Raw review

    ProRes Raw is finally here for the Panasonic S1H. Find out why Jordan says ‘This is absolutely my favorite image from any of the cameras I’ve got right now…’

    Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

    • Introduction
    • What is ProRes Raw?
    • White balance correction vs. Raw still images
    • Gradeablility vs. internal 10-bit
    • Performance and workflow
    • Punch-in focus
    • Who's it for?

    Articles: Digital Photography Review (dpreview.com)

  • Slideshow: Winners of 2020 Creative Photo of the Year by Siena Awards

    Winners of 2020 Creative Photo of the Year by Siena Awards

    The Creative Awards is part of the larger international competition put on by the Siena International Photography Awards. The aim is to encourage photographers to experiment with the subject matter they capture as well as their post-processing techniques. There isn’t any limit to how much an image can be digitally manipulated.

    11 jurors selected winning and runner up images from 12 different categories including Fine Art, Abstract, Nature & Landscape, Open Theme and Architecture. The Overall Winner, and recipient of the ‘Pangea Prize,’ along with € 50,000 in photography gear, is Hardijanto Budiman for his image of ping pong players competing in Indonesia.

    Typically, winners and runners up attend the annual Siena Awards and their works are displayed in the ‘I Wonder if You Can’ outdoor exhibition. For now, they can be viewed in this online gallery.

    Overall Winner and Pangea Prize Recipient: ‘Ping Pong Training’ by Hardijanto Budiman

    Location: Jakarta, Indonesia

    Artist statement: Ping pong or table tennis is my favorite sport. When I was young I used to be a ping pong player in my home town club. So when the idea came up, I straight away started the project. This picture is about daily activities of ping pong players in a club. I made the concept look different and unique, representing my signature style.

    Creative Runner Up Winner, Fashion: ‘Borderland’ by Gerard Harrison

    Location: Houston, Texas, United States

    Artist Statement: A photograph of a fashion model in a couture bohemian design is merged with a a fine art painting to create a walk through a garden in an alternate reality.

    Creative Runner Up Winner, Abstract: ‘Delta Abstraction’ by Manuel Enrique González Carmona

    Location: Huelva, Spain

    Artist Statement: Minerals, water and water currents are the ingredients with which nature creates these ephemeral landscapes. This canvas is actually a raft of toxic waste from a copper mine, located in the province of Huelva, Spain, having been captured by aerial shots. These ephemeral formations will disappear with the next intense rains.

    Creative Runner Up Winner, Nature & Landscape: ‘Silky Hat’ by Takashi Nakazawa

    Location: Lake Yamanaka, Yamanashi prefecture, Japan

    Artist Statement: When the clouds cleared, there was Mt Fuji with a silky hat. To make it even more impressive, I used a long exposure and then made it black and white monotone.

    Creative Runner Up Winner, Architecture: ‘Achieve Dream’ by Min Ying

    Location: Zhoushan, China

    Artist Statement: The image was shot at the Zhoushan Sea Bridge, which is a great construction area in China.

    Creative Runner Up Winner, Animals/Pets: ‘Black Friday’ by Pedro Jarque Krebs

    Location: Spain

    Artist Statement: Flamingos have eyes that are bigger than their brains. But this doesn’t make them animals without a conscience. They have great vision, and although their ability to interpret what they see is limited, their way of associating in groups allows them to develop a collective consciousness to cope with their environment. Climate change is increasingly affecting their habitats.

    Winner, Portraiture: ‘The Same Sky’ by Carloman Macidiano Céspedes Riojas

    Location: Argentina

    Artist Statement: This goodbye does not mask a see you later. This never does not hide a hope. These ashes do not play with fire. This blind man does not look back. To this noise so fatherless I will not let you drill. A rotten heart of beating. This fish does not die through your mouth. This crazy man goes with another crazy. These eyes do not cry anymore for you.

    Creative Runner Up Winner, Experimental: ‘Chicago Station’ by Carmine Chiriacò

    Location: Chicago, Illinois, USA

    Artist Statement: This is the classic example of how I like to interpret what I capture with my camera. Through photography I try to communicate the emotions that I am feeling in that moment to the observer. My aim is to tell a story each viewer can experience, and allow him to see the world through my eyes.

    Creative Runner Up Winner, Open Theme: ‘Celebration of Sitti Mariam’ by Hisham Karouri

    Location: Sudan

    Artist Statement: The annual celebration of ‘Sitti Mariam’ the nobel sufi lady of Khatmiyyah sect in Sinkat town in east Sudan; a three days feast ending by the first Thursday of Rajab (month of Hijri calender). During Sitti Mariam lifetime, (1870-1952), the celebration was an annual meeting to assist the followers of the sect, and especially the needy, whom she cared mostly about.

    Creative Runner Up Winner, Beauty: ‘Inner’ by Renat Renee-Ell

    Location: Saint Petersburg, Russia

    Artist Statement: From the series ‘The Room Of Sound Distraction.’ The feelings of the heroine are rolled up like bud petals. At the heart of the fragrance is the soul. Sly hands stretch to take it away.

    Creative Runner Up Winner, Product: ‘Speed Freak’ by John Grusd

    Location: Long Beach, California, USA

    Artist Statement: This image is one of a series of compositions about automobile racing and the driver’s relationship to the distractions and danger inherent in motorsports. The driver remains focused and calm while the world hurtles by at tremendous speeds. In this image, the world around the driver becomes streaking color at streaking speeds.

    Creative Runner Up Winner, Food & Beverage: ‘The Broccoli Forest’ by Yuliy Vasilev

    Location: Bulgaria

    Artist Statement: This is the pilot image of my ongoing project ‘Miniature World.’ The image was taken in my home studio in Bulgaria in August 2019.

    Articles: Digital Photography Review (dpreview.com)

  • Atomos releases full Ninja V firmware update for recording 5.9K 12-bit ProRes Raw with Panasonic S1H

    Atomos has announced the full firmware update for its Ninja V monitor/recorder that enables 5.9K ProRes Raw video capture from a Panasonic S1H.

    It’s been just one week since the pre-release beta firmware was released alongside Panasonic’s S1H 2.1 firmware update, but the full version is up and ready to go. The full firmware update enables Ninja V units to record 12-bit ProRes Raw video over HDMI at up to 5.9K/29.97p in full-frame, or 4K/59.94p in Super35. Also new is a 3.5K Super35 Anamorphic 4:3 RAW mode that makes it easier to record footage shot on anamorphic lenses.

    To accompany the new recording options, Panasonic has released a new LUT that can be downloaded for free on its website. The Atomos Ninja V firmware update (AtomOS 10.52) can be downloaded from the Ninja V product page, under the ‘Support’ tab.

    AtomOS 10.52 press release:

    Atomos releases full free Ninja V update to enable 5.9K Apple ProRes RAW recording for the Panasonic LUMIX S1H

    August 7, Melbourne, Australia: Atomos is thrilled to announce the dream of ultra-high resolution RAW video from a full-frame mirrorless camera is now a reality. Last week Atomos launched a Pre-Release Beta for Ninja V users to try out on their Panasonic LUMIX S1H. Today Atomos announces the full firmware update for the Ninja V.

    From today Ninja V & Panasonic LUMIX S1H users will be able to record:

    Simply stunning 12-bit RAW

    The Ninja V captures the unprocessed highly detailed 12-bit RAW signal files directly from the full frame sensor of the S1H over HDMI at up to 5.9K/29.97p in Full-frame, or 4K/59.94p in Super35. These unprocessed files are extremely clean, preserving the maximum dynamic range, color accuracy and every detail from the S1H. The resulting ProRes RAW files allow for greater creativity in post-production with perfect skin tones and easily matched colors, ideal for both HDR and SDR (Rec.709) workflows.

    Anamorphic RAW

    More and more cinematographers are now choosing to shoot with anamorphic lenses and the Ninja V and S1H combination caters to them with the new 3.5K Super35 Anamorphic 4:3 RAW mode. An even bigger world of cinematic opportunities opens up as the Ninja V and S1H can now be used as an A-camera or smaller B-camera on an anamorphic RAW production.

    Improved color pipeline

    LUMIX S1H ProRes RAW files recorded to the Ninja V can now benefit from an improved color pipeline in Apple Final Cut Pro X. Panasonic have published a new LUT based workflow that allows the enhanced potential of ProRes RAW files captured from the LUMIX S1H to be realised in the NLE software.

    Ninja V advantage

    The Ninja V allows users to accurately monitor the RAW signal on its daylight-viewable 5” 1000nit brightness HDR screen. Setup is simple when the camera is attached with perfectly tuned color settings applied automatically. Users can then view the RAW image accurately in HDR in a choice of HLG and PQ (HDR10) formats. The Ninja V offers touchscreen access to tools like waveforms, 1-1 magnification and focus peaking, allowing them to perfect their RAW video. The Ninja V then records the ProRes RAW data onto a removable AtomX SSDmini or other SSD drive. When shooting is complete the drive is removed and connected to a computer via USB for immediate offload and editing.

    ProRes RAW the new standard

    In addition to their ground-breaking combination of flexibility and performance, Apple ProRes RAW files are smaller than other RAW files – simplifying and accelerating file transfer, media management, and archiving. Even with the new higher 5.9K resolution, ProRes RAW files from the S1H can easily be edited on most modern Macs. ProRes RAW is fully supported in Final Cut Pro X and Adobe Premiere Pro along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight and Grass Valley Edius.

    This is available immediately; Ninja V users can download the free AtomOS update for their monitor-recorder directly from the Atomos website.

    Over the past few months Atomos has created a series of content pieces with the Ninja V and Panasonic LUMIX S1H, from test footage, to setting up your Ninja V and S1H with PhotoJoseph, to hearing from creators like Stuart Morgan and Krzysztof Sieniawski and their experiences with the great combo of Ninja V & S1H. Please see recent examples below.

    Articles: Digital Photography Review (dpreview.com)

  • Unsplash releases massive open-source image dataset with 2M high-quality photos

    Unsplash, a website that enables anyone to share high-quality images under a Creative Commons Zero license, has announced the release of what it says is the ‘most complete high-quality open image dataset ever.’ The dataset contains more than 2,000,000 images, according to Unsplash, which sourced the images from more than 200,000 photographers around the world.

    An image dataset is a collection of images that can be downloaded as a full batch; they contain relevant details, such as EXIF data, location information and more. In this case, Unsplash says that its dataset includes data on AI- and community-generated keywords for the images, landmark details when relevant, image categories and subcategories, download stats, the number of image views, groupings of images, user-generated collections and ‘keyword-image conversions in search results.’

    All data included with the dataset is anonymized and private, with the only exception being attribution to photographers. Unsplash says that it sourced the data from ‘hundreds of millions [of] searches across a nearly unlimited number of uses and contexts.’

    The ‘complete’ nature of this dataset distinguishes it from other open-source image datasets, which Unsplash notes often have various issues, such as relying on mass image labeling from third-parties, the use of low-quality images, size limitations and other issues that may limit their usefulness.

    In its present form, the dataset is 16GB in size, but Unsplash says that it will continue updating the dataset with additional images and fields as its online library grows.

    The dataset is available to download from a dedicated portal on the Unsplash website, where two download options are available: the full high-quality 16GB dataset, which is offered only for non-commercial use, and a ‘Lite’ version that is only 550MB and available for both non-commercial and commercial use.

    The full dataset contains more than 2,000,000 images, 5,000,000 keywords and 250,000,000 searches. The ‘Lite’ data is limited to 25,000 images and keywords, as well as 1,000,000 searches. Whereas the Lite dataset is available for anyone to download, the full dataset requires users to request permission to download.

    The company requires certain details from the user as part of their request, including name, email and the intended use of the data. In addition to the dedicated download website, Unsplash has published the related documentation on Github.

    Unsplash remains as controversial as it is popular. The website has been integrated into a number of services, including Adobe, Trello, Wix, Medium, Facebook and thousands of other platforms. The service is distinguished from other free photo platforms by the high-quality nature of the images available to the public under a CC0 license, making them available for non-commercial and commercial use.

    Professional photographers have criticized the platform as undermining the profession and photographers who contribute images as devaluing their work, among other things. Back in 2017, Unsplash founder Mikael Cho attempted to address these concerns in a blog post, stating, ‘We didn’t start Unsplash to reinvent an industry. We started Unsplash because we thought it might be useful.’

    Articles: Digital Photography Review (dpreview.com)

  • Film Fridays: Help us pick the best beginner-friendly film SLRs

    We’ve been putting together a 35mm SLR beginners’ guide, aimed at photographers who may be starting out in medium, whether on their own or through some sort of intro to darkroom photography course.

    To be considered for this forthcoming guide, we felt cameras should meet the following criteria:

    • Offer both full-manual and some sort of auto exposure mode, to help beginners wet their feet
    • Be a manual focus camera
    • Use readily available batteries (no mercury cells)
    • Can easily be found in good working order, with lens, for under ~$ 200

    After some research and much chatting with other fellow analog nerds, we’ve settled on the following list of cameras, all of which are shining examples of our criteria. Now it’s up to you to help us decide which of these cameras deserve to be featured in our final guide; we’ll lean on your opinions heavily as we whittle the contenders down further.

    Please vote only once for your favorite beginner-friendly camera. We’ll share the results of our poll when it closes, and our final guide thereafter.

    Have your say

    $ (document).ready(function() { Poll({“pollId”:”3230435594″,”openForVoting”:true,”mainElementId”:”poll0″,”slot”:null,”isSingleChoicePoll”:true,”minNumberOfChoices”:1,”maxNumberOfChoices”:1}); })

    What's the best beginner-friendly film SLR?
    You need to login to vote

    Is your beginner-friendly SLR choice not listed? Does it meet our criteria? If so, please mention it in the comments below and vote for the next closest model.

    About Film Fridays: We recently launched an analog forum and in a continuing effort to promote the fun of the medium, we’ll be sharing film-related content on Fridays, including articles from our friends at KosmoFoto and 35mmc.

    Articles: Digital Photography Review (dpreview.com)

  • TourBox Review: A Controller to Revolutionize Your Creative Workflow?

    The post TourBox Review: A Controller to Revolutionize Your Creative Workflow? appeared first on Digital Photography School. It was authored by Kav Dadfar.

    Tourbox review feature image

    What is the one thing that all photographers hate? Maybe selfie sticks take the top spot. But close to the top has to be editing.

    It is the one part of my workflow that I least look forward to. Like most photographers, I would much rather be spending my time taking photos than sitting in front of a monitor.

    For any given assignment, I may come back with between 4000-6000 photos to edit. The quicker I can get through these, the better. So, over the years, I have looked at many ways of speeding up my workflow efficiency. I try to get my pictures as close to the final version as possible in the field. But there will always be some editing needed.

    So, when I first learned about the TourBox controller, I was extremely excited to test it out.

    tourbox review

    About TourBox

    TourBox is a controller for digital creators, designed so you can use creative software such as Photoshop and Lightroom more efficiently. TourBox is compatible with Mac and Windows, and works by adding the shortcuts that you might use in your workflow to dials and buttons. This makes it quicker and easier to access software tools and features, which in turn speeds up your workflow.

    The company behind TourBox was founded in 2016, and they spent two years developing this console. After a successful Kickstarter campaign, the first finished versions were shipped in July 2019 to 58 countries.

    tourbox review

    First impressions

    The controller arrived in a stylishly-packaged box which would look at home on the shelf of a high-end department store. Inside the box was an instruction manual, a console, and a USB cable to connect the controller to a computer. There was no power cord, as the controller uses power directly from your computer.

    tourbox review

    One of the first things I noticed about the TourBox controller is how heavy it is. This is great, because it stops the controller sliding around on a desk. There are some grips underneath the console, but the weight helps. I also liked the slick, matte black finish, which is less slippery than gloss.

    The controller is approximately 11 cm x 8 cm (and around 4 cm high to the top of the center knob).

    tourbox review

    Installation

    TourBox is quick and easy to install. You simply to go to the TourBox website. Download the drivers and the software for the controller and follow the steps. In all, it took around four minutes for me to download and install everything needed for the console to work.

    So, within a few minutes, you are ready to start using the product.

    tourbox console

    How does TourBox work?

    In simple terms, the console replaces the shortcuts that you would type on a keyboard. By using the different dials and buttons, you can replace up to 42 different shortcuts. So, there are plenty of options (depending on how efficient you are with using keyboard shortcuts).

    Selecting a shortcut is then a case of clicking different combinations on the controller. For example, in Lightroom, Command/Control+Alt+V is the shortcut for pasting settings from a previous photo to the one you are on. But you can achieve this with one button using the console if you wish.

    tourbox settings

    Perfect for Lightroom (and Photoshop)

    One of the great things about this console is that it comes with functions for Lightroom and Photoshop already programmed in. You can literally open Lightroom and start using the console as soon as it is installed.

    You might be asking: Aren’t there more than 42 shortcuts in Lightroom? What the people at TourBox have cleverly done is program shortcuts for the most commonly-used functions.

    Things like temperature, tint, exposure, and contrast are controlled by pressing the relevant button. You can then turn the controller dial to adjust the slider. The other nine sliders in the Lightroom Basic panel are controlled by holding a button and clicking a direction on the Dpad.

    So, as an example, if you wanted to adjust the saturation, you would hold the top button and tap the “right” arrow on the Dpad. This selects the saturation slider, which you can then adjust with the dial. Once you have selected the slider, it remains selected until you choose something else. So there’s no need to keep the buttons pressed down.

    tourbox settings

    But how will I remember all the combinations?

    First, no need to worry. There is a handy Dpad guide that stays on the screen to show you the different functions. It will change to different combinations when you press any of the buttons on the console.

    Even though the guide is on the screen, in reality, you will learn the combinations really quickly. Because let’s be honest: It is much easier to remember to click one or two buttons than four different ones.

    Keep in mind that the vast majority of the editing you will do is in the basic panel. So you will be clicking these different combinations all the time. After around 15 minutes, I noticed that I began to use the console without needing the guide.

    Lightroom

    Customize TourBox to your needs

    The console has plenty of space for your own shortcuts (i.e., settings that you might use often). So you can change any of the preset shortcuts to fit your most commonly used adjustments.

    For me, one of the most used functions of Lightroom is copying the develop settings from the previous photo to the current one. I programmed this into the Tall button + C1. I have also programmed next photo and previous photo (normally the left and right arrow on a keyboard) as C1 and C2.

    So I can use the console without even needing to take my hand off of it.

    Tourbox settings

    Faster and more efficient workflow

    You may be thinking: What the point of all this is? After all, your mouse and keyboard can do all these things.

    For me, the benefit of a console like this is three-fold. First, it makes it much easier and quicker to edit through photos. This is because you are not moving your hand from the mouse to the keyboard all the time, which cannot be avoided for shortcuts that need many keys to be pressed. Plus, the controller makes it easier to remember shortcuts; I struggle to remember any shortcuts which are more than two keys, so this is ideal.

    The second benefit is that you have much more control when adjusting the sliders with the TourBox console (compared to the mouse). You can fine-tune the sliders in a way that’s difficult to do with a mouse.

    The third benefit of TourBox is that you can use it in conjunction with a tablet (and pen) for editing. This makes using a tablet quicker, as you can switch between commands using the console.

    Tourbox review
    TourBox is designed for left-handed use but can also be used right-handed.

    Other software

    99% of my editing work happens inside Lightroom. But you can also use TourBox with other creative software such as Photoshop, Capture One, Final Cut, and more. You can create different presets for each of these programs, and TourBox automatically detects the software you are using and switches to the relevant settings. So switching your editing from Lightroom to Photoshop becomes seamless and happens without interruption.

    tourbox review

    Conclusion

    I often get excited about new photography gadgets. But over the course of a few days and months that enthusiasm wanes, and I usually stop using the new gadget altogether. I always revert back to the old way of doing things.

    But I must confess: Having had the TourBox controller for a few days now, it might become a permanent fixture in my workflow. I am finding that I am going through my editing much quicker than usual. Either I have become considerably quicker in a few days, or it is due to the TourBox console.

    The post TourBox Review: A Controller to Revolutionize Your Creative Workflow? appeared first on Digital Photography School. It was authored by Kav Dadfar.


    Digital Photography School