Tag: Running

  • How to Conserve your DSLR Battery When You are Running Low on Power

    The post How to Conserve your DSLR Battery When You are Running Low on Power appeared first on Digital Photography School. It was authored by Megan Kennedy.

    conserve-your-dslr-battery-power

    Cameras are amazing tools. However, without battery power, they aren’t particularly useful for image making. If you find yourself low on power, there are a number of ways to conserve your DSLR battery. In this article, we’ll look at a few options for stretching out the battery life of your camera when you are running low on juice.

    conserve dslr battery canon

    1/15 sec, f/8, ISO 800

    Lower LCD brightness

    If you’re worried about trying to conserve your DSLR battery, the first thing to do is to turn down the brightness on the camera’s LCD screen. Although dimming the LCD screen can make it more difficult to review images, cutting down on LCD brightness can make a big difference in terms of battery life.

    Turn off image preview

    Image preview is a quick way to make sure your photographs are turning out. However, Image Preview also consumes a lot of battery power. When you need to conserve your DSLR battery, you can turn the Image Preview function off altogether. Of course, this means that Live View mode is a no-go on a low battery too.

    Turn off your camera

    Conserve your DSLR Battery on off switch

    1/60th of a second at f/1.8, ISO 1600

    One of the most obvious ways to conserve your DSLR battery is to switch the camera off altogether! This won’t be of much use if you are in the midst of a shoot, but if you have a few minutes between subjects, turning your camera off can save a lot of battery.

    Don’t delete photos on the fly

    Going through and deleting images in-camera can put a significant strain on battery life. Deleting images in-camera can even increase the chances of corrupting the data on your memory card. Rather than trawling through and deleting your photographs to free up space, invest in a few extra memory cards instead.

    Switch off sensor cleaning

    sensor cleaning

    Sensor cleaning is a mechanism that cleans the sensor whenever the camera is turned on or off. When activated, the camera uses ultrasonic vibrations to try and shake loose any pesky traces of dust on the sensor. While useful, sensor cleaning uses up a considerable amount of battery life each time it enters cleaning mode. So, if you are low on battery, turn this function off via the settings menu in your camera.

    Avoid cold conditions

    Batteries in cooler environments tend to drain quicker than those in warmer conditions. If you can’t avoid shooting in a chilly environment, many photographers make use of hand warmers and the like to maintain battery life.

    Turn off image stabilization

    conserve your DSLR battery image stabilization switch

    1/250th of a second, f 3.2 ISO 800

    Image stabilization (or IS) is a mechanism that is used to stabilize an image when hand-holding a camera. By counteracting camera movement, IS reduces the likelihood of unwanted blur in your photographs.

    However…(you guessed it), image stabilization soaks up a lot of power.

    Sometimes IS is crucial, but in circumstances where the camera is mounted on a tripod or a steady surface, or you are shooting at a fast shutter speed, make sure you switch the IS function off to conserve your DSLR battery.

    Check up on battery health

    Camera batteries have a limited life, meaning that they do eventually need to be replaced. Keep track of battery health by consulting the battery info in-camera. Keeping an eye on trends in a batteries’ life can help you determine in advance when it might be time for a new battery.

    Consider getting a battery grip

    A battery grip is an accessory that attaches to the base of a camera. It provides room for an extra battery, doubling your time between charges. Battery grips also provide an additional grip for portrait-orientated shooting and can ease the strain of hand-holding longer lenses.

    Image: A battery grip aids in hand-holding the camera in a portrait orientation. 1/200 f/6.3 ISO 100

    A battery grip aids in hand-holding the camera in a portrait orientation. 1/200 f/6.3 ISO 100

    If you are finding that you are constantly pressured by a lack of battery power, or you want to ensure you won’t be caught short, you may want to invest in a battery grip.

    Conclusion

    Camera batteries are a key ingredient in DSLR photography. By lowering LCD brightness and switching off image preview, sensor cleaning and IS or turning off your camera between subjects, it can be a little easier to conserve your DSLR battery in a pinch.

    Refraining from deleting photos on the fly, avoiding cold conditions and keeping an eye on battery health can also help to stretch the longevity of a batteries’ life between charges.

    Do you have a great tip for conserving battery life in a pinch? Go ahead and post in the comments!

    The post How to Conserve your DSLR Battery When You are Running Low on Power appeared first on Digital Photography School. It was authored by Megan Kennedy.


    Digital Photography School

  • 7 Top Tips For Running Photography Mini-Sessions

    The post 7 Top Tips For Running Photography Mini-Sessions appeared first on Digital Photography School. It was authored by Lily Sawyer.

    For many photographers, especially those who photograph families and children, there are certain times of the year which can be great opportunities for photography mini-sessions.

    1 - 7 Top Tips For Running Photography Mini-Sessions

    If you have done mini-sessions before, you’re probably already a seasoned pro. But if this is your first time doing one, these tips may help. It’s better to start planning months in advance to get the word out before people’s diaries fill up.

    Mini-sessions are a quicker photographic session that is captured at lower than your full photographic session rate.

    The most obvious opportunity is the Christmas mini when parents book photo shoots for their children or their family for holiday cards or to give to grandparents and family as gift prints. Then there’s Valentine’s day, Mothering Sunday, Easter/Spring, Father’s Day, Summer shoots, Autumn shoots.

    Unless mini-sessions are all you do, I suggest deciding on which one to do from the above opportunities instead of offering a mini-session for each month of the year!

    2 - 7 Top Tips For Running Photography Mini-Sessions

    I thought it would be fun to do this in a DO and DON’T format. DON’T forget these are only my suggestions. Ultimately, DO decide for yourself what is best for your business.

    1:

    DON’T do more than two in one year.

    DO select carefully the ones you want to do and whether you vary them each year or stick to the one or two. Running them more often than this only encourages a client culture of waiting for mini-sessions, much like waiting for a sale. You may lose full-paying clients. Whilst you end up with many new contacts and families, you may be missing the opportunity to market to clients who want to have a longer session with you.

    2:

    DON’T invite everybody.

    DO invite only the clients who don’t usually go for full-price packages in the first instance or those who have a budget. Extend the invitation to their friends if spaces remain. If you don’t fill up, then you may well decide to make the invitation public. You may find that clients have like-minded friends. Knowing their friends do a mini instead of a full shoot, they may tend to follow suit, even if they can afford the full package. You don’t want your normal full-paying clients to suddenly switch to mini-sessions for their annual photoshoots.

    3 - 7 Top Tips For Running Photography Mini-Sessions

    3.

    DON’T do several days or weeks.

    DO specify one day (2 if you have more than you can take in one day), one location and short time slots. Make sure your time-slots do not have long breaks in-between. Be clear as to the duration of the mini-session, that is, when their time starts and ends. Make this much shorter than your usual photo shoot. It helps to have a short time in-between slots for a bit of leeway in case a shoot runs over. However, not too long in between so your client knows you have to wrap it up as there is another family waiting after their slot is over.

    4.

    DON’T overshoot.

    DO have a maximum number of images to shoot in mind so you don’t take far too many and end up with more editing hours equivalent to a full shoot. When shooting very young children, we normally have to shoot plenty to make sure we get good ones but don’t labor a pose. Take a few and move on. It helps to have a mental (or physical) list of shots and combinations as well as spots and locations for poses or positioning of subjects to help keep to the session’s time duration.

    4 - 7 Top Tips For Running Photography Mini-Sessions

    5.

    DON’T leave all the outfit planning to your clients.

    DO give your clients an idea of the set or backdrop color beforehand so they can plan outfits to suit or you can suggest clothing. I usually ask them to send me photos of their outfits beforehand so we decide together. Having great outfits really make a difference to the final look of your images and may even help strengthen your branding if and when you decide to blog the session.

    6.

    DON’T allow an unlimited number of props.

    DO ask them to bring only one or two props or items from home. For example, special teddies or toys for the kids to use as a prop or to comfort them if necessary. Usually, something that has special meaning works well. It’s a bonus if it goes with the outfits too. Again, you can discuss this with your client beforehand during the planning stage.

    5 - 7 Top Tips For Running Photography Mini-Sessions

    7.

    DON’T send the children off without a little gift after their session.

    DO show your appreciation. Applaud their effort and reward their time with one small gift like a small bottle of bubbles, sticker sheets or a little car. They will feel appreciated and that their hard work is recognized and valued. Who knows, this might set you up nicely for the next shoot with them where they warm up to you quicker than the last and be more obliging too. It’ll be a win-win.

    I hope these tips are helpful. Do share your thoughts on photography mini-sessions and comments below, or if you have more tips to add.

    The post 7 Top Tips For Running Photography Mini-Sessions appeared first on Digital Photography School. It was authored by Lily Sawyer.


    Digital Photography School

  • How to Photograph Kids Playing, Running Around and Generally Being Kids

    If you’re a people photographer, it’s hard to resist photographing kids as they play, run around and… well, be kids. It’s also a great chance for you to play as a photographer.

    Here are seven tips to help you capture photographs of kids at play.

    It was a grey hazy day at the beach so I focused on silhouette photos of my kids at play.

    1. Use Your Phone Instead of Missing the Moment

    I teach people how to use their new DSLR cameras. One of their biggest frustrations is that their friends seem to take better photos with a phone than they can with their complicated DSLR.

    If you’re still struggling with your DSLR, don’t be afraid to use your phone as a camera. As long as you keep in mind the most important parts of a photo – light, moment, and composition – your phone will take great photos.

    This photo of my daughter running through a puddle was captured with my iPhone 4s. Because it was a bright day, the shutter speed was fast and froze the water as it splashed.

    2. Be an Observer Instead of a Boss

    If you’re going to photograph kids at play, it’s best to have them acting candidly rather than telling them what to do. Just let them play, and they’ll give you countless moments to photograph. The moment you step in and tell them what to do or how to play, you’ll ruin the moment.

    I wanted a nice portrait of my daughter with these fall colors, but I knew I wouldn’t be able to make her stand still for one. So I let her walk on ahead of me. When I called her name she looked back, and I snapped the photo.

    3. Angles

    While photographing kids at play, consider the angle you’re using. Your photos will look more exciting if you go for low angles or face to face. Get down to their level (if not lower) and into their world.

    I achieved this extremely low angle by laying down on the ground and looking straight up.

    Before it was hauled away, my kids turned this mattress into a trampoline. A low angle helped to capture how high he was jumping.

    4. Get Close

    Join in the play, and get as close as you can while using a wide angle. When you look at the photo it will make you feel like you’re right back there in the moment.

    This son was wrestling with his dad so I decided to get in as close as I could. The wide-angle helped to exaggerate the moment.

    5. Get Behind Them

    Photographing people from behind adds a bit of mystery to your photo. It lets the viewer bring a little more of their own imagination to the photo. When we can’t see the person’s face, it makes us imagine what they’re up to.

    This over-the-shoulder shot anticipates the action that’s about to happen.

     

    This photo was taken in a massive outdoor sandbox. Obviously, he’s been sliding down the dirt hills on his bum.

     

    This combines taking a photo from behind with getting in close. (Taken with an iPhone.)

    6. Play With Your Shutter Speed

    One of the biggest problems you’ll face when capturing action is motion blur. So you’ll need a fast shutter speed.

    But you can also play with a slow shutter speed and capture creative motion blur.

    Slow shutter speed motion blur

    I took advantage of my iPhone’s slow shutter speed to capture this portrait of my daughter. As you can see her face is basically sharp while the background is quite blurry. This was achieved by having her walk toward me while I walked backward. To the camera everything is moving except for her.

    7. Tell a Story With Your Photos

    You can tell a story with your photos. It might be a ‘before and after’ story using just two photos. Or it could be a beginning, middle and end with three photos. It might even be a longer story that fills a photo book.

    Daddy daughter candid moment.

    This story begins with a little girl taking her daddy by the hand and leading him.

     

    Daddy daughter dancing

    Then in the middle of the story, she dances with her daddy.

     

    Daddy daughter play

    The story ends with her daddy swinging her around wildly.

    Final Checklist

    Here’s a checklist for photographing kids as they run around and play.

    • Consider this playtime for you as a photographer.
    • Use any camera you’ve got – even your phone.
    • Stand back and let moments happen on their own.
    • Be creative with your angles.
    • Get in close.
    • Add mystery to your photo by photographing kids from behind.
    • Be creative with your shutter speed.
    • Tell stories with multiple photos.

    Now go out there and take some great photos of those kids being kids and share them with us in the comments.

    The post How to Photograph Kids Playing, Running Around and Generally Being Kids appeared first on Digital Photography School.


    Digital Photography School

  • Throwback Thursday: the ups and downs of running DCResource

    My friends would (hopefully) say that I’m not one to toot my own horn, but since this weekend marks the 20th anniversary of my foray into the world of digital photography websites, I’m taking the liberty. Over Thanksgiving weekend in 1997 I founded the Digital Camera Resource Page, aka DCResource. The site is no longer updated (that probably wouldn’t go over well with my current employer), so it remains as a sort of time capsule to days past.

    In this Throwback Thursday I’m going to share my story of how I stumbled into the world of digital photography and the rollercoaster ride that followed.

    I’m fortunate to have been an early adopter of many technologies. Prior to my first year of college I spent a summer working in a research lab at UC San Francisco, where we had a computer connected to this Internet thing. On it were copies of NCSA Mosaic 0.86, TurboGopher and Eudora (for e-mail). When I started college at UC San Diego in Fall of 1994 I was selected to test out a “cable modem,” which back then was larger than a VCR and had a five figure price tag. Goodbye 28.8kbps dial-up, hello sort-of-high-speed Internet.

    The combination of three different thing resulted in the creation of DCResource. First and foremost, thanks to my job at the UCSD Bookstore, I was able to get my hands on early consumer cameras from Kodak, Apple and Casio that were up for sale. Second, I had already dipped my feet into running my own website, in the form of PowerWatch, which covered Mac ‘clones’ made by Power Computing, which (after the return of Steve Jobs) eventually closed down. Using the successful model of PowerWatch and noticing the lack of any sites covering digital cameras, in November 1997, in my college dorm, the Digital Camera Resource Page was born.

    The original site design by Delane Barrus, who was involved in the website for the first few years.

    The goal of DCResource wasn’t to be the most technical site out there (Imaging Resource and DPReview would arrive a year later to handle that), but to be the most accessible to the average person. Even now, I still get feedback from folks who thought that the site succeeded at doing that.

    The early years of DCResource were pretty busy, with more and more companies entering the market with their plasticky, VGA-resolution cameras. In addition to the big names, companies such as Agfa, Sanyo, Sharp and Toshiba were all in the market at the time. If you ever owned any of those, consider yourself old. At the time, your camera either used SmartMedia (ugh), CompactFlash or floppy disk. I wrote about new ‘4X’ speed CF cards and troubles getting the FlashPath SmartMedia-to-floppy adapter to work on Macs.

    Back then there was no content management system to hold reviews, so everything sat in static HTML files. Users e-mailed their camera reviews to me, which were often cross-posted on rec.photo.digital on Usenet.

    In the first couple of years it felt like the site just wasn’t taking off. I considered closing it down, but kept it going, working on it in my spare time in and after college. As people started to gravitate away from film and toward digital, I realized that I was just a little early.

    The purple version of DCResource launched in 2000. I made a mobile version of the site around then, designed for Palm VII PDAs. I still think that’s pretty awesome.

    When it came to camera reviews, I quickly established a standard that lasted for the entire life of the site. Besides being accessible, I wanted to be as consistent as possible. The layout was always the same: intro, what’s in the box, software, look & feel, how many photos fit on a memory card, menu options, photo tests and conclusion. (I always use the term ‘tests’ loosely, since there was never any DPReview-level science involved.)

    In every sample gallery I included the same set of photos taken in SF’s Chinatown as well as at Stanford University about 40 minutes to the south. I’d take out groups of cameras at a time (my record was 10 at once) since the weather in SF is so unpredictable. I’d do my best to arrive at the same time on each visit.

    $ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_8792388608″,”galleryId”:”8792388608″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

    Around 2001, I realized that keeping my site open was a good idea. Digital cameras were selling, and traffic was going up. I finally had good access to cameras to review, and back then, you could have a full review published on launch day. In the early days, it felt like the cameras manufacturers needed websites like mine (and others) a lot more than they do now. I quit my day job and started to run DCResource full-time.

    The year 2004 was the beginning of what I (and probably many of my peers) called the glory days. Technology moved so quickly that some photographers were upgrading cameras every year, and that’s in addition to first-time buyers. Business was booming.

    You know what they say about ‘all good things,’ right?

    Unique visitors over time, minus the actual data. Traffic peaked during the 2006 holidays.

    On June 29th, 2007, consumer digital photography changed forever. That’s when the original iPhone was announced, and for most of us in the publishing world, it was all downhill from there, though I didn’t know it at the time. Manufacturers didn’t either, because in January 2008 they collectively released 80 cameras at CES, again, most of them being compacts, with little to differentiate them. They still hadn’t gotten the memo a year later, with 75 cameras announced.

    While DCResource’s traffic was slowly slipping, it didn’t really hit home until after the 2009 holiday season, when I saw that my unique visitors were 60% of what they had been two years prior. It wasn’t panic time yet – I kept going without worrying too much about it, because as long as I was still making a good living, everything would be fine…

    The ‘orange’ version of the DCRP website launched in 2004. I still think it looks great today.

    2011 was panic time. The time to sell the site for anything except peanuts had long since passed (DPReview was acquired by Amazon four years earlier), and regret set in. I remember thinking “if only I had hired a salesperson while times were good,” – not that it would’ve made a difference at that point. While I still took most of my photos with my DSLRs, I was reaching for my smartphone more and more often.

    The next year, manufacturers announced 55 cameras at CES. The problem was, nobody was buying them, and since DCResource leaned toward the consumer end of the spectrum, it was starting to hurt. I starting tapping into my savings (gotta pay the mortgage) so it became obvious that it was time to get back into the workforce and resume running my website on the side. While Silicon Valley had tons of tech companies to choose from, running a digital camera website for almost 15 years was an unusual thing to have on your resume.

    The sheer ridiculousness of the number of point-and-shoot cameras on the market inspired me to make a family tree of Canon’s ELPH ultra-compacts.

    Around that time I was in touch with none other than Simon Joinson, who, along with Phil Askey, I’d known for several years as friendly competitors. Simon had expressed an interest in adding me to the DPReview team for a while, which was both a good opportunity for me and an excuse to move to Seattle, one of my favorite cities. Later that year, I accepted a position at DPReview, took a 3+ week trip to South America and Antarctica, and then drove myself and two partially sedated cats to Seattle. Since then, my brain has been stuffed with technical details (thanks Rishi and Richard), and my photography has improved as well (my old ‘work’ now makes me cringe).

    Naturally, I feel very fortunate for the opportunity that I had to leave the corporate world behind and build one of the original, and for a time one of the biggest photography websites from the ground up, almost entirely on my own. Sure, in retrospect I would’ve done a few things differently, but it was a good ride while it lasted.

    As 2017 comes to an end, I’m concerned that smartphones are following the same path as compact digital cameras, since they’re so good now that there’s less need to upgrade every year. That said, there is still a lot of innovation in this space, and smartphone photography is a lot more advanced than it was just a few years ago. While I don’t know (yet) whether computational photography is the next big thing, I’m strapped in – ready for another ride.

    Articles: Digital Photography Review (dpreview.com)

  • Canon beats Nikon to get EISA’s Pro DSLR award for 3rd year running

    Canon’s EOS 5D Mk IV has won the European Imaging and Sound Association’s (EISA) Professional DSLR of the Year award, making this the third year in a row that the brand has beaten Nikon to the top spot in the professional camera category. Neither company, though, managed to come out as well as Sony, which won a total of six titles for is compact system range.

    One of Sony’s titles was the prestigious European Camera of the Year award—a prize the company hasn’t won in nine years—which went to the a9.

    Sony’s other awards included Prosumer Compact Camera of the Year for the a6500, Compact Camera of the Year for the RX100 V, Superzoom Camera of the Year for the RX10 ll, Compact System Lens for its FE 100mm f/2.8 STF GM OSS and Professional Compact System Lens for the FE 70-200mm F2.8 GM OSS.

    Other notable lens awards went to Sigma for the 135mm f/1.8 DG HSM Art, and to Tamron’s 150-600 f/5-6.3 Di VC USD G2 and the 18-400mm F3.5-6.3 Di II VC HLD. Panasonic’s Lumix DC-GH5 won Photo & Video Camera of the Year, while Prosumer DSLR of the Year went to Nikon’s D7500.

    While this was the first year non-European countries were able to take part in the awards process, the Photography Expert Group remained entirely populated by magazine editors from Europe. For more information see the EISA website.

    Photography awards in full:

    EISA CONSUMER DSLR CAMERA 2017-2018
    Canon EOS 77D

    EISA PROSUMER DSLR CAMERA 2017-2018
    Nikon D7500

    EISA PROFESSIONAL DSLR CAMERA 2017-2018
    Canon EOS 5D Mark IV

    EISA CONSUMER COMPACT SYSTEM CAMERA 2017-2018
    Fujifilm X-T20

    EISA PROSUMER COMPACT SYSTEM CAMERA 2017-2018
    Sony 6500

    EISA CAMERA 2017-2018
    Sony 9

    EISA COMPACT CAMERA 2017-2018
    Sony RX100 V

    EISA SUPERZOOM CAMERA 2017-2018
    Sony RX10 III

    EISA PHOTO & VIDEO CAMERA 2017-2018
    Panasonic Lumix DC-GH5

    EISA INSTANT CAMERA 2017-2018
    Fujifilm Instax SQUARE SQ10

    EISA DSLR LENS 2017-2018
    SIGMA 135mm F1.8 DG HSM | Art

    EISA DSLR ZOOM LENS 2017-2018
    Tamron SP 150-600mm F5-6.3 Di VC USD G2

    EISA PROFESSIONAL DSLR LENS 2017-2018
    Canon EF 16-35mm F2.8L III USM

    EISA COMPACT SYSTEM CAMERA LENS 2017-2018
    Sony FE 100mm F2.8 STF GM OSS

    EISA PROFESSIONAL COMPACT SYSTEM CAMERA LENS 2017-2018
    Sony FE 70-200mm F2.8 GM OSS

    EISA COMPACT SYSTEM CAMERA ZOOM LENS 2017-2018
    Olympus M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO

    EISA PHOTO INNOVATION 2017-2018
    Tamron 18-400mm F3.5-6.3 Di II VC HLD

    EISA PHOTO DISPLAY 2017-2018
    EIZO ColorEdge CG2730

    EISA SMARTPHONE CAMERA 2017-2018
    Huawei P10

    Articles: Digital Photography Review (dpreview.com)

  • Time’s running out to enter 2017 Sony World Photography Awards

    2017 Sony World Photography Awards Last Call for Entries

    Cash prizes and Sony gear are on the line as deadlines for entry to the Sony World Photography Awards are approaching. With a little less than a month left to enter, the competition has released some early contenders. Head to the competition website to learn more, and take a look at some of the early standouts here.

    Panopticon #1 The prison San Vittore Milan. © Jelena Kostich, Serbia, Entry, Open competition, Architecture, 2017 Sony World Photography Awards

    The project named after social theory Panopticon, originally developed by French philosopher Michel Foucault in his book Discipline and Punish. The ìPanopticonî refers to an experimental laboratory of power in which behaviour could be modified, and Foucault viewed the Panopticon as a symbol of the repressive, disciplinary society of surveillance. I made photographs of the prison San Vittore in Milan, Italy. To show the boundary that is standing between those ones outside the prison, and those once inside the prison. That those outside the prison can’t actually see what is going on behind the walls of the prison.

    2017 Sony World Photography Awards Last Call for Entries

    Untitled. © Adit Merkine, Israel, Entry, Open competition, Wildlife, 2017 Sony World Photography Awards

    I was laying on the bank of Kerkini Lake, Macedonia, Greece on 27 January 2016. This lake is known as the most important wintering habitat of the Dalmatian pelican in Europe. At this time of the year the Dalmatian pelicans are in their breeding plumage. It was in the mid-morning. A group of five Dalmatian pelicans came closer and closer, probably looking for some fish from the fisherman on shore. They stopped for a short time in a lined row staring at my camera, like posing for a family shot. It was very exciting and I took the shot.

    2017 Sony World Photography Awards Last Call for Entries

    GOTHS. © Peter Dench, UK, Entry, Open competition, Portraits, 2017 Sony World Photography Awards

    Two Goths share a portion of chips on Southend promenade, UK.

    2017 Sony World Photography Awards Last Call for Entries

    Malaysia Independence Spirit. © Mohamed Shaiful Azre Allias, Malaysia, Entry, Open competition, Motion, 2017 Sony World Photography Awards

    Hundred of student hoisted flags during 59th Malaysia Independence Day celebration at Merdeka Square on 31 August 2016 in Kuala Lumpur, Malaysia. Malaysia celebrates its 59th National Day on August 31. I took this photo using a telephoto lens and wait for the show to begin.

    2017 Sony World Photography Awards Last Call for Entries

    Waiting a Next Turn. © Mankichi Shinshi, Japan, Entry, Open competition, Culture, 2017 Sony World Photography Awards

    After I heard that it is “one of the most crowded places in the world,” I decided to visit the beach in Qingdao, China. But Qingdao in May was chilly and foggyóit was still off-season. I could sense that this place had at one point been full of exuberant people, and in the subsequent emptiness, I felt a sense of loss.

    This photo is the scene of wedding photo sessions around the sea. Although It was very bad weather, maybe they had to do that because of the full reservations of the popular spot in China.

    2017 Sony World Photography Awards Last Call for Entries

    Al Ain City. © Andrzej Bochenski, Poland, Entry, Open competition, Architecture, 2017 Sony World Photography Awards

    2017 Sony World Photography Awards Last Call for Entries

    Lava, Etna. © Placido Faranda, Italy, Entry, Open competition, Nature, 2017 Sony World Photography Awards

    Solidified lava river vs Forest – Volcano Etna, Sicily. Aerial view from a drone.

    2017 Sony World Photography Awards Last Call for Entries

    Feeding Frenzy. © Noel Guevara, The Philippines, Entry, Open competition, Wildlife, 2017 Sony World Photography Awards

    Wolf Snappers feeding on plankton. German Channel, Ngemelis Island, Republic of Palau. Taken in miso soup visibility but one of my favorite shots from the trip. I took this while the three Mantas we were shooting were making their huge U-turn for another pass at the cloud of plankton. This was at around 3 meters and the energy was electric all around.

    2017 Sony World Photography Awards Last Call for Entries

    X-flies. © Peter Csakvari, Hungary, Entry, Open competition, Still Life, 2017 Sony World Photography Awards

    Who killed the flies?

    Articles: Digital Photography Review (dpreview.com)

  • Commuter Olympics: Indoor Running Tracks Link Japanese Airport

    [ By WebUrbanist in Design & Guerilla Ads & Marketing. ]

    japanese airport terminal tracks

    Combining a novel form of wayfinding with a nod to the upcoming 2020 Olympic Games in Tokyo, this new airport terminal trades moving walkways for a color-coded circuit of racetrack paths.

    japan indoor running track

    japan domestic international terminal

    The airport extension to Narita International anticipates the additional capacity needed in a few years for the upcoming event but also reflects a limited budget for expansion, together driving a design that needs no illuminated signs and skips people-moving devices.

    japan walking running

    japan olympics promotion

    japan wayfinding system

    Blue leads to departures and red takes people to arrivals – a simple scheme but easily visible when set against the more monotone surrounding interiors. The collaborative project featured contributions by PARTY with consultants from Nikken (photography by Kenta Hasegawa).

    japan airport furniture

    japan blue red departures

    japan race track path

    Of course, we all know the experience of being late for takeoff – beyond its aesthetics, it could indeed prove quite useful to have fast and slow lanes during busy times and for those whose commutes demand they make their plane in time.

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    [ By WebUrbanist in Design & Guerilla Ads & Marketing. ]

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  • Microsoft announces Surface 3 tablet running full Windows

    Microsoft has announced the latest model in its Surface line of tablets, the Surface 3. The big news here is that, unlike its predecessors which were running Windows RT, the new model comes with a full version of Windows 8.1. This means, like on the more expensive Surface Pro models, you can install and run any Windows application including Adobe Photoshop or Lightroom, making the Surface 3 a real alternative to a conventional PC. Read more

    Articles: Digital Photography Review (dpreview.com)

  • Yahoo Running Television Commercials for the New Flickr

    Yahoo Running a Television Commercial Promoting the New Flickr

    Lest anyone doubt Marissa Mayer and Yahoo’s new commitment to photo sharing site Flickr, apparently Yahoo is now running a paid television commercial for the photo sharing site — the first of its kind as far as I’m aware. Following some of the tweets on the commercial spot, it sounds like it may have begun running yesterday on NBC programming.

    The advertisement, which features the Bright Eyes song, “The First Day of My Life,” shows a photo montage of pug dogs, among other images. You can watch the commercial yourself above from Yahoo’s corporate YouTube account.

    The commercial comes out a few weeks after a successful new redesign of the site that gave all Flickr users a free terabyte of high res photo space.

    I posted previously on an informal statistic of uploads being up 71% at Flickr since the redesign, these statistics would seem to be in line with other metrics that Yahoo is also seeing internally, according to Flickr Community Manager Thea Lampkin.

    “[W]e have a lot of data already and are measuring traffic to all the new pages (don’t worry, it’s all anonymous),” writes Lampkin. “So far the metrics have been overwhelmingly positive, and we’re very happy with how Flickr members everywhere are interacting with the new site. Sets in particular are getting more traffic than ever before.”


    Thomas Hawk Digital Connection

  • Set Free – A Trail Running Film

    Thanks to Mountain Equipment Co-Op, and everyone who voted for Set Free! We are thrilled and humbled to have received the First Place honors in the 2011 Sweet Spots Video Contest. blog.mec.ca Kristie Elliot is a trail runner. This is a short film about her love for the trails in British Columbia. She is currently testing her limits, training for the Leadville 100 Mile Trail Run in Colorado. Kristie is a Massage Therapist at Moveo Sports and Rehabilitation in North Vancouver. www.moveo.ca Filmed in Squamish, British Columbia, the documentary covers the challenges and passions that go hand in hand with trail running. © 2001 Andrew Doran Photography This film is copyrighted. however, limited use is available for re-publishing or embedding on your blog, or industry web magazine under the following conditions 1 – the location where the video is posted must include the copyright notice “© 2011 andrewdoran.com” and there must be a link to www.andrewdoran.com published next to the video. 2 – This video may NOT be used on a website to promote a business or commercial endeavor. If you wish to do so, contact us for permission first. mail@andrewdoran.com If in doubt, as us. We’re pretty nice. See more Video and Still Photography at http Techie stuff: Filmed with the Nikon D7000, and GoProHD cameras, and edited in Sony Vegas Pro 10 Aerial shots taken from a modified Gaui 330x Quadrocopter carrying a GoPro Hero HD