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Posts Tagged ‘Samyang’

Samyang targets Sony E mount users with new 35mm F2.8 AF lens

05 Jun

Korean optical manufacturer Samyang has released details of its third AF lens – a full frame 35mm F2.8 lens designed for Sony E mount cameras. The company says the lens is tiny and lightweight to suit these smaller compact system cameras, and that these characteristics make it ideal for travel and street photography.

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The Samyang 35mm F2.8 FE weighs 85g/3oz, measures 33mm/1.3in in length and uses seven elements in six groups. It has a seven-bladed iris, a filter thread of 49mm and a closest focus distance of 0.35m/1.14ft. It will be available from July and will cost £279.99 (approx $ 350). For more information see the Samyang website.

Press release

Samyang Introduces third autofocus lens – AF 35mm F2.8 FE

June 5th, 2017, Seoul, Korea – Global optics brand Samyang Optics, is pleased to announce the release of Samyang’s third autofocus lens: the AF 35mm F2.8 FE. A tiny lens with a mighty performance, it is ideal for daily photography as well as travel photography. This new compact and lightweight lens, together with the existing AF 14mm F2.8 FE and AF 50mm F1.4 FE lenses, now expands Samyang’s autofocus lens line-up to three.

Tiny and Mighty
The AF 35mm F2.8 FE weighs just 85g and measures 3.3cm in length, without the hood and rear cap, it is roughly the equivalent in weight of a bar of soap and smaller than a name card in size. Thanks to Samyang’s exceptional optical technology, its compact size is packed with features for outstanding image quality. Featuring seven elements in six groups, two aspherical lenses and one high refractive lens plus Ultra Multi Coating to minimise aberration and unnecessary light dispersion, the lens delivers high resolution from the centre to the corners of the image.

Perfect Partner for Everyday Photographers
This new lens is specifically designed to work in harmony with full frame mirrorless cameras in Sony E mount. For full frame sensors, the focal length resembles the human eye the most. For APS-C types for Sony alpha 6000 and 5000 series users the lens is equivalent to approximately 52mm, which is also one of the most popular focal lengths among photographers.

Portability with mighty performance and a 35mm focal length makes this lens the best choice for daily photographers who want to capture every memory as a high quality image. The autofocus is fast and accurate and is ideal for the capture of outdoor events such as hiking, sports events and landscape photography. It also has a minimum focusing distance of 0.35m and is ideal for street, portrait and close focus photography.

Available from July 2017
This tiny and mighty Samyang 35mm F2.8 FE lens will be available from July, and will carry a suggested retail price of £279.99 inc VAT.

Articles: Digital Photography Review (dpreview.com)

 
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Samyang Lens Station USB dock spotted in the wild

22 Apr

Samyang recently showed off a new Lens Station device at the 2017 Seoul International Photo & Imaging Show, according to Photo Rumors.

The Lens Station is described as a USB docking station for lens customization and firmware upgrades, one said to be similar to Sigma’s own USB dock. Unfortunately, no details about availability or pricing have been released at this time.

Articles: Digital Photography Review (dpreview.com)

 
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Samyang announces VDSLR 16MM T2.6 cine lens

21 Apr

Lens maker Samyang has launched the new VDSLR 16mm T2.6 cine lens, which is designed for video shooting with uncoupled gear rings with T numbers. This latest launch takes the South Korean manufacturer’s  number of cine lenses up to 19. 13 of those are designed for use with DSLRs, varying from an 8mm fisheye up to a 135mm telephoto, and six for mirrorless system cameras, ranging from 8 to 50mm in focal length.

The new 16mm T2.6 will be available globally from June at a price of 599 Euros in Europe (USD 640). No information on US pricing has been released yet. 

Press Release:

Samyang Introduces VDSLR 16mm T2.6

April 21st, 2017, Seoul, South Korea – Global optics brand, Samyang Optics (http://www.samyanglensglobal.com) announce a new 16mm T2.6 cine lens, designed specifically for video shooting with uncoupled gear rings with T numbers. This launch adds one more lens to the existing 18 cine lenses for DSLR and mirrorless cameras. 

Since 2012, Samyang Optics has released its cine lenses based on the needs of professional videographers. Satisfied with the image quality of Samyang lenses, videographers continuously requested for cine lenses and as an answer, Samyang launched cine lens line up. 

This new launch expands the cine lens line up to a total of 19 lenses: 13 for DSLR cameras varying from 8mm fisheye to 135mm telephoto and 6 for mirrorless cameras varying from 8mm to 50mm. 

Inheriting the renowned image quality of Samyang’s wide-angle lenses, the 16mm angle of view is commonly used by directors of photography around the globe for its versatile usage for wide-angled emotional scenes in film and videos. Along with the existing 14mm, 20mm and 24mm, this new lens will realise the delicate changes in the scenes. 

As a ‘Total Imaging Solution’ optics brand, Samyang Optics now offers 51 lenses: 2 premium XP photo lenses, 2 autofocus lenses, 19 manual focus photo lenses, 19 cine lenses and 9 professional cinema lenses specifically under XEEN brand. 

Launched to complete the Samyang cine lens line up, this new 16mm T2.6 will be available globally from June and will carry a suggested retail price of EUR 599. For more information, visit the Samyang social media channels.

Articles: Digital Photography Review (dpreview.com)

 
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Samyang launches XEEN 20mm T1.9 video-cine lens

07 Feb

Samyang Optics has announced the XEEN 20mm T1.9 video-cine lens. The latest model is part of the company’s XEEN cinema lens lineup, bringing the total number of lenses up to eight. The new XEEN lens will be available with PL, EF, F, E and MFT mounts, and will be offered with both metric and imperial units. 

The XEEN 20mm T1.9 video-cine lens features X-Coating technology, according to Samyang, as well as 11 aperture blades, a focus ring, and an iris gear ring. The company bills the new XEEN product as suitable for shooting video at 4K or greater resolutions, including in low-light settings. Samyang plans to launch the new model globally starting on March 7 for the price of €2,200 (about $ 2,365).

Via: Samyang Lens Global

Articles: Digital Photography Review (dpreview.com)

 
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Overview of the Samyang 12mm F2.8 ED AS NCS Fisheye Lens

09 Nov

There is nothing quite like seeing the world through a fisheye lens. The way it bends straight lines and creates curves where there were none. You get to see more of the world through it than you can with your own eyes, well that is unless you turn your head. Recently I was loaned the Samyang 12mm F2.8 ED AS NCS Fisheye lens to play with and I have been having a lot of fun seeing what it can do.

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Samyang 12mm F2.8 ED AS NCS Fisheye lens

Price out this lens on Amazon and B&H Photo.

Fisheye lenses have been around for a long time. But for most of us, they have not been something that we thought would be worth spending all that money on. However, the 12mm fisheye from Samyang is affordable and can give your photography a new look.

How wide is it?

There is nothing like using a wide angle for the first time and having objects fit into your frame like never before. This lens is very much like that. The first reaction most people have when they look through the viewfinder for the first time is “wow”. It is incredible what you can fit into it.

You get an 180-degree view with it. It really does fill the frame with all that you can see, including your periphery vision. While this is a good thing, there is also a downside. You can end up with unwanted distractions in the image. If you point the lens down too far you may end up with your feet in the image. Or if your camera bag on the ground is not behind you, it too will be included. Going out with friends to take photos means constantly asking them to step back behind you. If they are good friends, they won’t mind.

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Melbourne from across the river.

This lens won’t break the bank

When you consider how much other lenses with an f/2.8 aperture cost, you would think this one would also be very expensive, a thousand bucks or so. But it retails for around USD$ 500 (less if you have a mirrorless system) so it makes it a lot more affordable than the top brand fisheye lenses. It is a good quality lens and is a great alternative for those that can’t afford the pricier top brand ones.

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One of the rides at the Royal Melbourne Show

This lens is fun!

Without a doubt, this is a fun lens. It can have real uses, but in the end, I dare anyone to put the lens on their camera and not have a great time seeing what they can get with it. It is amazing to watch how the world is transformed through it.

I was first loaned the lens one day while in the city and I wouldn’t take it off my camera. I really enjoyed seeing what it could do and how much I could see with it. It was a challenge to see how I can make the world make sense with it. In the end you have to let that go and just take photos.

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One of the rides at the Royal Melbourne Show.

It is small

For a fisheye, it is very small which is great because it means it’s easy to carry around with you. You would expect a fisheye to be a large bulky lens with big bulbous glass on the front. The Samyang fisheye is a lot smaller and not much bigger than a normal 50mm lens. Don’t let the size fool you, as it still takes a great image.

Full frame lens

Surprisingly for the cost, it is a lens for a full frame camera. It seems that many lenses for these are usually a lot more expensive. You are going to get much wider images with the full frame, and if you put the lens on a cropped sensor that aspect will suffer and you won’t get as wide an angle (about like an 18mm), though you should still get the fisheye effect.

First time mounting the lens

When you first put the lens on your camera you can get some strange numbers coming up on your camera display. If that happens you need to change the aperture ring on the lens. Turn it all the way around until you can see the aperture on your camera.

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Looking at the city through the Seafarers Bridge.

It distorts the world around

For many the distortions may be too much and maybe the lens won’t be for them. The first time I posted a few photos I took with it, some people pointed out that I could get rid of the weird curves. My first thought was why would I, isn’t that the reason for using a fisheye in the first place?

It is a manual focus lens

For many people, the manual focusing for the lens is a negative. We have gotten used to autofocus, and having to go back to do it manually again can seem too hard. However, it is amazing how quickly you can adapt to it. The more you do it the easier it really does get. I seem to be using a lot of lenses lately that are manual focus and I don’t have an issue with it now.

One of the benefits with the Samyang fisheye is that for most subjects they are going to be several feet or meters from you so you can put the focus ring on infinity and just click away. It is rare than anything you shoot will be too close for that. Obviously if something is close you will need to focus the lens, but for the most part you can put it on infinity and just go for it. Just remember that it is on that setting and don’t forget to keep checking that the image is focused (zoom in on the image playback).

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Fireworks at the Royal Melbourne Show.

Conclusions

Working with the lens

If you have purchased the fisheye then it would seem you are looking for more than just a wide angle lens. The lens is known for its distortions, so work with that. Find subjects that will be enhanced due to the curve of the lens. If you are somewhere like in a city, try different compositions to see which will work the best.

If you want something to appear straight, like the bridge, if you put that more in the centre of the image the distortion is far less. The same is true for the horizon. If you put the horizon line in the center of the frame then it will stay straight, but if you move it up or down it will get a curve to it. That can be really effective as well.

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Looking down a pier into the night sky at Sorrento. See the horizon is almost straight as it is closer to the middle of the image.

Applications

The lens is perfect for astrophotography and that is mainly where it is used. You can get a lot of sky into a fisheye image and the distortions wouldn’t matter so much. You can get brilliant shots of the Milky Way, or great star trails. Samyang Australia tends to market it to aurora hunters too, but it has other uses as well.

Architecture is a great subject for this lens. It does give many of the lines a curved shape, and in people’s minds they know they are meant to be straight. But you can use those distortions to create unique images.

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Some of the new architecture down at Docklands.

Many sports photographers could also find it useful. Not for everything, but for some special images. Cycling photographer Graham Watson often uses a fisheye for unique views of races like the Tour de France. With cycling ,you can get very close to the cyclists. So the fisheye would be perfect for some races, especially for a criterium when they are going around corners.

As the lens is so wide, there are many types of photography that it is not well suited for. Landscapes could work, but you need to have something in the foreground, otherwise everything would be too far away. The use of leading lines is important for that type of photography.

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The full curve of the Webb Bridge in the Docklands.

Who is this lens for?

The most obvious answer to this would be astrophotographers and aurora hunters, but there are others who would also benefit from it as well, like sports and architectural photographers. Perhaps others who want to add something unique or different to their images. For the price and size, it could be a great addition to any photographer’s kit.

If you are looking for a challenge in your photography, or perhaps you want to start looking at the world in a different way, I would highly recommend the Samyang 12mm F2.8 ED AS NCS Fisheye lens. It’s a fun and not too expensive piece of kit. While you may not use it a lot, you will get it out and take photos with it from time to time. We all have lenses that we don’t use a lot, but enjoy using them when we do.

Price out this lens on Amazon and B&H Photo.

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Samyang goes Premium with MF lens range

13 Sep

Korean optical manufacturer Samyang has announced a new series of upper-class lenses called Premium MF. The company has released details of a new manual focus 14mm F2.4 wide angle lens and an upgraded version of its popular 85mm lens but with an F1.2 maximum aperture. The models have a very smart-looking redesigned exterior and are finished in aluminum with narrow focusing rings in smooth rubber and an outline reminiscent of the Zeiss Milvus range.

Samyang says that the new optical construction of the lenses produces resolution suitable for 8K video and 50MP still sensors, and new coatings and special elements reduce aberrations to enhance the clarity of the pictures they create.

The 85mm F1.2 uses 10 elements in 7 groups and features a 9-bladed iris and a filter thread of 86mm. The Canon version, which is the only one mentioned at the moment, is set to weigh 1050g. The Premium MF 14mm F2.4 will have 18 elements in 14 groups, and will also have a 9-bladed iris but no filter thread. It is quoted as being available for Canon EF, Nikon F and Sony E cameras and will weigh 791g.

The company has yet to announce prices for these lenses but has said they will go on sale this year. For more information see the Samyang website.

85mm F1.2 MTF Samyang Premium MF 85mm F1.2
14mm F2.4 MTF Samyang Premium MF 14mm F2.4

Press release

Samyang introduces new Premium Lens Line-up

September 12th, 2016, Seoul, South Korea – Photokina, Global optics brand, Samyang Optics (http://www.samyanglensglobal.com) will announce its long-awaited first premium lens line-up: 85mm F1.2 and 14mm F2.4. This launch is a cornerstone for Samyang Optics to become a ‘Total Imaging Solution’ brand along with the introduction and expansion of autofocus lenses and XEEN lenses.

Founded in 1972 in South Korea, Samyang Optics has been the representative of Korean optics industry. With over 40 years of research and development in optics, Samyang integrates the essence of history and introduces a signature lens line-up of Samyang. “We believe a lens is one of the foremost elements in photography and videography”, says Haejin Lee, the head of Samyang Research Centre. He continues, “to create a signature Samyang Lens series, we have reviewed all the meetings and talks with photographers and cinematographers from past decades. They always return to one concept, the image quality. And it’s what we are after.”

85mm F1.2 and 14mm F2.4 manual focus lenses inherit and upgrade the eminent Samyang’s image quality to the next level. The new Samyang Lenses have the unprecedented resolving power, matched with 50 megapixels photo and 8K video productions. The two lenses enable you to capture life-long memories in everlasting image quality. Bokeh, out-focusing, starburst effect creates unforgettable image. Photographers can rely on the lens under various conditions. The resolving power contains abundant pixel information, allowing photographers the freedom in post-production to create unique image of own. Also, the minimised aberration enhance the clarity of image, creating more impressive image than your eyes can see.

The F1.2 of 85mm is, by far, the brightest lens in existing full frame DSLR lenses, securing the fast shutter speed. It has ten elements in seven groups, applying one aspherical lens and two high refractive lenses. The aspherical lens minimises the aberration and unnecessary light dispersion. Two high refractive lenses effectively adjust the path of light and deliver maximum amount to the sensor for clear and vibrant image.

The 14mm F2.4 is equipped with the most advanced optical technology among Samyang Lenses. It has 18 glasses in 14 groups including four different special optics: two aspherical lenses, one hybrid aspherical lens, two extra-low dispersion lenses and one high refractive lens. This optimal performance creates impressive image quality from centre to corner of image.

Also, the design itself is the statement. Aluminium alloy metal is adopted for maximum durability. With a sleek yet unprecedented design with flowing curves, this signature line-up is a one-of-a-kind lens. The usability is maximized with considerate diameter in 93~95mm.

In pursuit of image quality itself, Samyang will continue to develop premium manual focus lenses in response to the demands of professionals and will compete with world famous optics brands in quality and design. The lenses will be globally available in 2016, with suggested retail prices announced at a later date.

Samyang Premium MF 14mm F2.4 / 85mm F1.2 specifications

  Samyang Premium MF 14mm F2.4 Samyang Premium MF 85mm F1.2
Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 14 mm 85 mm
Image stabilization No
Lens mount Canon EF
Aperture
Maximum aperture F2.4 F1.2
Minimum aperture F22 F16
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 18 10
Groups 14 7
Special elements / coatings 2 aspherical + 1 hybrid aspherical + 2 extra-low dispersion + 1 high refractive lens + Ultra Multi Coating 1 aspherical + 2 high refractive elements + Ultra Multi Coating
Focus
Minimum focus 0.28 m (11.02) 0.80 m (31.5)
Maximum magnification 0.08× 0.13×
Autofocus No
Full time manual Yes
Distance scale Yes
Physical
Weight 791 g (1.74 lb) 1050 g (2.31 lb)
Diameter 95 mm (3.74) 93 mm (3.66)
Length 109 mm (4.29) 98 mm (3.86)
Materials Aluminum
Sealing No
Colour Black
Hood supplied Yes

Articles: Digital Photography Review (dpreview.com)

 
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Samyang AF 14mm F2.8 for Sony E-mount set to ship in September

18 Aug

Samyang Optics has completed its launch of five new lenses over the summer with the announcement that its full-frame 14mm F2.8 autofocus lens for Sony E-mount is ready to hit stores.

The Samyang AF 14/2.8 FE, as it is known, includes 14 elements in 10 groups, 3 of which being aspherical and two extra-low dispersion. The lens has nearly a 114° field-of-view when mounted to a full-frame body and about 90° on a crop body. The 14mm has a minimum focus distance of 20cm/7.9in and sports 7 circular aperture blades.

The lens will be available in September for €699. US and UK pricing was not available at press time.

Press release:

Samyang Announces the Release of AF 14/2.8

August 15th, 2016, Seoul, Korea – The global optics brand, Samyang Optics (http://www. samyanglensglobal.com) today announced the long-awaited release of autofocus lens: 14mm F2.8 for Sony E mount Mirrorless cameras with full frame sensor size. The new Samyang AF 14/2.8 FE is the widest lens in its class offering superb quality images to photographers. This launch follows the recent availability announcement of Samyang AF 50/1.4 FE.

Optimised Optical Design for Full Frame Mirrorless Camera Lens
Samyang AF 14/2.8 FE is specifically designed to work in harmony with full frame mirrorless cameras in Sony E mount. The flow of light is devised based on the uniqueness of the distance from glass to sensor in mirrorless cameras to create optimal performance. Along with portability of mirrorless lenses, the 14mm F2.8 is compatible with full frame sensors to deliver the wideness and sharpness of image to photographers.

The 14mm F2.8 is the widest angle available in the market in its class, broadening the sight of photographers to capture the world. Based on Samyang Optics’ exceptional optical technology, Ultra Multi Coating and three aspherical lenses have been included among 14 glasses in 10 groups to minimise aberration and unnecessary light dispersion, delivering high resolution from the centre to the corners of the image.

AF Performance and Ergonomic Design Based on Class-Leading Technology
This new product will be one of the first autofocus lenses in over 40 years of Samyang’s class-leading core optics technologies. Samyang has captured the essence of world leading image technology with their manual focus lenses and reinterpreted it into autofocus lenses. Photographers now can enjoy the prime manual lens image quality and autofocus lens. Samyang AF 14/2.8 FE is compatible with both phase detect and contrast detect sensors to operate fast and accurate focus detection.

The 86mm of maximum diameter is also the result of years of R&D for best handling, by adding stability. Also the minimal and sleek design and metal-housing solidify the build quality with the internal focus system.

Available from September 2016
This launching expands the boundaries of Samyang Optics photo lens line-up from manual focus only, to now include autofocus lenses. With the addition of 14mm to 50mm, Samyang now has two autofocus lenses along with 39 manual focus photo & cine lenses and 6 professional cine lenses, XEEN. The lens will be globally available from September, and the suggested retail price is EUR 699.

More information will be released soon on Samyang Optics official website (http://www.samyanglensglobal.com), Facebook page (http://www.facebook.com/samyanglensglobal) and Instagram (http://www.instagram.com/samyanglensglobal).

Samyang AF 14mm F2.8 specifications

Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 14 mm
Image stabilization No
Lens mount Sony FE
Aperture
Maximum aperture F2.8
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 7
Optics
Elements 14
Groups 10
Special elements / coatings 3 aspherical elements + Ultra Multi Coating
Focus
Minimum focus 0.20 m (7.87)
Maximum magnification 0.12×
Autofocus Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 505 g (1.11 lb)
Diameter 86 mm (3.37)
Length 98 mm (3.84)
Sealing No
Colour Black
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Samyang introduces full-frame 20mm F1.8 ED AS UMC

08 Aug

Samyang’s summer lens party continues with the announcement of a 20mm F1.8 full-frame prime. The manual focus lens offers seven aperture blades and a minimum focus distance of 0.2m/0.6ft. Two aspherical lenses and three extra-low dispersion elements are included in the lens’ 13 elements in 12 groups. The 20mm F1.8 will be offered in ten mounts:

  • Canon EOS
  • Nikon AE
  • Pentax K
  • Sony Alpha
  • Canon M
  • Fujifilm X
  • Samsung NX
  • Sony E
  • Four Thirds
  • Micro Four Thirds

A cinema version is also introduced: the 20mm T1.9 ED AS UMC.

The 20mm F1.8 photo lens will cost €499, and the 20mm T1.9 cine lens will cost €549.

Articles: Digital Photography Review (dpreview.com)

 
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Samyang continues summer announcements with 35mm F1.2 ED AS UMC CS for mirorrless

01 Aug

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Sticking with its plan to introduce a whole bunch of new lenses this summer, Samyang has announced the 35mm F1.2 ED AS UMC CS for APS-C and Micro Four Thirds mirrorless cameras. It will be produced for Sony E, Canon M, Fujifilm X and Micro Four Thirds mounts.

The 35mm will include nine elements in seven groups, using two aspherical elements and Samyang’s ‘Ultra Multi Coat’ technology. A cinema version of the lens has also been introduced: the 35mm T1.3 ED AS UMC CS, with gears for follow focus and a de-clicked aperture ring.

Samyang hasn’t provided pricing or availability.

Articles: Digital Photography Review (dpreview.com)

 
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Samyang introduces XEEN 135mm T2.2, first ‘summer blockbuster’ lens

19 Jul

Samyang is making good on its promise of a new lens every week for five weeks, kicking things off with a XEEN 135mm T2.2 cinema lens. It slots into the company’s relatively new lineup as the longest lens in the range.

Like its siblings, the XEEN 135 is offered with interchangeable mount fittings for PL, Canon EF, Nikon F, Sony E and Micro Four Thirds bodies. Its manual focus only and uses an 11-blade aperture. No price is given, but XEEN series lenses have averaged around $ 2500 each.

Articles: Digital Photography Review (dpreview.com)

 
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