A few nice visual art images I found:
Nashville Union Station Hotel
Image by mollyeh11
Trip to Nashville for Voices That Matter, with a visit to the historic Union Station Hotel, the Frist Center for the Visual Arts, and a bit of walkabout.
Nashville Union Station Hotel
Image by mollyeh11
Trip to Nashville for Voices That Matter, with a visit to the historic Union Station Hotel, the Frist Center for the Visual Arts, and a bit of walkabout.
A few nice visual art images I found:
The Characteristics of a Typeface (for widescreen displays)
Image by arnoKath
Wallpaper 1920×1200 created with the typefaces listed below:
Text Face
Alejandro lo Celsos (Pampa Type) unique serif typeface family»Arlt«.
»Arlt is a family of contemporary typefaces for a wide variety of applications. It includes text, display, and decorative fonts. Its style gives the text a sort of spicy atmosphere that makes it ideal for composing literature.
Arlt has been created for the demanding, inspired designers. Being the result of 3 years of intensive work, the types aim to balance a strong personality against comfortable readability. The fonts have been carefully crafted in every detail, to offer you the highest visual quality standards in typography.
Arlt is inspired by the novels and plays of Argentinean writer Roberto Arlt, active in the 20s and 30s. He pioneered the introduction of Lunfardo (Buenos Aires slang) into literature, and he was the first to write about the crook and the madman. His novels and plays refreshed the spirit of Hispanic literature of early 20th century, and anticipated the work of English-speaking writers such as Irvine Welsh or William Burroughs.
Arlt is a complex typeface. Its characters have vigorous counterforms. As individual shapes the letterforms can feel impulsive and capricious, but once they are combined into words, they look elegant and sober. The text line in Arlt creates a dynamic, stimulating rhythm, which is still very comfortable at immersed reading.
Arlt is a contemporary interpretation of the alphabet which finds inspiration in some classic sources. The italics are linked to the glamorous, mannerist typography of 17th century Baroque (Dutch designer Christoffel van Dijck, Hungarian printer Miklós Kis). While the romans are a new attempt at capturing the warmth and vehemence of Expressionism. This style may be traced back to the 18th century: the singular work of German punchcutter Christian Zinck, and later to some 20th century East European type designers such as Preissig, Dyrynk, Menhart, and Frantisek Storm, probably today’s finest representative.«
Handwriting
Nick Shinns (ShinnType) excellent, exceptionally versatile script face »Duffy Script«.
Duffy Script is an interpretation of the lettering of contemporary illustrator Amanda Duffy, aka Losergirl. Each font contains four glyphs for each character (including all numbers, punctuation, and symbols), which OpenType coding sets in “random” order for a subtle, natural effect. Use a curved path to further accentuate the bounced quality of the letters. Try out different combinations of glyphs by inserting the cursor in front of your headline and hitting the space bar repeatedly: each time,the text will be represented by a different sequence of glyphs.
Outline Slab Serif
Dino dos Santos’ (DSType) fashionable, decorative slab serif typeface »Anubis Pro«.
The thought of the day, is really the thought of the year, oh no, it really is the thought of the century! Cool folks! Enjoy to photograph, even at such opportunities!:)
Image by || UggBoy?UggGirl || PHOTO || WORLD || TRAVEL ||
Street art is any art developed in public spaces — that is, "in the streets" — though the term usually refers to unsanctioned art, as opposed to government sponsored initiatives. The term can include traditional graffiti artwork, stencil graffiti, sticker art, wheatpasting and street poster art, video projection, art intervention, guerrilla art, flash mobbing and street installations. Typically, the term street art or the more specific post-graffiti is used to distinguish contemporary public-space artwork from territorial graffiti, vandalism, and corporate art.
Artists have challenged art by situating it in non-art contexts. ‘Street’ artists do not aspire to change the definition of an artwork, but rather to question the existing environment with its own language. They attempt to have their work communicate with everyday people about socially relevant themes in ways that are informed by esthetic values without being imprisoned by them.[1] John Fekner defines street art as “all art on the street that’s not graffiti.”[2]
The motivations and objectives that drive street artists are as varied as the artists themselves. There is a strong current of activism and subversion in urban art. Street art can be a powerful platform for reaching the public, and frequent themes include adbusting, subvertising and other culture jamming, the abolishment of private property and reclaiming the streets. Other street artists simply see urban space as an untapped format for personal artwork, while others may appreciate the challenges and risks that are associated with installing illicit artwork in public places. However the universal theme in most, if not all street art, is that adapting visual artwork into a format which utilizes public space, allows artists who may otherwise feel disenfranchised, to reach a much broader audience than traditional artwork and galleries normally allow.
BY WIKIPEDIA! ENJOY!:)
Stag at Echo Rock
Image by cliff1066™
Stag at Echo Rock by an unidentified artist, oil on canvas, late 19th century:
Stag at Echo Rock exemplifies the untrained but inventive style characteristic of much folk art. Untutored in the mechanics of perspective, this artist has produced a gripping image in which the background seems to tilt toward us, skewing our sense of depth. Though flattened, the image is rich in visual patterning and attention to detail, and is clearly made by someone intimately familiar with these rural surroundings.
americanart.si.edu/collections/search/artwork/?id=9865
Check out these visual art images:
MIT+150: FAST (Festival of Art + Science + Technology): FAST LIGHT — voltaDom
Image by Chris Devers
Quoting from the official pamphlet:
FAST LIGHT • May 7 + 8, 2011, 7 pm – 10 pm
Contemporary pioneers in art, science, and technology have come together at MIT to create one of the most exhilarating and inventive spectacles metro Boston has ever seen. On May 7 and 8, 2011, visitors can interact with 20+ art and architectural installations illuminating the campus and the Charles River along Memorial Drive at MIT.
Installations scattered around campus (we didn’t quite see all of them), again pasting from the official flyer:
• aFloat
MIT Chapel • Saturday, May 7th ONLY
Inspired by water in the Saarinen Chapel’s moat, a touch releases flickers of light before serenity returns as a calm ripple.
By Otto Ng, Ben Regnier, Dena Molnar, and Arseni Zaitsev.
• Inflatables
Lobby 7, Infinite Corridor
A dodecahedron sculpture made of silver nylon resonates with gusts of air, heat from light bulbs, and the motions of passersby.
By Kyle Barker, Juan Jofre, Nick Polansky, Jorge Amaya.
• (now(now(now)))
Building 7, 4th Floor
This installation nests layers of the past into an image of the present, recursively intertwining slices of time.
By Eric Rosenbaum and Charles DeTar.
• Dis(Course)4
Building 3 Stair, Infinite Corridor
A stairwell transformed by a shummering aluminum conduit inspired by the discourse between floors and academic disciplines.
By Craig Boney, Jams Coleman and Andrew Manto.
• Maxwell’s Dream
Building 10 Community Lounge, Infinite Corridor
An interactive mural created by magnetic fields that drive patterns of light, Maxwell’s Dream is a visually expressive cybernetic loop.
By Kaustuv De Biswas and Daniel Rosenberg.
• Mood Meter
Student Center & Building 8, Infinite Corridor
Is the smile a barometer of happiness? Mood Meter playfully assesses and displays the mood of the MIT community onsite and at moodmeter.media.mit.edu
By Javier Hernandez and Ehsan Hoque.
• SOFT Rockers
Killian Court
Repose and charge your electronic devices using green solar powered technology
By Shiela Kennedy, P. Seaton, S. Rockcastle, W. Inam, A. Aolij, J. Nam, K. Bogenshutz, J. Bayless, M. Trimble.
• LightBridge
The Mass. Ave Bridge
A dynamic interactive LED array responds to pedestrians on the bridge, illustrating MIT’s ties to both sides of the river. Thanks to Philips ColorKinetics, CISCO, SparkFun Electronics.
By Sysanne Seitinger.
• Sky Event
Killian Court, Saturday, May 7th ONLY
Immense inflatable stars soar over MIT in celebration of the distinctive symbiosis among artists, scientists and engineers.
By Otto Piene.
• Liquid Archive
Charles River
A floating inflatable screen provides a backdrop for projections that highlight MIT’s history in science, technology, and art.
By Nader Tehrani and Gediminas Urbonas.
• Light Drift
Charles River
Ninety brightly glowing orbs in the river change color as they react to the presence of people along the shore.
By Meejin Yoon.
• Unflat Pavilion
Building 14 Lawn
This freestanding pavilion illuminated with LEDs flexes two dimensions into three. Flat sheets are bent and unfurl into skylights, columns, and windows.
By Nick Gelpi
• Gradated Field
Walker Memorial Lawn
A field of enticing mounts create a landscape that encourages passersby to meander through, or lounge upon the smooth plaster shapes.
By Kyle Coburn, Karina Silvester and Yihyun Lim.
• Bibliodoptera
Building 14, Hayden Library Corridor
Newly emerged from the chrysalis of MIT’s diverse library pages, a cloud of butterflies flutters above, reacting to the movement of passersby.
By Elena Jessop and Peter Torpey.
• Wind Screen
Green Building Facade, Bldg 54
A shimmering curtain of light created by micro-turbines displays a visual register of the replenishable source of wind energy.
By Meejin Yoon.
• String Tunnel
Building 18 Bridge
A diaphonous tunnel creates a sense of entry to and from the Infinite Corridor and frames the surrounding landscape.
By Yuna Kim, Kelly Shaw, and Travis Williams.
• voltaDom
Building 56-66 Connector
A vaulted passageway utilizes an innovative fabrication technique that creates complex double curved vaults through the simple rolling of a sheet of material.
By Skylar Tibbits.
• Night of Numbers
Building 66 Facade & E15 Walkway
A lighting installation enlivens MIT architectre with numbers that hold special or historical significance to the Institute. Can you decode them all?
By Praveen Subramani and Anna Kotova.
• Overliner
Building E-25 Stairwell
Taking cues from a stairwell’s spiraling geometry, Overliner transforms a familiar and busy passageway into a moment of surprise and repose.
By Joel Lamere and Cynthia Gunadi.
• Chroma District
Corner of Ames and Main Streets.
Lanterns react to visitors by passing sound and color from one to another, increasing in intensity along the way and illuminating the path to MIT’s campus.
By Eyal Shahar, Akito van Troyer, and Seung Jin Ham.
A few nice visual art images I found:
Oorsprong
Image by ines saraiva
"OORSPRONG (2007) – HANS VAN KOOLWIJK
Visitors can literally step into a giant flute and experience the turbulent vibrations of the air that is blown in the sound installation from the other side of the instrument. After closing the door, it becomes obvious that “sound is substance”. The effect of the installation is at its strongest at the labium, because that is exactly the spot where the sound
is created: the origin.
Hans Van Koolwijk (NL) is fascinated by sounds that can be heard and felt. He has studied graphic arts an has made a name with his ‘Bambuso Sonoro’, flutes that can be played simultaneously by just one solo performer."
IN: www.musica.be/en/oorsprong-2007-hans-van-koolwijk
~~~
"In Klankenbos (Sound Forest) contemporary artworks produce sounds. Not only are your ears stimulated, you’d better keep your eyes open as well, for the sound installations are fascinating visual artworks which deserve to be looked at. Thus Klankenbos is a special auditory and artistic open air experience, inviting you along a promenade walk at the Provincial Domain Dommelhof in Neerpelt. With its ten stationary and three mobile sound installations Klankenbos is quite unique in Europe."
IN: www.musica.be/en/unique-collection-sound-art-installations
"Awakening Woods
In the context of Manifesta 9 – Parallel Events, Musica is hosting a summer exhibition with three new acquisitions for the permanent Klankenbos collection and two temporary media installations."
IN: www.musica.be/en/awakening-woods-klankenbos-summer-expo
Catalogue:
www.musica.be/en/klankenbos-catalogue
Neerlpelt, Belgium, 08/2012
“Seattle, City of the Seventies,” 1975
Image by Seattle Municipal Archives
Art at Corner Market paint-in. See our online exhibit for a history of the market. Item 32106, Pike Place Market Visual Images and Audiotapes (Record Series 1628-02), Seattle Municipal Archives.
Oorsprong
Image by ines saraiva
"OORSPRONG (2007) – HANS VAN KOOLWIJK
Visitors can literally step into a giant flute and experience the turbulent vibrations of the air that is blown in the sound installation from the other side of the instrument. After closing the door, it becomes obvious that “sound is substance”. The effect of the installation is at its strongest at the labium, because that is exactly the spot where the sound
is created: the origin.
Hans Van Koolwijk (NL) is fascinated by sounds that can be heard and felt. He has studied graphic arts an has made a name with his ‘Bambuso Sonoro’, flutes that can be played simultaneously by just one solo performer."
IN: www.musica.be/en/oorsprong-2007-hans-van-koolwijk
~~~
"In Klankenbos (Sound Forest) contemporary artworks produce sounds. Not only are your ears stimulated, you’d better keep your eyes open as well, for the sound installations are fascinating visual artworks which deserve to be looked at. Thus Klankenbos is a special auditory and artistic open air experience, inviting you along a promenade walk at the Provincial Domain Dommelhof in Neerpelt. With its ten stationary and three mobile sound installations Klankenbos is quite unique in Europe."
IN: www.musica.be/en/unique-collection-sound-art-installations
"Awakening Woods
In the context of Manifesta 9 – Parallel Events, Musica is hosting a summer exhibition with three new acquisitions for the permanent Klankenbos collection and two temporary media installations."
IN: www.musica.be/en/awakening-woods-klankenbos-summer-expo
Catalogue:
www.musica.be/en/klankenbos-catalogue
Neerlpelt, Belgium, 08/2012
Some cool visual art images:
Springtime in a Small Town
Image by ines saraiva
"SPRINGTIME IN A SMALL TOWN (2006) – PETER BOSCH & SIMONE SIMONS
This installation is all about vibrations. Wooden boxes on springs start wobbling as soon as visitors approach. In a complex system boxes influence each other. Small changes in movement may cause completely different and unexpected soundscapes. The relation order-chaos is under scrutiny in a constant stream of changes. A powerful exp
eriment by the physician Nikola Tesla that induced a tiny earthquake, inspired the creators. Hard- and software development in cooperation with Günter Geiger.
Peter Bosch (NL) has studied psychology and sonology, while Simone Simons (NL) has specialized in audiovisual design. They have been working on autonomous “music machines” since 1990. They both live and work in Spain."
IN: www.musica.be/en/springtime-small-town-2006-peter-bosch-s…
~~~
"In Klankenbos (Sound Forest) contemporary artworks produce sounds. Not only are your ears stimulated, you’d better keep your eyes open as well, for the sound installations are fascinating visual artworks which deserve to be looked at. Thus Klankenbos is a special auditory and artistic open air experience, inviting you along a promenade walk at the Provincial Domain Dommelhof in Neerpelt. With its ten stationary and three mobile sound installations Klankenbos is quite unique in Europe."
IN: www.musica.be/en/unique-collection-sound-art-installations
"Awakening Woods
In the context of Manifesta 9 – Parallel Events, Musica is hosting a summer exhibition with three new acquisitions for the permanent Klankenbos collection and two temporary media installations."
IN: www.musica.be/en/awakening-woods-klankenbos-summer-expo
Catalogue:
www.musica.be/en/klankenbos-catalogue
Neerlpelt, Belgium, 08/2012
Molten Drip Drop
Image by bettlebrox
Mass Art’s Spring 2009 Iron Pour.
www.eworksfestival.com/index.php?page=events/4_10
The Iron Pour has a strong history at Massachusetts College of Art, beginning as a fundraiser for the Metals Department, it has grown into a celebration of art, music, and performance. Recently, the Iron Corps., the group that organizes the event, has been working in conjunction with Eventworks, who will be kicking off their annual Art Festival. This spring, we will be invoking themes of outer space and the explosive demise of stars and planets . Aside from the spectacular sculptural performances by the Iron Corps. , activities will include face painting, fire dancing, visual shows, and four musical acts throughout the course of the night.
The Mirror Log: Day 9 – DSC_1507
Image by Fabrice de Nola
Description: close-up on QR code painted in The Mirror by Fabrice de Nola.
Date: June 28, 2011.
Note: the code link to the website Backyard World.
Cite as: Fabrice de Nola, 2011. The Mirror, work in progress, detail.
Fabrice de Nola is an Italian-Belgian visual artist. He was the first artist in the world to create works of art, in 2006, using painted QR codes containg web links and texts readable through mobiles.
??????????? ??????????????2006?????????????????????????
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A few nice visual art images I found:
Composed Nature
Image by ines saraiva
video – www.youtube.com/watch?v=do81AyTWnNA
"COMPOSED NATURE (2012) – STAALPLAAT SOUNDSYSTEM & LOLA LANSCAPE ARCHITECTS
Twenty-four birches are each fitted with a vibrating motor that can be activated from a distance. The vibration makes it possible to control the shaking of the the leaf canopy and generates noise fields that surround the visitor. The group of motorised trees form a sensit
ive but powerful and interactive instrument that invites visitors to improvise or compose. Trees, apparently passive bystanders in our everyday surroundings, are used to create a natural — or even supernatural — experience."
IN: www.musica.be/en/composed-nature-2012-staalplaat-soundsys…
~~~
"In Klankenbos (Sound Forest) contemporary artworks produce sounds. Not only are your ears stimulated, you’d better keep your eyes open as well, for the sound installations are fascinating visual artworks which deserve to be looked at. Thus Klankenbos is a special auditory and artistic open air experience, inviting you along a promenade walk at the Provincial Domain Dommelhof in Neerpelt. With its ten stationary and three mobile sound installations Klankenbos is quite unique in Europe."
IN: www.musica.be/en/unique-collection-sound-art-installations
"Awakening Woods
In the context of Manifesta 9 – Parallel Events, Musica is hosting a summer exhibition with three new acquisitions for the permanent Klankenbos collection and two temporary media installations."
IN: www.musica.be/en/awakening-woods-klankenbos-summer-expo
Catalogue:
www.musica.be/en/klankenbos-catalogue
Neerlpelt, Belgium, 08/2012
Fluisteroren
Image by ines saraiva
"FLUISTEROREN (2005) – BAUDOUIN OOSTERLYNCK
This mobile sound installation consists of various “prostheses”. They enable the capture of sound that normally cannot be heard by the inadequate human era. The underlying question of this installation relates to where exactly the body fails and what is needed to compensate it. FluisterOren (Dutch for ‘whispering ears’) can be understood as tools to redi
scover the sensitivity of original sound. Their meaning is to be found in their use to find almost inaudible sounds.
Baudouin Oosterlynck (BE) works already 30 years on the topics of hearing and listening. He permanently studies several aspects of acoustics, and also silence intrigues him. He designed some 60 installations and 50 “listening aids” that emphasis the relation between silence and sound."
IN: www.musica.be/en/fluisteroren-2005-baudouin-oosterlynck
~~~
"In Klankenbos (Sound Forest) contemporary artworks produce sounds. Not only are your ears stimulated, you’d better keep your eyes open as well, for the sound installations are fascinating visual artworks which deserve to be looked at. Thus Klankenbos is a special auditory and artistic open air experience, inviting you along a promenade walk at the Provincial Domain Dommelhof in Neerpelt. With its ten stationary and three mobile sound installations Klankenbos is quite unique in Europe."
IN: www.musica.be/en/unique-collection-sound-art-installations
"Awakening Woods
In the context of Manifesta 9 – Parallel Events, Musica is hosting a summer exhibition with three new acquisitions for the permanent Klankenbos collection and two temporary media installations."
IN: www.musica.be/en/awakening-woods-klankenbos-summer-expo
Catalogue:
www.musica.be/en/klankenbos-catalogue
Neerlpelt, Belgium, 08/2012
Fluisteroren
Image by ines saraiva
"FLUISTEROREN (2005) – BAUDOUIN OOSTERLYNCK
This mobile sound installation consists of various “prostheses”. They enable the capture of sound that normally cannot be heard by the inadequate human era. The underlying question of this installation relates to where exactly the body fails and what is needed to compensate it. FluisterOren (Dutch for ‘whispering ears’) can be understood as tools to redi
scover the sensitivity of original sound. Their meaning is to be found in their use to find almost inaudible sounds.
Baudouin Oosterlynck (BE) works already 30 years on the topics of hearing and listening. He permanently studies several aspects of acoustics, and also silence intrigues him. He designed some 60 installations and 50 “listening aids” that emphasis the relation between silence and sound."
IN: www.musica.be/en/fluisteroren-2005-baudouin-oosterlynck
~~~
"In Klankenbos (Sound Forest) contemporary artworks produce sounds. Not only are your ears stimulated, you’d better keep your eyes open as well, for the sound installations are fascinating visual artworks which deserve to be looked at. Thus Klankenbos is a special auditory and artistic open air experience, inviting you along a promenade walk at the Provincial Domain Dommelhof in Neerpelt. With its ten stationary and three mobile sound installations Klankenbos is quite unique in Europe."
IN: www.musica.be/en/unique-collection-sound-art-installations
"Awakening Woods
In the context of Manifesta 9 – Parallel Events, Musica is hosting a summer exhibition with three new acquisitions for the permanent Klankenbos collection and two temporary media installations."
IN: www.musica.be/en/awakening-woods-klankenbos-summer-expo
Catalogue:
www.musica.be/en/klankenbos-catalogue
Neerlpelt, Belgium, 08/2012
Check out these visual art images:
Pretty Purple by Sarah McGloughlin: Sculpture In Context 2012 at the National Botanic Gardens
Image by infomatique
Sculpture In Context 2012 at the National Botanic Gardens, Glasnevin, Dublin 9.
6th September to 19th October 2012
Sculpture in Context continues to build on 26 years of experience in organising successful exhibitions. It has, over the years staged highly acclaimed visual arts events at venues such as Fernhill Gardens, the Conrad Hotel, Kilmainham Gaol, the Irish Management Institute, Dublin Castle, Farmleigh House and the National Botanic Gardens.
The gardens are not only a botanical haven, and a quiet oasis on the outskirts of a modern European City, they also offer a challenging venue which gives the artist the rare opportunity of realising large scale work. It also gives the visitor an opportunity to ramble and explore, sometimes finding sculptures in the most unusual places. The sculptures are displayed throughout the gardens, ponds, Great Palm House, and Curvilinear Range, with the smaller works exhibited in the gallery above the visitors’ centre.
Bed Of Nails by Alan Corrigan & Finbar O’Neill: Sculpture In Context 2012 at the National Botanic Gardens
Image by infomatique
Sculpture In Context 2012 at the National Botanic Gardens, Glasnevin, Dublin 9.
6th September to 19th October 2012
Sculpture in Context continues to build on 26 years of experience in organising successful exhibitions. It has, over the years staged highly acclaimed visual arts events at venues such as Fernhill Gardens, the Conrad Hotel, Kilmainham Gaol, the Irish Management Institute, Dublin Castle, Farmleigh House and the National Botanic Gardens.
The gardens are not only a botanical haven, and a quiet oasis on the outskirts of a modern European City, they also offer a challenging venue which gives the artist the rare opportunity of realising large scale work. It also gives the visitor an opportunity to ramble and explore, sometimes finding sculptures in the most unusual places. The sculptures are displayed throughout the gardens, ponds, Great Palm House, and Curvilinear Range, with the smaller works exhibited in the gallery above the visitors’ centre.
A few nice visual art images I found:
Elizabeth Tashjiaan, American painter, 1912-2007
Image by Smithsonian Institution
Description: Elizabeth Tashjian, aka The Nut Lady, championed the nut by not only creating her own inventive portraits of a variety of nut and nutcrackers, but by opening her own nut museum in Old Lyme Connecticut. She was the daughter of aristocratic Armenian immigrants and studied at the New York school of Applied Design for Women as well as the National Academy of Design. Later in life, she appeared on the shows of Johnny Carson, David Letterman, Jay Leno, Howard Stern and Chevy Chase, to promote nuts and the Nut Museum.
Creator/Photographer: Peter A. Juley & Son
Medium: Black and white photographic print
Dimensions: 8 in x 10 in
Culture: American
Persistent URL: http://photography.si.edu/SearchImage.aspx?id=5822
Repository: Smithsonian American Art Museum, Photograph Archives
Collection: Peter A. Juley & Son Collection – The Peter A. Juley & Son Collection is comprised of 127,000 black-and-white photographic negatives documenting the works of more than 11,000 American artists. Throughout its long history, from 1896 to 1975, the Juley firm served as the largest and most respected fine arts photography firm in New York. The Juley Collection, acquired by the Smithsonian American Art Museum in 1975, constitutes a unique visual record of American art sometimes providing the only photographic documentation of altered, damaged, or lost works. Included in the collection are over 4,700 photographic portraits of artists.
Accession number: J0056756
Trash Chaos Vessal –“What Lies Within” 04
Image by Urban Woodswalker
This series of art is a commentary about society: our over stimulating culture, bombardment of visual "noise" and attention deficits, as well as being graphic, eye catching conversation pieces made from trash usually thrown out in the garbage.
"What Lies Within" measures 4.5" wide by 3 " wide, and 2.75" deep.
Trash Chaos Vessal– “What Lies Within” 02
Image by Urban Woodswalker
This series of art is a commentary about society: our over stimulating culture, bombardment of visual "noise" and attention deficits, as well as being graphic, eye catching conversation pieces made from trash usually thrown out in the garbage.
"What Lies Within" measures 4.5" wide by 3 " wide, and 2.75" deep.
A few nice visual art images I found:
experimental art
Image by dietmut
koolster
v2 da biblioteca
Image by Eduardo Loureiro
Infelizmente os agatha christie não cabem mais.
Então, nessa ordem:
DEMPSEY, Amy. Estilos, escolas e movimentos – Guia enciclopédico da arte moderna. Tradução: Carlos Eugênio Marcondes de Moura. São Paulo: Cosac Naify, 2003.
HURLBURT, Allen. Layout: o design da página impressa. São Paulo: Nobel, 2002.
BRINGHURST, Robert. Elementos do Estilo Tipográfico. São Paulo: Cosac Naify, 2005.
BESSA, José. Diário de Bordo. Rio de Janeiro: 2AB, 2004.
MUNARI, Bruno. Design e Comunicação Visual: Contribuição para uma Metodologia Didática. São Paulo: Martins Fontes, 2001.
FARINA, Modesto. Psicodinâmica das cores em comunicação. 4 ed. São Paulo: Edgard Bluchor, 2003.
PÉON, Maria Luiza. Sistemas de identidade visual. Rio de Janeiro, 2AB editora, 3º edição, 2001.
NIEMEYER, Lucy . Elementos de Semiótica Aplicados ao Design. 1. ed. Rio de Janeiro: 2AB Editora, 2003.
FILHO, João Gomes. Gestalt do Objeto – Sistema de Leitura Visual da Forma. São Paulo, Escrituras, 2004.
FALCONI, Vicente. O Verdadeiro Poder – Práticas de Gestão que Conduzem a Resultados Revolucionários. 1 ed. Minas Gerais: INDG Tecnologia e Serviços Ltda, 2009.
REIS, Abel. Trendzoom – um Olhar Local Sobre Tendências Globais de Comportamento do Consumidor. 2008.
KELLEY, Tom. The Ten Faces of Innovation: IDEO’s Strategies for Beating the Devil’s Advocate & Driving Creativity Throughout Your Organization. New York: Doubleday, 2005.
LOCKWOOD, Thomas. Design Thinking : Integrating Innovation, Customer Experience, and Brand Value. New York: Allworth Press, 2010.
BROWN, Tim. Change by Design: how design thinking transforms organizations and inspires innovation. HarperCollins, New York, 2009.
VERGANTI, Roberto – Design Driven Innovation: Changing the Rules of Competition by Radically Innovating What Things Mean. Harvard Business Press, 2009.
MIETTINEN, Satu; KOIVISTO, Mikko (eds.): Designing Services with Innovative Methods. Keuruu: Otava Book Printing Ltd, 2009.
STANLEY, King. Co-Design: a Process of Design Participation. New York: Van Nostrand Reinhold, 1989.
LECOMPTE, Margaret D.; JEAN J. Schensul. Designing and Conducting Ethnographic Research. Walnut Creek: Altamira Press, 1999.
DEMO, Pedro. Pesquisa e informação qualitativa. Campinas: Papirus, 2001.
GARRETT, Jesse James. The Elements of user Experience: User–Centers Design for the Web. Indianapolis (Indiana), 2003.
MOGGRIDGE, Bill. Designing interactions. Cambridge, MA: The MIT Press, 2007.
NORMAN, Donald. O design do dia-a-dia. Rio de Janeiro: Rocco, 2006.
NORMAN, Donald. Design emocional: por que adoramos (ou detestamos) os objetos do dia- a-dia. São Paulo: Rocco, 2008.
Technology Review: MIT Magazine of Innovation, 2008:April.
ACM interactions magazine, 2009, v.16, n.5.
ACM interactions magazine, 2009, v.16, n.6.
ACM interactions magazine, 2010, v.17, n.1.
ACM interactions magazine, 2010, v.17, n.2.
ACM interactions magazine, 2010, v.17, n.3.
ACM interactions magazine, 2010, v.17, n.4.
PREECE, Jenifer; ROGERS, Yvonne; SHARP, Helen. Design de interação: além da interação homem-computador. Porto Alegre: Bookman, 2005.
SAFFER, Dan. Designing for Interaction: Creating Smart Applications and Clever Devices, New Riders, 2007.
LÖWGREN, Jonas; STOLTERMAN, Erik. Thoughtful interaction design: A design perspective on information technology. Cambridge, Mass.: MIT Press, 2004.
ROSENFELD, Louis; MORVILLE, Peter. Information Architecture for the Word Wide Web. 3ed. Sebastopol: O’Reilly, 2006.
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